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Celluloid Symphonies : Texts and Contexts in Film Music History / / Julie Hubbert
| Celluloid Symphonies : Texts and Contexts in Film Music History / / Julie Hubbert |
| Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [2011] |
| Descrizione fisica | 1 online resource (525 p.) |
| Disciplina | 781.5/4209 |
| Soggetto topico |
Motion picture music
Symphony |
| Soggetto non controllato |
aesthetics
art history auteurs commercial pressure digital age early sound films elmer bernstein erich korngold film criticism film history film music film studies hollywood scores howard shore jerry goldsmith max steiner movie criticism movie studies music and film music for film music history music popular music postmodern film serialism technological innovations the silent film writings |
| ISBN |
1-283-27727-1
9786613277275 0-520-94743-6 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Celluloid Symphonies -- Front matter -- Contents -- Preface -- Acknowledgments -- Part One. Playing the Pictures: Music and the Silent Film (1895-1925) -- Introduction -- 1. Plain Talk to Theater Managers and Operators. Seating/Music (1909) -- 2. Incidental Music for Edison Pictures (1909) -- 3. Jackass Music (1911) -- 4. Selections from What and How to Play for Pictures (1913) -- 5. Music for the Picture (1911) -- 6. The Art of Exhibition: Rothapfel on Motion Picture Music-Its Object and Its Possibilities (1914) -- 7. Selections from Musical Accompaniment of Moving Pictures (1920) -- 8. Selections from Musical Presentation of Motion Pictures (1921) -- 9. Selections from Encyclopaedia of Music for Pictures (1925) -- 10. Two Thematic Music Cue Sheets: The Thief of Bagdad (1924) and Dame Chance (1926) -- 11. Music and Motion Pictures (1926) -- 12. Publishers Win Movie Music Suit (1924) -- Part Two. All Singing, Dancing, and Talking: Music in the Early Sound Film (1926- 1934) -- Introduction -- 13. New Musical Marvels in the Movies (1926) -- 14. Musicians to Fight Sound-Film Devices (1928) -- 15. The Truth about Voice Doubling (1929) -- 16. Westward the Course of Tin-Pan Alley (1929) -- 17. What's Wrong with Musical Pictures? (1930) -- 18. Present Day Musical Films and How They Are Made Possible (1931) -- 19. Alfred Hitchcock on Music in Films (1934) -- Part Three. Carpet, Wallpaper, and Earmuffs: The Hollywood Score (1935-1959) -- Introduction -- 20. Composers in Movieland (1935) -- 21. The Aesthetics of the Sound Film (1935) -- 22. Scoring the Film (1937) -- 23. Some Experiences in Film Music (1940) -- 24. What Is a Filmusical? (1937) -- 25. Music in the Films (1941) -- 26. Music or Sound Effects? (1947) -- 27. The New Musical Resources (1947) -- 28. Movie Music Goes on Record (1952) -- 29. The Man with the Golden Arm (1956) -- 30. Forbidden Planet (1956) -- 31. Interview with Stanley Donen (1977) -- 32. One Thing's for Sure, R 'n' R Is Boffo B.O. (1958) -- Part Four. The Recession Soundtrack: From Albums to Auteurs, Songs to Serialism (1960-1977) -- Introduction -- 33. Film Themes Link Movie, Disk Trades (1960) -- 34. Mancini Debunks Album Values (1961) -- 35. Herrmann Says Hollywood Tone Deaf as to Film Scores (1964) -- 36. The New Sound on the Soundtracks (1967) -- 37. Movies: Tuning In to the Sound of New Music (1968) -- 38. Towards an Interior Music (1997) -- 39. Keeping Score on Schifrin: Lalo Schifrin and the Art of Film Music (1969) -- 40. BBC Interview with Jerry Goldsmith (1969) -- 41. The Jazz Composers in Hollywood: A Symposium with Benny Carter, Quincy Jones, Henry Mancini, Lalo Schifrin, and Pat Williams (1972) -- 42. George Lucas: Stinky Kid Hits the Bigtime (1974) -- 43. The Annotated Friedkin (1974) -- 44. What ever Became of Movie Music? (1974) -- Part Five. The Postmodern Soundtrack: Film Music in the Video and Digital Age (1978-Present) -- Introduction -- 45. Selling a Hit Soundtrack (1979) -- 46. Interview with John Williams (1997) -- 47. Scoring with Synthesizers (1982) -- 48. Rock Movideo (1985) -- 49. How Rock Is Changing Hollywood's Tune (1989) -- 50. Danny Elfman: From Boingo to Batman (1990) -- 51. Selections from The Celluloid Jukebox: Interviews with Allison Anders, Alan Rudolph, Michael Mann, Isaac Julien, Wim Wenders, Bob Last, Penelope Spheeris, Ry Cooder, Quentin Tarantino, Cameron Crowe, and David Byrne (1995) -- 52. Composing with a Very Wide Palette: Howard Shore in Conversation (1999) -- 53. Hollywood Sound (2005) -- Index |
| Record Nr. | UNINA-9910785691503321 |
| Berkeley, CA : , : University of California Press, , [2011] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Celluloid Symphonies : Texts and Contexts in Film Music History / / Julie Hubbert
| Celluloid Symphonies : Texts and Contexts in Film Music History / / Julie Hubbert |
| Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [2011] |
| Descrizione fisica | 1 online resource (525 p.) |
| Disciplina | 781.5/4209 |
| Soggetto topico |
Motion picture music
Symphony |
| Soggetto non controllato |
aesthetics
art history auteurs commercial pressure digital age early sound films elmer bernstein erich korngold film criticism film history film music film studies hollywood scores howard shore jerry goldsmith max steiner movie criticism movie studies music and film music for film music history music popular music postmodern film serialism technological innovations the silent film writings |
| ISBN |
1-283-27727-1
9786613277275 0-520-94743-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Celluloid Symphonies -- Front matter -- Contents -- Preface -- Acknowledgments -- Part One. Playing the Pictures: Music and the Silent Film (1895-1925) -- Introduction -- 1. Plain Talk to Theater Managers and Operators. Seating/Music (1909) -- 2. Incidental Music for Edison Pictures (1909) -- 3. Jackass Music (1911) -- 4. Selections from What and How to Play for Pictures (1913) -- 5. Music for the Picture (1911) -- 6. The Art of Exhibition: Rothapfel on Motion Picture Music-Its Object and Its Possibilities (1914) -- 7. Selections from Musical Accompaniment of Moving Pictures (1920) -- 8. Selections from Musical Presentation of Motion Pictures (1921) -- 9. Selections from Encyclopaedia of Music for Pictures (1925) -- 10. Two Thematic Music Cue Sheets: The Thief of Bagdad (1924) and Dame Chance (1926) -- 11. Music and Motion Pictures (1926) -- 12. Publishers Win Movie Music Suit (1924) -- Part Two. All Singing, Dancing, and Talking: Music in the Early Sound Film (1926- 1934) -- Introduction -- 13. New Musical Marvels in the Movies (1926) -- 14. Musicians to Fight Sound-Film Devices (1928) -- 15. The Truth about Voice Doubling (1929) -- 16. Westward the Course of Tin-Pan Alley (1929) -- 17. What's Wrong with Musical Pictures? (1930) -- 18. Present Day Musical Films and How They Are Made Possible (1931) -- 19. Alfred Hitchcock on Music in Films (1934) -- Part Three. Carpet, Wallpaper, and Earmuffs: The Hollywood Score (1935-1959) -- Introduction -- 20. Composers in Movieland (1935) -- 21. The Aesthetics of the Sound Film (1935) -- 22. Scoring the Film (1937) -- 23. Some Experiences in Film Music (1940) -- 24. What Is a Filmusical? (1937) -- 25. Music in the Films (1941) -- 26. Music or Sound Effects? (1947) -- 27. The New Musical Resources (1947) -- 28. Movie Music Goes on Record (1952) -- 29. The Man with the Golden Arm (1956) -- 30. Forbidden Planet (1956) -- 31. Interview with Stanley Donen (1977) -- 32. One Thing's for Sure, R 'n' R Is Boffo B.O. (1958) -- Part Four. The Recession Soundtrack: From Albums to Auteurs, Songs to Serialism (1960-1977) -- Introduction -- 33. Film Themes Link Movie, Disk Trades (1960) -- 34. Mancini Debunks Album Values (1961) -- 35. Herrmann Says Hollywood Tone Deaf as to Film Scores (1964) -- 36. The New Sound on the Soundtracks (1967) -- 37. Movies: Tuning In to the Sound of New Music (1968) -- 38. Towards an Interior Music (1997) -- 39. Keeping Score on Schifrin: Lalo Schifrin and the Art of Film Music (1969) -- 40. BBC Interview with Jerry Goldsmith (1969) -- 41. The Jazz Composers in Hollywood: A Symposium with Benny Carter, Quincy Jones, Henry Mancini, Lalo Schifrin, and Pat Williams (1972) -- 42. George Lucas: Stinky Kid Hits the Bigtime (1974) -- 43. The Annotated Friedkin (1974) -- 44. What ever Became of Movie Music? (1974) -- Part Five. The Postmodern Soundtrack: Film Music in the Video and Digital Age (1978-Present) -- Introduction -- 45. Selling a Hit Soundtrack (1979) -- 46. Interview with John Williams (1997) -- 47. Scoring with Synthesizers (1982) -- 48. Rock Movideo (1985) -- 49. How Rock Is Changing Hollywood's Tune (1989) -- 50. Danny Elfman: From Boingo to Batman (1990) -- 51. Selections from The Celluloid Jukebox: Interviews with Allison Anders, Alan Rudolph, Michael Mann, Isaac Julien, Wim Wenders, Bob Last, Penelope Spheeris, Ry Cooder, Quentin Tarantino, Cameron Crowe, and David Byrne (1995) -- 52. Composing with a Very Wide Palette: Howard Shore in Conversation (1999) -- 53. Hollywood Sound (2005) -- Index |
| Record Nr. | UNINA-9910825955803321 |
| Berkeley, CA : , : University of California Press, , [2011] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Cinema and fascism [[electronic resource] ] : Italian film and society, 1922-1943 / / Steven Ricci
| Cinema and fascism [[electronic resource] ] : Italian film and society, 1922-1943 / / Steven Ricci |
| Autore | Ricci Steven |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2008 |
| Descrizione fisica | 1 online resource (249 p.) |
| Disciplina | 791.43/094509041 |
| Soggetto topico |
Motion pictures - Italy - History
Fascism and motion pictures - Italy - History Motion pictures - Social aspects - Italy |
| Soggetto non controllato |
anti fascism
class differences cultural studies fascism fascist era fascist sports film history film industry film studies historical memory historiography hollywood ideology industrialization interwar years italian cinema italian fascist regime italian film history italian film italian filmmaking italy leisure time movie studies mussolini national body national identity neorealism political politics propaganda readership regional differences spectatorship totalitarian government |
| ISBN |
1-282-77230-9
9786612772306 0-520-94128-4 |
| Classificazione | 24.32 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Illustrations -- Preface -- Introduction -- 1. Amnesia and Historical Memory -- 2. The Political Economy of Italian Cinema, 1922-1943 -- 3. Leisure Time, Historiography, and Spectatorship -- 4. Italy and America: Fascination and (Re)Negotiation -- 5. The Fascist Codex -- Notes -- Selected Bibliography -- Index |
| Record Nr. | UNINA-9910789000603321 |
Ricci Steven
|
||
| Berkeley, : University of California Press, c2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Cinema and fascism : Italian film and society, 1922-1943 / / Steven Ricci
| Cinema and fascism : Italian film and society, 1922-1943 / / Steven Ricci |
| Autore | Ricci Steven |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2008 |
| Descrizione fisica | 1 online resource (249 p.) |
| Disciplina | 791.43/094509041 |
| Soggetto topico |
Motion pictures - Italy - History
Fascism and motion pictures - Italy - History Motion pictures - Social aspects - Italy |
| Soggetto non controllato |
anti fascism
class differences cultural studies fascism fascist era fascist sports film history film industry film studies historical memory historiography hollywood ideology industrialization interwar years italian cinema italian fascist regime italian film history italian film italian filmmaking italy leisure time movie studies mussolini national body national identity neorealism political politics propaganda readership regional differences spectatorship totalitarian government |
| ISBN |
1-282-77230-9
9786612772306 0-520-94128-4 |
| Classificazione | 24.32 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Illustrations -- Preface -- Introduction -- 1. Amnesia and Historical Memory -- 2. The Political Economy of Italian Cinema, 1922-1943 -- 3. Leisure Time, Historiography, and Spectatorship -- 4. Italy and America: Fascination and (Re)Negotiation -- 5. The Fascist Codex -- Notes -- Selected Bibliography -- Index |
| Record Nr. | UNINA-9910816874803321 |
|
Ricci Steven
|
||
| Berkeley, : University of California Press, c2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The decline of sentiment [[electronic resource] ] : American film in the 1920s / / Lea Jacobs
| The decline of sentiment [[electronic resource] ] : American film in the 1920s / / Lea Jacobs |
| Autore | Jacobs Lea |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2008 |
| Descrizione fisica | 1 online resource (373 p.) |
| Disciplina | 791.43/75 |
| Soggetto topico |
Motion pictures - United States - History
Silent films - United States - History and criticism Melodrama in motion pictures |
| Soggetto non controllato |
20th century american film
american cinema american film charlie chaplin comedy erich von stroheim ernst lubitsch film genres film history film studies film style film filmmakers history hollywood jazz age literary naturalism male adventure story modernization of classical hollywood monta bell movie history movie studies movies narrative form romantic drama seduction plot sentimental art sentimental films sophisticated film trade papers |
| ISBN |
1-282-36050-7
9786612360503 0-520-94153-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Preface -- 1. Toward a History of Taste -- 2. Hollywood Naturalism -- 3. Sophisticated Comedy -- 4. The Male Adventure Story -- 5. The Seduction Plot -- 6. The Romantic Drama -- Afterword -- Notes -- Bibliography -- Filmography -- Index |
| Record Nr. | UNINA-9910777955103321 |
|
Jacobs Lea
|
||
| Berkeley, : University of California Press, c2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The decline of sentiment : American film in the 1920s / / Lea Jacobs
| The decline of sentiment : American film in the 1920s / / Lea Jacobs |
| Autore | Jacobs Lea |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2008 |
| Descrizione fisica | 1 online resource (373 p.) |
| Disciplina | 791.43/75 |
| Soggetto topico |
Motion pictures - United States - History
Silent films - United States - History and criticism Melodrama in motion pictures |
| Soggetto non controllato |
20th century american film
american cinema american film charlie chaplin comedy erich von stroheim ernst lubitsch film genres film history film studies film style film filmmakers history hollywood jazz age literary naturalism male adventure story modernization of classical hollywood monta bell movie history movie studies movies narrative form romantic drama seduction plot sentimental art sentimental films sophisticated film trade papers |
| ISBN |
1-282-36050-7
9786612360503 0-520-94153-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Preface -- 1. Toward a History of Taste -- 2. Hollywood Naturalism -- 3. Sophisticated Comedy -- 4. The Male Adventure Story -- 5. The Seduction Plot -- 6. The Romantic Drama -- Afterword -- Notes -- Bibliography -- Filmography -- Index |
| Record Nr. | UNINA-9910809277203321 |
|
Jacobs Lea
|
||
| Berkeley, : University of California Press, c2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Discovering Orson Welles [[electronic resource] /] / Jonathan Rosenbaum
| Discovering Orson Welles [[electronic resource] /] / Jonathan Rosenbaum |
| Autore | Rosenbaum Jonathan |
| Pubbl/distr/stampa | Berkeley, Calif. ; ; London, : University of California Press, c2007 |
| Descrizione fisica | 1 online resource (348 p.) |
| Disciplina | 791.430233092 |
| Soggetto topico |
Motion pictures
Motion pictures - Analysis, appreciation |
| Soggetto non controllato |
american director
biographical career chimes at midnight cinema creative control creative process don quixote f for fake film criticism film director film studies films heart of darkness hollywood innovation movie studies movies orson welles othello personal interviews raising kane studio memo the big brass ring the cradle will rock the ultimate auteur touch of evil unfinished films unfinished work welles canon |
| ISBN |
9786612360244
1-282-36024-8 0-520-94071-7 1-4294-7183-2 1-4337-0966-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction -- 1.I Missed It at the Movies: Objections to "Raising kane" -- 2.The Voice and the Eye: A Commentary on the heart of darkness Script -- 3.Notes on a Conversation with Welles -- 4.First Impressions of f for fake -- 5.The Butterfly and the Whale: Orson Welles's f for fake -- 6.Prime Cut (The 107-Minute touch of evil) -- 7.André Bazin and the Politics of Sound in touch of evil -- 8.The Invisible Orson Welles: A First Inventory -- 9.Reviews of Biographies by Barbara Leaming and Charles Higham and a Critical Edition of touch of evil -- 10.Afterword to the big brass ring, a Screenplay by Orson Welles (with Oja Kodar) -- 11.Wellesian: Quixote in a Trashcan (New York University Welles Conference) -- 12.Reviews of Citizen Welles and a Critical Edition of chimes at midnight -- 13.Review of Orson Welles: A Bio-Bibliography -- 14.Orson Welles's Essay Films and Documentary Fictions: A Two-Part Speculation -- 15.The Seven Arkadins -- 16. Othello Goes Hollywood -- 17.Truth and Consequence: On it's all true: based on an unfinished film by Orson Welles -- 18.Afterword to the cradle will rock, an Original Screenplay by Orson Welles -- 19. Orson Welles in the U.S.: An Exchange with Bill Krohn -- 20.The Battle over Orson Welles -- 21. Touch of Evil Retouched -- 22.Excerpt from "Problems of Access: On the Trail of Some Festival Films and Filmmakers" (On touch of evil) -- 23.Welles in the Lime Light: The Third Man -- 24.Orson Welles as Ideological Challenge -- 25.Orson Welles's Purloined Letter: F for Fake -- 26.When Will-and How Can-We Finish Orson Welles's Don Quixote? -- Appendix: The Present State of the Welles Film Legacy -- Index |
| Record Nr. | UNINA-9910784421003321 |
|
Rosenbaum Jonathan
|
||
| Berkeley, Calif. ; ; London, : University of California Press, c2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Discovering Orson Welles / / Jonathan Rosenbaum
| Discovering Orson Welles / / Jonathan Rosenbaum |
| Autore | Rosenbaum Jonathan |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, Calif. ; ; London, : University of California Press, c2007 |
| Descrizione fisica | 1 online resource (348 p.) |
| Disciplina | 791.430233092 |
| Soggetto topico |
Motion pictures
Motion pictures - Analysis, appreciation |
| Soggetto non controllato |
american director
biographical career chimes at midnight cinema creative control creative process don quixote f for fake film criticism film director film studies films heart of darkness hollywood innovation movie studies movies orson welles othello personal interviews raising kane studio memo the big brass ring the cradle will rock the ultimate auteur touch of evil unfinished films unfinished work welles canon |
| ISBN |
9786612360244
1-282-36024-8 0-520-94071-7 1-4294-7183-2 1-4337-0966-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction -- 1.I Missed It at the Movies: Objections to "Raising kane" -- 2.The Voice and the Eye: A Commentary on the heart of darkness Script -- 3.Notes on a Conversation with Welles -- 4.First Impressions of f for fake -- 5.The Butterfly and the Whale: Orson Welles's f for fake -- 6.Prime Cut (The 107-Minute touch of evil) -- 7.André Bazin and the Politics of Sound in touch of evil -- 8.The Invisible Orson Welles: A First Inventory -- 9.Reviews of Biographies by Barbara Leaming and Charles Higham and a Critical Edition of touch of evil -- 10.Afterword to the big brass ring, a Screenplay by Orson Welles (with Oja Kodar) -- 11.Wellesian: Quixote in a Trashcan (New York University Welles Conference) -- 12.Reviews of Citizen Welles and a Critical Edition of chimes at midnight -- 13.Review of Orson Welles: A Bio-Bibliography -- 14.Orson Welles's Essay Films and Documentary Fictions: A Two-Part Speculation -- 15.The Seven Arkadins -- 16. Othello Goes Hollywood -- 17.Truth and Consequence: On it's all true: based on an unfinished film by Orson Welles -- 18.Afterword to the cradle will rock, an Original Screenplay by Orson Welles -- 19. Orson Welles in the U.S.: An Exchange with Bill Krohn -- 20.The Battle over Orson Welles -- 21. Touch of Evil Retouched -- 22.Excerpt from "Problems of Access: On the Trail of Some Festival Films and Filmmakers" (On touch of evil) -- 23.Welles in the Lime Light: The Third Man -- 24.Orson Welles as Ideological Challenge -- 25.Orson Welles's Purloined Letter: F for Fake -- 26.When Will-and How Can-We Finish Orson Welles's Don Quixote? -- Appendix: The Present State of the Welles Film Legacy -- Index |
| Record Nr. | UNINA-9910823946003321 |
|
Rosenbaum Jonathan
|
||
| Berkeley, Calif. ; ; London, : University of California Press, c2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Fight pictures [[electronic resource] ] : a history of boxing and early cinema / / Dan Streible
| Fight pictures [[electronic resource] ] : a history of boxing and early cinema / / Dan Streible |
| Autore | Streible Dan |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2008 |
| Descrizione fisica | 1 online resource (418 p.) |
| Disciplina | 791.43/6579 |
| Soggetto topico |
Boxing films - United States - History and criticism
Motion pictures - History and criticism |
| Soggetto non controllato |
20th century america culture
20th century american film history american cinema american film history bob fitzsimmons bootlegging boxing match boxing pictures championship prizefight cinema documentary film early cinema fighting film history film studies film first feature film historical jack johnson james j corbett jim jeffries latham loop movie history movie studies movies national film registry nickelodeon films prizefighting retrospective sports history sports the corbett fitzsimmons fight |
| ISBN |
1-282-36021-3
9786612360213 0-520-94058-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Illustrations -- Foreword -- Acknowledgments -- Chronology -- Preliminaries: History, Prizefighting, Early Cinema -- 1. The Sporting and Theatrical Syndicate: Boxing Pictures and the Origins of Cinema, 1891-1896 -- 2. The Corbett-Fitzsimmons Fight: Women at the Veriscope, 1897 -- 3. Under the Lights: Filming Ringside in the Jim Jeffries Era, 1899-1904 -- 4. Fake Fight Films: S. Lubin of Philadelphia, 1897-1908 -- 5. Fight Pictures in the Nickelodeon Era: Miles Bros. of New York & San Francisco, 1905-1912 -- 6. Jack Johnson Films: Black Exhibition and White Suppression, 1908-1910 -- 7. Jack Johnson's Decline: The Prizefight Film Ban, 1911-1915 -- 8. Bootlegging The Clandestine Traffic in Fight Pictures, 1916-1940 -- Filmography -- Notes -- Index |
| Record Nr. | UNINA-9910780640603321 |
|
Streible Dan
|
||
| Berkeley, : University of California Press, c2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Fight pictures : a history of boxing and early cinema / / Dan Streible
| Fight pictures : a history of boxing and early cinema / / Dan Streible |
| Autore | Streible Dan |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2008 |
| Descrizione fisica | 1 online resource (418 p.) |
| Disciplina | 791.43/6579 |
| Soggetto topico |
Boxing films - United States - History and criticism
Motion pictures - History and criticism |
| Soggetto non controllato |
20th century america culture
20th century american film history american cinema american film history bob fitzsimmons bootlegging boxing match boxing pictures championship prizefight cinema documentary film early cinema fighting film history film studies film first feature film historical jack johnson james j corbett jim jeffries latham loop movie history movie studies movies national film registry nickelodeon films prizefighting retrospective sports history sports the corbett fitzsimmons fight |
| ISBN |
1-282-36021-3
9786612360213 0-520-94058-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Illustrations -- Foreword -- Acknowledgments -- Chronology -- Preliminaries: History, Prizefighting, Early Cinema -- 1. The Sporting and Theatrical Syndicate: Boxing Pictures and the Origins of Cinema, 1891-1896 -- 2. The Corbett-Fitzsimmons Fight: Women at the Veriscope, 1897 -- 3. Under the Lights: Filming Ringside in the Jim Jeffries Era, 1899-1904 -- 4. Fake Fight Films: S. Lubin of Philadelphia, 1897-1908 -- 5. Fight Pictures in the Nickelodeon Era: Miles Bros. of New York & San Francisco, 1905-1912 -- 6. Jack Johnson Films: Black Exhibition and White Suppression, 1908-1910 -- 7. Jack Johnson's Decline: The Prizefight Film Ban, 1911-1915 -- 8. Bootlegging The Clandestine Traffic in Fight Pictures, 1916-1940 -- Filmography -- Notes -- Index |
| Record Nr. | UNINA-9910819704203321 |
|
Streible Dan
|
||
| Berkeley, : University of California Press, c2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
