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Beyond structural listening? [[electronic resource] ] : postmodern modes of hearing / / edited by Andrew Dell'Antonio
| Beyond structural listening? [[electronic resource] ] : postmodern modes of hearing / / edited by Andrew Dell'Antonio |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2004 |
| Descrizione fisica | 1 online resource (346 p.) |
| Disciplina | 781.1/7 |
| Altri autori (Persone) | Dell'AntonioAndrew |
| Soggetto topico |
Musical criticism
Musical analysis Music - Philosophy and aesthetics Music - Social aspects Postmodernism |
| Soggetto non controllato |
20th century
anthology beauty beethoven collection of essays listening strategies listening modes of listening mtv music historians music scholars music students music textbooks music theorists music theory musical communities musical meaning musical scholarship musical structure nonfiction essays nonfiction postmodern modes of hearing postmodern theory structural hearing theoretical perspective western music |
| ISBN |
0-520-93702-3
1-59734-491-5 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction : beyond structural listening? / Andrew Dell'Antonio -- The disciplined subject of music analysis / Fred Everett Maus -- Musical virtues / Mitchell Morris -- The chosen one's choice / Tamara Levitz -- Beethoven antihero : sex, violence, and the aesthetics of failure, or, Listening to the Ninth symphony as postmodern sublime / Robert Fink -- Passion ; Mirrors / Paul Attinello -- Uncertainty, disorientation, and loss as responses to musical structure / Joseph Dubiel -- Collective listening : postmodern critical processes and MTV / Andrew Dell'Antonio -- One bar in eight : Debussy and the death of description / Elisabeth LeGuin -- The return of the aesthetic : music formalism and its place in political critique / Martin Scherzinger -- Afterword : toward the next paradigm of musical scholarship / Rose Rosengard Subotnik. |
| Record Nr. | UNINA-9910783387903321 |
| Berkeley, : University of California Press, c2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Performing ethnomusicology [[electronic resource] ] : teaching and representation in world music ensembles / / edited by Ted Solís
| Performing ethnomusicology [[electronic resource] ] : teaching and representation in world music ensembles / / edited by Ted Solís |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2004 |
| Descrizione fisica | 1 online resource (332 p.) |
| Disciplina | 780/.89 |
| Altri autori (Persone) | SolísTed |
| Soggetto topico |
Ethnomusicology
World music - Instruction and study Folk music groups |
| Soggetto non controllato |
academic world music ensembles
anthology anthropology creating ensembles cultural studies essay collection ethical issues ethnomusicologists ethnomusicology folklore historical musicology intercultural music transmission intergenerational music pedagogy music performance music scholars music students music teaching musicians performing arts practical issues public music performance representation teaching ensembles theoretical issues western music performers world music ensembles |
| ISBN |
9786612762932
0-520-93717-1 1-59734-803-1 1-282-76293-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction. Teaching What Cannot Be Taught: An Optimistic Overview -- Chapter 1. Subject, Object, and the Ethnomusicology Ensemble The Ethnomusicological "We" and "Them" -- Chapter 2. "A Bridge to Java" Four Decades Teaching Gamelan in America -- Chapter 3. Opportunity and Interaction The Gamelan from Java to Wesleyan -- Chapter 4. "Where's 'One'?" Musical Encounters of the Ensemble Kind -- Chapter 5. A Square Peg in a Round Hole Teaching Javanese Gamelan in the Ensemble Paradigm of the Academy -- Chapter 6. "No, Not 'Bali Hai'!" Challenges of Adaptation and Orientalism in Performing and Teaching Balinese Gamelan -- Chapter 7. Cultural Interactions in an Asian Context Chinese and Javanese Ensembles in Hong Kong -- Chapter 8. "Can't Help but Speak, Can't Help but Play" Dual Discourse in Arab Music Pedagogy -- Chapter 9. The African Ensemble in America Contradictions and Possibilities -- Chapter 10. Klez Goes to College -- Chapter 11. Creating a Community, Negotiating Among Communities Performing Middle Eastern Music for a Diverse Middle Eastern and American Public -- Chapter 12. Bilateral Negotiations in Bimusicality Insiders, Outsiders, and the "Real Version" in Middle Eastern Music Performance -- Chapter 13. Community of Comfort Negotiating a World of "Latin Marimba" -- Chapter 14. What's the "It" That We Learn to Perform? Teaching BaAka Music and Dance -- Chapter 15. "When Can We Improvise?" The Place of Creativity in Academic World Music Performance -- Afterword. Some Closing Thoughts from the First Voice -- Works Cites -- Contributors -- Index |
| Record Nr. | UNINA-9910783388303321 |
| Berkeley, : University of California Press, c2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The queer composition of America's sound [[electronic resource] ] : gay modernists, American music, and national identity / / Nadine Hubbs
| The queer composition of America's sound [[electronic resource] ] : gay modernists, American music, and national identity / / Nadine Hubbs |
| Autore | Hubbs Nadine |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2004 |
| Descrizione fisica | 1 online resource (295 p.) |
| Disciplina | 780/.86/640973 |
| Soggetto topico |
Music - United States - 20th century - History and criticism
National music - United States - History and criticism Gay composers - United States |
| Soggetto non controllato |
america
american culture american identity american music american sound art and music biographical composers famous musicians french culture gay composers gay modernists gender identity gender studies history of homosexuality homosexuality lgbtq manhattan modern america music and culture music historians music history music students music studies musicology national identity nonfiction queer studies self identification tonal music |
| ISBN |
0-520-93795-3
1-282-76306-7 1-59734-842-2 9786612763069 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Modernist abstraction and the abstract art : Four Saints and the queer composition of America's sound -- Being musical : gender, sexuality, and musical identity in twentieth-century America -- Intermezzo. My dear Freddy : identity excesses and evasions chez Paul Bowles -- A French connection : modernist codes in the musical closet -- Queerness, eruption, bursting : U.S. musical modernism at midcentury -- Coda. Composing oneself (reprise). |
| Record Nr. | UNINA-9910783386403321 |
Hubbs Nadine
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| Berkeley, : University of California Press, c2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The queer composition of America's sound : gay modernists, American music, and national identity / / Nadine Hubbs
| The queer composition of America's sound : gay modernists, American music, and national identity / / Nadine Hubbs |
| Autore | Hubbs Nadine |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2004 |
| Descrizione fisica | 1 online resource (295 p.) |
| Disciplina | 780/.86/640973 |
| Soggetto topico |
Music - United States - 20th century - History and criticism
National music - United States - History and criticism Gay composers - United States |
| Soggetto non controllato |
america
american culture american identity american music american sound art and music biographical composers famous musicians french culture gay composers gay modernists gender identity gender studies history of homosexuality homosexuality lgbtq manhattan modern america music and culture music historians music history music students music studies musicology national identity nonfiction queer studies self identification tonal music |
| ISBN |
0-520-93795-3
1-282-76306-7 1-59734-842-2 9786612763069 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Modernist abstraction and the abstract art : Four Saints and the queer composition of America's sound -- Being musical : gender, sexuality, and musical identity in twentieth-century America -- Intermezzo. My dear Freddy : identity excesses and evasions chez Paul Bowles -- A French connection : modernist codes in the musical closet -- Queerness, eruption, bursting : U.S. musical modernism at midcentury -- Coda. Composing oneself (reprise). |
| Record Nr. | UNISA-996248185003316 |
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Hubbs Nadine
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| Berkeley, : University of California Press, c2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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