Explorations in Schenkerian analysis / / edited by David Beach and Su Yin Mak [[electronic resource]] |
Pubbl/distr/stampa | Suffolk : , : Boydell & Brewer, , 2016 |
Descrizione fisica | 1 online resource (xii, 359 pages) : digital, PDF file(s) |
Disciplina | 780.9 |
Collana | Eastman studies in music |
Soggetto topico | Schenkerian analysis |
Soggetto non controllato |
Edward Laufer
Schenkerian analysis classical music music analysis music composition music methodology music theory musicology orchestra symphony |
ISBN | 1-78204-863-4 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | A letter about the C-major fugue from The Well-tempered Clavier, Book 1 / Charles Burkhart -- The opening tonal complex of Bach's St. Matthew passion : a linear view / Mark Anson-Cartwright -- Recurrence and fantasy in C.P.E. Bach's Rondo in G major / Frank Samarotto -- Voice-leading procedures in galant expositions / L. Poundie Burstein -- The first movements of Anton Eberl's symphonies in E-flat major and D minor, and Beethoven's Eroica : toward "new" sonata forms? / Timothy L. Jackson -- Schubert's "Unfinished" symphony : analytical observations / David Beach -- Structural and form-functional ambiguities in the first movement of Schubert's Octet in F major, D. 803 / Su Yin Mak -- The form of Chopin's Prelude in B-flat major, op. 28, no. 21 / Roger Kamien -- "All that is solid melts into air" : Schumann's Overture to Manfred / William Rothstein -- Endings without resolution : the slow movement and finale of Schumann's Second symphony / Lauri Suurpèaèa -- Half-diminished-seventh openings in Brahms's lieder / Ryan McClelland -- Motivic enlargement in Dvoérâak's Symphony, op. 70 / Leslie Kinton -- Deliverance and compositional design in the "Libera me" of Verdi's Messa da Requiem / Don McLean -- Polyphony and cacophony? : A Schenkerian reading of Strauss's "Dance of the seven veils" / Matthew Brown -- A force of nature : Debussy and the chromatically displaced dominant / Boyd Pomeroy -- Appendix : An interview with Edward Laufer / Stephen Slottow. |
Record Nr. | UNINA-9910163901903321 |
Suffolk : , : Boydell & Brewer, , 2016 | ||
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Lo trovi qui: Univ. Federico II | ||
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Stravinsky : his thoughts and music / / Alicja Jarzebska ; translated by Lindsay Davidson |
Autore | Jarzębska Alicja |
Pubbl/distr/stampa | Bern, : Peter Lang International Academic Publishing Group, 2020 |
Descrizione fisica | 1 online resource (392 pages) |
Disciplina | 780.924 |
Altri autori (Persone) | DavidsonLindsay <1973-> |
Collana | Eastern European studies in musicology |
Soggetto topico |
Theory of music & musicology
History: specific events & topics |
Soggetto genere / forma | Criticism, interpretation, etc. |
Soggetto non controllato |
history of music
Jarzebska Music music analysis musical aesthetics musical psychology new music serial music Stravinski Stravinsky Thoughts |
ISBN |
3-631-81852-1
3-631-81851-3 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910508710103321 |
Jarzębska Alicja
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Bern, : Peter Lang International Academic Publishing Group, 2020 | ||
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Lo trovi qui: Univ. Federico II | ||
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The Venetian Instrumental Concerto During Vivaldi's Time |
Autore | Comber John |
Pubbl/distr/stampa | Bern, : Peter Lang International Academic Publishing Group, 2020 |
Descrizione fisica | 1 online resource (535 pages) |
Disciplina | 780 |
Altri autori (Persone) | WilkPiotr |
Collana | Eastern European Studies in Musicology |
Soggetto topico |
Individual composers & musicians, specific bands & groups
Theory of music & musicology Music: styles & genres |
Soggetto genere / forma | Criticism, interpretation, etc. |
Soggetto non controllato |
comparative studies
composer technique Concerto history of concerto Instrumental music analysis source studies stylistic studies Time Venetian Vivaldi’s Wilk |
ISBN |
3-631-84063-2
3-631-84062-4 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910591169703321 |
Comber John
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Bern, : Peter Lang International Academic Publishing Group, 2020 | ||
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Lo trovi qui: Univ. Federico II | ||
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What is this thing called jazz? [[electronic resource] ] : African American musicians as artists, critics, and activists / / Eric Porter |
Autore | Porter Eric (Eric C.) |
Pubbl/distr/stampa | Berkeley, Calif., : University of California Press, c2002 |
Descrizione fisica | 1 online resource (442 p.) |
Disciplina | 781.65/089/96073 |
Collana | Music of the African diaspora |
Soggetto topico |
Jazz - History and criticism
African American jazz musicians African Americans - Intellectual life - 20th century |
Soggetto non controllato |
1920s
1930s african american musicians african american american music anthony braxton black artists black musicians class cultural studies duke ellington essay collection experimental jazz experimental music gender jazz music jazz musicians louis armstrong marion brown music analysis music genres music history music theory musical musicians social class social studies |
ISBN |
1-282-75904-3
9786612759048 0-520-92840-7 1-59734-997-6 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | A marvel of paradox : jazz and African American modernity -- Dizzy atmosphere : the challenge of bebop -- Passions of a man : the poetics and politics of Charles Mingus -- Straight ahead : Abbey Lincoln and the challenge of jazz singing -- Practicing "creative music" : the black arts imperative in the jazz community -- Writing "creative music" : theorizing the art and politics of improvisation -- The majesty of the blues : Wynton Marsalis's jazz canon. |
Record Nr. | UNINA-9910783293903321 |
Porter Eric (Eric C.)
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Berkeley, Calif., : University of California Press, c2002 | ||
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Lo trovi qui: Univ. Federico II | ||
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