Info
- Utilizzare la checkbox di selezione a fianco di ciascun documento per attivare le funzionalità di stampa, invio email, download nei formati disponibili del (i) record.
Absolute music, mechanical reproduction [[electronic resource] /] / Arved Ashby
| Absolute music, mechanical reproduction [[electronic resource] /] / Arved Ashby |
| Autore | Ashby Arved Mark |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2010 |
| Descrizione fisica | 1 online resource (333 pages) |
| Disciplina | 781.49 |
| Soggetto topico |
Absolute music
Sound recordings - Social aspects Music - Philosophy and aesthetics Performance practice (Music) - History - 20th century Music and technology Sound - Recording and reproducing - Digital techniques MP3 (Audio coding standard) - Social aspects |
| Soggetto non controllato |
absolute instrumental music
aesthetics art music classical music contemporary world historical listening to music live arts mechanical reproduction music criticism music critics music historians music history music recordings music scholars music musical contexts musical culture musicology nonfiction performing arts recording technology recordings and sound socially progressive students and teachers |
| ISBN |
9786612697661
0-520-94569-7 1-282-69766-8 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | The recorded musical text -- Recording, repetition, and memory in absolute music -- Schnabel's rationalism, Gould's pragmatism -- Digital mythologies -- Beethoven and the iPod Nation -- Photo/phono/porno -- Mahler as imagist. |
| Record Nr. | UNINA-9910781129403321 |
Ashby Arved Mark
|
||
| Berkeley, : University of California Press, c2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Absolute music, mechanical reproduction [[electronic resource] /] / Arved Ashby
| Absolute music, mechanical reproduction [[electronic resource] /] / Arved Ashby |
| Autore | Ashby Arved Mark |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2010 |
| Descrizione fisica | 1 online resource (333 pages) |
| Disciplina | 781.49 |
| Soggetto topico |
Absolute music
Sound recordings - Social aspects Music - Philosophy and aesthetics Performance practice (Music) - History - 20th century Music and technology Sound - Recording and reproducing - Digital techniques MP3 (Audio coding standard) - Social aspects |
| Soggetto non controllato |
absolute instrumental music
aesthetics art music classical music contemporary world historical listening to music live arts mechanical reproduction music criticism music critics music historians music history music recordings music scholars music musical contexts musical culture musicology nonfiction performing arts recording technology recordings and sound socially progressive students and teachers |
| ISBN |
9786612697661
0-520-94569-7 1-282-69766-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | The recorded musical text -- Recording, repetition, and memory in absolute music -- Schnabel's rationalism, Gould's pragmatism -- Digital mythologies -- Beethoven and the iPod Nation -- Photo/phono/porno -- Mahler as imagist. |
| Record Nr. | UNINA-9910808751903321 |
|
Ashby Arved Mark
|
||
| Berkeley, : University of California Press, c2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Audiotopia [[electronic resource] ] : music, race, and America / / Josh Kun
| Audiotopia [[electronic resource] ] : music, race, and America / / Josh Kun |
| Autore | Kun Josh |
| Pubbl/distr/stampa | Berkeley, Calif., : University of California Press, 2005 |
| Descrizione fisica | 1 online resource (321 p.) |
| Disciplina | 782.42164/0973/0904 |
| Collana | American Crossroads |
| Soggetto topico |
Popular music - United States - History and criticism
Music - Social aspects - United States Multiculturalism - United States |
| Soggetto non controllato |
america
american culture american identity american studies art and music artists bronx critical analysis cultural studies discussion books ethnic demographic studies ethnic differences ethnic minorities havana hip hop klezmer latin rock literary movements los angeles modern history music and culture music historians music history music lovers music studies music nonfiction popular music race issues racial history racial issues retrospective us borders |
| ISBN |
1-282-76321-0
9786612763212 1-4237-1729-5 0-520-93864-X 1-59875-582-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction: Strangers among Sounds -- One. Against Easy Listening -- Two. The Yiddish Are Coming -- Three. Life According to the Beat -- Four. Basquiat's Ear, Rahsaan's Eye -- Five. I,Too, Sing América -- Six. Rock's Reconquista -- Conclusion: La Misma Canción -- Notes -- Bibliography -- Discography -- Index |
| Record Nr. | UNINA-9910783318803321 |
|
Kun Josh
|
||
| Berkeley, Calif., : University of California Press, 2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Audiotopia [[electronic resource] ] : music, race, and America / / Josh Kun
| Audiotopia [[electronic resource] ] : music, race, and America / / Josh Kun |
| Autore | Kun Josh |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, Calif., : University of California Press, 2005 |
| Descrizione fisica | 1 online resource (321 p.) |
| Disciplina | 782.42164/0973/0904 |
| Collana | American Crossroads |
| Soggetto topico |
Popular music - United States - History and criticism
Music - Social aspects - United States Multiculturalism - United States |
| Soggetto non controllato |
america
american culture american identity american studies art and music artists bronx critical analysis cultural studies discussion books ethnic demographic studies ethnic differences ethnic minorities havana hip hop klezmer latin rock literary movements los angeles modern history music and culture music historians music history music lovers music studies music nonfiction popular music race issues racial history racial issues retrospective us borders |
| ISBN |
1-282-76321-0
9786612763212 1-4237-1729-5 0-520-93864-X 1-59875-582-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction: Strangers among Sounds -- One. Against Easy Listening -- Two. The Yiddish Are Coming -- Three. Life According to the Beat -- Four. Basquiat's Ear, Rahsaan's Eye -- Five. I,Too, Sing América -- Six. Rock's Reconquista -- Conclusion: La Misma Canción -- Notes -- Bibliography -- Discography -- Index |
| Record Nr. | UNINA-9910813982503321 |
|
Kun Josh
|
||
| Berkeley, Calif., : University of California Press, 2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Beyond structural listening? [[electronic resource] ] : postmodern modes of hearing / / edited by Andrew Dell'Antonio
| Beyond structural listening? [[electronic resource] ] : postmodern modes of hearing / / edited by Andrew Dell'Antonio |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2004 |
| Descrizione fisica | 1 online resource (346 p.) |
| Disciplina | 781.1/7 |
| Altri autori (Persone) | Dell'AntonioAndrew |
| Soggetto topico |
Musical criticism
Musical analysis Music - Philosophy and aesthetics Music - Social aspects Postmodernism |
| Soggetto non controllato |
20th century
anthology beauty beethoven collection of essays listening strategies listening modes of listening mtv music historians music scholars music students music textbooks music theorists music theory musical communities musical meaning musical scholarship musical structure nonfiction essays nonfiction postmodern modes of hearing postmodern theory structural hearing theoretical perspective western music |
| ISBN |
0-520-93702-3
1-59734-491-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction : beyond structural listening? / Andrew Dell'Antonio -- The disciplined subject of music analysis / Fred Everett Maus -- Musical virtues / Mitchell Morris -- The chosen one's choice / Tamara Levitz -- Beethoven antihero : sex, violence, and the aesthetics of failure, or, Listening to the Ninth symphony as postmodern sublime / Robert Fink -- Passion ; Mirrors / Paul Attinello -- Uncertainty, disorientation, and loss as responses to musical structure / Joseph Dubiel -- Collective listening : postmodern critical processes and MTV / Andrew Dell'Antonio -- One bar in eight : Debussy and the death of description / Elisabeth LeGuin -- The return of the aesthetic : music formalism and its place in political critique / Martin Scherzinger -- Afterword : toward the next paradigm of musical scholarship / Rose Rosengard Subotnik. |
| Record Nr. | UNINA-9910783387903321 |
| Berkeley, : University of California Press, c2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Beyond structural listening? [[electronic resource] ] : postmodern modes of hearing / / edited by Andrew Dell'Antonio
| Beyond structural listening? [[electronic resource] ] : postmodern modes of hearing / / edited by Andrew Dell'Antonio |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2004 |
| Descrizione fisica | 1 online resource (346 p.) |
| Disciplina | 781.1/7 |
| Altri autori (Persone) | Dell'AntonioAndrew |
| Soggetto topico |
Musical criticism
Musical analysis Music - Philosophy and aesthetics Music - Social aspects Postmodernism |
| Soggetto non controllato |
20th century
anthology beauty beethoven collection of essays listening strategies listening modes of listening mtv music historians music scholars music students music textbooks music theorists music theory musical communities musical meaning musical scholarship musical structure nonfiction essays nonfiction postmodern modes of hearing postmodern theory structural hearing theoretical perspective western music |
| ISBN |
0-520-93702-3
1-59734-491-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction : beyond structural listening? / Andrew Dell'Antonio -- The disciplined subject of music analysis / Fred Everett Maus -- Musical virtues / Mitchell Morris -- The chosen one's choice / Tamara Levitz -- Beethoven antihero : sex, violence, and the aesthetics of failure, or, Listening to the Ninth symphony as postmodern sublime / Robert Fink -- Passion ; Mirrors / Paul Attinello -- Uncertainty, disorientation, and loss as responses to musical structure / Joseph Dubiel -- Collective listening : postmodern critical processes and MTV / Andrew Dell'Antonio -- One bar in eight : Debussy and the death of description / Elisabeth LeGuin -- The return of the aesthetic : music formalism and its place in political critique / Martin Scherzinger -- Afterword : toward the next paradigm of musical scholarship / Rose Rosengard Subotnik. |
| Record Nr. | UNINA-9910825495103321 |
| Berkeley, : University of California Press, c2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Different drummers [[electronic resource] ] : rhythm and race in the Americas / / Martin Munro
| Different drummers [[electronic resource] ] : rhythm and race in the Americas / / Martin Munro |
| Autore | Munro Martin |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2010 |
| Descrizione fisica | 1 online resource |
| Disciplina | 780.89/960729 |
| Collana | Music of the African diaspora |
| Soggetto topico |
Black people - Caribbean Area - Music - History and criticism
African Americans - Music - History and criticism |
| Soggetto non controllato |
african americans
african diaspora african musicians americas artistic expression black cultures civil rights era diversity drum music drummers enslaved africans french caribbean haiti historical jacques roumain james brown jean price mars music and culture music and identity music critics music historians music politics new world nonfiction race issues rhythm role of music shaping identities social history toussaint louverture trinidad united states |
| ISBN |
1-282-66082-9
9786612660825 0-520-94740-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Introduction. Slaves to the Rhythm -- 1. Beating Back Darkness -- 2. Rhythm, Creolization, and Conflict in Trinidad -- 3. Rhythm, Music, and Literature in the French Caribbean -- 4. James Brown, Rhythm, and Black Power -- Conclusion. Listening to New World History -- Notes -- References -- Index |
| Record Nr. | UNINA-9910785284103321 |
|
Munro Martin
|
||
| Berkeley, : University of California Press, c2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Different drummers [[electronic resource] ] : rhythm and race in the Americas / / Martin Munro
| Different drummers [[electronic resource] ] : rhythm and race in the Americas / / Martin Munro |
| Autore | Munro Martin |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2010 |
| Descrizione fisica | 1 online resource |
| Disciplina | 780.89/960729 |
| Collana | Music of the African diaspora |
| Soggetto topico |
Black people - Caribbean Area - Music - History and criticism
African Americans - Music - History and criticism |
| Soggetto non controllato |
african americans
african diaspora african musicians americas artistic expression black cultures civil rights era diversity drum music drummers enslaved africans french caribbean haiti historical jacques roumain james brown jean price mars music and culture music and identity music critics music historians music politics new world nonfiction race issues rhythm role of music shaping identities social history toussaint louverture trinidad united states |
| ISBN |
1-282-66082-9
9786612660825 0-520-94740-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Introduction. Slaves to the Rhythm -- 1. Beating Back Darkness -- 2. Rhythm, Creolization, and Conflict in Trinidad -- 3. Rhythm, Music, and Literature in the French Caribbean -- 4. James Brown, Rhythm, and Black Power -- Conclusion. Listening to New World History -- Notes -- References -- Index |
| Record Nr. | UNINA-9910827237503321 |
|
Munro Martin
|
||
| Berkeley, : University of California Press, c2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Interpreting music [[electronic resource] /] / Lawrence Kramer
| Interpreting music [[electronic resource] /] / Lawrence Kramer |
| Autore | Kramer Lawrence <1946-> |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2011 |
| Descrizione fisica | 1 online resource (332 p.) |
| Disciplina | 781.1 |
| Soggetto topico |
Music - History and criticism
Music - Philosophy and aesthetics |
| Soggetto non controllato |
aesthetics
beauty case studies classical music classical repertoire concept of music entertainment industry essay formalist approaches hermeneutic approaches modern culture music culture music historians music interpretation music philosophy music scholars music musical meaning musical performance musical scores musical work musicians nonfiction opera performativity performing arts performing music thought provoking |
| ISBN |
1-282-76446-2
9786612764462 0-520-94736-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Musical Examples -- 1. Hermeneutics -- 2. Language -- 3. Subjectivity -- 4. Meaning -- 5. Metaphor -- 6. History -- 7. Influence -- 8. Deconstruction -- 9. Analysis -- 10. Resemblance -- 11. Things -- 12. Classical -- 13. Modern -- 14. Works -- 15. Performance -- 16. Musicology -- Notes -- Index of Concepts -- Index of Names |
| Record Nr. | UNINA-9910785242503321 |
|
Kramer Lawrence <1946->
|
||
| Berkeley, : University of California Press, c2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Interpreting music [[electronic resource] /] / Lawrence Kramer
| Interpreting music [[electronic resource] /] / Lawrence Kramer |
| Autore | Kramer Lawrence <1946-> |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2011 |
| Descrizione fisica | 1 online resource (332 p.) |
| Disciplina | 781.1 |
| Soggetto topico |
Music - History and criticism
Music - Philosophy and aesthetics |
| Soggetto non controllato |
aesthetics
beauty case studies classical music classical repertoire concept of music entertainment industry essay formalist approaches hermeneutic approaches modern culture music culture music historians music interpretation music philosophy music scholars music musical meaning musical performance musical scores musical work musicians nonfiction opera performativity performing arts performing music thought provoking |
| ISBN |
1-282-76446-2
9786612764462 0-520-94736-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Musical Examples -- 1. Hermeneutics -- 2. Language -- 3. Subjectivity -- 4. Meaning -- 5. Metaphor -- 6. History -- 7. Influence -- 8. Deconstruction -- 9. Analysis -- 10. Resemblance -- 11. Things -- 12. Classical -- 13. Modern -- 14. Works -- 15. Performance -- 16. Musicology -- Notes -- Index of Concepts -- Index of Names |
| Record Nr. | UNINA-9910827374603321 |
|
Kramer Lawrence <1946->
|
||
| Berkeley, : University of California Press, c2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
