Info
- Utilizzare la checkbox di selezione a fianco di ciascun documento per attivare le funzionalità di stampa, invio email, download nei formati disponibili del (i) record.
Dada bodies : Between battlefield and fairground / / Elza Adamowicz
| Dada bodies : Between battlefield and fairground / / Elza Adamowicz |
| Autore | Adamowicz Elza |
| Pubbl/distr/stampa | Baltimore, Maryland : , : Project Muse, , 2019 |
| Descrizione fisica | 1 online resource (277 pages) : illustrations |
| Disciplina | 709.04062 |
| Soggetto topico |
Human figure in art
Dadaism |
| Soggetto non controllato |
Dada
Limit-bodies New Man anti-classicism fairground gender grotesque limit-forms montage performance photomontage war |
| ISBN |
1-5261-3116-1
1-5261-3115-3 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: spare parts -- Zurich Dada: between gas mask and carnival dance -- Shooting the classical body -- Hybrid bodies (I): the impossible machine -- Hybrid bodies (II): the grotesque -- Performance spaces: fairground, cabaret, exhibition -- Death and rebirth: corpse or chrysalis -- Fluid bodies, shifting identities -- Dada's Africa -- Limit-bodies -- Conclusion: exquisite corpses. |
| Record Nr. | UNINA-9910793467403321 |
Adamowicz Elza
|
||
| Baltimore, Maryland : , : Project Muse, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Dada bodies : Between battlefield and fairground / / Elza Adamowicz
| Dada bodies : Between battlefield and fairground / / Elza Adamowicz |
| Autore | Adamowicz Elza |
| Pubbl/distr/stampa | Baltimore, Maryland : , : Project Muse, , 2019 |
| Descrizione fisica | 1 online resource (277 pages) : illustrations |
| Disciplina | 709.04062 |
| Soggetto topico |
Human figure in art
Dadaism |
| Soggetto non controllato |
Dada
Limit-bodies New Man anti-classicism fairground gender grotesque limit-forms montage performance photomontage war |
| ISBN |
1-5261-3116-1
1-5261-3115-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: spare parts -- Zurich Dada: between gas mask and carnival dance -- Shooting the classical body -- Hybrid bodies (I): the impossible machine -- Hybrid bodies (II): the grotesque -- Performance spaces: fairground, cabaret, exhibition -- Death and rebirth: corpse or chrysalis -- Fluid bodies, shifting identities -- Dada's Africa -- Limit-bodies -- Conclusion: exquisite corpses. |
| Record Nr. | UNINA-9910825367903321 |
|
Adamowicz Elza
|
||
| Baltimore, Maryland : , : Project Muse, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Digital Unsettling : Decoloniality and Dispossession in the Age of Social Media / / Sahana Udupa, Ethiraj Gabriel Dattatreyan
| Digital Unsettling : Decoloniality and Dispossession in the Age of Social Media / / Sahana Udupa, Ethiraj Gabriel Dattatreyan |
| Autore | Udupa Sahana |
| Pubbl/distr/stampa | New York, NY : , : New York University Press, , [2023] |
| Descrizione fisica | 1 online resource : 3 b/w illustrations |
| Disciplina | 302.23/1 |
| Collana | Critical Cultural Communication |
| Soggetto topico |
Decolonization
Social media and society SOCIAL SCIENCE / Media Studies |
| Soggetto non controllato |
Frederick Douglass
Lydia Maria Child Richard Powers Robin Wall Kimmerer South Africa affective counterpublics botanical culture campus protests cash crops collective agency coloniality communication data decolonization digital emancipated population horticulture montage methodology montage multispecies cooperation nationalist discourse plant geography plant intelligence plant life plantation economy plantation slavery scientific agriculture settler-colonial project social media transplantation university unsettling |
| ISBN | 1-4798-1919-0 |
| Classificazione | AP 15965 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- List of Figures -- Introduction: Unsettling -- 1: Campus: University as a Site of Struggle -- 2: Extreme: Right-Wing Politics and Contentious Speech -- 3: Capture: The Coloniality of Contemporary Data Relations -- 4: Knowledge/Citation: The Production and Curation of Counter-Knowledge -- 5: Home/Field: On the Vulnerabilities and Potentials of Remixing Colonial Locations -- Coda: Reflections on Ethics and Method -- Acknowledgments -- Notes -- Bibliography -- Index -- About the Authors |
| Record Nr. | UNISA-996582072003316 |
|
Udupa Sahana
|
||
| New York, NY : , : New York University Press, , [2023] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
What is cinema? . Volume 1 / / by André Bazin ; foreword by Jean Renoir ; new foreword by Dudley Andrew ; essays selected and translated by Hugh Gray
| What is cinema? . Volume 1 / / by André Bazin ; foreword by Jean Renoir ; new foreword by Dudley Andrew ; essays selected and translated by Hugh Gray |
| Autore | Bazin André <1918-1958.> |
| Pubbl/distr/stampa | Berkeley : , : University of California Press, , [2005] |
| Descrizione fisica | 1 online resource (265 p.) |
| Disciplina | 791.43 |
| Altri autori (Persone) |
AndrewDudley <1945->
GrayHugh <1900-1981.> RenoirJean <1894-1979.> |
| Soggetto topico |
Motion pictures
Performing arts |
| Soggetto non controllato |
aesthetics
andre bazin art criticism cahiers du cinema charlie chaplin cinema cinematography cultural studies digital film drama film and art film and media film criticism film history film movements film studies film theory film filmmaking flim french cinema image culture jean renoir media mixed cinema montage movies narrative neorealism nonfiction orson welles performing arts photography roberto rossellini sartre sound cinema technology theater total cinema truffaut visual culture |
| ISBN | 0-520-93125-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Foreword -- Contents -- Foreword to the 2004 Edition -- Introduction -- The Ontology of the Photographic Image -- The Myth of Total Cinema -- The Evolution of the Language of Cinema -- The Virtues and Limitations of Montage -- In Defense of Mixed Cinema -- Theater and Cinema Part One -- Theater and Cinema Part Two -- Le Journal d'un curé de campagne and the Stylistics of Robert Bresson -- Charlie Chaplin -- Cinema and Exploration -- Painting and Cinema -- Sources and Translator's Notes -- Index. |
| Record Nr. | UNINA-9910789340603321 |
|
Bazin André <1918-1958.>
|
||
| Berkeley : , : University of California Press, , [2005] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
What is cinema? . Volume 1 / / by André Bazin ; foreword by Jean Renoir ; new foreword by Dudley Andrew ; essays selected and translated by Hugh Gray
| What is cinema? . Volume 1 / / by André Bazin ; foreword by Jean Renoir ; new foreword by Dudley Andrew ; essays selected and translated by Hugh Gray |
| Autore | Bazin André <1918-1958.> |
| Pubbl/distr/stampa | Berkeley : , : University of California Press, , [2005] |
| Descrizione fisica | 1 online resource (265 p.) |
| Disciplina | 791.43 |
| Altri autori (Persone) |
AndrewDudley <1945->
GrayHugh <1900-1981.> RenoirJean <1894-1979.> |
| Soggetto topico |
Motion pictures
Performing arts |
| Soggetto non controllato |
aesthetics
andre bazin art criticism cahiers du cinema charlie chaplin cinema cinematography cultural studies digital film drama film and art film and media film criticism film history film movements film studies film theory film filmmaking flim french cinema image culture jean renoir media mixed cinema montage movies narrative neorealism nonfiction orson welles performing arts photography roberto rossellini sartre sound cinema technology theater total cinema truffaut visual culture |
| ISBN | 0-520-93125-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Foreword -- Contents -- Foreword to the 2004 Edition -- Introduction -- The Ontology of the Photographic Image -- The Myth of Total Cinema -- The Evolution of the Language of Cinema -- The Virtues and Limitations of Montage -- In Defense of Mixed Cinema -- Theater and Cinema Part One -- Theater and Cinema Part Two -- Le Journal d'un curé de campagne and the Stylistics of Robert Bresson -- Charlie Chaplin -- Cinema and Exploration -- Painting and Cinema -- Sources and Translator's Notes -- Index. |
| Record Nr. | UNINA-9910809778903321 |
|
Bazin André <1918-1958.>
|
||
| Berkeley : , : University of California Press, , [2005] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||