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The Limits of Auteurism : Case Studies in the Critically Constructed New Hollywood / / Nicholas Godfrey
The Limits of Auteurism : Case Studies in the Critically Constructed New Hollywood / / Nicholas Godfrey
Autore Godfrey Nicholas
Pubbl/distr/stampa New Brunswick, NJ : , : Rutgers University Press, , [2018]
Descrizione fisica 1 online resource
Disciplina 791.4302/3301
Soggetto topico Motion pictures - United States - History - 20th century
Auteur theory (Motion pictures)
Soggetto genere / forma Electronic books.
Soggetto non controllato 1960s
1970s
Hollywood
auteurism
commercial cinema
motion picture
movies
ISBN 0-8135-8916-9
0-8135-8917-7
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Frontmatter -- Contents -- Note on the Text -- Introduction: Open Roads -- 1. Which New Hollywood? -- 2. Easy Rider -- Part I: Variations on a Theme: Five Easy Riders -- 3. Five Easy Pieces -- 4. Two-Lane Blacktop -- 5. Vanishing Point -- 6. Little Fauss and Big Halsy -- 7. Adam at 6 A.M. -- Part II: Politicizing Genre -- 8. Dirty Harry -- 9. The French Connection -- Part III: The Limits of Auteurism -- 10. The Last Movie -- 11. The Hired Hand -- Conclusion: The End of the Road -- Acknowledgments -- Filmography -- Notes -- Bibliography -- Index
Record Nr. UNINA-9910796863703321
Godfrey Nicholas  
New Brunswick, NJ : , : Rutgers University Press, , [2018]
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
The Limits of Auteurism : Case Studies in the Critically Constructed New Hollywood / / Nicholas Godfrey
The Limits of Auteurism : Case Studies in the Critically Constructed New Hollywood / / Nicholas Godfrey
Autore Godfrey Nicholas
Edizione [1st ed.]
Pubbl/distr/stampa New Brunswick, NJ : , : Rutgers University Press, , [2018]
Descrizione fisica 1 online resource
Disciplina 791.4302/3301
Soggetto topico Motion pictures - United States - History - 20th century
Auteur theory (Motion pictures)
Soggetto genere / forma Electronic books.
Soggetto non controllato 1960s
1970s
Hollywood
auteurism
commercial cinema
motion picture
movies
ISBN 0-8135-8916-9
0-8135-8917-7
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Frontmatter -- Contents -- Note on the Text -- Introduction: Open Roads -- 1. Which New Hollywood? -- 2. Easy Rider -- Part I: Variations on a Theme: Five Easy Riders -- 3. Five Easy Pieces -- 4. Two-Lane Blacktop -- 5. Vanishing Point -- 6. Little Fauss and Big Halsy -- 7. Adam at 6 A.M. -- Part II: Politicizing Genre -- 8. Dirty Harry -- 9. The French Connection -- Part III: The Limits of Auteurism -- 10. The Last Movie -- 11. The Hired Hand -- Conclusion: The End of the Road -- Acknowledgments -- Filmography -- Notes -- Bibliography -- Index
Record Nr. UNINA-9910810623803321
Godfrey Nicholas  
New Brunswick, NJ : , : Rutgers University Press, , [2018]
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Voices of Labor : Creativity, Craft, and Conflict in Global Hollywood / / Michael Curtin, Kevin Sanson
Voices of Labor : Creativity, Craft, and Conflict in Global Hollywood / / Michael Curtin, Kevin Sanson
Pubbl/distr/stampa Berkeley, CA : , : University of California Press, , [2017]
Descrizione fisica 1 online resource (284 p.)
Disciplina 384/.80979494
Soggetto topico Mass media and globalization
Motion picture industry - California - Los Angeles
Motion picture industry - Employees
Soggetto genere / forma Electronic books.
Soggetto non controllato artists
behind the scenes
blue collar
business
conglomerates
craftwork
feature film
film industry
historic roots
history
hollywood
interviews
media
motion picture
movies
personal accounts
power
production
profitability
screen media
social relations
studios
style
television series
tv
vfx
visual effects
workers
ISBN 0-520-96819-0
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Listening to labor / Michael Curtin and Kevin Sanson -- Mara Brock Akil, showrunner -- Tom Schulman, screenwriter -- Allison Anders, director -- Lauren Polizzi, art director -- Mary Jane Fort, costume designer -- Anonymous, make-up artist -- Stephen Lighthill, cinematographer -- Calvin Starnes, grip -- Steve Nelson, sound recordist -- Rob Matsuda, musician -- Anonymous, studio production executive -- David Minkowski, service producer -- Adam Goodman, service producer -- Stephn Burt, production manager -- Belle Doyle, locations manager -- Wesley Hagan, locations manager -- Scott Ross, VFX manager -- Dave Rand, VFX artist -- Mariana Acuña-Acosta, VFX artist -- Daniel Lay, VFX artist -- Steve Kaplan, union official -- Dusty Kelly, union official.
Record Nr. UNISA-996333147503316
Berkeley, CA : , : University of California Press, , [2017]
Materiale a stampa
Lo trovi qui: Univ. di Salerno
Opac: Controlla la disponibilità qui