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Absolute music, mechanical reproduction [[electronic resource] /] / Arved Ashby
| Absolute music, mechanical reproduction [[electronic resource] /] / Arved Ashby |
| Autore | Ashby Arved Mark |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2010 |
| Descrizione fisica | 1 online resource (333 pages) |
| Disciplina | 781.49 |
| Soggetto topico |
Absolute music
Sound recordings - Social aspects Music - Philosophy and aesthetics Performance practice (Music) - History - 20th century Music and technology Sound - Recording and reproducing - Digital techniques MP3 (Audio coding standard) - Social aspects |
| Soggetto non controllato |
absolute instrumental music
aesthetics art music classical music contemporary world historical listening to music live arts mechanical reproduction music criticism music critics music historians music history music recordings music scholars music musical contexts musical culture musicology nonfiction performing arts recording technology recordings and sound socially progressive students and teachers |
| ISBN |
9786612697661
0-520-94569-7 1-282-69766-8 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | The recorded musical text -- Recording, repetition, and memory in absolute music -- Schnabel's rationalism, Gould's pragmatism -- Digital mythologies -- Beethoven and the iPod Nation -- Photo/phono/porno -- Mahler as imagist. |
| Record Nr. | UNINA-9910781129403321 |
Ashby Arved Mark
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| Berkeley, : University of California Press, c2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Different drummers [[electronic resource] ] : rhythm and race in the Americas / / Martin Munro
| Different drummers [[electronic resource] ] : rhythm and race in the Americas / / Martin Munro |
| Autore | Munro Martin |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2010 |
| Descrizione fisica | 1 online resource |
| Disciplina | 780.89/960729 |
| Collana | Music of the African diaspora |
| Soggetto topico |
Black people - Caribbean Area - Music - History and criticism
African Americans - Music - History and criticism |
| Soggetto non controllato |
african americans
african diaspora african musicians americas artistic expression black cultures civil rights era diversity drum music drummers enslaved africans french caribbean haiti historical jacques roumain james brown jean price mars music and culture music and identity music critics music historians music politics new world nonfiction race issues rhythm role of music shaping identities social history toussaint louverture trinidad united states |
| ISBN |
1-282-66082-9
9786612660825 0-520-94740-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Introduction. Slaves to the Rhythm -- 1. Beating Back Darkness -- 2. Rhythm, Creolization, and Conflict in Trinidad -- 3. Rhythm, Music, and Literature in the French Caribbean -- 4. James Brown, Rhythm, and Black Power -- Conclusion. Listening to New World History -- Notes -- References -- Index |
| Record Nr. | UNINA-9910785284103321 |
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Munro Martin
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| Berkeley, : University of California Press, c2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The persistence of sentiment [[electronic resource] ] : display and feeling in popular music of the 1970s / / Mitchell Morris
| The persistence of sentiment [[electronic resource] ] : display and feeling in popular music of the 1970s / / Mitchell Morris |
| Autore | Morris Mitchell <1961-> |
| Pubbl/distr/stampa | Berkeley, : University of California Press, 2013 |
| Descrizione fisica | 1 online resource (259 p.) |
| Disciplina | 781.640973/09047 |
| Soggetto topico |
Popular music - United States - 1971-1980 - History and criticism
Singers - United States |
| Soggetto non controllato |
1970s
american music american society class issues commercial success commerical music emotional display entertainment industry feelings and emotions gender issues minority appeal minority audiences music and culture music criticism music critics music historians music history music interpretation music performers music philosophy musical styles musicians musicology pop music popular music prejudice racial minorities sexual minorities social contexts united states |
| ISBN | 0-520-95505-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- 1. Introduction -- 2. Black Masculinity and the Sound of Wealth -- 3. Transport and Interiority in Soft Soul -- 4. The Audience and Barry Manilow -- 5. The Voice of Karen Carpenter -- 6. Cher's "Dark Ladies" -- 7. Crossing Over with Dolly Parton -- Notes -- Works Cited -- Index |
| Record Nr. | UNINA-9910779651403321 |
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Morris Mitchell <1961->
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| Berkeley, : University of California Press, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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