Info
- Utilizzare la checkbox di selezione a fianco di ciascun documento per attivare le funzionalità di stampa, invio email, download nei formati disponibili del (i) record.
Interpreting music [[electronic resource] /] / Lawrence Kramer
| Interpreting music [[electronic resource] /] / Lawrence Kramer |
| Autore | Kramer Lawrence <1946-> |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2011 |
| Descrizione fisica | 1 online resource (332 p.) |
| Disciplina | 781.1 |
| Soggetto topico |
Music - History and criticism
Music - Philosophy and aesthetics |
| Soggetto non controllato |
aesthetics
beauty case studies classical music classical repertoire concept of music entertainment industry essay formalist approaches hermeneutic approaches modern culture music culture music historians music interpretation music philosophy music scholars music musical meaning musical performance musical scores musical work musicians nonfiction opera performativity performing arts performing music thought provoking |
| ISBN |
1-282-76446-2
9786612764462 0-520-94736-3 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Musical Examples -- 1. Hermeneutics -- 2. Language -- 3. Subjectivity -- 4. Meaning -- 5. Metaphor -- 6. History -- 7. Influence -- 8. Deconstruction -- 9. Analysis -- 10. Resemblance -- 11. Things -- 12. Classical -- 13. Modern -- 14. Works -- 15. Performance -- 16. Musicology -- Notes -- Index of Concepts -- Index of Names |
| Record Nr. | UNINA-9910785242503321 |
Kramer Lawrence <1946->
|
||
| Berkeley, : University of California Press, c2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Interpreting music [[electronic resource] /] / Lawrence Kramer
| Interpreting music [[electronic resource] /] / Lawrence Kramer |
| Autore | Kramer Lawrence <1946-> |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2011 |
| Descrizione fisica | 1 online resource (332 p.) |
| Disciplina | 781.1 |
| Soggetto topico |
Music - History and criticism
Music - Philosophy and aesthetics |
| Soggetto non controllato |
aesthetics
beauty case studies classical music classical repertoire concept of music entertainment industry essay formalist approaches hermeneutic approaches modern culture music culture music historians music interpretation music philosophy music scholars music musical meaning musical performance musical scores musical work musicians nonfiction opera performativity performing arts performing music thought provoking |
| ISBN |
1-282-76446-2
9786612764462 0-520-94736-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Musical Examples -- 1. Hermeneutics -- 2. Language -- 3. Subjectivity -- 4. Meaning -- 5. Metaphor -- 6. History -- 7. Influence -- 8. Deconstruction -- 9. Analysis -- 10. Resemblance -- 11. Things -- 12. Classical -- 13. Modern -- 14. Works -- 15. Performance -- 16. Musicology -- Notes -- Index of Concepts -- Index of Names |
| Record Nr. | UNINA-9910827374603321 |
|
Kramer Lawrence <1946->
|
||
| Berkeley, : University of California Press, c2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The persistence of sentiment [[electronic resource] ] : display and feeling in popular music of the 1970s / / Mitchell Morris
| The persistence of sentiment [[electronic resource] ] : display and feeling in popular music of the 1970s / / Mitchell Morris |
| Autore | Morris Mitchell <1961-> |
| Pubbl/distr/stampa | Berkeley, : University of California Press, 2013 |
| Descrizione fisica | 1 online resource (259 p.) |
| Disciplina | 781.640973/09047 |
| Soggetto topico |
Popular music - United States - 1971-1980 - History and criticism
Singers - United States |
| Soggetto non controllato |
1970s
american music american society class issues commercial success commerical music emotional display entertainment industry feelings and emotions gender issues minority appeal minority audiences music and culture music criticism music critics music historians music history music interpretation music performers music philosophy musical styles musicians musicology pop music popular music prejudice racial minorities sexual minorities social contexts united states |
| ISBN | 0-520-95505-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- 1. Introduction -- 2. Black Masculinity and the Sound of Wealth -- 3. Transport and Interiority in Soft Soul -- 4. The Audience and Barry Manilow -- 5. The Voice of Karen Carpenter -- 6. Cher's "Dark Ladies" -- 7. Crossing Over with Dolly Parton -- Notes -- Works Cited -- Index |
| Record Nr. | UNINA-9910779651403321 |
|
Morris Mitchell <1961->
|
||
| Berkeley, : University of California Press, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The persistence of sentiment [[electronic resource] ] : display and feeling in popular music of the 1970s / / Mitchell Morris
| The persistence of sentiment [[electronic resource] ] : display and feeling in popular music of the 1970s / / Mitchell Morris |
| Autore | Morris Mitchell <1961-> |
| Pubbl/distr/stampa | Berkeley, : University of California Press, 2013 |
| Descrizione fisica | 1 online resource (259 p.) |
| Disciplina | 781.640973/09047 |
| Soggetto topico |
Popular music - United States - 1971-1980 - History and criticism
Singers - United States |
| Soggetto non controllato |
1970s
american music american society class issues commercial success commerical music emotional display entertainment industry feelings and emotions gender issues minority appeal minority audiences music and culture music criticism music critics music historians music history music interpretation music performers music philosophy musical styles musicians musicology pop music popular music prejudice racial minorities sexual minorities social contexts united states |
| ISBN | 0-520-95505-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- 1. Introduction -- 2. Black Masculinity and the Sound of Wealth -- 3. Transport and Interiority in Soft Soul -- 4. The Audience and Barry Manilow -- 5. The Voice of Karen Carpenter -- 6. Cher's "Dark Ladies" -- 7. Crossing Over with Dolly Parton -- Notes -- Works Cited -- Index |
| Record Nr. | UNINA-9910811203303321 |
|
Morris Mitchell <1961->
|
||
| Berkeley, : University of California Press, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Russian opera and the symbolist movement [[electronic resource] /] / Simon Morrison
| Russian opera and the symbolist movement [[electronic resource] /] / Simon Morrison |
| Autore | Morrison Simon Alexander <1964-> |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2002 |
| Descrizione fisica | 1 online resource (376 p.) |
| Disciplina | 782.1/092/247 |
| Collana | California studies in 20th-century music |
| Soggetto topico |
Opera - Russia (Federation) - 20th century
Symbolism (Literary movement) - Russia (Federation) - History - 20th century |
| Soggetto non controllato |
canonical composers
drama fiery angel fin de siecle legend of the invisible city of kitezh libretto maiden fevroniya miracles music history music interpretation music theory music musicology mysterium opera operatic innovation performance performing arts poetics prokofiev queen of spades rimsky korsakov russian music russian opera scriabin silver age spectacle stravinsky supernatural russian music supernatural symbolist movement syncretism tchaikovsky theater theurgy translation |
| ISBN |
0-520-92726-5
1-59734-881-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chaikovsky and decadence -- Rimsky-Korsakov and religious syncretism -- Scriabin and theurgy -- Prokofiev and mimesis. |
| Record Nr. | UNINA-9910780079103321 |
|
Morrison Simon Alexander <1964->
|
||
| Berkeley, : University of California Press, c2002 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Russian opera and the symbolist movement [[electronic resource] /] / Simon Morrison
| Russian opera and the symbolist movement [[electronic resource] /] / Simon Morrison |
| Autore | Morrison Simon Alexander <1964-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2002 |
| Descrizione fisica | 1 online resource (376 p.) |
| Disciplina | 782.1/092/247 |
| Collana | California studies in 20th-century music |
| Soggetto topico |
Opera - Russia (Federation) - 20th century
Symbolism (Literary movement) - Russia (Federation) - History - 20th century |
| Soggetto non controllato |
canonical composers
drama fiery angel fin de siecle legend of the invisible city of kitezh libretto maiden fevroniya miracles music history music interpretation music theory music musicology mysterium opera operatic innovation performance performing arts poetics prokofiev queen of spades rimsky korsakov russian music russian opera scriabin silver age spectacle stravinsky supernatural russian music supernatural symbolist movement syncretism tchaikovsky theater theurgy translation |
| ISBN |
0-520-92726-5
1-59734-881-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chaikovsky and decadence -- Rimsky-Korsakov and religious syncretism -- Scriabin and theurgy -- Prokofiev and mimesis. |
| Record Nr. | UNINA-9910828681703321 |
|
Morrison Simon Alexander <1964->
|
||
| Berkeley, : University of California Press, c2002 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||