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Advances in the Neurocognition of Music and Language
| Advances in the Neurocognition of Music and Language |
| Autore | Sammler Daniela |
| Pubbl/distr/stampa | Basel, Switzerland, : MDPI - Multidisciplinary Digital Publishing Institute, 2020 |
| Descrizione fisica | 1 electronic resource (338 p.) |
| Soggetto topico | Psychology |
| Soggetto non controllato |
statistical learning
implicit learning domain generality information theory entropy uncertainty order n-gram Markov model word segmentation phonetic language aptitude intrinsic singing singing ability musical aptitude working memory implicit prosody rhythm sensitivity event related potentials reading achievement sensorimotor learning sequence production sequence planning feedback monitoring EEG N1 FRN music performance music cognition altered auditory feedback language disorder rhythm prosody preconceptual meaning affective vocalizations action-oriented embodied approach affect burst speech prosody musical expressiveness speech envelope neural entrainment Music training longitudinal study children with dyslexia Mismatch Negativity (MMN) syllables beat deafness music speech entrainment sensorimotor synchronization beat-finding impairment brain oscillations Prosody Phrasing Perception Melody reading meter lexical stress event-related potentials poetry melody perception tonal language inferior frontal gyrus priming effect language syntax attention comprehension electroencephalography semantics speech comprehension singing N400 event-related brain potentials (ERPs) functional near-infrared spectroscopy (fNIRS) infant song ERP familiarity recognition polarity developmental dyslexia Iambic/Trochaic Law rhythmic grouping musicality speech perception rhythm perception |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910557324503321 |
Sammler Daniela
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| Basel, Switzerland, : MDPI - Multidisciplinary Digital Publishing Institute, 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Expression of emotion in music and vocal communication / / topic editors Anjali Bhatara, Petri Laukka and Daniel J. Levitin
| Expression of emotion in music and vocal communication / / topic editors Anjali Bhatara, Petri Laukka and Daniel J. Levitin |
| Autore | Petri Laukka |
| Pubbl/distr/stampa | Frontiers Media SA, 2014 |
| Descrizione fisica | 1 online resource (294 pages) : illustrations, charts |
| Collana | Frontiers Research Topics |
| Soggetto topico |
Music Philosophy
Music Music, Dance, Drama & Film |
| Soggetto non controllato |
Brain processing
Cross-cultural speech prosody music perception Vocalizations developmental aspects Emotion Expression felt emotion music performance Acoustic features |
| ISBN | 9782889192632 (ebook) |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910137204103321 |
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Petri Laukka
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| Frontiers Media SA, 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Jazz cultures [[electronic resource] /] / David Ake
| Jazz cultures [[electronic resource] /] / David Ake |
| Autore | Ake David Andrew <1961-> |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2002 |
| Descrizione fisica | 1 online resource (239 p.) |
| Disciplina | 781.65 |
| Soggetto topico |
Jazz
Jazz - History and criticism Jazz musicians |
| Soggetto non controllato |
american music
famous pianist history of music jazz communities jazz composer jazz education jazz history jazz music jazz performance jazz pianist jazz piano jazz standards jazz tradition john coltrane music performance musical community musical genres musical history musical styles musicians original music performance pianist saxophone traditional |
| ISBN |
1-282-75893-4
9786612758935 0-520-92696-X 1-59734-690-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Illustrations -- Preface -- Acknowledgments -- Introduction -- One. "Blue Horizon" Creole Culture and Early New Orleans Jazz -- Two. Jazz Historiography and the Problem of Louis Jordan -- Three. Regendering Jazz Ornette Coleman and the New York Scene in the Late 1950's -- Four. Body and Soul Performing Deep Jazz -- Five. Jazz 'Traning John Coltrane and the Conservatory -- Six. Jazz Traditioning Setting Standards at Century's Close -- Notes -- Index |
| Record Nr. | UNINA-9910780377003321 |
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Ake David Andrew <1961->
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| Berkeley, : University of California Press, c2002 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Jazz cultures [[electronic resource] /] / David Ake
| Jazz cultures [[electronic resource] /] / David Ake |
| Autore | Ake David Andrew <1961-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2002 |
| Descrizione fisica | 1 online resource (239 p.) |
| Disciplina | 781.65 |
| Soggetto topico |
Jazz
Jazz - History and criticism Jazz musicians |
| Soggetto non controllato |
american music
famous pianist history of music jazz communities jazz composer jazz education jazz history jazz music jazz performance jazz pianist jazz piano jazz standards jazz tradition john coltrane music performance musical community musical genres musical history musical styles musicians original music performance pianist saxophone traditional |
| ISBN |
1-282-75893-4
9786612758935 0-520-92696-X 1-59734-690-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Illustrations -- Preface -- Acknowledgments -- Introduction -- One. "Blue Horizon" Creole Culture and Early New Orleans Jazz -- Two. Jazz Historiography and the Problem of Louis Jordan -- Three. Regendering Jazz Ornette Coleman and the New York Scene in the Late 1950's -- Four. Body and Soul Performing Deep Jazz -- Five. Jazz 'Traning John Coltrane and the Conservatory -- Six. Jazz Traditioning Setting Standards at Century's Close -- Notes -- Index |
| Record Nr. | UNINA-9910809441603321 |
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Ake David Andrew <1961->
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| Berkeley, : University of California Press, c2002 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Musical meaning [[electronic resource] ] : toward a critical history / / Lawrence Kramer
| Musical meaning [[electronic resource] ] : toward a critical history / / Lawrence Kramer |
| Autore | Kramer Lawrence <1946-> |
| Pubbl/distr/stampa | Berkeley ; ; London, : University of California Press, c2002 |
| Descrizione fisica | 1 online resource (347 p.) |
| Disciplina | 781.17 |
| Soggetto topico |
Music - History and criticism
Music - Philosophy and aesthetics Music, Influence of Subjectivity in music |
| Soggetto non controllato |
academic
accessible beethoven composers cultural history cultural issues cultural theory easy to understand famous composer gender studies humanist humanistic identity moonlight sonata music culture music history music performance musical composition musical genres musicology scholarly social history social issues |
| ISBN |
0-520-92832-6
0-585-46624-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Illustrations -- Acknowledgments -- Introduction. Sounding Out: Musical Meaning and Modern Experience -- 1. Hermeneutics and Musical History: A Primer without Rules, an Exercise with Schubert -- 2. Hands On, Lights Off: The "Moonlight" Sonata and the Birth of Sex at the Piano -- 3. Beyond Words and Music: An Essay on Songfulness -- 4. Franz Liszt and the Virtuoso Public Sphere: Sight and Sound in the Rise of Mass Entertainment -- 5. Rethinking Schumann's Carnaval: Identity, Meaning, and the Social Order -- 6. Glottis Envy: The Marx Brothers' A Night at the Opera -- 7. Hercules' Hautboys: Mixed Media and Musical Meaning -- 8. The Voice of Persephone: Musical Meaning and Mixed Media -- 9. Powers of Blackness: Jazz and the Blues in Modern Concert Music -- 10. Long Ride in a Slow Machine: The Alienation Effect from Weill to Shostakovich -- 11. Chiaroscuro: Coltrane's American Songbook -- 12. Ghost Stories: Cultural Memory, Mourning, and the Myth of Originality -- Notes -- Index |
| Record Nr. | UNINA-9910780378203321 |
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Kramer Lawrence <1946->
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| Berkeley ; ; London, : University of California Press, c2002 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Musical meaning [[electronic resource] ] : toward a critical history / / Lawrence Kramer
| Musical meaning [[electronic resource] ] : toward a critical history / / Lawrence Kramer |
| Autore | Kramer Lawrence <1946-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley ; ; London, : University of California Press, c2002 |
| Descrizione fisica | 1 online resource (347 p.) |
| Disciplina | 781.17 |
| Soggetto topico |
Music - History and criticism
Music - Philosophy and aesthetics Music, Influence of Subjectivity in music |
| Soggetto non controllato |
academic
accessible beethoven composers cultural history cultural issues cultural theory easy to understand famous composer gender studies humanist humanistic identity moonlight sonata music culture music history music performance musical composition musical genres musicology scholarly social history social issues |
| ISBN |
0-520-92832-6
0-585-46624-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Illustrations -- Acknowledgments -- Introduction. Sounding Out: Musical Meaning and Modern Experience -- 1. Hermeneutics and Musical History: A Primer without Rules, an Exercise with Schubert -- 2. Hands On, Lights Off: The "Moonlight" Sonata and the Birth of Sex at the Piano -- 3. Beyond Words and Music: An Essay on Songfulness -- 4. Franz Liszt and the Virtuoso Public Sphere: Sight and Sound in the Rise of Mass Entertainment -- 5. Rethinking Schumann's Carnaval: Identity, Meaning, and the Social Order -- 6. Glottis Envy: The Marx Brothers' A Night at the Opera -- 7. Hercules' Hautboys: Mixed Media and Musical Meaning -- 8. The Voice of Persephone: Musical Meaning and Mixed Media -- 9. Powers of Blackness: Jazz and the Blues in Modern Concert Music -- 10. Long Ride in a Slow Machine: The Alienation Effect from Weill to Shostakovich -- 11. Chiaroscuro: Coltrane's American Songbook -- 12. Ghost Stories: Cultural Memory, Mourning, and the Myth of Originality -- Notes -- Index |
| Record Nr. | UNINA-9910809442703321 |
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Kramer Lawrence <1946->
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| Berkeley ; ; London, : University of California Press, c2002 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Performing ethnomusicology [[electronic resource] ] : teaching and representation in world music ensembles / / edited by Ted Solís
| Performing ethnomusicology [[electronic resource] ] : teaching and representation in world music ensembles / / edited by Ted Solís |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2004 |
| Descrizione fisica | 1 online resource (332 p.) |
| Disciplina | 780/.89 |
| Altri autori (Persone) | SolísTed |
| Soggetto topico |
Ethnomusicology
World music - Instruction and study Folk music groups |
| Soggetto non controllato |
academic world music ensembles
anthology anthropology creating ensembles cultural studies essay collection ethical issues ethnomusicologists ethnomusicology folklore historical musicology intercultural music transmission intergenerational music pedagogy music performance music scholars music students music teaching musicians performing arts practical issues public music performance representation teaching ensembles theoretical issues western music performers world music ensembles |
| ISBN |
9786612762932
0-520-93717-1 1-59734-803-1 1-282-76293-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction. Teaching What Cannot Be Taught: An Optimistic Overview -- Chapter 1. Subject, Object, and the Ethnomusicology Ensemble The Ethnomusicological "We" and "Them" -- Chapter 2. "A Bridge to Java" Four Decades Teaching Gamelan in America -- Chapter 3. Opportunity and Interaction The Gamelan from Java to Wesleyan -- Chapter 4. "Where's 'One'?" Musical Encounters of the Ensemble Kind -- Chapter 5. A Square Peg in a Round Hole Teaching Javanese Gamelan in the Ensemble Paradigm of the Academy -- Chapter 6. "No, Not 'Bali Hai'!" Challenges of Adaptation and Orientalism in Performing and Teaching Balinese Gamelan -- Chapter 7. Cultural Interactions in an Asian Context Chinese and Javanese Ensembles in Hong Kong -- Chapter 8. "Can't Help but Speak, Can't Help but Play" Dual Discourse in Arab Music Pedagogy -- Chapter 9. The African Ensemble in America Contradictions and Possibilities -- Chapter 10. Klez Goes to College -- Chapter 11. Creating a Community, Negotiating Among Communities Performing Middle Eastern Music for a Diverse Middle Eastern and American Public -- Chapter 12. Bilateral Negotiations in Bimusicality Insiders, Outsiders, and the "Real Version" in Middle Eastern Music Performance -- Chapter 13. Community of Comfort Negotiating a World of "Latin Marimba" -- Chapter 14. What's the "It" That We Learn to Perform? Teaching BaAka Music and Dance -- Chapter 15. "When Can We Improvise?" The Place of Creativity in Academic World Music Performance -- Afterword. Some Closing Thoughts from the First Voice -- Works Cites -- Contributors -- Index |
| Record Nr. | UNINA-9910783388303321 |
| Berkeley, : University of California Press, c2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Performing ethnomusicology [[electronic resource] ] : teaching and representation in world music ensembles / / edited by Ted Solís
| Performing ethnomusicology [[electronic resource] ] : teaching and representation in world music ensembles / / edited by Ted Solís |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2004 |
| Descrizione fisica | 1 online resource (332 p.) |
| Disciplina | 780/.89 |
| Altri autori (Persone) | SolísTed |
| Soggetto topico |
Ethnomusicology
World music - Instruction and study Folk music groups |
| Soggetto non controllato |
academic world music ensembles
anthology anthropology creating ensembles cultural studies essay collection ethical issues ethnomusicologists ethnomusicology folklore historical musicology intercultural music transmission intergenerational music pedagogy music performance music scholars music students music teaching musicians performing arts practical issues public music performance representation teaching ensembles theoretical issues western music performers world music ensembles |
| ISBN |
9786612762932
0-520-93717-1 1-59734-803-1 1-282-76293-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction. Teaching What Cannot Be Taught: An Optimistic Overview -- Chapter 1. Subject, Object, and the Ethnomusicology Ensemble The Ethnomusicological "We" and "Them" -- Chapter 2. "A Bridge to Java" Four Decades Teaching Gamelan in America -- Chapter 3. Opportunity and Interaction The Gamelan from Java to Wesleyan -- Chapter 4. "Where's 'One'?" Musical Encounters of the Ensemble Kind -- Chapter 5. A Square Peg in a Round Hole Teaching Javanese Gamelan in the Ensemble Paradigm of the Academy -- Chapter 6. "No, Not 'Bali Hai'!" Challenges of Adaptation and Orientalism in Performing and Teaching Balinese Gamelan -- Chapter 7. Cultural Interactions in an Asian Context Chinese and Javanese Ensembles in Hong Kong -- Chapter 8. "Can't Help but Speak, Can't Help but Play" Dual Discourse in Arab Music Pedagogy -- Chapter 9. The African Ensemble in America Contradictions and Possibilities -- Chapter 10. Klez Goes to College -- Chapter 11. Creating a Community, Negotiating Among Communities Performing Middle Eastern Music for a Diverse Middle Eastern and American Public -- Chapter 12. Bilateral Negotiations in Bimusicality Insiders, Outsiders, and the "Real Version" in Middle Eastern Music Performance -- Chapter 13. Community of Comfort Negotiating a World of "Latin Marimba" -- Chapter 14. What's the "It" That We Learn to Perform? Teaching BaAka Music and Dance -- Chapter 15. "When Can We Improvise?" The Place of Creativity in Academic World Music Performance -- Afterword. Some Closing Thoughts from the First Voice -- Works Cites -- Contributors -- Index |
| Record Nr. | UNINA-9910816169603321 |
| Berkeley, : University of California Press, c2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The Chamber Musician in the Twenty-First Century
| The Chamber Musician in the Twenty-First Century |
| Autore | Doğantan-Dack Mine |
| Pubbl/distr/stampa | Basel, : MDPI - Multidisciplinary Digital Publishing Institute, 2022 |
| Descrizione fisica | 1 electronic resource (334 p.) |
| Soggetto topico | The arts |
| Soggetto non controllato |
artistic practice
creative agency chamber music collaborative musicking distributed creativity expressivity in performance intercorporeality music performance performance practice |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910585943203321 |
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Doğantan-Dack Mine
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| Basel, : MDPI - Multidisciplinary Digital Publishing Institute, 2022 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Why classical music still matters [[electronic resource] /] / Lawrence Kramer
| Why classical music still matters [[electronic resource] /] / Lawrence Kramer |
| Autore | Kramer Lawrence <1946-> |
| Pubbl/distr/stampa | Berkeley, Calif. ; ; London, : University of California Press, 2007 |
| Descrizione fisica | 1 online resource (252 p.) |
| Disciplina | 781.68 |
| Soggetto topico |
Music - Philosophy and aesthetics
Musical analysis |
| Soggetto non controllato |
18th century
academic apologists chopin classical composers classical music classical musicians composers gershwin human nature johann sebastian bach johannes brahms love song media mozart music lovers music performance music studies musical composers musical history musicians piano music popular culture ravel scholarly schubert schumann technology |
| ISBN |
1-281-75247-9
9786611752477 1-4294-7181-6 0-520-93364-8 1-4337-0967-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- In Lieu Of A Preface -- Chapter One. Classical Music And Its Values -- Chapter Two. The Fate Of Melody And The Dream Of Return -- Chapter Three. Score And Performance, Performance And Film: Classical Music As Liberating Energy -- Chapter Four. But Not For Me: Love Song And The Heartache Of Modern Life -- Chapter Five. The Ghost In The Machine: Keyboard Rhapsodies -- Chapter Six. Crisis And Memory: The Music Of Lost Time -- Chapter Seven. Persephone's Fiddle: The Value Of Classical Music -- References -- Index |
| Record Nr. | UNINA-9910784420403321 |
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Kramer Lawrence <1946->
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| Berkeley, Calif. ; ; London, : University of California Press, 2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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