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Censorship and conflict in seventeenth-century England : the subtle art of division / / Randy Robertson
| Censorship and conflict in seventeenth-century England : the subtle art of division / / Randy Robertson |
| Autore | Robertson Randy <1969-> |
| Pubbl/distr/stampa | University Park, Pennsylvania : , : Pennsylvania State University Press, , [2009] |
| Descrizione fisica | xv, 272 p |
| Disciplina | 363.310942/09032 |
| Collana | The Penn State series in the history of the book |
| Soggetto topico |
English literature - Early modern, 1500-1700 - History and criticism
Politics and literature - Great Britain - History - 17th century Censorship - England - History - 17th century |
| Soggetto non controllato |
England
Robertson authors censorship conflict division language licensing system literature modern writing printers publishers representation |
| ISBN |
0-271-07528-7
0-271-04980-4 0-271-03655-9 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- CONTENTS -- Acknowledgments -- Abbreviations -- Introduction -- 1 ‘‘Consider What May Come of It’’: Prynne’s Play and Charles’s Stately Theater -- 2 Lovelace and the ‘‘Barbed Censurers’’ -- 3 Free Speech, Fallibility, and the Public Sphere: Milton Among the Skeptics -- 4 The Delicate Arts of Anonymity and Attribution -- 5 The Battle of the Books: Swift’s Leviathan and the End of Licensing -- Conclusion: Dividing Lines—1689, 1695, and Afterward -- Notes -- Select Bibliography -- Index |
| Record Nr. | UNINA-9910777730203321 |
Robertson Randy <1969->
|
||
| University Park, Pennsylvania : , : Pennsylvania State University Press, , [2009] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Censorship and conflict in seventeenth-century England : the subtle art of division / / Randy Robertson
| Censorship and conflict in seventeenth-century England : the subtle art of division / / Randy Robertson |
| Autore | Robertson Randy <1969-> |
| Pubbl/distr/stampa | University Park, Pennsylvania : , : Pennsylvania State University Press, , [2009] |
| Descrizione fisica | xv, 272 p |
| Disciplina | 363.310942/09032 |
| Collana | The Penn State series in the history of the book |
| Soggetto topico |
English literature - Early modern, 1500-1700 - History and criticism
Politics and literature - Great Britain - History - 17th century Censorship - England - History - 17th century |
| Soggetto non controllato |
England
Robertson authors censorship conflict division language licensing system literature modern writing printers publishers representation |
| ISBN |
0-271-07528-7
0-271-04980-4 0-271-03655-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- CONTENTS -- Acknowledgments -- Abbreviations -- Introduction -- 1 ‘‘Consider What May Come of It’’: Prynne’s Play and Charles’s Stately Theater -- 2 Lovelace and the ‘‘Barbed Censurers’’ -- 3 Free Speech, Fallibility, and the Public Sphere: Milton Among the Skeptics -- 4 The Delicate Arts of Anonymity and Attribution -- 5 The Battle of the Books: Swift’s Leviathan and the End of Licensing -- Conclusion: Dividing Lines—1689, 1695, and Afterward -- Notes -- Select Bibliography -- Index |
| Record Nr. | UNINA-9910822320903321 |
|
Robertson Randy <1969->
|
||
| University Park, Pennsylvania : , : Pennsylvania State University Press, , [2009] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Contemporary Olson / / edited by David Herd
| Contemporary Olson / / edited by David Herd |
| Pubbl/distr/stampa | Manchester, UK : , : Manchester University Press, , 2016 |
| Descrizione fisica | 1 online resource (344 pages) : digital file(s) |
| Disciplina | 811.54 |
| Soggetto topico |
Literature
Literary Studies: Poetry & Poets LITERARY CRITICISM / Poetry Literary studies: poetry & poets |
| Soggetto non controllato |
Charles Olson
feminine history knowledge modern writing myth poetic antecedents poetic history science space |
| ISBN |
1-5261-1078-4
1-5261-1079-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contemporary Olson; Half Title Page; Title Page; Copyright; Contents; Illustrations; Contributors; Acknowledgements; Abbreviations; Introduction: Contemporary Olson: David Herd; Section I: Knowledge; 1. Myth and document in Charles Olson's Maximus Poems: Miriam Nichols; 2. Discoverable unknowns: Olson's lifelong preoccupation with the sciences: Peter Middleton; 3. 'Empty Air': Charles Olson's cosmology: Reitha Pattison; 4. A reading of 'In Cold Hell, in Thicket' : Ian Brinton and Michael Grant; Section II: Poetics
5. From Olson's breath to Spicer's gait: From Olson's breath to Spicer's gait: Daniel Katz6. Poetic instruction: Michael Kindellan; 7. Reading Blackburn reading Olson: Paul Blackburn reads Olson's 'Maximus, to Gloucester: Letter 15': Simon Smith; 8. From Weymouth back: Olson's British contacts, travels and legacy: Gavin Selerie; 9. A fresh look at Olson: Elaine Feinstein; Section III: Gender; 10. Olson and his Maximus Poems: Rachel Blau DuPlessis; 11. 'When the attentions change': Charles Olson and Frances Boldereff: Robert Hampson 12. 'The pictorial handwriting of his dreams': Charles Olson, Susan Howe, Redell Olsen: Will MontgomerySection IV: History; 13. The contemporaries: a reading of Charles Olson's 'The Lordly and Isolate Satyrs': Stephen Fredman; 14. Futtocks: Anthony Mellors; 15. Death in life: the past in 'As the Dead Prey Upon Us': Ben Hickman; 16. 'To Gerhardt, There, Among Europe's Things of Which He Has Written Us in His "Brief an Creeley und Olson"': Olson on history, in dialogue: Sarah Posman; 17. 'Moving among my particulars': the 'negative dialectics' of The Maximus Poems: Tim Woods 18. A note on Charles Olson's 'The Kingfishers': Charles Bernstein Section V: Space; 19. Transcultural projectivism in Charles Olson's 'The Kingfishers' and Clifford Possum Tjapaltjarri's Warlugulong: Peter Minter; 20. The view from Gloucester: Open Field Poetics and the politics of movement: David Herd; 21. Why Olson did ballet: the pedagogical avant-gardism of Massine: Karlien van den Beukel; 22. On the back of the elephant: riding with Charles Olson: Iain Sinclair; 23. Charles Olson's first poem: Ralph Maud; Bibliography; Index of writings by Charles Olson; Index |
| Record Nr. | UNINA-9910798751103321 |
| Manchester, UK : , : Manchester University Press, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Contemporary Olson / / edited by David Herd
| Contemporary Olson / / edited by David Herd |
| Pubbl/distr/stampa | Manchester, UK : , : Manchester University Press, , 2016 |
| Descrizione fisica | 1 online resource (344 pages) : digital file(s) |
| Disciplina | 811.54 |
| Soggetto topico |
Literature
Literary Studies: Poetry & Poets LITERARY CRITICISM / Poetry Literary studies: poetry & poets |
| Soggetto non controllato |
Charles Olson
feminine history knowledge modern writing myth poetic antecedents poetic history science space |
| ISBN |
1-5261-1078-4
1-5261-1079-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contemporary Olson; Half Title Page; Title Page; Copyright; Contents; Illustrations; Contributors; Acknowledgements; Abbreviations; Introduction: Contemporary Olson: David Herd; Section I: Knowledge; 1. Myth and document in Charles Olson's Maximus Poems: Miriam Nichols; 2. Discoverable unknowns: Olson's lifelong preoccupation with the sciences: Peter Middleton; 3. 'Empty Air': Charles Olson's cosmology: Reitha Pattison; 4. A reading of 'In Cold Hell, in Thicket' : Ian Brinton and Michael Grant; Section II: Poetics
5. From Olson's breath to Spicer's gait: From Olson's breath to Spicer's gait: Daniel Katz6. Poetic instruction: Michael Kindellan; 7. Reading Blackburn reading Olson: Paul Blackburn reads Olson's 'Maximus, to Gloucester: Letter 15': Simon Smith; 8. From Weymouth back: Olson's British contacts, travels and legacy: Gavin Selerie; 9. A fresh look at Olson: Elaine Feinstein; Section III: Gender; 10. Olson and his Maximus Poems: Rachel Blau DuPlessis; 11. 'When the attentions change': Charles Olson and Frances Boldereff: Robert Hampson 12. 'The pictorial handwriting of his dreams': Charles Olson, Susan Howe, Redell Olsen: Will MontgomerySection IV: History; 13. The contemporaries: a reading of Charles Olson's 'The Lordly and Isolate Satyrs': Stephen Fredman; 14. Futtocks: Anthony Mellors; 15. Death in life: the past in 'As the Dead Prey Upon Us': Ben Hickman; 16. 'To Gerhardt, There, Among Europe's Things of Which He Has Written Us in His "Brief an Creeley und Olson"': Olson on history, in dialogue: Sarah Posman; 17. 'Moving among my particulars': the 'negative dialectics' of The Maximus Poems: Tim Woods 18. A note on Charles Olson's 'The Kingfishers': Charles Bernstein Section V: Space; 19. Transcultural projectivism in Charles Olson's 'The Kingfishers' and Clifford Possum Tjapaltjarri's Warlugulong: Peter Minter; 20. The view from Gloucester: Open Field Poetics and the politics of movement: David Herd; 21. Why Olson did ballet: the pedagogical avant-gardism of Massine: Karlien van den Beukel; 22. On the back of the elephant: riding with Charles Olson: Iain Sinclair; 23. Charles Olson's first poem: Ralph Maud; Bibliography; Index of writings by Charles Olson; Index |
| Record Nr. | UNINA-9910811860403321 |
| Manchester, UK : , : Manchester University Press, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||