Absolute music, mechanical reproduction [[electronic resource] /] / Arved Ashby
| Absolute music, mechanical reproduction [[electronic resource] /] / Arved Ashby |
| Autore | Ashby Arved Mark |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2010 |
| Descrizione fisica | 1 online resource (333 pages) |
| Disciplina | 781.49 |
| Soggetto topico |
Absolute music
Sound recordings - Social aspects Music - Philosophy and aesthetics Performance practice (Music) - History - 20th century Music and technology Sound - Recording and reproducing - Digital techniques MP3 (Audio coding standard) - Social aspects |
| Soggetto non controllato |
absolute instrumental music
aesthetics art music classical music contemporary world historical listening to music live arts mechanical reproduction music criticism music critics music historians music history music recordings music scholars music musical contexts musical culture musicology nonfiction performing arts recording technology recordings and sound socially progressive students and teachers |
| ISBN |
9786612697661
0-520-94569-7 1-282-69766-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | The recorded musical text -- Recording, repetition, and memory in absolute music -- Schnabel's rationalism, Gould's pragmatism -- Digital mythologies -- Beethoven and the iPod Nation -- Photo/phono/porno -- Mahler as imagist. |
| Record Nr. | UNINA-9910781129403321 |
Ashby Arved Mark
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| Berkeley, : University of California Press, c2010 | ||
| Lo trovi qui: Univ. Federico II | ||
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The advent project [[electronic resource] ] : the later-seventh-century creation of the Roman mass proper / / James W. McKinnon
| The advent project [[electronic resource] ] : the later-seventh-century creation of the Roman mass proper / / James W. McKinnon |
| Autore | McKinnon James W. <1932-> |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2000 |
| Descrizione fisica | 1 online resource (483 p.) |
| Disciplina | 782.32/35/094563209021 |
| Soggetto topico |
Mass (Music) - 500-1400
Propers (Music) - 500-1400 - History and criticism Gregorian chants - History and criticism Church music - Catholic Church |
| Soggetto non controllato |
alleluia
ancient world augustine benedictine chants bible chants christian chant christianity church history cloister early church gregorian chants history hymn liturgy medieval monasticism monks music history music musicology nonfiction piety poetry religion religious communities religious isolation religious music religious practices religious studies spirituality worship music worship |
| ISBN |
0-520-92433-9
1-59734-452-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Tables -- Acknowledgments -- Introduction -- I. The Prehistory -- II. The Seventh-Century Roman Background -- III. The Advent Project -- Epilogue: The Central Question of Gregorian Chant -- Notes -- Works Cited -- Index |
| Record Nr. | UNINA-9910780081103321 |
McKinnon James W. <1932->
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| Berkeley, : University of California Press, c2000 | ||
| Lo trovi qui: Univ. Federico II | ||
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Animation, Plasticity, and Music in Italy, 1770-1830 / / Ellen Lockhart
| Animation, Plasticity, and Music in Italy, 1770-1830 / / Ellen Lockhart |
| Autore | Lockhart Ellen |
| Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [2017] |
| Descrizione fisica | 1 online resource (218 pages) : illustrations |
| Disciplina | 782.1094509033 |
| Soggetto topico |
Dramatic music - Italy - 18th century
Dramatic music - Italy - 19th century Operas - Literary themes, motives |
| Soggetto non controllato |
aesthetic theory
animated statue art artists drama enlightenment epistemology of sensing historical interdisciplinary italian ballets italian music italian musical performances italian operas italian theater italy itinerant performance traditions live entertainment melodramas music criticism music history musical practice musical nationhood fantasies opera music performing arts philosophy science sciences of the body stage works theatre theatrical theory of language |
| ISBN | 0-520-96006-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction -- 1. Attentive Statues -- 2. Pimmalione -- 3. Defining Italy in Haunted Rome -- 4. Partial Animacy and Blind Listening in Napoleonic Italy -- 5. Giuditta Pasta and the History of Musical Electrification -- Conclusion -- Notes -- Bibliography -- List of Illustrations -- Index |
| Record Nr. | UNINA-9910794760503321 |
Lockhart Ellen
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| Berkeley, CA : , : University of California Press, , [2017] | ||
| Lo trovi qui: Univ. Federico II | ||
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Audiotopia [[electronic resource] ] : music, race, and America / / Josh Kun
| Audiotopia [[electronic resource] ] : music, race, and America / / Josh Kun |
| Autore | Kun Josh |
| Pubbl/distr/stampa | Berkeley, Calif., : University of California Press, 2005 |
| Descrizione fisica | 1 online resource (321 p.) |
| Disciplina | 782.42164/0973/0904 |
| Collana | American Crossroads |
| Soggetto topico |
Popular music - United States - History and criticism
Music - Social aspects - United States Multiculturalism - United States |
| Soggetto non controllato |
america
american culture american identity american studies art and music artists bronx critical analysis cultural studies discussion books ethnic demographic studies ethnic differences ethnic minorities havana hip hop klezmer latin rock literary movements los angeles modern history music and culture music historians music history music lovers music studies music nonfiction popular music race issues racial history racial issues retrospective us borders |
| ISBN |
1-282-76321-0
9786612763212 1-4237-1729-5 0-520-93864-X 1-59875-582-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction: Strangers among Sounds -- One. Against Easy Listening -- Two. The Yiddish Are Coming -- Three. Life According to the Beat -- Four. Basquiat's Ear, Rahsaan's Eye -- Five. I,Too, Sing América -- Six. Rock's Reconquista -- Conclusion: La Misma Canción -- Notes -- Bibliography -- Discography -- Index |
| Record Nr. | UNINA-9910783318803321 |
Kun Josh
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| Berkeley, Calif., : University of California Press, 2005 | ||
| Lo trovi qui: Univ. Federico II | ||
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Beethoven after Napoleon [[electronic resource] ] : political romanticism in the late works / / Stephen Rumph
| Beethoven after Napoleon [[electronic resource] ] : political romanticism in the late works / / Stephen Rumph |
| Autore | Rumph Stephen C |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2004 |
| Descrizione fisica | 1 online resource (307 p.) |
| Disciplina | 780/.92 |
| Collana | California studies in 19th century music |
| Soggetto topico | Romanticism in music |
| Soggetto non controllato |
academic
beethoven biographical classical music composer conservative economics famous composer freedom french revolution german composer german ideology german music german musician humanism interdisciplinary liberal music history musical composer musical composition napoleon napoleonic native german native people political commentary political politics progress religious studies revolution revolutionary romantic scholarly |
| ISBN |
1-282-75922-1
9786612759222 0-520-93012-6 1-59734-484-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | A kingdom not of this world -- The heroic sublime -- Promethean history -- 1809 -- Contrapunctus I: prelude and fugue -- Contrapunctus II: double fugue -- Androgynous utopias -- Vox populi, vox dei -- A modernist epilogue. |
| Record Nr. | UNINA-9910783388203321 |
Rumph Stephen C
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| Berkeley, : University of California Press, c2004 | ||
| Lo trovi qui: Univ. Federico II | ||
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Boccherini's body [[electronic resource] ] : an essay in carnal musicology / / Elisabeth Le Guin
| Boccherini's body [[electronic resource] ] : an essay in carnal musicology / / Elisabeth Le Guin |
| Autore | Le Guin Elisabeth <1957-> |
| Pubbl/distr/stampa | Berkeley, : University of California Press, 2006 |
| Descrizione fisica | 1 online resource (375 p.) |
| Disciplina | 780/.92 |
| Soggetto topico | Music - Interpretation (Phrasing, dynamics, etc.) |
| Soggetto non controllato |
affect theory
allegro angiolini biography boccherini cello sonata cello cherini classical music composers consumption depression drama embodiment emotion history of medicine instrumental music kinesthesia melancholy mental illness mind and body music history music theory music musical dynamics musician musicians musicology nonfiction performing arts popular culture sensation solipsism string quartet theater theatrical music tuberculosis virtuoso |
| ISBN |
1-282-75926-4
9786612759260 0-520-93062-2 1-59875-919-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- List of figures -- List of music examples -- CD playlist -- Acknowledgments -- Introduction -- Chapter 1. "Cello-and-Bow Thinking" -- Chapter 2. "As My Works Show Me to Be" -- Chapter 3. Gestures and Tableaux -- Chapter 4. Virtuosity, Virtuality, Virtue -- Chapter 5. A Melancholy Anatomy -- Chapter 6. "It Is All Cloth of the Same Piece" -- Chapter 7. The Perfect Listener -- Appendix: Chronological Table of String Quartets -- Notes -- Bibliography -- Index |
| Record Nr. | UNINA-9910783669303321 |
Le Guin Elisabeth <1957->
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| Berkeley, : University of California Press, 2006 | ||
| Lo trovi qui: Univ. Federico II | ||
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The castrato : reflections on natures and kinds / / Martha Feldman
| The castrato : reflections on natures and kinds / / Martha Feldman |
| Autore | Feldman Martha |
| Pubbl/distr/stampa | Oakland, California : , : University of California Press, , 2015 |
| Descrizione fisica | 1 online resource (496 p.) |
| Disciplina | 782.8/6 |
| Collana | Ernest Bloch Lectures |
| Soggetto topico | Castrati |
| Soggetto non controllato |
16th century practices
bel canto bodily mutations castrated for music castrated males castrated singers castrati and eunuchs castrati musicians castrati vocalists castrati castration castrato voices castrato catholic blood sacrifice cavalli eunuch singers handel high male voices historical body mutations history of castration history of music history of singing mozart music history music nonsexual castration pergolesi pulcinella rossini |
| ISBN |
0-520-29244-8
0-520-96203-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Preface -- Note on Textual Transcription, Translations, Lexicon, and Musical Nomenclature -- 1. Of Strange Births and Comic Kin -- 2 The Man Who Pretended to Be Who He Was -- 3. Red Hot Voice -- 4 Castrato De Luxe -- 5. Cold Man, Money Man, Big Man Too -- 6. Shadow Voices, Castrato and Non -- Acknowledgments -- Abbreviations -- Notes -- Bibliography -- Illustrations -- Index |
| Record Nr. | UNINA-9910787222003321 |
Feldman Martha
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| Oakland, California : , : University of California Press, , 2015 | ||
| Lo trovi qui: Univ. Federico II | ||
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The castrato : reflections on natures and kinds / / Martha Feldman
| The castrato : reflections on natures and kinds / / Martha Feldman |
| Autore | Feldman Martha |
| Pubbl/distr/stampa | Oakland, California : , : University of California Press, , 2015 |
| Descrizione fisica | 1 online resource (496 p.) |
| Disciplina | 782.8/6 |
| Collana | Ernest Bloch Lectures |
| Soggetto topico | Castrati |
| Soggetto non controllato |
16th century practices
bel canto bodily mutations castrated for music castrated males castrated singers castrati and eunuchs castrati musicians castrati vocalists castrati castration castrato voices castrato catholic blood sacrifice cavalli eunuch singers handel high male voices historical body mutations history of castration history of music history of singing mozart music history music nonsexual castration pergolesi pulcinella rossini |
| ISBN |
0-520-29244-8
0-520-96203-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Preface -- Note on Textual Transcription, Translations, Lexicon, and Musical Nomenclature -- 1. Of Strange Births and Comic Kin -- 2 The Man Who Pretended to Be Who He Was -- 3. Red Hot Voice -- 4 Castrato De Luxe -- 5. Cold Man, Money Man, Big Man Too -- 6. Shadow Voices, Castrato and Non -- Acknowledgments -- Abbreviations -- Notes -- Bibliography -- Illustrations -- Index |
| Record Nr. | UNINA-9910819177503321 |
Feldman Martha
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| Oakland, California : , : University of California Press, , 2015 | ||
| Lo trovi qui: Univ. Federico II | ||
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Celluloid Symphonies : Texts and Contexts in Film Music History / / Julie Hubbert
| Celluloid Symphonies : Texts and Contexts in Film Music History / / Julie Hubbert |
| Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [2011] |
| Descrizione fisica | 1 online resource (525 p.) |
| Disciplina | 781.5/4209 |
| Soggetto topico |
Motion picture music
Symphony |
| Soggetto non controllato |
aesthetics
art history auteurs commercial pressure digital age early sound films elmer bernstein erich korngold film criticism film history film music film studies hollywood scores howard shore jerry goldsmith max steiner movie criticism movie studies music and film music for film music history music popular music postmodern film serialism technological innovations the silent film writings |
| ISBN |
1-283-27727-1
9786613277275 0-520-94743-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Celluloid Symphonies -- Front matter -- Contents -- Preface -- Acknowledgments -- Part One. Playing the Pictures: Music and the Silent Film (1895-1925) -- Introduction -- 1. Plain Talk to Theater Managers and Operators. Seating/Music (1909) -- 2. Incidental Music for Edison Pictures (1909) -- 3. Jackass Music (1911) -- 4. Selections from What and How to Play for Pictures (1913) -- 5. Music for the Picture (1911) -- 6. The Art of Exhibition: Rothapfel on Motion Picture Music-Its Object and Its Possibilities (1914) -- 7. Selections from Musical Accompaniment of Moving Pictures (1920) -- 8. Selections from Musical Presentation of Motion Pictures (1921) -- 9. Selections from Encyclopaedia of Music for Pictures (1925) -- 10. Two Thematic Music Cue Sheets: The Thief of Bagdad (1924) and Dame Chance (1926) -- 11. Music and Motion Pictures (1926) -- 12. Publishers Win Movie Music Suit (1924) -- Part Two. All Singing, Dancing, and Talking: Music in the Early Sound Film (1926- 1934) -- Introduction -- 13. New Musical Marvels in the Movies (1926) -- 14. Musicians to Fight Sound-Film Devices (1928) -- 15. The Truth about Voice Doubling (1929) -- 16. Westward the Course of Tin-Pan Alley (1929) -- 17. What's Wrong with Musical Pictures? (1930) -- 18. Present Day Musical Films and How They Are Made Possible (1931) -- 19. Alfred Hitchcock on Music in Films (1934) -- Part Three. Carpet, Wallpaper, and Earmuffs: The Hollywood Score (1935-1959) -- Introduction -- 20. Composers in Movieland (1935) -- 21. The Aesthetics of the Sound Film (1935) -- 22. Scoring the Film (1937) -- 23. Some Experiences in Film Music (1940) -- 24. What Is a Filmusical? (1937) -- 25. Music in the Films (1941) -- 26. Music or Sound Effects? (1947) -- 27. The New Musical Resources (1947) -- 28. Movie Music Goes on Record (1952) -- 29. The Man with the Golden Arm (1956) -- 30. Forbidden Planet (1956) -- 31. Interview with Stanley Donen (1977) -- 32. One Thing's for Sure, R 'n' R Is Boffo B.O. (1958) -- Part Four. The Recession Soundtrack: From Albums to Auteurs, Songs to Serialism (1960-1977) -- Introduction -- 33. Film Themes Link Movie, Disk Trades (1960) -- 34. Mancini Debunks Album Values (1961) -- 35. Herrmann Says Hollywood Tone Deaf as to Film Scores (1964) -- 36. The New Sound on the Soundtracks (1967) -- 37. Movies: Tuning In to the Sound of New Music (1968) -- 38. Towards an Interior Music (1997) -- 39. Keeping Score on Schifrin: Lalo Schifrin and the Art of Film Music (1969) -- 40. BBC Interview with Jerry Goldsmith (1969) -- 41. The Jazz Composers in Hollywood: A Symposium with Benny Carter, Quincy Jones, Henry Mancini, Lalo Schifrin, and Pat Williams (1972) -- 42. George Lucas: Stinky Kid Hits the Bigtime (1974) -- 43. The Annotated Friedkin (1974) -- 44. What ever Became of Movie Music? (1974) -- Part Five. The Postmodern Soundtrack: Film Music in the Video and Digital Age (1978-Present) -- Introduction -- 45. Selling a Hit Soundtrack (1979) -- 46. Interview with John Williams (1997) -- 47. Scoring with Synthesizers (1982) -- 48. Rock Movideo (1985) -- 49. How Rock Is Changing Hollywood's Tune (1989) -- 50. Danny Elfman: From Boingo to Batman (1990) -- 51. Selections from The Celluloid Jukebox: Interviews with Allison Anders, Alan Rudolph, Michael Mann, Isaac Julien, Wim Wenders, Bob Last, Penelope Spheeris, Ry Cooder, Quentin Tarantino, Cameron Crowe, and David Byrne (1995) -- 52. Composing with a Very Wide Palette: Howard Shore in Conversation (1999) -- 53. Hollywood Sound (2005) -- Index |
| Record Nr. | UNINA-9910785691503321 |
| Berkeley, CA : , : University of California Press, , [2011] | ||
| Lo trovi qui: Univ. Federico II | ||
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Clark : the autobiography of Clark Terry / / with Gwen Terry ; with a preface by Quincy Jones, foreword by Bill Cosby, introduction by David Demsey
| Clark : the autobiography of Clark Terry / / with Gwen Terry ; with a preface by Quincy Jones, foreword by Bill Cosby, introduction by David Demsey |
| Autore | Terry Clark |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2011 |
| Descrizione fisica | 1 online resource (344 p.) |
| Disciplina |
788.9/2165092
B |
| Altri autori (Persone) |
TerryGwen
JonesQuincy <1933-> CosbyBill <1937-> DemseyDavid |
| Collana | George Gund Foundation imprint in African American studies |
| Soggetto topico |
Jazz musicians - United States
Trumpet players - United States |
| Soggetto non controllato |
20th century jazz
african american history african american musicians american music billie holiday count basie duke ellington ella fitzgerald grammy lifetime achievement award history of jazz influential african americans influential musicians jazz and blues jazz enthusiasts jazz icons jazz musician biography jazz trumpeter jim crow music during segregation music history music musicians overcoming prejudice overcoming racism quincy jones ray charles southern jazz tonight show trumpet players |
| ISBN |
1-283-27825-1
9786613278258 0-520-94978-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Preface -- Foreword -- Introduction -- 1. Big Dreams -- 2. First Instruments -- 3. Kicked Out -- 4. The Vashon High Swingsters -- 5. First Road Gig -- 6. Nigga -- 7. Ida Cox -- 8. Stranded -- 9. Lincoln Inn -- 10. On the Road Again -- 11. Tennis Shoe Pimp -- 12. Jailed -- 13. Len Bowden -- 14. Navy Days -- 15. Gray Clouds -- 16. The Big Apple -- 17. George Hudson -- 18. The Club Plantation -- 19. Galloping Dominoes -- 20. Tempting Offers -- 21. Lionel Hampton -- 22. Road Lessons -- 23. Pauline -- 24. Charlie Barnet -- 25. Count Basie -- 26. Big Debt -- 27. Duke Ellington -- 28. Leaving Basie -- 29. The University of Ellingtonia -- 30. Working with Duke -- 31. Duke's Team -- 32. Duke's Management Arts -- 33. Miles and Bird -- 34. Billy Strayhorn -- 35. Endurances -- 36. Flugelhorn -- 37. Europe -- 38. Norman Granz -- 39. Norman's Battles -- 40. Q -- 41. NBC -- 42. Jim and Andy's -- 43. Johnny and Ed -- 44. Mumbles -- 45. First House |
| Record Nr. | UNINA-9910789765803321 |
Terry Clark
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| Berkeley, : University of California Press, c2011 | ||
| Lo trovi qui: Univ. Federico II | ||
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