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Absolute music, mechanical reproduction [[electronic resource] /] / Arved Ashby
| Absolute music, mechanical reproduction [[electronic resource] /] / Arved Ashby |
| Autore | Ashby Arved Mark |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2010 |
| Descrizione fisica | 1 online resource (333 pages) |
| Disciplina | 781.49 |
| Soggetto topico |
Absolute music
Sound recordings - Social aspects Music - Philosophy and aesthetics Performance practice (Music) - History - 20th century Music and technology Sound - Recording and reproducing - Digital techniques MP3 (Audio coding standard) - Social aspects |
| Soggetto non controllato |
absolute instrumental music
aesthetics art music classical music contemporary world historical listening to music live arts mechanical reproduction music criticism music critics music historians music history music recordings music scholars music musical contexts musical culture musicology nonfiction performing arts recording technology recordings and sound socially progressive students and teachers |
| ISBN |
9786612697661
0-520-94569-7 1-282-69766-8 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | The recorded musical text -- Recording, repetition, and memory in absolute music -- Schnabel's rationalism, Gould's pragmatism -- Digital mythologies -- Beethoven and the iPod Nation -- Photo/phono/porno -- Mahler as imagist. |
| Record Nr. | UNINA-9910781129403321 |
Ashby Arved Mark
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| Berkeley, : University of California Press, c2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Animation, Plasticity, and Music in Italy, 1770-1830 / / Ellen Lockhart
| Animation, Plasticity, and Music in Italy, 1770-1830 / / Ellen Lockhart |
| Autore | Lockhart Ellen |
| Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [2017] |
| Descrizione fisica | 1 online resource (218 pages) : illustrations |
| Disciplina | 782.1094509033 |
| Soggetto topico |
Dramatic music - Italy - 18th century
Dramatic music - Italy - 19th century Operas - Literary themes, motives |
| Soggetto non controllato |
aesthetic theory
animated statue art artists drama enlightenment epistemology of sensing historical interdisciplinary italian ballets italian music italian musical performances italian operas italian theater italy itinerant performance traditions live entertainment melodramas music criticism music history musical practice musical nationhood fantasies opera music performing arts philosophy science sciences of the body stage works theatre theatrical theory of language |
| ISBN | 0-520-96006-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction -- 1. Attentive Statues -- 2. Pimmalione -- 3. Defining Italy in Haunted Rome -- 4. Partial Animacy and Blind Listening in Napoleonic Italy -- 5. Giuditta Pasta and the History of Musical Electrification -- Conclusion -- Notes -- Bibliography -- List of Illustrations -- Index |
| Record Nr. | UNINA-9910794760503321 |
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Lockhart Ellen
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| Berkeley, CA : , : University of California Press, , [2017] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Keys to Play : Music as a Ludic Medium from Apollo to Nintendo / / Roger Moseley
| Keys to Play : Music as a Ludic Medium from Apollo to Nintendo / / Roger Moseley |
| Autore | Moseley Roger <1974-> |
| Pubbl/distr/stampa | University of California Press, 2016 |
| Descrizione fisica | 1 online resource (xv, 452 pages) : illustrations, music |
| Disciplina | 786 |
| Collana |
Open Access e-Books
Knowledge Unlatched |
| Soggetto topico |
Video games - Psychological aspects
Play (Philosophy) Keyboards (Music) - History Music - Performance - History |
| Soggetto genere / forma | Electronic books. |
| Soggetto non controllato |
beethoven recursive feedback loop
fantasy music foundations of music gameplay music keyboards mozart music and games music and media music criticism music history music in video games music theory musical play nintendo music super mario music |
| ISBN | 0-520-96509-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Prelude. Press any key to start -- Fields and interfaces of musical play. Ludomusicality. Orders of play ; Beyond work and play ; The sound of gunplay ; Bits and beats ; Playing undead -- Digital analogies. Apollo 1, Marsyas 0 ; Notes on keys ; Interface values ; (Key)board games and temperamental tactics ; Tristan's chord, Schoenberg's voice -- Play by play : improvisation, performance, recreation. The emergence of musical play. Unforeheard circumstances ; Pantomimes and partimenti ; From black box to glassy shell ; The case of Winkel's componium ; The invisible thumb on the scale -- High scores : WAM vs. LVB. Unsettled scores ; Mozart's two-player games ; Concerted action ; Mozart and Mario play the field ; Beethoven's recursive feedback loops -- Play again? Nintendo's brand of ludomusicality ; Analogous digitalities ; The ludomusical emergence of Toshio Iwai ; High scores: Nodame cantabile ; Replay : a cento. |
| Record Nr. | UNISA-996328039103316 |
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Moseley Roger <1974->
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| University of California Press, 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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The persistence of sentiment [[electronic resource] ] : display and feeling in popular music of the 1970s / / Mitchell Morris
| The persistence of sentiment [[electronic resource] ] : display and feeling in popular music of the 1970s / / Mitchell Morris |
| Autore | Morris Mitchell <1961-> |
| Pubbl/distr/stampa | Berkeley, : University of California Press, 2013 |
| Descrizione fisica | 1 online resource (259 p.) |
| Disciplina | 781.640973/09047 |
| Soggetto topico |
Popular music - United States - 1971-1980 - History and criticism
Singers - United States |
| Soggetto non controllato |
1970s
american music american society class issues commercial success commerical music emotional display entertainment industry feelings and emotions gender issues minority appeal minority audiences music and culture music criticism music critics music historians music history music interpretation music performers music philosophy musical styles musicians musicology pop music popular music prejudice racial minorities sexual minorities social contexts united states |
| ISBN | 0-520-95505-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- 1. Introduction -- 2. Black Masculinity and the Sound of Wealth -- 3. Transport and Interiority in Soft Soul -- 4. The Audience and Barry Manilow -- 5. The Voice of Karen Carpenter -- 6. Cher's "Dark Ladies" -- 7. Crossing Over with Dolly Parton -- Notes -- Works Cited -- Index |
| Record Nr. | UNINA-9910779651403321 |
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Morris Mitchell <1961->
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| Berkeley, : University of California Press, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Selling digital music, formatting culture / / Jeremy Wade Morris
| Selling digital music, formatting culture / / Jeremy Wade Morris |
| Autore | Morris Jeremy Wade <1976-> |
| Pubbl/distr/stampa | Oakland, California : , : University of California Press, , 2015 |
| Descrizione fisica | 1 online resource (284 p.) |
| Disciplina | 381/.4578 |
| Soggetto topico |
Music trade - Technological innovations
Music and the Internet Digital jukebox software |
| Soggetto non controllato |
cloud computing
digital jukebox digital music commodity digital music history of digital music history of music technology history of music history of recorded music industrial production of music itunes media studies metadata music and the internet music criticism music history music in popular culture music industry music marketing music technology music musicians napster popular music studies winamp |
| ISBN | 0-520-96293-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- List of Figures -- Acknowledgments -- Introduction: The Digital Music Commodity -- 1. Music as a Digital File -- 2. Making Technology Behave -- 3. This Business of Napster -- 4. Click to Buy: Music in Digital Stores -- 5. Music in the Cloud -- Conclusion: Exceptional Objects -- Notes -- Works Cited -- Index |
| Record Nr. | UNINA-9910797351403321 |
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Morris Jeremy Wade <1976->
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| Oakland, California : , : University of California Press, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Selling digital music, formatting culture / / Jeremy Wade Morris
| Selling digital music, formatting culture / / Jeremy Wade Morris |
| Autore | Morris Jeremy Wade <1976-> |
| Pubbl/distr/stampa | Oakland, California : , : University of California Press, , 2015 |
| Descrizione fisica | 1 online resource (284 p.) |
| Disciplina | 381/.4578 |
| Soggetto topico |
Music trade - Technological innovations
Music and the Internet Digital jukebox software |
| Soggetto non controllato |
cloud computing
digital jukebox digital music commodity digital music history of digital music history of music technology history of music history of recorded music industrial production of music itunes media studies metadata music and the internet music criticism music history music in popular culture music industry music marketing music technology music musicians napster popular music studies winamp |
| ISBN | 0-520-96293-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- List of Figures -- Acknowledgments -- Introduction: The Digital Music Commodity -- 1. Music as a Digital File -- 2. Making Technology Behave -- 3. This Business of Napster -- 4. Click to Buy: Music in Digital Stores -- 5. Music in the Cloud -- Conclusion: Exceptional Objects -- Notes -- Works Cited -- Index |
| Record Nr. | UNINA-9910814693403321 |
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Morris Jeremy Wade <1976->
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| Oakland, California : , : University of California Press, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Why jazz happened [[electronic resource] /] / Marc Myers
| Why jazz happened [[electronic resource] /] / Marc Myers |
| Autore | Myers Marc <1956-> |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2013 |
| Descrizione fisica | 1 online resource (279 p.) |
| Disciplina | 781.65/5 |
| Soggetto topico | Jazz - History and criticism |
| Soggetto non controllato |
20th century america
20th century music american federation of music american history books for music lovers california history civil rights movement culture of jazz discussion books educational books evolution of music evolution of radio jazz and society jazz history music criticism music history music studies music musicians nonfiction books performing arts politics and music post war art post war culture radio history rise of los angeles social history of america the anatomy of music |
| ISBN |
1-283-64636-6
0-520-95398-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction -- 1. Record Giants Blink -- 2. DJ's, Promoters, and Bebop -- 3. G.I. Bill and Cool -- 4. Speed War, Tape, and Solos -- 5. Suburbia and West Coast Jazz -- 6. BMI, R&B, and Hard Bop -- 7. Bias, Africa, and Spiritual Jazz -- 8. Invasion and Jazz-Pop -- 9. Alienation and the Avant-Garde -- 10. Lights, Volume, and Fusion -- 11. Jazz Hangs On -- Notes -- Index |
| Record Nr. | UNINA-9910786197303321 |
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Myers Marc <1956->
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| Berkeley, : University of California Press, c2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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