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Cinema and fascism [[electronic resource] ] : Italian film and society, 1922-1943 / / Steven Ricci
| Cinema and fascism [[electronic resource] ] : Italian film and society, 1922-1943 / / Steven Ricci |
| Autore | Ricci Steven |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2008 |
| Descrizione fisica | 1 online resource (249 p.) |
| Disciplina | 791.43/094509041 |
| Soggetto topico |
Motion pictures - Italy - History
Fascism and motion pictures - Italy - History Motion pictures - Social aspects - Italy |
| Soggetto non controllato |
anti fascism
class differences cultural studies fascism fascist era fascist sports film history film industry film studies historical memory historiography hollywood ideology industrialization interwar years italian cinema italian fascist regime italian film history italian film italian filmmaking italy leisure time movie studies mussolini national body national identity neorealism political politics propaganda readership regional differences spectatorship totalitarian government |
| ISBN |
1-282-77230-9
9786612772306 0-520-94128-4 |
| Classificazione | 24.32 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Illustrations -- Preface -- Introduction -- 1. Amnesia and Historical Memory -- 2. The Political Economy of Italian Cinema, 1922-1943 -- 3. Leisure Time, Historiography, and Spectatorship -- 4. Italy and America: Fascination and (Re)Negotiation -- 5. The Fascist Codex -- Notes -- Selected Bibliography -- Index |
| Record Nr. | UNINA-9910789000603321 |
Ricci Steven
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| Berkeley, : University of California Press, c2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Ethics and Literary Practice
| Ethics and Literary Practice |
| Autore | Newton Adam Zachary |
| Pubbl/distr/stampa | Basel, Switzerland, : MDPI - Multidisciplinary Digital Publishing Institute, 2020 |
| Descrizione fisica | 1 online resource (248 p.) |
| Soggetto topico | Philosophy |
| Soggetto non controllato |
Adorno
aesthetics affect African-American literature Afro-Caribbean literature alterity Alterity American philosophy analogy Anthropocene attention Being Biblical Hebrew classical Greek compassion contingency Czeslaw Miłosz Dante Alighieri decoloniality dialectics emergence Emersonian perfectionism Emmanuel Levinas empathy enlarged thinking entre deux ethics Ethics ethics and literature etymology gendered violence genocide German Empire Glissant Heidegger Hélène Cixous human rights indigenous writers Israeli literature Israelis and Palestinians Jacques Derrida judgment Kafka language poetry Levinas literary form literature metaphor metonymy Michael Palmer mimesis moral perfectionism n/a narrative ethics neorealism non-linguistic turn orthography paracritical pedagogy philosophy Plato po-ethics poetics poetry politics porosity postcritical Primo Levi prosody Proust racism Ralph Waldo Emerson reading recognition redress refugees representation responsibility romanticism Seamus Heaney Seamus Heaney's Human Rights Lecture sensus communis Shakespeare Simon Critchley skepticism sonic rhetorics space Stanley Cavell Teresa Brennan the individual the other the Other the reversible vov time Timm tragedy vulnerability Weil |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910557379203321 |
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Newton Adam Zachary
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| Basel, Switzerland, : MDPI - Multidisciplinary Digital Publishing Institute, 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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What is cinema? . Volume 2 / / by André Bazin ; foreword by François Truffaut ; new foreword by Dudley Andrew ; essays selected and translated by Hugh Gray
| What is cinema? . Volume 2 / / by André Bazin ; foreword by François Truffaut ; new foreword by Dudley Andrew ; essays selected and translated by Hugh Gray |
| Autore | Bazin André <1918-1958.> |
| Pubbl/distr/stampa | Berkeley : , : University of California Press, , [2005] |
| Descrizione fisica | 1 online resource (314 p.) |
| Disciplina | 791.43 |
| Altri autori (Persone) |
AndrewDudley <1945->
GrayHugh <1900-1981.> TruffautFrançois |
| Soggetto topico |
Motion pictures
Performing arts |
| Soggetto non controllato |
auteur
bazin cahiers du cinema chaplin cinema and screen cinema citizen kane critical theory cultural studies digital film directors editing eroticism fellini film and animation film cinematography film criticism film genre film history film literature film movements film studies film technique film theory film filmmaking french cinema image culture jean renoir literary studies mass media media neorealism nonfiction orson welles roberto rossellini surrealism truffaut visual culture |
| ISBN |
0-520-93126-2
1-306-07360-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- FOREWORD -- INTRODUCTION -- AN AESTHETIC OF REALITY: NEOREALISM -- LA TERRA TREMA -- BICYCLE THIEF -- DE SICA: METTEUR EN SCENE -- UMBERTO D: A GREAT WORK -- CABIRIA: THE VOYAGE TO THE END OF NEOREALISM -- IN DEFENSE OF ROSSELLINI -- THE MYTH OF MONSIEUR VERDOUX -- LIMELIGHT, OR THE DEATH OF MOLIERE -- THE GRANDEUR OF LIMELIGHT -- THE WESTERN: OR THE AMERICAN FILM PAR EXCELLENCE -- THE EVOLUTION OF THE WESTERN -- ENTOMOLOGY OF THE PIN-UP GIRL -- THE OUTLAW -- MARGINAL NOTES ON EROTICISM IN THE CINEMA -- SOURCES AND TRANSLATOR'S NOTES -- INDEX |
| Record Nr. | UNINA-9910789449003321 |
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Bazin André <1918-1958.>
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| Berkeley : , : University of California Press, , [2005] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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What is cinema? . Volume 1 / / by André Bazin ; foreword by Jean Renoir ; new foreword by Dudley Andrew ; essays selected and translated by Hugh Gray
| What is cinema? . Volume 1 / / by André Bazin ; foreword by Jean Renoir ; new foreword by Dudley Andrew ; essays selected and translated by Hugh Gray |
| Autore | Bazin André <1918-1958.> |
| Pubbl/distr/stampa | Berkeley : , : University of California Press, , [2005] |
| Descrizione fisica | 1 online resource (265 p.) |
| Disciplina | 791.43 |
| Altri autori (Persone) |
AndrewDudley <1945->
GrayHugh <1900-1981.> RenoirJean <1894-1979.> |
| Soggetto topico |
Motion pictures
Performing arts |
| Soggetto non controllato |
aesthetics
andre bazin art criticism cahiers du cinema charlie chaplin cinema cinematography cultural studies digital film drama film and art film and media film criticism film history film movements film studies film theory film filmmaking flim french cinema image culture jean renoir media mixed cinema montage movies narrative neorealism nonfiction orson welles performing arts photography roberto rossellini sartre sound cinema technology theater total cinema truffaut visual culture |
| ISBN | 0-520-93125-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Foreword -- Contents -- Foreword to the 2004 Edition -- Introduction -- The Ontology of the Photographic Image -- The Myth of Total Cinema -- The Evolution of the Language of Cinema -- The Virtues and Limitations of Montage -- In Defense of Mixed Cinema -- Theater and Cinema Part One -- Theater and Cinema Part Two -- Le Journal d'un curé de campagne and the Stylistics of Robert Bresson -- Charlie Chaplin -- Cinema and Exploration -- Painting and Cinema -- Sources and Translator's Notes -- Index. |
| Record Nr. | UNINA-9910789340603321 |
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Bazin André <1918-1958.>
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| Berkeley : , : University of California Press, , [2005] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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