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Jazz matters [[electronic resource] ] : sound, place, and time since bebop / / David Ake
| Jazz matters [[electronic resource] ] : sound, place, and time since bebop / / David Ake |
| Autore | Ake David Andrew <1961-> |
| Pubbl/distr/stampa | Berkeley, CA, : University of California Press, c2010 |
| Descrizione fisica | 1 online resource (211 p.) |
| Disciplina | 781.65/5 |
| Soggetto topico |
Jazz - History and criticism
Jazz - Social aspects |
| Soggetto non controllato |
20th century
american exceptionalism artists bebop historical improvisational music jazz age jazz culture jazz historians jazz music jazz musicians jazz scholars jazz scholarship jazz studies jazz styles jazz music and culture music historians music history music movements music pedagogy music venues music musicians musicology nonfiction postwar america retrospective united states urban clubs world war ii wwii |
| ISBN |
1-282-73251-X
9786612732515 0-520-94739-8 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Illustrations -- Introduction -- Part one. Sound and Time -- Part two. Place and Time -- Acknowledgments -- Appendix one. Sample of American Jazz Musicians Born Since 1950 Who Studied Jazz at the College Level -- Appendix two. Interview Locations and Dates -- Notes -- Index |
| Record Nr. | UNINA-9910786713903321 |
Ake David Andrew <1961->
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| Berkeley, CA, : University of California Press, c2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Performing ethnomusicology [[electronic resource] ] : teaching and representation in world music ensembles / / edited by Ted Solís
| Performing ethnomusicology [[electronic resource] ] : teaching and representation in world music ensembles / / edited by Ted Solís |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2004 |
| Descrizione fisica | 1 online resource (332 p.) |
| Disciplina | 780/.89 |
| Altri autori (Persone) | SolísTed |
| Soggetto topico |
Ethnomusicology
World music - Instruction and study Folk music groups |
| Soggetto non controllato |
academic world music ensembles
anthology anthropology creating ensembles cultural studies essay collection ethical issues ethnomusicologists ethnomusicology folklore historical musicology intercultural music transmission intergenerational music pedagogy music performance music scholars music students music teaching musicians performing arts practical issues public music performance representation teaching ensembles theoretical issues western music performers world music ensembles |
| ISBN |
9786612762932
0-520-93717-1 1-59734-803-1 1-282-76293-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction. Teaching What Cannot Be Taught: An Optimistic Overview -- Chapter 1. Subject, Object, and the Ethnomusicology Ensemble The Ethnomusicological "We" and "Them" -- Chapter 2. "A Bridge to Java" Four Decades Teaching Gamelan in America -- Chapter 3. Opportunity and Interaction The Gamelan from Java to Wesleyan -- Chapter 4. "Where's 'One'?" Musical Encounters of the Ensemble Kind -- Chapter 5. A Square Peg in a Round Hole Teaching Javanese Gamelan in the Ensemble Paradigm of the Academy -- Chapter 6. "No, Not 'Bali Hai'!" Challenges of Adaptation and Orientalism in Performing and Teaching Balinese Gamelan -- Chapter 7. Cultural Interactions in an Asian Context Chinese and Javanese Ensembles in Hong Kong -- Chapter 8. "Can't Help but Speak, Can't Help but Play" Dual Discourse in Arab Music Pedagogy -- Chapter 9. The African Ensemble in America Contradictions and Possibilities -- Chapter 10. Klez Goes to College -- Chapter 11. Creating a Community, Negotiating Among Communities Performing Middle Eastern Music for a Diverse Middle Eastern and American Public -- Chapter 12. Bilateral Negotiations in Bimusicality Insiders, Outsiders, and the "Real Version" in Middle Eastern Music Performance -- Chapter 13. Community of Comfort Negotiating a World of "Latin Marimba" -- Chapter 14. What's the "It" That We Learn to Perform? Teaching BaAka Music and Dance -- Chapter 15. "When Can We Improvise?" The Place of Creativity in Academic World Music Performance -- Afterword. Some Closing Thoughts from the First Voice -- Works Cites -- Contributors -- Index |
| Record Nr. | UNINA-9910783388303321 |
| Berkeley, : University of California Press, c2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||