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Absolute music, mechanical reproduction [[electronic resource] /] / Arved Ashby
| Absolute music, mechanical reproduction [[electronic resource] /] / Arved Ashby |
| Autore | Ashby Arved Mark |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2010 |
| Descrizione fisica | 1 online resource (333 pages) |
| Disciplina | 781.49 |
| Soggetto topico |
Absolute music
Sound recordings - Social aspects Music - Philosophy and aesthetics Performance practice (Music) - History - 20th century Music and technology Sound - Recording and reproducing - Digital techniques MP3 (Audio coding standard) - Social aspects |
| Soggetto non controllato |
absolute instrumental music
aesthetics art music classical music contemporary world historical listening to music live arts mechanical reproduction music criticism music critics music historians music history music recordings music scholars music musical contexts musical culture musicology nonfiction performing arts recording technology recordings and sound socially progressive students and teachers |
| ISBN |
9786612697661
0-520-94569-7 1-282-69766-8 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | The recorded musical text -- Recording, repetition, and memory in absolute music -- Schnabel's rationalism, Gould's pragmatism -- Digital mythologies -- Beethoven and the iPod Nation -- Photo/phono/porno -- Mahler as imagist. |
| Record Nr. | UNINA-9910781129403321 |
Ashby Arved Mark
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| Berkeley, : University of California Press, c2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Audiotopia [[electronic resource] ] : music, race, and America / / Josh Kun
| Audiotopia [[electronic resource] ] : music, race, and America / / Josh Kun |
| Autore | Kun Josh |
| Pubbl/distr/stampa | Berkeley, Calif., : University of California Press, 2005 |
| Descrizione fisica | 1 online resource (321 p.) |
| Disciplina | 782.42164/0973/0904 |
| Collana | American Crossroads |
| Soggetto topico |
Popular music - United States - History and criticism
Music - Social aspects - United States Multiculturalism - United States |
| Soggetto non controllato |
america
american culture american identity american studies art and music artists bronx critical analysis cultural studies discussion books ethnic demographic studies ethnic differences ethnic minorities havana hip hop klezmer latin rock literary movements los angeles modern history music and culture music historians music history music lovers music studies music nonfiction popular music race issues racial history racial issues retrospective us borders |
| ISBN |
1-282-76321-0
9786612763212 1-4237-1729-5 0-520-93864-X 1-59875-582-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction: Strangers among Sounds -- One. Against Easy Listening -- Two. The Yiddish Are Coming -- Three. Life According to the Beat -- Four. Basquiat's Ear, Rahsaan's Eye -- Five. I,Too, Sing América -- Six. Rock's Reconquista -- Conclusion: La Misma Canción -- Notes -- Bibliography -- Discography -- Index |
| Record Nr. | UNINA-9910783318803321 |
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Kun Josh
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| Berkeley, Calif., : University of California Press, 2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Beyond structural listening? [[electronic resource] ] : postmodern modes of hearing / / edited by Andrew Dell'Antonio
| Beyond structural listening? [[electronic resource] ] : postmodern modes of hearing / / edited by Andrew Dell'Antonio |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2004 |
| Descrizione fisica | 1 online resource (346 p.) |
| Disciplina | 781.1/7 |
| Altri autori (Persone) | Dell'AntonioAndrew |
| Soggetto topico |
Musical criticism
Musical analysis Music - Philosophy and aesthetics Music - Social aspects Postmodernism |
| Soggetto non controllato |
20th century
anthology beauty beethoven collection of essays listening strategies listening modes of listening mtv music historians music scholars music students music textbooks music theorists music theory musical communities musical meaning musical scholarship musical structure nonfiction essays nonfiction postmodern modes of hearing postmodern theory structural hearing theoretical perspective western music |
| ISBN |
0-520-93702-3
1-59734-491-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction : beyond structural listening? / Andrew Dell'Antonio -- The disciplined subject of music analysis / Fred Everett Maus -- Musical virtues / Mitchell Morris -- The chosen one's choice / Tamara Levitz -- Beethoven antihero : sex, violence, and the aesthetics of failure, or, Listening to the Ninth symphony as postmodern sublime / Robert Fink -- Passion ; Mirrors / Paul Attinello -- Uncertainty, disorientation, and loss as responses to musical structure / Joseph Dubiel -- Collective listening : postmodern critical processes and MTV / Andrew Dell'Antonio -- One bar in eight : Debussy and the death of description / Elisabeth LeGuin -- The return of the aesthetic : music formalism and its place in political critique / Martin Scherzinger -- Afterword : toward the next paradigm of musical scholarship / Rose Rosengard Subotnik. |
| Record Nr. | UNINA-9910783387903321 |
| Berkeley, : University of California Press, c2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Different drummers [[electronic resource] ] : rhythm and race in the Americas / / Martin Munro
| Different drummers [[electronic resource] ] : rhythm and race in the Americas / / Martin Munro |
| Autore | Munro Martin |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2010 |
| Descrizione fisica | 1 online resource |
| Disciplina | 780.89/960729 |
| Collana | Music of the African diaspora |
| Soggetto topico |
Black people - Caribbean Area - Music - History and criticism
African Americans - Music - History and criticism |
| Soggetto non controllato |
african americans
african diaspora african musicians americas artistic expression black cultures civil rights era diversity drum music drummers enslaved africans french caribbean haiti historical jacques roumain james brown jean price mars music and culture music and identity music critics music historians music politics new world nonfiction race issues rhythm role of music shaping identities social history toussaint louverture trinidad united states |
| ISBN |
1-282-66082-9
9786612660825 0-520-94740-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Introduction. Slaves to the Rhythm -- 1. Beating Back Darkness -- 2. Rhythm, Creolization, and Conflict in Trinidad -- 3. Rhythm, Music, and Literature in the French Caribbean -- 4. James Brown, Rhythm, and Black Power -- Conclusion. Listening to New World History -- Notes -- References -- Index |
| Record Nr. | UNINA-9910785284103321 |
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Munro Martin
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| Berkeley, : University of California Press, c2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Interpreting music [[electronic resource] /] / Lawrence Kramer
| Interpreting music [[electronic resource] /] / Lawrence Kramer |
| Autore | Kramer Lawrence <1946-> |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2011 |
| Descrizione fisica | 1 online resource (332 p.) |
| Disciplina | 781.1 |
| Soggetto topico |
Music - History and criticism
Music - Philosophy and aesthetics |
| Soggetto non controllato |
aesthetics
beauty case studies classical music classical repertoire concept of music entertainment industry essay formalist approaches hermeneutic approaches modern culture music culture music historians music interpretation music philosophy music scholars music musical meaning musical performance musical scores musical work musicians nonfiction opera performativity performing arts performing music thought provoking |
| ISBN |
1-282-76446-2
9786612764462 0-520-94736-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Musical Examples -- 1. Hermeneutics -- 2. Language -- 3. Subjectivity -- 4. Meaning -- 5. Metaphor -- 6. History -- 7. Influence -- 8. Deconstruction -- 9. Analysis -- 10. Resemblance -- 11. Things -- 12. Classical -- 13. Modern -- 14. Works -- 15. Performance -- 16. Musicology -- Notes -- Index of Concepts -- Index of Names |
| Record Nr. | UNINA-9910785242503321 |
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Kramer Lawrence <1946->
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| Berkeley, : University of California Press, c2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Jazz matters [[electronic resource] ] : sound, place, and time since bebop / / David Ake
| Jazz matters [[electronic resource] ] : sound, place, and time since bebop / / David Ake |
| Autore | Ake David Andrew <1961-> |
| Pubbl/distr/stampa | Berkeley, CA, : University of California Press, c2010 |
| Descrizione fisica | 1 online resource (211 p.) |
| Disciplina | 781.65/5 |
| Soggetto topico |
Jazz - History and criticism
Jazz - Social aspects |
| Soggetto non controllato |
20th century
american exceptionalism artists bebop historical improvisational music jazz age jazz culture jazz historians jazz music jazz musicians jazz scholars jazz scholarship jazz studies jazz styles jazz music and culture music historians music history music movements music pedagogy music venues music musicians musicology nonfiction postwar america retrospective united states urban clubs world war ii wwii |
| ISBN |
1-282-73251-X
9786612732515 0-520-94739-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Illustrations -- Introduction -- Part one. Sound and Time -- Part two. Place and Time -- Acknowledgments -- Appendix one. Sample of American Jazz Musicians Born Since 1950 Who Studied Jazz at the College Level -- Appendix two. Interview Locations and Dates -- Notes -- Index |
| Record Nr. | UNINA-9910786713903321 |
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Ake David Andrew <1961->
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| Berkeley, CA, : University of California Press, c2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Music and revolution [[electronic resource] ] : cultural change in socialist Cuba / / Robin D. Moore
| Music and revolution [[electronic resource] ] : cultural change in socialist Cuba / / Robin D. Moore |
| Autore | Moore Robin <1964-> |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2006 |
| Descrizione fisica | 1 online resource (367 p.) |
| Disciplina | 780/.97291/0904 |
| Collana | Music of the African diaspora |
| Soggetto topico |
Music - Political aspects - Cuba
Music - Cuba - 20th century - History and criticism Socialism and music |
| Soggetto non controllato |
20th century
african diaspora art and music black music cuba cuban history cuban revolution cubans cultural historians cultural history dance styles ethnomusicologists ethnomusicology folklore international relations latin american studies music and culture music and politics music historians music history musical styles musicians political history political revolution religious traditions socialism soviet union |
| ISBN |
1-282-35836-7
0-520-93946-8 9786612358364 1-4237-8966-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Music and the arts in socialist Cuba -- Revelry and revolution : the paradox of the 1950s -- Music and social change in the first years -- Artistic institutions, initiatives, and policies -- Dance music and the politics of fun -- Transformations in Nueva Trova -- Afro-Cuban folklore in a raceless society -- Ay, dios ampárame : sacred music and revolution -- Music and ideological crisis -- Musical politics into the new millennium. |
| Record Nr. | UNINA-9910783666903321 |
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Moore Robin <1964->
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| Berkeley, : University of California Press, c2006 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Music and the elusive revolution [[electronic resource] ] : cultural politics and political culture in France, 1968-1981 / / Eric Drott
| Music and the elusive revolution [[electronic resource] ] : cultural politics and political culture in France, 1968-1981 / / Eric Drott |
| Autore | Drott Eric <1972-> |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2011 |
| Descrizione fisica | 1 online resource (363 p.) |
| Disciplina | 780.944/09046 |
| Collana | California studies in 20th-century music |
| Soggetto topico | Music - Political aspects - France - History - 20th century |
| Soggetto non controllato |
1968
20th century civic contemporary music cultural history cultural politics europe france french history french music historical history human condition international music modern history music and politics music communities music historians music history music scholars music studies musical genres performing arts political history political revolution politics revolt social impacts socialism student protests |
| ISBN |
1-283-27837-5
9786613278371 0-520-95008-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Music and May '68 -- Genre and musical representations of May '68 -- Free jazz in France -- La cause du pop -- Contemporary music, animation, and cultural democratization. |
| Record Nr. | UNINA-9910786239003321 |
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Drott Eric <1972->
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| Berkeley, : University of California Press, c2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The persistence of sentiment [[electronic resource] ] : display and feeling in popular music of the 1970s / / Mitchell Morris
| The persistence of sentiment [[electronic resource] ] : display and feeling in popular music of the 1970s / / Mitchell Morris |
| Autore | Morris Mitchell <1961-> |
| Pubbl/distr/stampa | Berkeley, : University of California Press, 2013 |
| Descrizione fisica | 1 online resource (259 p.) |
| Disciplina | 781.640973/09047 |
| Soggetto topico |
Popular music - United States - 1971-1980 - History and criticism
Singers - United States |
| Soggetto non controllato |
1970s
american music american society class issues commercial success commerical music emotional display entertainment industry feelings and emotions gender issues minority appeal minority audiences music and culture music criticism music critics music historians music history music interpretation music performers music philosophy musical styles musicians musicology pop music popular music prejudice racial minorities sexual minorities social contexts united states |
| ISBN | 0-520-95505-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- 1. Introduction -- 2. Black Masculinity and the Sound of Wealth -- 3. Transport and Interiority in Soft Soul -- 4. The Audience and Barry Manilow -- 5. The Voice of Karen Carpenter -- 6. Cher's "Dark Ladies" -- 7. Crossing Over with Dolly Parton -- Notes -- Works Cited -- Index |
| Record Nr. | UNINA-9910779651403321 |
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Morris Mitchell <1961->
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| Berkeley, : University of California Press, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Proud to be an Okie [[electronic resource] ] : cultural politics, country music, and migration to Southern California / / Peter La Chapelle
| Proud to be an Okie [[electronic resource] ] : cultural politics, country music, and migration to Southern California / / Peter La Chapelle |
| Autore | La Chapelle Peter |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2007 |
| Descrizione fisica | 1 online resource (368 p.) |
| Disciplina | 781.64209794 |
| Collana | American crossroads |
| Soggetto topico |
Country music - California - History and criticism
Music - Political aspects Popular culture - California, Southern - History - 20th century |
| Soggetto non controllato |
1930s
1960s 1970s 20th century america american music country music scene country music cultural history cultural politics depression era dust bowl migration great depression hillbilly identity los angeles mass media mass migration merle haggard migrant musicians migration music and culture music historians music history new deal oklahoma political history regional history southern california united states us history woody guthrie |
| ISBN |
1-281-75253-3
9786611752538 0-520-94000-8 1-4294-6794-0 0-520-90402-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Illustrations -- Preface and Acknowledgments -- Introduction -- Part 1. Big City Ways -- Part 2. Rhinestones and Ranch Homes -- Notes -- Selected Bibliography -- Index |
| Record Nr. | UNINA-9910784417903321 |
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La Chapelle Peter
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| Berkeley, : University of California Press, c2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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