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Crisis music [[electronic resource] ] : the cultural politics of rock against racism / / Ian Goodyer
| Crisis music [[electronic resource] ] : the cultural politics of rock against racism / / Ian Goodyer |
| Autore | Goodyer Ian |
| Pubbl/distr/stampa | Manchester ; ; New York, : Manchester University Press |
| Descrizione fisica | 1 online resource (185 p.) |
| Disciplina | 322.4/40941 |
| Soggetto topico |
Rock music - Political aspects - Great Britain - History - 20th century
Rock musicians - Political activity - Great Britain - History - 20th century Protest movements - Great Britain - History - 20th century Anti-racism - Great Britain - History - 20th century Rock music - Great Britain - 1961-1970 - History and criticism Rock music - Great Britain - 1971-1980 - History and criticism Protest songs - Great Britain - History and criticism |
| Soggetto non controllato |
British state
Communist Party International Socialists Socialist Workers Party anti-racist politics black people multiculturalism music industry politico-cultural struggles popular culture rock against racism state capitalism united front working class youth cultures |
| ISBN | 1-84779-300-2 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 9780719079245; 9780719079245; Copyright Page; Contents; List of illustrations; Preface; Acknowledgements; List of abbreviations; Introduction; 1 Origins and contexts; 2 Critical responses to Rock Against Racism; 3 Rock Against Racism and the Socialist Workers Party; 4 Rock Against Racism,youth culture and multiculturalism; 5 Rock Against Racism,culture and social struggle; 6 Aftermath; 7 Conclusions; Index |
| Record Nr. | UNINA-9910786206103321 |
Goodyer Ian
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| Manchester ; ; New York, : Manchester University Press | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Droit, musique et numérique : Considérations croisées / / Patricia Signorile
| Droit, musique et numérique : Considérations croisées / / Patricia Signorile |
| Autore | Abbrugiati Perle |
| Pubbl/distr/stampa | Aix-en-Provence, : Presses universitaires d’Aix-Marseille, 2021 |
| Descrizione fisica | 1 online resource (138 p.) |
| Altri autori (Persone) |
IsarHervé
MartinoGeoffray MouronPhilippe SchweitzerPierre SignorileAlma SignorileMarc SignorilePatricia TouboulAlexandra VillermyRené |
| Collana | Inter-normes |
| Soggetto topico |
Law (General)
droit musique numérique industrie musicale diffusion en continu diffusion culturelle enceinte sportive droits patrimoniaux droit d’auteur droits sociaux law music digital music industry streaming cultural broadcasting sports stadium economic rights copyright social rights |
| Soggetto non controllato |
law
music digital music industry streaming cultural broadcasting sports stadium economic rights copyright social rights |
| ISBN | 2-7314-1219-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | fre |
| Record Nr. | UNINA-9910520198803321 |
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Abbrugiati Perle
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| Aix-en-Provence, : Presses universitaires d’Aix-Marseille, 2021 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Making Money, Making Music : History and Core Concepts / / David Bruenger
| Making Money, Making Music : History and Core Concepts / / David Bruenger |
| Autore | Bruenger David |
| Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [2016] |
| Descrizione fisica | 1 online resource (301 p.) |
| Disciplina | 780.23/73 |
| Soggetto topico | Music trade |
| Soggetto non controllato |
adapting
american culture american music analysis artist aspiring musician classroom creative creativity critical thinking critical culture digital download digital music digital world economics economy educational guidebook making money money music business music industry musician practical real life real world self help songwriter success textbook workplace |
| ISBN | 0-520-96606-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Introduction -- 1. Musical Experience as Transaction -- 2. Transience to Permanence -- 3. The Rise of Commercial Markets -- 4. Media Revolutions -- 5. Convergence and Crossover -- 6. Massification -- 7. Scaling and Selling Live Performance -- 8. Visual Media -- 9. Artists, Audiences, and Brands -- 10. Digitization -- 11. State of the Art -- Notes -- Bibliography -- Index |
| Record Nr. | UNINA-9910798527003321 |
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Bruenger David
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| Berkeley, CA : , : University of California Press, , [2016] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The poetics of rock [[electronic resource] ] : cutting tracks, making records / / Albin J. Zak III
| The poetics of rock [[electronic resource] ] : cutting tracks, making records / / Albin J. Zak III |
| Autore | Zak Albin |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2001 |
| Descrizione fisica | 1 online resource (279 p.) |
| Disciplina | 781.66/149 |
| Soggetto topico |
Rock music - History and criticism
Sound recordings - Production and direction Sound - Recording and reproducing |
| Soggetto non controllato |
artist
artistic contemporary music creative creativity engineers famous music famous musicians modern music music artist music composition music history music industry musical arrangement musicians poetics producers record artist record industry recording music recording rock and roll rock music songwriters sound engineer vinyl music vinyl records |
| ISBN |
0-520-92815-6
1-59734-812-0 9786612445729 1-282-44572-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction -- 1. Writing Records -- 2. Tracks -- 3. Sound As Form -- 4. Places And Tools -- 5. Tracking And Mixing -- 6. Engineers And Producers -- 7. Resonance -- Notes -- Glossary -- Engineer And Producer Credits -- Recordings Cited -- Bibliography -- Index |
| Record Nr. | UNINA-9910783197303321 |
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Zak Albin
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| Berkeley, : University of California Press, c2001 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Selling digital music, formatting culture / / Jeremy Wade Morris
| Selling digital music, formatting culture / / Jeremy Wade Morris |
| Autore | Morris Jeremy Wade <1976-> |
| Pubbl/distr/stampa | Oakland, California : , : University of California Press, , 2015 |
| Descrizione fisica | 1 online resource (284 p.) |
| Disciplina | 381/.4578 |
| Soggetto topico |
Music trade - Technological innovations
Music and the Internet Digital jukebox software |
| Soggetto non controllato |
cloud computing
digital jukebox digital music commodity digital music history of digital music history of music technology history of music history of recorded music industrial production of music itunes media studies metadata music and the internet music criticism music history music in popular culture music industry music marketing music technology music musicians napster popular music studies winamp |
| ISBN | 0-520-96293-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- List of Figures -- Acknowledgments -- Introduction: The Digital Music Commodity -- 1. Music as a Digital File -- 2. Making Technology Behave -- 3. This Business of Napster -- 4. Click to Buy: Music in Digital Stores -- 5. Music in the Cloud -- Conclusion: Exceptional Objects -- Notes -- Works Cited -- Index |
| Record Nr. | UNINA-9910797351403321 |
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Morris Jeremy Wade <1976->
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| Oakland, California : , : University of California Press, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Selling digital music, formatting culture / / Jeremy Wade Morris
| Selling digital music, formatting culture / / Jeremy Wade Morris |
| Autore | Morris Jeremy Wade <1976-> |
| Pubbl/distr/stampa | Oakland, California : , : University of California Press, , 2015 |
| Descrizione fisica | 1 online resource (284 p.) |
| Disciplina | 381/.4578 |
| Soggetto topico |
Music trade - Technological innovations
Music and the Internet Digital jukebox software |
| Soggetto non controllato |
cloud computing
digital jukebox digital music commodity digital music history of digital music history of music technology history of music history of recorded music industrial production of music itunes media studies metadata music and the internet music criticism music history music in popular culture music industry music marketing music technology music musicians napster popular music studies winamp |
| ISBN | 0-520-96293-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- List of Figures -- Acknowledgments -- Introduction: The Digital Music Commodity -- 1. Music as a Digital File -- 2. Making Technology Behave -- 3. This Business of Napster -- 4. Click to Buy: Music in Digital Stores -- 5. Music in the Cloud -- Conclusion: Exceptional Objects -- Notes -- Works Cited -- Index |
| Record Nr. | UNINA-9910814693403321 |
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Morris Jeremy Wade <1976->
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| Oakland, California : , : University of California Press, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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YouTube vs. GEMA : Musik und Urheberrecht im digitalen Kapitalismus
| YouTube vs. GEMA : Musik und Urheberrecht im digitalen Kapitalismus |
| Autore | Stade Philip |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Marburg, : Büchner-Verlag, 2021 |
| Descrizione fisica | 1 online resource (377 pages) |
| Soggetto topico |
Music industry
Copyright law Media studies Music recording & reproduction |
| Soggetto non controllato |
YouTube
GEMA social media music industry streaming Cultural Studies Popular Music Studies media law sampling copyright intellectual property rights |
| ISBN |
9783963177699
3963177691 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Cover -- Inhalt -- Vorwort -- A. Einleitung -- B. Werkzeugkiste -- 1. Theorie -- 1.1 Cultural Studies -- 1.2 Diskurstheorie nach Foucault -- 1.3 Diskurs- und Hegemonietheorie nach Laclau und Mouffe -- 1.4 Framing -- 2. Methoden -- 2.1 Diskursanalysen -- 2.2 Netnographie und Online-Diskursanalyse -- 2.3 Situationsanalyse -- 3. Methodisches Vorgehen -- 3.1 Analyseschritte -- 3.2 Korpusbildung und Text-Selektion für die Feinanalyse -- 3.3 Kodieren mit MAXQDA -- 3.4 Heuristische Fragen -- 3.5 Forschungsethik -- 3.6 Sprache und Layout -- 4. Selbstreflexion -- 4.1 Autobiographisches -- 4.2 Methodenreflexion -- 4.3 Abschließende Reflexion -- 5. Forschungsstand -- C. Rahmung -- 1. Historische Wurzeln der Diskurskoalitionen -- 2. Musikwirtschaft im digitalen Wandel -- 3. (Musik-)Urheberrecht im digitalen Wandel -- 4. Kapitalismus im digitalen Wandel -- 4.1 Digitaler Kapitalismus -- 4.2 Kritik am digitalen Kapitalismus -- 4.3 Netzwerkalternativen zum digitalen Kapitalismus -- 5. Zusammenfassung -- D. Polarisierung -- 1. Exklusiv! Sven Regeners »Wut-Rede« -- 2. Zugang! Deichkinds »Illegale Fans« -- 3. Zusammenfassung -- E. YouTube vs. GEMA -- 1. YouTube vs. GEMA als institutionell-journalistischer Diskurs -- 2. YouTube vs. GEMA in Sozialen Medien -- 2.1 Der jetzt.de-Artikel »Die Dummheit der GEMA-Hasser« -- 2.2 Generelle Beobachtungen -- 2.3 Übergeordnete diskursive Strategien (jetzt.de-Kommentare) -- 2.4 GEMA-Kritik - generell (jetzt.de-Kommentare) -- 2.5 GEMA-Kritik - YouTube-GEMA-Konflikt (jetzt.de-Kommentare) -- 2.6 GEMA-Bashing (jetzt.de-Kommentare) -- 2.7 Google/YouTube-Kritik und -Bashing (jetzt.de-Kommentare) -- 2.8 Kontrastierung mit Facebook-Kommentaren -- 3. Zusammenfassung -- F. Fazit -- G. Danksagung -- H. Literaturverzeichnis -- I. Anhang. |
| Record Nr. | UNINA-9910547697203321 |
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Stade Philip
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| Marburg, : Büchner-Verlag, 2021 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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