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Celluloid Symphonies : Texts and Contexts in Film Music History / / Julie Hubbert
Celluloid Symphonies : Texts and Contexts in Film Music History / / Julie Hubbert
Pubbl/distr/stampa Berkeley, CA : , : University of California Press, , [2011]
Descrizione fisica 1 online resource (525 p.)
Disciplina 781.5/4209
Soggetto topico Motion picture music
Symphony
Soggetto non controllato aesthetics
art history
auteurs
commercial pressure
digital age
early sound films
elmer bernstein
erich korngold
film criticism
film history
film music
film studies
hollywood scores
howard shore
jerry goldsmith
max steiner
movie criticism
movie studies
music and film
music for film
music history
music
popular music
postmodern film
serialism
technological innovations
the silent film
writings
ISBN 1-283-27727-1
9786613277275
0-520-94743-6
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Celluloid Symphonies -- Front matter -- Contents -- Preface -- Acknowledgments -- Part One. Playing the Pictures: Music and the Silent Film (1895-1925) -- Introduction -- 1. Plain Talk to Theater Managers and Operators. Seating/Music (1909) -- 2. Incidental Music for Edison Pictures (1909) -- 3. Jackass Music (1911) -- 4. Selections from What and How to Play for Pictures (1913) -- 5. Music for the Picture (1911) -- 6. The Art of Exhibition: Rothapfel on Motion Picture Music-Its Object and Its Possibilities (1914) -- 7. Selections from Musical Accompaniment of Moving Pictures (1920) -- 8. Selections from Musical Presentation of Motion Pictures (1921) -- 9. Selections from Encyclopaedia of Music for Pictures (1925) -- 10. Two Thematic Music Cue Sheets: The Thief of Bagdad (1924) and Dame Chance (1926) -- 11. Music and Motion Pictures (1926) -- 12. Publishers Win Movie Music Suit (1924) -- Part Two. All Singing, Dancing, and Talking: Music in the Early Sound Film (1926- 1934) -- Introduction -- 13. New Musical Marvels in the Movies (1926) -- 14. Musicians to Fight Sound-Film Devices (1928) -- 15. The Truth about Voice Doubling (1929) -- 16. Westward the Course of Tin-Pan Alley (1929) -- 17. What's Wrong with Musical Pictures? (1930) -- 18. Present Day Musical Films and How They Are Made Possible (1931) -- 19. Alfred Hitchcock on Music in Films (1934) -- Part Three. Carpet, Wallpaper, and Earmuffs: The Hollywood Score (1935-1959) -- Introduction -- 20. Composers in Movieland (1935) -- 21. The Aesthetics of the Sound Film (1935) -- 22. Scoring the Film (1937) -- 23. Some Experiences in Film Music (1940) -- 24. What Is a Filmusical? (1937) -- 25. Music in the Films (1941) -- 26. Music or Sound Effects? (1947) -- 27. The New Musical Resources (1947) -- 28. Movie Music Goes on Record (1952) -- 29. The Man with the Golden Arm (1956) -- 30. Forbidden Planet (1956) -- 31. Interview with Stanley Donen (1977) -- 32. One Thing's for Sure, R 'n' R Is Boffo B.O. (1958) -- Part Four. The Recession Soundtrack: From Albums to Auteurs, Songs to Serialism (1960-1977) -- Introduction -- 33. Film Themes Link Movie, Disk Trades (1960) -- 34. Mancini Debunks Album Values (1961) -- 35. Herrmann Says Hollywood Tone Deaf as to Film Scores (1964) -- 36. The New Sound on the Soundtracks (1967) -- 37. Movies: Tuning In to the Sound of New Music (1968) -- 38. Towards an Interior Music (1997) -- 39. Keeping Score on Schifrin: Lalo Schifrin and the Art of Film Music (1969) -- 40. BBC Interview with Jerry Goldsmith (1969) -- 41. The Jazz Composers in Hollywood: A Symposium with Benny Carter, Quincy Jones, Henry Mancini, Lalo Schifrin, and Pat Williams (1972) -- 42. George Lucas: Stinky Kid Hits the Bigtime (1974) -- 43. The Annotated Friedkin (1974) -- 44. What ever Became of Movie Music? (1974) -- Part Five. The Postmodern Soundtrack: Film Music in the Video and Digital Age (1978-Present) -- Introduction -- 45. Selling a Hit Soundtrack (1979) -- 46. Interview with John Williams (1997) -- 47. Scoring with Synthesizers (1982) -- 48. Rock Movideo (1985) -- 49. How Rock Is Changing Hollywood's Tune (1989) -- 50. Danny Elfman: From Boingo to Batman (1990) -- 51. Selections from The Celluloid Jukebox: Interviews with Allison Anders, Alan Rudolph, Michael Mann, Isaac Julien, Wim Wenders, Bob Last, Penelope Spheeris, Ry Cooder, Quentin Tarantino, Cameron Crowe, and David Byrne (1995) -- 52. Composing with a Very Wide Palette: Howard Shore in Conversation (1999) -- 53. Hollywood Sound (2005) -- Index
Record Nr. UNINA-9910785691503321
Berkeley, CA : , : University of California Press, , [2011]
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Celluloid Symphonies : Texts and Contexts in Film Music History / / Julie Hubbert
Celluloid Symphonies : Texts and Contexts in Film Music History / / Julie Hubbert
Pubbl/distr/stampa Berkeley, CA : , : University of California Press, , [2011]
Descrizione fisica 1 online resource (525 p.)
Disciplina 781.5/4209
Soggetto topico Motion picture music
Symphony
Soggetto non controllato aesthetics
art history
auteurs
commercial pressure
digital age
early sound films
elmer bernstein
erich korngold
film criticism
film history
film music
film studies
hollywood scores
howard shore
jerry goldsmith
max steiner
movie criticism
movie studies
music and film
music for film
music history
music
popular music
postmodern film
serialism
technological innovations
the silent film
writings
ISBN 1-283-27727-1
9786613277275
0-520-94743-6
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Celluloid Symphonies -- Front matter -- Contents -- Preface -- Acknowledgments -- Part One. Playing the Pictures: Music and the Silent Film (1895-1925) -- Introduction -- 1. Plain Talk to Theater Managers and Operators. Seating/Music (1909) -- 2. Incidental Music for Edison Pictures (1909) -- 3. Jackass Music (1911) -- 4. Selections from What and How to Play for Pictures (1913) -- 5. Music for the Picture (1911) -- 6. The Art of Exhibition: Rothapfel on Motion Picture Music-Its Object and Its Possibilities (1914) -- 7. Selections from Musical Accompaniment of Moving Pictures (1920) -- 8. Selections from Musical Presentation of Motion Pictures (1921) -- 9. Selections from Encyclopaedia of Music for Pictures (1925) -- 10. Two Thematic Music Cue Sheets: The Thief of Bagdad (1924) and Dame Chance (1926) -- 11. Music and Motion Pictures (1926) -- 12. Publishers Win Movie Music Suit (1924) -- Part Two. All Singing, Dancing, and Talking: Music in the Early Sound Film (1926- 1934) -- Introduction -- 13. New Musical Marvels in the Movies (1926) -- 14. Musicians to Fight Sound-Film Devices (1928) -- 15. The Truth about Voice Doubling (1929) -- 16. Westward the Course of Tin-Pan Alley (1929) -- 17. What's Wrong with Musical Pictures? (1930) -- 18. Present Day Musical Films and How They Are Made Possible (1931) -- 19. Alfred Hitchcock on Music in Films (1934) -- Part Three. Carpet, Wallpaper, and Earmuffs: The Hollywood Score (1935-1959) -- Introduction -- 20. Composers in Movieland (1935) -- 21. The Aesthetics of the Sound Film (1935) -- 22. Scoring the Film (1937) -- 23. Some Experiences in Film Music (1940) -- 24. What Is a Filmusical? (1937) -- 25. Music in the Films (1941) -- 26. Music or Sound Effects? (1947) -- 27. The New Musical Resources (1947) -- 28. Movie Music Goes on Record (1952) -- 29. The Man with the Golden Arm (1956) -- 30. Forbidden Planet (1956) -- 31. Interview with Stanley Donen (1977) -- 32. One Thing's for Sure, R 'n' R Is Boffo B.O. (1958) -- Part Four. The Recession Soundtrack: From Albums to Auteurs, Songs to Serialism (1960-1977) -- Introduction -- 33. Film Themes Link Movie, Disk Trades (1960) -- 34. Mancini Debunks Album Values (1961) -- 35. Herrmann Says Hollywood Tone Deaf as to Film Scores (1964) -- 36. The New Sound on the Soundtracks (1967) -- 37. Movies: Tuning In to the Sound of New Music (1968) -- 38. Towards an Interior Music (1997) -- 39. Keeping Score on Schifrin: Lalo Schifrin and the Art of Film Music (1969) -- 40. BBC Interview with Jerry Goldsmith (1969) -- 41. The Jazz Composers in Hollywood: A Symposium with Benny Carter, Quincy Jones, Henry Mancini, Lalo Schifrin, and Pat Williams (1972) -- 42. George Lucas: Stinky Kid Hits the Bigtime (1974) -- 43. The Annotated Friedkin (1974) -- 44. What ever Became of Movie Music? (1974) -- Part Five. The Postmodern Soundtrack: Film Music in the Video and Digital Age (1978-Present) -- Introduction -- 45. Selling a Hit Soundtrack (1979) -- 46. Interview with John Williams (1997) -- 47. Scoring with Synthesizers (1982) -- 48. Rock Movideo (1985) -- 49. How Rock Is Changing Hollywood's Tune (1989) -- 50. Danny Elfman: From Boingo to Batman (1990) -- 51. Selections from The Celluloid Jukebox: Interviews with Allison Anders, Alan Rudolph, Michael Mann, Isaac Julien, Wim Wenders, Bob Last, Penelope Spheeris, Ry Cooder, Quentin Tarantino, Cameron Crowe, and David Byrne (1995) -- 52. Composing with a Very Wide Palette: Howard Shore in Conversation (1999) -- 53. Hollywood Sound (2005) -- Index
Record Nr. UNINA-9910825955803321
Berkeley, CA : , : University of California Press, , [2011]
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Moving viewers [[electronic resource] ] : American film and the spectator's experience / / Carl Plantinga
Moving viewers [[electronic resource] ] : American film and the spectator's experience / / Carl Plantinga
Autore Plantinga Carl R
Pubbl/distr/stampa Berkeley, : University of California Press, c2009
Descrizione fisica 1 online resource (295 p.)
Disciplina 302.23/43
Soggetto topico Motion picture audiences - Psychology
Motion pictures - United States
Soggetto non controllato american film
audience theory
cinema and film
cognitive science
cultural studies
desires
emotional experience
film criticism
film studies
film
hollywood films
mainstream narratives
media studies
movie criticism
movie studies
movie watching
movies and emotions
movies
moving viewers
negative emotions
philosophical aesthetics
pleasures
psychology of spectatorship
ritualistic fantasy
sensual films
spectators
sympathetic narratives
synesthesia
the paradox of negative emotion
watching a movie
ISBN 1-282-77262-7
9786612772627
0-520-94391-0
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Front matter -- Contents -- Illustrations -- Acknowledgments -- Introduction: Affect and the Movies -- 1. Pleasures, Desires, Fantasies -- 2. Movies and Emotions -- 3. Stories and Sympathies -- 4. The Sensual Medium -- 5. Affective Trajectories and Synesthesia -- 6. Negative Emotions and Sympathetic Narratives -- 7. The Rhetoric of Emotion -- Conclusion: Moving Viewers -- Notes -- Bibliography -- Index
Record Nr. UNINA-9910788998403321
Plantinga Carl R  
Berkeley, : University of California Press, c2009
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Moving viewers : American film and the spectator's experience / / Carl Plantinga
Moving viewers : American film and the spectator's experience / / Carl Plantinga
Autore Plantinga Carl R
Edizione [1st ed.]
Pubbl/distr/stampa Berkeley, : University of California Press, c2009
Descrizione fisica 1 online resource (295 p.)
Disciplina 302.23/43
Soggetto topico Motion picture audiences - Psychology
Motion pictures - United States
Soggetto non controllato american film
audience theory
cinema and film
cognitive science
cultural studies
desires
emotional experience
film criticism
film studies
film
hollywood films
mainstream narratives
media studies
movie criticism
movie studies
movie watching
movies and emotions
movies
moving viewers
negative emotions
philosophical aesthetics
pleasures
psychology of spectatorship
ritualistic fantasy
sensual films
spectators
sympathetic narratives
synesthesia
the paradox of negative emotion
watching a movie
ISBN 1-282-77262-7
9786612772627
0-520-94391-0
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Front matter -- Contents -- Illustrations -- Acknowledgments -- Introduction: Affect and the Movies -- 1. Pleasures, Desires, Fantasies -- 2. Movies and Emotions -- 3. Stories and Sympathies -- 4. The Sensual Medium -- 5. Affective Trajectories and Synesthesia -- 6. Negative Emotions and Sympathetic Narratives -- 7. The Rhetoric of Emotion -- Conclusion: Moving Viewers -- Notes -- Bibliography -- Index
Record Nr. UNISA-996248201903316
Plantinga Carl R  
Berkeley, : University of California Press, c2009
Materiale a stampa
Lo trovi qui: Univ. di Salerno
Opac: Controlla la disponibilità qui
Moving viewers : American film and the spectator's experience / / Carl Plantinga
Moving viewers : American film and the spectator's experience / / Carl Plantinga
Autore Plantinga Carl R
Edizione [1st ed.]
Pubbl/distr/stampa Berkeley, : University of California Press, c2009
Descrizione fisica 1 online resource (295 p.)
Disciplina 302.23/43
Soggetto topico Motion picture audiences - Psychology
Motion pictures - United States
Soggetto non controllato american film
audience theory
cinema and film
cognitive science
cultural studies
desires
emotional experience
film criticism
film studies
film
hollywood films
mainstream narratives
media studies
movie criticism
movie studies
movie watching
movies and emotions
movies
moving viewers
negative emotions
philosophical aesthetics
pleasures
psychology of spectatorship
ritualistic fantasy
sensual films
spectators
sympathetic narratives
synesthesia
the paradox of negative emotion
watching a movie
ISBN 1-282-77262-7
9786612772627
0-520-94391-0
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Front matter -- Contents -- Illustrations -- Acknowledgments -- Introduction: Affect and the Movies -- 1. Pleasures, Desires, Fantasies -- 2. Movies and Emotions -- 3. Stories and Sympathies -- 4. The Sensual Medium -- 5. Affective Trajectories and Synesthesia -- 6. Negative Emotions and Sympathetic Narratives -- 7. The Rhetoric of Emotion -- Conclusion: Moving Viewers -- Notes -- Bibliography -- Index
Record Nr. UNINA-9910816873503321
Plantinga Carl R  
Berkeley, : University of California Press, c2009
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui