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Estrutura, personagens e enganos: introdução
| Estrutura, personagens e enganos: introdução |
| Autore | Cláudia Teixeira |
| Pubbl/distr/stampa | Coimbra University Press, 2016 |
| Descrizione fisica | 1 electronic resource (83 p.) |
| Collana | Autores Gregos e Latinos - Ensaios |
| Soggetto non controllato |
characters
Bacchides context originality Plautus structure |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | por |
| Altri titoli varianti | Estrutura, personagens e enganos |
| Record Nr. | UNINA-9910346027003321 |
Cláudia Teixeira
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| Coimbra University Press, 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Hitchcock on Hitchcock . Volume 2 : selected writings and interviews / / edited by Sidney Gottlieb
| Hitchcock on Hitchcock . Volume 2 : selected writings and interviews / / edited by Sidney Gottlieb |
| Autore | Hitchcock Alfred <1899-1980, > |
| Pubbl/distr/stampa | Oakland, California : , : University of California Press, , 2015 |
| Descrizione fisica | 1 online resource (738 p.) |
| Disciplina | 791.430233092 |
| Soggetto topico |
Motion pictures - Production and direction
Motion pictures |
| Soggetto non controllato |
20th century film history
alfred hitchcock art of cinema art artists career cinema collection of interviews dial m for murder directors early fiction english film director english producer film industry film filmmakers filmmaking techniques filmmaking history of cinema hitchcockian influential directors innovative insightful master of suspense movies north by northwest originality psycho pure cinema rear window strangers on a train vertigo |
| ISBN |
0-520-27960-3
0-520-96039-4 |
| Classificazione | HN 4446 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Hitchcock on Hitchcock, Volume 2 -- Front matter -- CONTENTS -- Acknowledgments -- Introduction -- STORIES AND SUSPENSE -- Introduction -- The Henley Telegraph Stories -- Good-night, Nurse! (c. 1922-23) -- Hitchcock on Stories (1937) -- Lights! Action!-but Mostly Camera! (1941) -- Hitchcock, Master Maker of Mystery (1941) -- Introduction to Intrigue: Four Great Spy Novels of Eric Ambler (1943) -- The Quality of Suspense (1945) -- The Film Thriller (1946) -- Death in the Crystal Ball (1950) -- The Wise Man of Kumin (1951) -- The Chloroform Clue: My Favorite True Mystery (1953) -- "It's the Manner of Telling": An Interview with Alfred Hitchcock (1976) -- PURE CINEMA AND THE HITCHCOCK TOUCH -- Introduction -- Titles-Artistic and Otherwise (1921) -- How a Talking Film Is Made (1929) -- Why I Make Melodramas (1937) -- Some Thoughts on Color (1937) -- The "Hitch" Touch (1946) -- Encounter with Alfred Hitchcock (1956) -- Alfred Hitchcock Murders a Blonde (1958) -- My Favorite Film Character Is-ME! (1959) -- A Lesson in PSYCHO-logy (1960) -- Rear Window (1968) -- ON DIRECTORS AND DIRECTING -- Introduction -- An Autocrat of the Film Studio (1928) -- A New "Chair" Which a Woman Might Fill (1929) -- A Columbus of the Screen (1931) -- Britain Must Be Great (1932) -- The Man Who Knew Too Much (1956) -- Hitchcock on Truffaut (1962) -- Declaration of Alfred Hitchcock (1967) -- Interview with Alfred Hitchcock (1973) -- HITCHCOCK AT WORK -- Introduction -- Making Murder! (1930) -- Hitchcock's Notes on Stage Fright (c. 1950) -- Interview with Alfred Hitchcock (1955) -- Alfred Hitchcock Brings His Directing Techniques to the Medium of Television (1955) -- Hitch: I Wish I Didn't Have to Shoot the Picture (1966) -- HITCHCOCK SPEAKS -- Introduction -- Hitchcock Speaking (1956) -- Women (1959) -- Alfred Hitchcock Resents (1962) -- The Chairman of the Board (1964) -- John Player Lecture (1967) -- Interview: Alfred Hitchcock (1978) -- Selected Bibliography -- Acknowledgments of Permissions -- Index |
| Record Nr. | UNINA-9910787298803321 |
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Hitchcock Alfred <1899-1980, >
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| Oakland, California : , : University of California Press, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Hitchcock on Hitchcock . Volume 2 : selected writings and interviews / / edited by Sidney Gottlieb
| Hitchcock on Hitchcock . Volume 2 : selected writings and interviews / / edited by Sidney Gottlieb |
| Autore | Hitchcock Alfred <1899-1980, > |
| Pubbl/distr/stampa | Oakland, California : , : University of California Press, , 2015 |
| Descrizione fisica | 1 online resource (738 p.) |
| Disciplina | 791.430233092 |
| Soggetto topico |
Motion pictures - Production and direction
Motion pictures |
| Soggetto non controllato |
20th century film history
alfred hitchcock art of cinema art artists career cinema collection of interviews dial m for murder directors early fiction english film director english producer film industry film filmmakers filmmaking techniques filmmaking history of cinema hitchcockian influential directors innovative insightful master of suspense movies north by northwest originality psycho pure cinema rear window strangers on a train vertigo |
| ISBN |
0-520-27960-3
0-520-96039-4 |
| Classificazione | HN 4446 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Hitchcock on Hitchcock, Volume 2 -- Front matter -- CONTENTS -- Acknowledgments -- Introduction -- STORIES AND SUSPENSE -- Introduction -- The Henley Telegraph Stories -- Good-night, Nurse! (c. 1922-23) -- Hitchcock on Stories (1937) -- Lights! Action!-but Mostly Camera! (1941) -- Hitchcock, Master Maker of Mystery (1941) -- Introduction to Intrigue: Four Great Spy Novels of Eric Ambler (1943) -- The Quality of Suspense (1945) -- The Film Thriller (1946) -- Death in the Crystal Ball (1950) -- The Wise Man of Kumin (1951) -- The Chloroform Clue: My Favorite True Mystery (1953) -- "It's the Manner of Telling": An Interview with Alfred Hitchcock (1976) -- PURE CINEMA AND THE HITCHCOCK TOUCH -- Introduction -- Titles-Artistic and Otherwise (1921) -- How a Talking Film Is Made (1929) -- Why I Make Melodramas (1937) -- Some Thoughts on Color (1937) -- The "Hitch" Touch (1946) -- Encounter with Alfred Hitchcock (1956) -- Alfred Hitchcock Murders a Blonde (1958) -- My Favorite Film Character Is-ME! (1959) -- A Lesson in PSYCHO-logy (1960) -- Rear Window (1968) -- ON DIRECTORS AND DIRECTING -- Introduction -- An Autocrat of the Film Studio (1928) -- A New "Chair" Which a Woman Might Fill (1929) -- A Columbus of the Screen (1931) -- Britain Must Be Great (1932) -- The Man Who Knew Too Much (1956) -- Hitchcock on Truffaut (1962) -- Declaration of Alfred Hitchcock (1967) -- Interview with Alfred Hitchcock (1973) -- HITCHCOCK AT WORK -- Introduction -- Making Murder! (1930) -- Hitchcock's Notes on Stage Fright (c. 1950) -- Interview with Alfred Hitchcock (1955) -- Alfred Hitchcock Brings His Directing Techniques to the Medium of Television (1955) -- Hitch: I Wish I Didn't Have to Shoot the Picture (1966) -- HITCHCOCK SPEAKS -- Introduction -- Hitchcock Speaking (1956) -- Women (1959) -- Alfred Hitchcock Resents (1962) -- The Chairman of the Board (1964) -- John Player Lecture (1967) -- Interview: Alfred Hitchcock (1978) -- Selected Bibliography -- Acknowledgments of Permissions -- Index |
| Record Nr. | UNINA-9910828109703321 |
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Hitchcock Alfred <1899-1980, >
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| Oakland, California : , : University of California Press, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Why do we quote? [[electronic resource] ] : the culture and history of quotation / / Ruth Finnegan
| Why do we quote? [[electronic resource] ] : the culture and history of quotation / / Ruth Finnegan |
| Autore | Finnegan Ruth H. |
| Pubbl/distr/stampa | Cambridge, : Open Book Publishers, 2011 |
| Descrizione fisica | 1 online resource (xvi, 327 pages.) : illustrations; digital, PDF file(s) |
| Disciplina | 080.9 |
| Soggetto topico | Quotation |
| Soggetto genere / forma | History |
| Soggetto non controllato |
cultural anthropology
imitation oral traditions quotation cultural history folklore quotation marks english plagiarism language quoting sociolinguistics originality oral literature Erasmus Latin |
| ISBN |
1-906924-33-3
2-8218-1712-6 1-906924-35-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | ; I. SETTING THE PRESENT SCENE -- ; 1. Prelude: A Dip in Quoting's Ocean -- ; 2. Tastes of the Present: The Here and Now of Quoting -- 'Here and now'? -- What are people quoting today? -- Gathering and storing quotations -- ; 3. Putting Others' Words on Stage: Arts and Ambiguities of Today's Quoting -- Signalling quotation -- When to quote and how -- To quote or not to quote -- So why quote? -- ; II. BEYOND THE HERE AND NOW -- ; 4. Quotation Marks: Present, Past, and Future -- What are quote marks and where did they come from? -- What do they mean? -- Do we need them? -- ; 5. Harvesting Others' Words: The Long Tradition of Quotation Collections -- A present-day example: The Oxford Dictionary of Quotations -- ; 6. Quotation in Sight and Sound -- Quoting and writing -- inseparable twins? -- The wealth of oral quotation -- Quoting blossoms in performance -- Music, script and image -- ; 7. Arts and Rites of Quoting -- Frames for others' words and voices -- Narrative and its plural voices -- Poetry -- Exposition and rhetoric -- Ritual and sacred texts -- Play -- Displayed text -- An array of quoting arts -- How do the thousand flowers grow and who savours them? -- ; 8. Controlling Quotation: The Regulation of Others' Words and Voices -- Who plants and guards the flowers? Imitation, authorship, and plagiarism -- Constraining and allowing quotation: flower or weed? -- The fields where quoting grows -- ; III. DISTANCE AND PRESENCE -- ; 9. What Is Quotation and Why Do We Do It? -- So what is it? -- The far and near of quoting -- Why quote? -- ; Appendices -- Quoting the Academics Background to this study: citing the authorities Academics quoting --- List of the Mass Observation Writers. |
| Record Nr. | UNINA-9910141561403321 |
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Finnegan Ruth H.
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||
| Cambridge, : Open Book Publishers, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Why do we quote? [[electronic resource] ] : the culture and history of quotation / / Ruth Finnegan
| Why do we quote? [[electronic resource] ] : the culture and history of quotation / / Ruth Finnegan |
| Autore | Finnegan Ruth H. |
| Pubbl/distr/stampa | Cambridge, : Open Book Publishers, 2011 |
| Descrizione fisica | 1 online resource (xvi, 327 pages.) : illustrations; digital, PDF file(s) |
| Disciplina | 080.9 |
| Soggetto topico | Quotation |
| Soggetto genere / forma | History |
| Soggetto non controllato |
cultural anthropology
imitation oral traditions quotation cultural history folklore quotation marks english plagiarism language quoting sociolinguistics originality oral literature Erasmus Latin |
| ISBN |
1-906924-33-3
2-8218-1712-6 1-906924-35-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | ; I. SETTING THE PRESENT SCENE -- ; 1. Prelude: A Dip in Quoting's Ocean -- ; 2. Tastes of the Present: The Here and Now of Quoting -- 'Here and now'? -- What are people quoting today? -- Gathering and storing quotations -- ; 3. Putting Others' Words on Stage: Arts and Ambiguities of Today's Quoting -- Signalling quotation -- When to quote and how -- To quote or not to quote -- So why quote? -- ; II. BEYOND THE HERE AND NOW -- ; 4. Quotation Marks: Present, Past, and Future -- What are quote marks and where did they come from? -- What do they mean? -- Do we need them? -- ; 5. Harvesting Others' Words: The Long Tradition of Quotation Collections -- A present-day example: The Oxford Dictionary of Quotations -- ; 6. Quotation in Sight and Sound -- Quoting and writing -- inseparable twins? -- The wealth of oral quotation -- Quoting blossoms in performance -- Music, script and image -- ; 7. Arts and Rites of Quoting -- Frames for others' words and voices -- Narrative and its plural voices -- Poetry -- Exposition and rhetoric -- Ritual and sacred texts -- Play -- Displayed text -- An array of quoting arts -- How do the thousand flowers grow and who savours them? -- ; 8. Controlling Quotation: The Regulation of Others' Words and Voices -- Who plants and guards the flowers? Imitation, authorship, and plagiarism -- Constraining and allowing quotation: flower or weed? -- The fields where quoting grows -- ; III. DISTANCE AND PRESENCE -- ; 9. What Is Quotation and Why Do We Do It? -- So what is it? -- The far and near of quoting -- Why quote? -- ; Appendices -- Quoting the Academics Background to this study: citing the authorities Academics quoting --- List of the Mass Observation Writers. |
| Record Nr. | UNISA-996210785403316 |
|
Finnegan Ruth H.
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| Cambridge, : Open Book Publishers, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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