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Absolute music, mechanical reproduction [[electronic resource] /] / Arved Ashby
| Absolute music, mechanical reproduction [[electronic resource] /] / Arved Ashby |
| Autore | Ashby Arved Mark |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2010 |
| Descrizione fisica | 1 online resource (333 pages) |
| Disciplina | 781.49 |
| Soggetto topico |
Absolute music
Sound recordings - Social aspects Music - Philosophy and aesthetics Performance practice (Music) - History - 20th century Music and technology Sound - Recording and reproducing - Digital techniques MP3 (Audio coding standard) - Social aspects |
| Soggetto non controllato |
absolute instrumental music
aesthetics art music classical music contemporary world historical listening to music live arts mechanical reproduction music criticism music critics music historians music history music recordings music scholars music musical contexts musical culture musicology nonfiction performing arts recording technology recordings and sound socially progressive students and teachers |
| ISBN |
9786612697661
0-520-94569-7 1-282-69766-8 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | The recorded musical text -- Recording, repetition, and memory in absolute music -- Schnabel's rationalism, Gould's pragmatism -- Digital mythologies -- Beethoven and the iPod Nation -- Photo/phono/porno -- Mahler as imagist. |
| Record Nr. | UNINA-9910781129403321 |
Ashby Arved Mark
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| Berkeley, : University of California Press, c2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Beyond structural listening? [[electronic resource] ] : postmodern modes of hearing / / edited by Andrew Dell'Antonio
| Beyond structural listening? [[electronic resource] ] : postmodern modes of hearing / / edited by Andrew Dell'Antonio |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2004 |
| Descrizione fisica | 1 online resource (346 p.) |
| Disciplina | 781.1/7 |
| Altri autori (Persone) | Dell'AntonioAndrew |
| Soggetto topico |
Musical criticism
Musical analysis Music - Philosophy and aesthetics Music - Social aspects Postmodernism |
| Soggetto non controllato |
20th century
anthology beauty beethoven collection of essays listening strategies listening modes of listening mtv music historians music scholars music students music textbooks music theorists music theory musical communities musical meaning musical scholarship musical structure nonfiction essays nonfiction postmodern modes of hearing postmodern theory structural hearing theoretical perspective western music |
| ISBN |
0-520-93702-3
1-59734-491-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction : beyond structural listening? / Andrew Dell'Antonio -- The disciplined subject of music analysis / Fred Everett Maus -- Musical virtues / Mitchell Morris -- The chosen one's choice / Tamara Levitz -- Beethoven antihero : sex, violence, and the aesthetics of failure, or, Listening to the Ninth symphony as postmodern sublime / Robert Fink -- Passion ; Mirrors / Paul Attinello -- Uncertainty, disorientation, and loss as responses to musical structure / Joseph Dubiel -- Collective listening : postmodern critical processes and MTV / Andrew Dell'Antonio -- One bar in eight : Debussy and the death of description / Elisabeth LeGuin -- The return of the aesthetic : music formalism and its place in political critique / Martin Scherzinger -- Afterword : toward the next paradigm of musical scholarship / Rose Rosengard Subotnik. |
| Record Nr. | UNINA-9910783387903321 |
| Berkeley, : University of California Press, c2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Interpreting music [[electronic resource] /] / Lawrence Kramer
| Interpreting music [[electronic resource] /] / Lawrence Kramer |
| Autore | Kramer Lawrence <1946-> |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2011 |
| Descrizione fisica | 1 online resource (332 p.) |
| Disciplina | 781.1 |
| Soggetto topico |
Music - History and criticism
Music - Philosophy and aesthetics |
| Soggetto non controllato |
aesthetics
beauty case studies classical music classical repertoire concept of music entertainment industry essay formalist approaches hermeneutic approaches modern culture music culture music historians music interpretation music philosophy music scholars music musical meaning musical performance musical scores musical work musicians nonfiction opera performativity performing arts performing music thought provoking |
| ISBN |
1-282-76446-2
9786612764462 0-520-94736-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Musical Examples -- 1. Hermeneutics -- 2. Language -- 3. Subjectivity -- 4. Meaning -- 5. Metaphor -- 6. History -- 7. Influence -- 8. Deconstruction -- 9. Analysis -- 10. Resemblance -- 11. Things -- 12. Classical -- 13. Modern -- 14. Works -- 15. Performance -- 16. Musicology -- Notes -- Index of Concepts -- Index of Names |
| Record Nr. | UNINA-9910785242503321 |
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Kramer Lawrence <1946->
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| Berkeley, : University of California Press, c2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Interpreting music [[electronic resource] /] / Lawrence Kramer
| Interpreting music [[electronic resource] /] / Lawrence Kramer |
| Autore | Kramer Lawrence <1946-> |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2011 |
| Descrizione fisica | 1 online resource (332 p.) |
| Disciplina | 781.1 |
| Soggetto topico |
Music - History and criticism
Music - Philosophy and aesthetics |
| Soggetto non controllato |
aesthetics
beauty case studies classical music classical repertoire concept of music entertainment industry essay formalist approaches hermeneutic approaches modern culture music culture music historians music interpretation music philosophy music scholars music musical meaning musical performance musical scores musical work musicians nonfiction opera performativity performing arts performing music thought provoking |
| ISBN |
1-282-76446-2
9786612764462 0-520-94736-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Musical Examples -- 1. Hermeneutics -- 2. Language -- 3. Subjectivity -- 4. Meaning -- 5. Metaphor -- 6. History -- 7. Influence -- 8. Deconstruction -- 9. Analysis -- 10. Resemblance -- 11. Things -- 12. Classical -- 13. Modern -- 14. Works -- 15. Performance -- 16. Musicology -- Notes -- Index of Concepts -- Index of Names |
| Record Nr. | UNINA-9910827374603321 |
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Kramer Lawrence <1946->
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| Berkeley, : University of California Press, c2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Mozart and Enlightenment semiotics [[electronic resource] /] / Stephen Rumph
| Mozart and Enlightenment semiotics [[electronic resource] /] / Stephen Rumph |
| Autore | Rumph Stephen C |
| Pubbl/distr/stampa | Berkeley, : University of California Press, 2012 |
| Descrizione fisica | 1 online resource (284 p.) |
| Disciplina | 780.92 |
| Soggetto topico |
Music - 18th century - History and criticism
Music - Semiotics Enlightenment |
| Soggetto non controllato |
18th century composers
18th century europe 18th century music 18th century symphonies beethoven church music history classical composers classical music classical musicians classical period composers concertos european music european scholars famous composers famous operas history of music history italian writings literary movements and periods music icons music scholars musical semiotics musicians musicology neoclassical music renaissance humanism the enlightenment period theater |
| ISBN |
1-280-10022-2
9786613520531 0-520-95011-9 |
| Classificazione | LP 40411 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | From rhetoric to semiotics -- The sense of touch in Don Giovanni -- Topics in context -- Mozart and Marxism -- A dubious credo -- Archaic endings. |
| Record Nr. | UNINA-9910778811103321 |
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Rumph Stephen C
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| Berkeley, : University of California Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Mozart and Enlightenment semiotics [[electronic resource] /] / Stephen Rumph
| Mozart and Enlightenment semiotics [[electronic resource] /] / Stephen Rumph |
| Autore | Rumph Stephen C |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, 2012 |
| Descrizione fisica | 1 online resource (284 p.) |
| Disciplina | 780.92 |
| Soggetto topico |
Music - 18th century - History and criticism
Music - Semiotics Enlightenment |
| Soggetto non controllato |
18th century composers
18th century europe 18th century music 18th century symphonies beethoven church music history classical composers classical music classical musicians classical period composers concertos european music european scholars famous composers famous operas history of music history italian writings literary movements and periods music icons music scholars musical semiotics musicians musicology neoclassical music renaissance humanism the enlightenment period theater |
| ISBN |
1-280-10022-2
9786613520531 0-520-95011-9 |
| Classificazione | LP 40411 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | From rhetoric to semiotics -- The sense of touch in Don Giovanni -- Topics in context -- Mozart and Marxism -- A dubious credo -- Archaic endings. |
| Record Nr. | UNINA-9910814418103321 |
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Rumph Stephen C
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| Berkeley, : University of California Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Music and the elusive revolution [[electronic resource] ] : cultural politics and political culture in France, 1968-1981 / / Eric Drott
| Music and the elusive revolution [[electronic resource] ] : cultural politics and political culture in France, 1968-1981 / / Eric Drott |
| Autore | Drott Eric <1972-> |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2011 |
| Descrizione fisica | 1 online resource (363 p.) |
| Disciplina | 780.944/09046 |
| Collana | California studies in 20th-century music |
| Soggetto topico | Music - Political aspects - France - History - 20th century |
| Soggetto non controllato |
1968
20th century civic contemporary music cultural history cultural politics europe france french history french music historical history human condition international music modern history music and politics music communities music historians music history music scholars music studies musical genres performing arts political history political revolution politics revolt social impacts socialism student protests |
| ISBN |
1-283-27837-5
9786613278371 0-520-95008-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Music and May '68 -- Genre and musical representations of May '68 -- Free jazz in France -- La cause du pop -- Contemporary music, animation, and cultural democratization. |
| Record Nr. | UNINA-9910786239003321 |
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Drott Eric <1972->
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| Berkeley, : University of California Press, c2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Music and the elusive revolution [[electronic resource] ] : cultural politics and political culture in France, 1968-1981 / / Eric Drott
| Music and the elusive revolution [[electronic resource] ] : cultural politics and political culture in France, 1968-1981 / / Eric Drott |
| Autore | Drott Eric <1972-> |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2011 |
| Descrizione fisica | 1 online resource (363 p.) |
| Disciplina | 780.944/09046 |
| Collana | California studies in 20th-century music |
| Soggetto topico | Music - Political aspects - France - History - 20th century |
| Soggetto non controllato |
1968
20th century civic contemporary music cultural history cultural politics europe france french history french music historical history human condition international music modern history music and politics music communities music historians music history music scholars music studies musical genres performing arts political history political revolution politics revolt social impacts socialism student protests |
| ISBN |
1-283-27837-5
9786613278371 0-520-95008-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Music and May '68 -- Genre and musical representations of May '68 -- Free jazz in France -- La cause du pop -- Contemporary music, animation, and cultural democratization. |
| Record Nr. | UNINA-9910808651203321 |
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Drott Eric <1972->
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| Berkeley, : University of California Press, c2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Performing ethnomusicology [[electronic resource] ] : teaching and representation in world music ensembles / / edited by Ted Solís
| Performing ethnomusicology [[electronic resource] ] : teaching and representation in world music ensembles / / edited by Ted Solís |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2004 |
| Descrizione fisica | 1 online resource (332 p.) |
| Disciplina | 780/.89 |
| Altri autori (Persone) | SolísTed |
| Soggetto topico |
Ethnomusicology
World music - Instruction and study Folk music groups |
| Soggetto non controllato |
academic world music ensembles
anthology anthropology creating ensembles cultural studies essay collection ethical issues ethnomusicologists ethnomusicology folklore historical musicology intercultural music transmission intergenerational music pedagogy music performance music scholars music students music teaching musicians performing arts practical issues public music performance representation teaching ensembles theoretical issues western music performers world music ensembles |
| ISBN |
9786612762932
0-520-93717-1 1-59734-803-1 1-282-76293-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction. Teaching What Cannot Be Taught: An Optimistic Overview -- Chapter 1. Subject, Object, and the Ethnomusicology Ensemble The Ethnomusicological "We" and "Them" -- Chapter 2. "A Bridge to Java" Four Decades Teaching Gamelan in America -- Chapter 3. Opportunity and Interaction The Gamelan from Java to Wesleyan -- Chapter 4. "Where's 'One'?" Musical Encounters of the Ensemble Kind -- Chapter 5. A Square Peg in a Round Hole Teaching Javanese Gamelan in the Ensemble Paradigm of the Academy -- Chapter 6. "No, Not 'Bali Hai'!" Challenges of Adaptation and Orientalism in Performing and Teaching Balinese Gamelan -- Chapter 7. Cultural Interactions in an Asian Context Chinese and Javanese Ensembles in Hong Kong -- Chapter 8. "Can't Help but Speak, Can't Help but Play" Dual Discourse in Arab Music Pedagogy -- Chapter 9. The African Ensemble in America Contradictions and Possibilities -- Chapter 10. Klez Goes to College -- Chapter 11. Creating a Community, Negotiating Among Communities Performing Middle Eastern Music for a Diverse Middle Eastern and American Public -- Chapter 12. Bilateral Negotiations in Bimusicality Insiders, Outsiders, and the "Real Version" in Middle Eastern Music Performance -- Chapter 13. Community of Comfort Negotiating a World of "Latin Marimba" -- Chapter 14. What's the "It" That We Learn to Perform? Teaching BaAka Music and Dance -- Chapter 15. "When Can We Improvise?" The Place of Creativity in Academic World Music Performance -- Afterword. Some Closing Thoughts from the First Voice -- Works Cites -- Contributors -- Index |
| Record Nr. | UNINA-9910783388303321 |
| Berkeley, : University of California Press, c2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Surfing about music / / Timothy J. Cooley
| Surfing about music / / Timothy J. Cooley |
| Autore | Cooley Timothy J. <1962-> |
| Pubbl/distr/stampa | Berkeley : , : University of California Press, , [2014] |
| Descrizione fisica | 1 online resource (239 p.) |
| Disciplina | 781.5/94 |
| Soggetto topico |
Music - Social aspects
Surf music - History and criticism Surfing - History |
| Soggetto non controllato |
america
beach boys cultural practices del tones dick dale ethnomusicologists ethnomusicology genre studies global surfers hawaiian society hula human socializing instrumental rock mele music and culture music festivals music genres music scholars music studies musical practices musicians punk rock singer songwriters surf movies surf music surfers surfing contests surfing culture surfing music surfing origins surfing |
| ISBN |
0-520-27664-7
0-520-95721-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Trouble in paradise : the history and reinvention of surfing -- "Surf music" and the California surfing boom : new surfing gets a sound -- Music in surf movies -- Two festivals and three genres of music -- The pro surfer sings -- The soul surfer sings -- Playing together and solitary play : why surfers need music. |
| Record Nr. | UNINA-9910790539403321 |
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Cooley Timothy J. <1962->
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| Berkeley : , : University of California Press, , [2014] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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