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The Art of Fugue : Bach Fugues for Keyboard, 1715-1750 / / Joseph Kerman
| The Art of Fugue : Bach Fugues for Keyboard, 1715-1750 / / Joseph Kerman |
| Autore | Kerman Joseph <1924-2014, > |
| Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [2015] |
| Descrizione fisica | 1 online resource (xxv, 165 pages) : music; digital, PDF file(s) |
| Disciplina | 786 |
| Collana | Luminos |
| Soggetto topico |
Fugue
MUSIC / Genres & Styles / Classical |
| Soggetto non controllato |
18th century fugues
18th century music bach classical music clavichord music fugue in c major fugue in c minor fugues harpsichord music history of music intimate fugues keyboard composition keyboard music music appreciation music composition music theory musical analysis musical commentary musical scores musicology organ music organ toccatas piano keyboard studies in classical music technical music analysis the well tempered clavier |
| Classificazione | LP 38250 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- List of Recordings and Scores -- Preface -- Acknowledgments -- 1. Fugue in C Major: The Well-Tempered Clavier, book 1 -- 2. Fugue in C Minor: The Well-Tempered Clavier, book 1 -- 3. Fughetta in C Major, BWV 952 -- 4. Fugue in C-sharp Minor: The Well-Tempered Clavier, book 1 -- 5. Contrapunctus 1: The Art of Fugue -- 6. Contrapunctus 10: The Art of Fugue -- 7. Chromatic Fantasy and Fugue, BWV 903 -- 8. Prelude and Fugue in E-flat Major: The Well-Tempered Clavier, book 1 -- 9. Fugue in E Major: The Well-Tempered Clavier, book 2 -- 10. Fugue on "Jesus Christus unser Heiland": Clavierübung, book 3 -- 11. Fugue in F-sharp Minor: The Well-Tempered Clavier, book 1 -- 12. Gigue: English Suite no. 3 in G Minor -- 13. Fugue in A-flat Major: The Well-Tempered Clavier, book 1 -- 14. Fugue in A Minor: Fantasy and Fugue in A Minor, BWV 904 -- 15. Fugue in B-flat Major: The Well-Tempered Clavier, book 2 -- 16. Fugue in B Major: The Well-Tempered Clavier, book 2 -- Afterword -- Notes -- Notes to the Recordings -- Glossary -- Bibliography -- Index |
| Record Nr. | UNISA-996328041503316 |
Kerman Joseph <1924-2014, >
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| Berkeley, CA : , : University of California Press, , [2015] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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The Art of Fugue : Bach Fugues for Keyboard, 1715-1750 / / Joseph Kerman
| The Art of Fugue : Bach Fugues for Keyboard, 1715-1750 / / Joseph Kerman |
| Autore | Kerman Joseph <1924-2014, > |
| Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [2015] |
| Descrizione fisica | 1 online resource (xxv, 165 pages) : music; digital, PDF file(s) |
| Disciplina | 786 |
| Collana | Luminos |
| Soggetto topico |
Fugue
MUSIC / Genres & Styles / Classical |
| Soggetto non controllato |
18th century fugues
18th century music bach classical music clavichord music fugue in c major fugue in c minor fugues harpsichord music history of music intimate fugues keyboard composition keyboard music music appreciation music composition music theory musical analysis musical commentary musical scores musicology organ music organ toccatas piano keyboard studies in classical music technical music analysis the well tempered clavier |
| Classificazione | LP 38250 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- List of Recordings and Scores -- Preface -- Acknowledgments -- 1. Fugue in C Major: The Well-Tempered Clavier, book 1 -- 2. Fugue in C Minor: The Well-Tempered Clavier, book 1 -- 3. Fughetta in C Major, BWV 952 -- 4. Fugue in C-sharp Minor: The Well-Tempered Clavier, book 1 -- 5. Contrapunctus 1: The Art of Fugue -- 6. Contrapunctus 10: The Art of Fugue -- 7. Chromatic Fantasy and Fugue, BWV 903 -- 8. Prelude and Fugue in E-flat Major: The Well-Tempered Clavier, book 1 -- 9. Fugue in E Major: The Well-Tempered Clavier, book 2 -- 10. Fugue on "Jesus Christus unser Heiland": Clavierübung, book 3 -- 11. Fugue in F-sharp Minor: The Well-Tempered Clavier, book 1 -- 12. Gigue: English Suite no. 3 in G Minor -- 13. Fugue in A-flat Major: The Well-Tempered Clavier, book 1 -- 14. Fugue in A Minor: Fantasy and Fugue in A Minor, BWV 904 -- 15. Fugue in B-flat Major: The Well-Tempered Clavier, book 2 -- 16. Fugue in B Major: The Well-Tempered Clavier, book 2 -- Afterword -- Notes -- Notes to the Recordings -- Glossary -- Bibliography -- Index |
| Record Nr. | UNINA-9910136269503321 |
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Kerman Joseph <1924-2014, >
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| Berkeley, CA : , : University of California Press, , [2015] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The dawn of music semiology : essays in honor of Jean-Jacques Nattiez / / edited by Jonathan Dunsby and Jonathan Goldman [[electronic resource]]
| The dawn of music semiology : essays in honor of Jean-Jacques Nattiez / / edited by Jonathan Dunsby and Jonathan Goldman [[electronic resource]] |
| Pubbl/distr/stampa | Rochester, NY : , : University of Rochester Press, , 2017 |
| Descrizione fisica | 1 online resource (ix, 214 pages) : digital, PDF file(s) |
| Disciplina | 781.1/7 |
| Collana | Eastman studies in music |
| Soggetto topico |
Music - Semiotics
Music - Philosophy and aesthetics Symbolism in music |
| Soggetto non controllato |
Jean-Jacques Nattiez
eastman school of music ethnomusicology ethnotheory folk music music composition music history music semiology music studies music theory musicology psychology |
| ISBN | 1-78204-918-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Music and gesture / Jean Molino -- Music semiology in the mind of the musician / Jonathan Dunsby -- Against ethnotheory / Kofi Agawu -- From Georgian to Medieval polyphonies : analysis and modeling / Simha Arom -- Schenker's Inhalt, Schenkerian semiotics : a preliminary study / Nicolas Meeáus -- Music under the sign of modernism : from Wagner to Boulez, and Britten / Arnold Whittall -- Musical borrowings in the works of Bruno Maderna / Rossana Dalmonte -- Of doubles, groups, and rhymes : a seriation of works for spatialized orchestral groups (1958-60) / Jonathan Goldman -- The psychological organization of music listening : from spontaneous to learned perceptive processes / Iráene Deliáege. |
| Record Nr. | UNINA-9910163895503321 |
| Rochester, NY : , : University of Rochester Press, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Explorations in Schenkerian analysis / / edited by David Beach and Su Yin Mak [[electronic resource]]
| Explorations in Schenkerian analysis / / edited by David Beach and Su Yin Mak [[electronic resource]] |
| Pubbl/distr/stampa | Suffolk : , : Boydell & Brewer, , 2016 |
| Descrizione fisica | 1 online resource (xii, 359 pages) : digital, PDF file(s) |
| Disciplina | 780.9 |
| Collana | Eastman studies in music |
| Soggetto topico | Schenkerian analysis |
| Soggetto non controllato |
Edward Laufer
Schenkerian analysis classical music music analysis music composition music methodology music theory musicology orchestra symphony |
| ISBN | 1-78204-863-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | A letter about the C-major fugue from The Well-tempered Clavier, Book 1 / Charles Burkhart -- The opening tonal complex of Bach's St. Matthew passion : a linear view / Mark Anson-Cartwright -- Recurrence and fantasy in C.P.E. Bach's Rondo in G major / Frank Samarotto -- Voice-leading procedures in galant expositions / L. Poundie Burstein -- The first movements of Anton Eberl's symphonies in E-flat major and D minor, and Beethoven's Eroica : toward "new" sonata forms? / Timothy L. Jackson -- Schubert's "Unfinished" symphony : analytical observations / David Beach -- Structural and form-functional ambiguities in the first movement of Schubert's Octet in F major, D. 803 / Su Yin Mak -- The form of Chopin's Prelude in B-flat major, op. 28, no. 21 / Roger Kamien -- "All that is solid melts into air" : Schumann's Overture to Manfred / William Rothstein -- Endings without resolution : the slow movement and finale of Schumann's Second symphony / Lauri Suurpèaèa -- Half-diminished-seventh openings in Brahms's lieder / Ryan McClelland -- Motivic enlargement in Dvoérâak's Symphony, op. 70 / Leslie Kinton -- Deliverance and compositional design in the "Libera me" of Verdi's Messa da Requiem / Don McLean -- Polyphony and cacophony? : A Schenkerian reading of Strauss's "Dance of the seven veils" / Matthew Brown -- A force of nature : Debussy and the chromatically displaced dominant / Boyd Pomeroy -- Appendix : An interview with Edward Laufer / Stephen Slottow. |
| Record Nr. | UNINA-9910163901903321 |
| Suffolk : , : Boydell & Brewer, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Instruments for New Music : Sound, Technology, and Modernism / / Thomas Patteson
| Instruments for New Music : Sound, Technology, and Modernism / / Thomas Patteson |
| Autore | Patteson Thomas |
| Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [2015] |
| Descrizione fisica | 1 online resource (250 p.) |
| Disciplina | 784.1909/04 |
| Soggetto topico |
Civil engineering
Communication Electronic musical instruments - History Engineering Mass media Music and technology - History Music - Philosophy and aesthetics Musical instruments MUSIC / History & Criticism |
| Soggetto non controllato |
20th century music history
developing new musical instruments developing new musical technology electronic musical instruments history of music jorg mager mechanical instruments media instruments music and technology music appreciation music composition music theory music musical aesthetics musical automation musical innovation musical inscription new music new musical instruments in the 20th century sound technology |
| ISBN | 0-520-96312-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Illustrations -- Acknowledgments -- 1. Listening to Instruments -- 2. "The Joy of Precision": Mechanical Instruments and the Aesthetics of Automation -- 3. "The Alchemy of Tone": Jörg Mager and Electric Music -- 4. "Sonic Handwriting": Media Instruments and Musical Inscription -- 5. "A New, Perfect Musical Instrument": The Trautonium and Electric Music in the 1930s -- 6. The Expanding Instrumentarium -- Notes -- Bibliography -- Index |
| Record Nr. | UNISA-996328040603316 |
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Patteson Thomas
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| Berkeley, CA : , : University of California Press, , [2015] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Instruments for New Music : Sound, Technology, and Modernism / / Thomas Patteson
| Instruments for New Music : Sound, Technology, and Modernism / / Thomas Patteson |
| Autore | Patteson Thomas |
| Pubbl/distr/stampa | University of California Press, 2015 |
| Descrizione fisica | 1 online resource (250 p.) |
| Disciplina | 784.1909/04 |
| Soggetto topico |
Civil engineering
Communication Electronic musical instruments - History Engineering Mass media Music and technology - History Music - Philosophy and aesthetics Musical instruments MUSIC / History & Criticism |
| Soggetto non controllato |
20th century music history
developing new musical instruments developing new musical technology electronic musical instruments history of music jorg mager mechanical instruments media instruments music and technology music appreciation music composition music theory music musical aesthetics musical automation musical innovation musical inscription new music new musical instruments in the 20th century sound technology |
| ISBN | 0-520-96312-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Illustrations -- Acknowledgments -- 1. Listening to Instruments -- 2. "The Joy of Precision": Mechanical Instruments and the Aesthetics of Automation -- 3. "The Alchemy of Tone": Jörg Mager and Electric Music -- 4. "Sonic Handwriting": Media Instruments and Musical Inscription -- 5. "A New, Perfect Musical Instrument": The Trautonium and Electric Music in the 1930s -- 6. The Expanding Instrumentarium -- Notes -- Bibliography -- Index |
| Record Nr. | UNINA-9910136644303321 |
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Patteson Thomas
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| University of California Press, 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Music into fiction : composers writing, compositions imitated / / Theodore Ziolkowski [[electronic resource]]
| Music into fiction : composers writing, compositions imitated / / Theodore Ziolkowski [[electronic resource]] |
| Autore | Ziolkowski Theodore |
| Pubbl/distr/stampa | Rochester, NY : , : Camden House, , 2017 |
| Descrizione fisica | 1 online resource (xi, 248 pages) : digital, PDF file(s) |
| Disciplina | 780/.08 |
| Collana | Studies in German literature, linguistics, and culture |
| Soggetto topico |
Music and literature
Musicians as authors |
| Soggetto non controllato |
German literature
German music comparative literature moden composers music and literature music composition music theory musicology romanticism scholarship |
| ISBN | 1-78204-917-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Preface -- Prelude: Introduction. First movement: Composers writing. Weber and Hoffmann -- Berlioz and Schumann -- Wagner -- Transition: Nietzsche and the post-Wagnerians. Burgess -- Second movement: compositions imitated. Compositional forms -- Specific compositions -- Finale: composers setting fictional compositions. Leverkuhn's compositions -- Coda: Conclusion. |
| Record Nr. | UNINA-9910162772403321 |
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Ziolkowski Theodore
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| Rochester, NY : , : Camden House, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The poetics of rock [[electronic resource] ] : cutting tracks, making records / / Albin J. Zak III
| The poetics of rock [[electronic resource] ] : cutting tracks, making records / / Albin J. Zak III |
| Autore | Zak Albin |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2001 |
| Descrizione fisica | 1 online resource (279 p.) |
| Disciplina | 781.66/149 |
| Soggetto topico |
Rock music - History and criticism
Sound recordings - Production and direction Sound - Recording and reproducing |
| Soggetto non controllato |
artist
artistic contemporary music creative creativity engineers famous music famous musicians modern music music artist music composition music history music industry musical arrangement musicians poetics producers record artist record industry recording music recording rock and roll rock music songwriters sound engineer vinyl music vinyl records |
| ISBN |
0-520-92815-6
1-59734-812-0 9786612445729 1-282-44572-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction -- 1. Writing Records -- 2. Tracks -- 3. Sound As Form -- 4. Places And Tools -- 5. Tracking And Mixing -- 6. Engineers And Producers -- 7. Resonance -- Notes -- Glossary -- Engineer And Producer Credits -- Recordings Cited -- Bibliography -- Index |
| Record Nr. | UNINA-9910783197303321 |
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Zak Albin
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| Berkeley, : University of California Press, c2001 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The poetics of rock [[electronic resource] ] : cutting tracks, making records / / Albin J. Zak III
| The poetics of rock [[electronic resource] ] : cutting tracks, making records / / Albin J. Zak III |
| Autore | Zak Albin |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2001 |
| Descrizione fisica | 1 online resource (279 p.) |
| Disciplina | 781.66/149 |
| Soggetto topico |
Rock music - History and criticism
Sound recordings - Production and direction Sound - Recording and reproducing |
| Soggetto non controllato |
artist
artistic contemporary music creative creativity engineers famous music famous musicians modern music music artist music composition music history music industry musical arrangement musicians poetics producers record artist record industry recording music recording rock and roll rock music songwriters sound engineer vinyl music vinyl records |
| ISBN |
0-520-92815-6
1-59734-812-0 9786612445729 1-282-44572-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction -- 1. Writing Records -- 2. Tracks -- 3. Sound As Form -- 4. Places And Tools -- 5. Tracking And Mixing -- 6. Engineers And Producers -- 7. Resonance -- Notes -- Glossary -- Engineer And Producer Credits -- Recordings Cited -- Bibliography -- Index |
| Record Nr. | UNINA-9910815571403321 |
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Zak Albin
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| Berkeley, : University of California Press, c2001 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Reflections of an American composer [[electronic resource] /] / Arthur Berger
| Reflections of an American composer [[electronic resource] /] / Arthur Berger |
| Autore | Berger Arthur <1912-2003.> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2002 |
| Descrizione fisica | 1 online resource (288 p.) |
| Disciplina | 780/.973 |
| Soggetto topico | Music - United States - History and criticism |
| Soggetto non controllato |
1930s
20th century aaron copland american composers american music art scene autobiography avant garde music biography boretz boston communism composers conductor essays malkin conservatory memoir modernism music composition music criticism music history music theory music musicians nationalism new york nonfiction piano variations popular culture red scare schoenberg short symphony statements stravinsky wpa |
| ISBN |
1-59734-857-0
0-520-92821-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction -- 1. Composers and Their Audience in the Thirties -- 2. Nationalism -- 3. Is Music in Decline? -- 4. Rendezvous with Apollo: Form Is Feeling -- 5. Reinventing the Past: Pastiche, Collage, or "Criticism"? -- 6. Serialism: Composer as Theorist -- 7. Rapprochement or Friendly Takeover? -- 8. Postmodern Music -- 9. Virgil Thomson and the Press -- 10. Music on My Beat -- 11. PNM and the Ph.D. -- 12. A Tale of Two Critics: Rosenfeld and Haggin -- 13. Do We Hear What We Say We Hear? -- 14. New Linguistic Modes and the New Theory -- 15. The Octatonic Scale -- 16. Backstage at the Opera -- 17. A Tale of Two Conductors: Koussevitzky and Mitropoulos -- 18. From My Diary: Brief Encounters -- Appendix: From My Scrapbook -- Notes -- Index |
| Record Nr. | UNINA-9910449685403321 |
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Berger Arthur <1912-2003.>
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| Berkeley, : University of California Press, c2002 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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