The Limits of Auteurism : Case Studies in the Critically Constructed New Hollywood / / Nicholas Godfrey |
Autore | Godfrey Nicholas |
Pubbl/distr/stampa | New Brunswick, NJ : , : Rutgers University Press, , [2018] |
Descrizione fisica | 1 online resource |
Disciplina | 791.4302/3301 |
Soggetto topico |
Motion pictures - United States - History - 20th century
Auteur theory (Motion pictures) |
Soggetto genere / forma | Electronic books. |
Soggetto non controllato |
1960s
1970s Hollywood auteurism commercial cinema motion picture movies |
ISBN |
0-8135-8916-9
0-8135-8917-7 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Note on the Text -- Introduction: Open Roads -- 1. Which New Hollywood? -- 2. Easy Rider -- Part I: Variations on a Theme: Five Easy Riders -- 3. Five Easy Pieces -- 4. Two-Lane Blacktop -- 5. Vanishing Point -- 6. Little Fauss and Big Halsy -- 7. Adam at 6 A.M. -- Part II: Politicizing Genre -- 8. Dirty Harry -- 9. The French Connection -- Part III: The Limits of Auteurism -- 10. The Last Movie -- 11. The Hired Hand -- Conclusion: The End of the Road -- Acknowledgments -- Filmography -- Notes -- Bibliography -- Index |
Record Nr. | UNINA-9910796863703321 |
Godfrey Nicholas | ||
New Brunswick, NJ : , : Rutgers University Press, , [2018] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The Limits of Auteurism : Case Studies in the Critically Constructed New Hollywood / / Nicholas Godfrey |
Autore | Godfrey Nicholas |
Edizione | [1st ed.] |
Pubbl/distr/stampa | New Brunswick, NJ : , : Rutgers University Press, , [2018] |
Descrizione fisica | 1 online resource |
Disciplina | 791.4302/3301 |
Soggetto topico |
Motion pictures - United States - History - 20th century
Auteur theory (Motion pictures) |
Soggetto genere / forma | Electronic books. |
Soggetto non controllato |
1960s
1970s Hollywood auteurism commercial cinema motion picture movies |
ISBN |
0-8135-8916-9
0-8135-8917-7 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Note on the Text -- Introduction: Open Roads -- 1. Which New Hollywood? -- 2. Easy Rider -- Part I: Variations on a Theme: Five Easy Riders -- 3. Five Easy Pieces -- 4. Two-Lane Blacktop -- 5. Vanishing Point -- 6. Little Fauss and Big Halsy -- 7. Adam at 6 A.M. -- Part II: Politicizing Genre -- 8. Dirty Harry -- 9. The French Connection -- Part III: The Limits of Auteurism -- 10. The Last Movie -- 11. The Hired Hand -- Conclusion: The End of the Road -- Acknowledgments -- Filmography -- Notes -- Bibliography -- Index |
Record Nr. | UNINA-9910810623803321 |
Godfrey Nicholas | ||
New Brunswick, NJ : , : Rutgers University Press, , [2018] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Voices of Labor : Creativity, Craft, and Conflict in Global Hollywood / / Michael Curtin, Kevin Sanson |
Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [2017] |
Descrizione fisica | 1 online resource (284 p.) |
Disciplina | 384/.80979494 |
Soggetto topico |
Mass media and globalization
Motion picture industry - California - Los Angeles Motion picture industry - Employees |
Soggetto genere / forma | Electronic books. |
Soggetto non controllato |
artists
behind the scenes blue collar business conglomerates craftwork feature film film industry historic roots history hollywood interviews media motion picture movies personal accounts power production profitability screen media social relations studios style television series tv vfx visual effects workers |
ISBN | 0-520-96819-0 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Listening to labor / Michael Curtin and Kevin Sanson -- Mara Brock Akil, showrunner -- Tom Schulman, screenwriter -- Allison Anders, director -- Lauren Polizzi, art director -- Mary Jane Fort, costume designer -- Anonymous, make-up artist -- Stephen Lighthill, cinematographer -- Calvin Starnes, grip -- Steve Nelson, sound recordist -- Rob Matsuda, musician -- Anonymous, studio production executive -- David Minkowski, service producer -- Adam Goodman, service producer -- Stephn Burt, production manager -- Belle Doyle, locations manager -- Wesley Hagan, locations manager -- Scott Ross, VFX manager -- Dave Rand, VFX artist -- Mariana Acuña-Acosta, VFX artist -- Daniel Lay, VFX artist -- Steve Kaplan, union official -- Dusty Kelly, union official. |
Record Nr. | UNISA-996333147503316 |
Berkeley, CA : , : University of California Press, , [2017] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. di Salerno | ||
|