Animation, Plasticity, and Music in Italy, 1770-1830 / / Ellen Lockhart |
Autore | Lockhart Ellen |
Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [2017] |
Descrizione fisica | 1 online resource (218 pages) : illustrations |
Disciplina | 782.1094509033 |
Soggetto topico |
Dramatic music - Italy - 18th century
Dramatic music - Italy - 19th century Operas - Literary themes, motives |
Soggetto non controllato |
aesthetic theory
animated statue art artists drama enlightenment epistemology of sensing historical interdisciplinary italian ballets italian music italian musical performances italian operas italian theater italy itinerant performance traditions live entertainment melodramas music criticism music history musical practice musical nationhood fantasies opera music performing arts philosophy science sciences of the body stage works theatre theatrical theory of language |
ISBN | 0-520-96006-8 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction -- 1. Attentive Statues -- 2. Pimmalione -- 3. Defining Italy in Haunted Rome -- 4. Partial Animacy and Blind Listening in Napoleonic Italy -- 5. Giuditta Pasta and the History of Musical Electrification -- Conclusion -- Notes -- Bibliography -- List of Illustrations -- Index |
Record Nr. | UNINA-9910794760503321 |
Lockhart Ellen | ||
Berkeley, CA : , : University of California Press, , [2017] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Animation, Plasticity, and Music in Italy, 1770-1830 / / Ellen Lockhart |
Autore | Lockhart Ellen |
Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [2017] |
Descrizione fisica | 1 online resource (218 pages) : illustrations |
Disciplina | 782.1094509033 |
Soggetto topico |
Dramatic music - Italy - 18th century
Dramatic music - Italy - 19th century Operas - Literary themes, motives |
Soggetto non controllato |
aesthetic theory
animated statue art artists drama enlightenment epistemology of sensing historical interdisciplinary italian ballets italian music italian musical performances italian operas italian theater italy itinerant performance traditions live entertainment melodramas music criticism music history musical practice musical nationhood fantasies opera music performing arts philosophy science sciences of the body stage works theatre theatrical theory of language |
ISBN | 0-520-96006-8 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction -- 1. Attentive Statues -- 2. Pimmalione -- 3. Defining Italy in Haunted Rome -- 4. Partial Animacy and Blind Listening in Napoleonic Italy -- 5. Giuditta Pasta and the History of Musical Electrification -- Conclusion -- Notes -- Bibliography -- List of Illustrations -- Index |
Record Nr. | UNINA-9910810341903321 |
Lockhart Ellen | ||
Berkeley, CA : , : University of California Press, , [2017] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Collaborative intimacies in music and dance : anthropologies of sound and movement / / edited by Evangelos Chrysagis and Panas Karampampas |
Pubbl/distr/stampa | New York ; ; Oxford, [England] : , : Berghahn Books, , 2017 |
Descrizione fisica | 1 online resource (272 pages) : illustrations |
Disciplina | 306.4/84 |
Collana | Dance and Performance Studies |
Soggetto topico |
Music and dance
Music - Social aspects Dance - Anthropological aspects |
Soggetto non controllato |
anthropology
artistic audience ballet bands case studies cultural attitudes cultural studies culture dance studies dance dancers drama education engaging ethnographic approach ethnographic writing greek goth scene japanese shakuhachi live entertainment movement music musical philosophy musicality musicians performance studies performing arts peruvian huayno sociology sound theater theatre theatrical world music |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Illustrations and Table -- Preface -- Introduction: Collaborative Intimacies -- PART I Sound, Meaning and Self-Awareness -- Chapter 1 Being in Sound: Reflections on Recording while Practising Aikido and Shakuhachi -- Chapter 2 Performing and Narrating Selves in and through Classical Music: Being ‘Japanese’ and Being a Professional Musician in London -- PART II Pedagogies of Bodily Movement -- Chapter 3 Kinaesthetic Intimacy in a Choreographic Practice -- Chapter 4 The Presentation of Self in Participatory Dance Settings: Data Collecting with Erving Goffman -- PART III Music Practices and Ethical Selfhood -- Chapter 5 The Animador as Ethical Mediator: Stage Talk and Subject Formation at Peruvian Huayno Music Spectacles -- Chapter 6 A Sense of Togetherness: Music Promotion and Ethics in Glasgow -- PART IV Bodies Dancing in Time and across Space -- Chapter 7 Rumba: Heritage, Tourism and the ‘Authentic’ Afro-Cuban Experience Heritage, Tourism and the ‘Authentic’ Afro-Cuban Experience -- Chapter 8 Cinematic Dance as a Local Critical Commentary on the ‘Economic Crisis’ in Greece Exploring Dance in Korydallos, Attica, Greece -- PART V Motion, Irony and the Making of Lifeworlds -- Chapter 9 Performing Irony on the Dance Floor: in the Athenian Goth Scene The Many Faces of Goth Irony in the Athenian Goth Scene -- Chapter 10 The Intoxicating Intimacy of Drum Strokes, Sung Verses and Dancing Steps in the All-Night Ceremonies of Ambonwari (Papua New Guinea) -- Index |
Record Nr. | UNINA-9910792967203321 |
New York ; ; Oxford, [England] : , : Berghahn Books, , 2017 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Collaborative intimacies in music and dance : anthropologies of sound and movement / / edited by Evangelos Chrysagis and Panas Karampampas |
Pubbl/distr/stampa | New York ; ; Oxford, [England] : , : Berghahn Books, , 2017 |
Descrizione fisica | 1 online resource (272 pages) : illustrations |
Disciplina | 306.4/84 |
Collana | Dance and Performance Studies |
Soggetto topico |
Music and dance
Music - Social aspects Dance - Anthropological aspects |
Soggetto non controllato |
anthropology
artistic audience ballet bands case studies cultural attitudes cultural studies culture dance studies dance dancers drama education engaging ethnographic approach ethnographic writing greek goth scene japanese shakuhachi live entertainment movement music musical philosophy musicality musicians performance studies performing arts peruvian huayno sociology sound theater theatre theatrical world music |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Illustrations and Table -- Preface -- Introduction: Collaborative Intimacies -- PART I Sound, Meaning and Self-Awareness -- Chapter 1 Being in Sound: Reflections on Recording while Practising Aikido and Shakuhachi -- Chapter 2 Performing and Narrating Selves in and through Classical Music: Being ‘Japanese’ and Being a Professional Musician in London -- PART II Pedagogies of Bodily Movement -- Chapter 3 Kinaesthetic Intimacy in a Choreographic Practice -- Chapter 4 The Presentation of Self in Participatory Dance Settings: Data Collecting with Erving Goffman -- PART III Music Practices and Ethical Selfhood -- Chapter 5 The Animador as Ethical Mediator: Stage Talk and Subject Formation at Peruvian Huayno Music Spectacles -- Chapter 6 A Sense of Togetherness: Music Promotion and Ethics in Glasgow -- PART IV Bodies Dancing in Time and across Space -- Chapter 7 Rumba: Heritage, Tourism and the ‘Authentic’ Afro-Cuban Experience Heritage, Tourism and the ‘Authentic’ Afro-Cuban Experience -- Chapter 8 Cinematic Dance as a Local Critical Commentary on the ‘Economic Crisis’ in Greece Exploring Dance in Korydallos, Attica, Greece -- PART V Motion, Irony and the Making of Lifeworlds -- Chapter 9 Performing Irony on the Dance Floor: in the Athenian Goth Scene The Many Faces of Goth Irony in the Athenian Goth Scene -- Chapter 10 The Intoxicating Intimacy of Drum Strokes, Sung Verses and Dancing Steps in the All-Night Ceremonies of Ambonwari (Papua New Guinea) -- Index |
Record Nr. | UNINA-9910808523103321 |
New York ; ; Oxford, [England] : , : Berghahn Books, , 2017 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
From madrigal to opera [[electronic resource] ] : Monteverdi's staging of the self / / Mauro Calcagno |
Autore | Calcagno Mauro P |
Pubbl/distr/stampa | Berkeley, California : , : University of California Press, , 2012 |
Descrizione fisica | 1 online resource (343 pages) |
Disciplina | 782.0092 |
Collana | ACLS Fellows' Publications. |
Soggetto topico | Petrarchism |
Soggetto non controllato |
art and poetry
classical music composer history early modern period european history european poetry history of opera italian culture italian history italian music italian poetry italy and music live entertainment madrigral history modern music studies music and performance music history opera books opera composers opera music performance studies performing arts history performing arts renaissance art renaissance literature renaissance period theater theatre vocal music |
ISBN |
1-280-10874-6
9786613520661 0-520-95152-2 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Introduction -- Part One. La Musica and Orfeo -- Part Two. Constructing the Narrator -- Part Three. Staging the Self -- Epilogue: Subjectivity, Theatricality, Multimediality -- Appendix 1: Tables of Contents of the Madrigal Books -- Appendix 2: Monteverdi, Combattimento di Tancredi e Clorinda: Text and Translation -- Notes -- Index |
Altri titoli varianti | Monteverdi's staging of the self |
Record Nr. | UNINA-9910789945903321 |
Calcagno Mauro P | ||
Berkeley, California : , : University of California Press, , 2012 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
In other Los Angeleses : multicentric performance art / / Meiling Cheng |
Autore | Cheng Meiling <1960-> |
Pubbl/distr/stampa | Berkeley : , : University of California Press, , 2002 |
Descrizione fisica | 1 online resource (xxxiv, 407 pages) : illustrations |
Disciplina | 700/.9794/94 |
Soggetto topico | Performance art - California - Los Angeles |
Soggetto non controllato |
art analysis
art criticism art critics art historians art phenomena art students art theater art artists audience interaction conceptual contemporary art creative expression johanna went live entertainment los angeles modern art multicentric art nonfiction study oguri osseus labyrint performance art political regional art renzoku sacred naked nature girls students and teachers suzanne lacy tim miller urban environment visual art |
ISBN |
1-59734-674-8
0-520-93660-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- List of Illustrations -- Preface -- Acknowledgments -- 1. Inscribing Multicentricity -- 2. Out of Order -- 3. Engendering Other/Selves -- 4. Elia Arce -- 5. A Hetero-locus in Process -- 6. What's in a Name? -- 7. Kinesthetic Transmutation of Theatricality -- Epilogue -- Notes -- Index |
Record Nr. | UNINA-9910783074303321 |
Cheng Meiling <1960-> | ||
Berkeley : , : University of California Press, , 2002 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Is he dead? [[electronic resource] ] : a comedy in three acts / / Mark Twain ; edited with foreword, afterword, and notes by Shelley Fisher Fishkin ; text established by the Mark Twain Project, the Bancroft Library ; illustrations by Barry Moser |
Autore | Twain Mark <1835-1910.> |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2003 |
Descrizione fisica | 1 online resource (249 p.) |
Disciplina | 812/.4 |
Altri autori (Persone) | FishkinShelley Fisher |
Collana | Jumping frogs |
Soggetto topico |
Artists
Death |
Soggetto genere / forma | Comedies. |
Soggetto non controllato |
america
american drama american literature american theater art and literature burlesque comedy theater comedy deception famous authors farce harebrained schemes humor humorists illustrated literary criticism literary icons live entertainment manuscript men and women modern audiences performing arts playwrights social commentary social satire stage play theatrical productions twain scholars world market |
ISBN |
1-282-77209-0
9786612772092 0-520-93989-1 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Illustrations -- Foreword -- Is He Dead? by Mark Twain -- Afterword -- Notes -- Acknowledgments |
Record Nr. | UNINA-9910789000703321 |
Twain Mark <1835-1910.> | ||
Berkeley, : University of California Press, c2003 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Mingus speaks [[electronic resource] /] / John F. Goodman; with photos by Sy Johnson |
Autore | Goodman John F. <1934-> |
Pubbl/distr/stampa | Berkeley, CA, : University of California Press, 2013 |
Descrizione fisica | 1 online resource (347 p.) |
Disciplina | 781.65092 |
Altri autori (Persone) | GoodmanJohn F <1934-> |
Soggetto topico | Jazz musicians |
Soggetto non controllato |
american culture
bass players big band biographies biography black music candid interviews charles mingus engaging entertainment industry entertainment historical history humor in depth interviews interviews jazz age jazz business jazz composers jazz greats jazz music jazz musicians journalism live entertainment music history page turner performance arts race relationships social issues tijuana episodes us history |
ISBN | 0-520-95468-8 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Illustrations -- Preface -- Introduction -- 1. Avant-Garde and Tradition -- 2. Studying, Teaching, and Earning a Living -- 3. Recordings: Children and Friends -- 4. Authenticity: Whose Tribe Are You In? -- 5. Musicians: Reminiscing in Tempo -- 6. Debut Records, George Wein, and the Music Business -- 7. The Clubs and the Mafia -- 8. The Critics -- 9. Survival: The Reason for the Blues -- 10. Eviction and Laying Out -- 11. Mingus Women -- 12. Mingus on Sue -- 13. The Real and the Fictional Mingus -- Chronology -- Acknowledgments -- Index |
Record Nr. | UNINA-9910786117003321 |
Goodman John F. <1934-> | ||
Berkeley, CA, : University of California Press, 2013 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Romantic anatomies of performance / / J.Q. Davies |
Autore | Davies J. Q. <1973-> |
Pubbl/distr/stampa | Berkeley : , : University of California Press, , [2014] |
Descrizione fisica | 1 online resource (281 p.) |
Disciplina | 781.4/309034 |
Soggetto topico |
Music - 19th century - History and criticism
Music - Performance - History |
Soggetto non controllato |
castrato
celebrity pianists franz liszt frederic francois chopin giovanni battista rubini giovanni battista velluti historical history of music history live entertainment maria felicia malibran medical approach to music music and physical impacts music musical expression musical performers musicians musicological opera pianistic health pianists piano scientific approach to music sigismond thalberg singers techniques of musical training virtuosic musicians vocal health |
ISBN | 0-520-95800-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Veluti in speculum : the twilight of the castrato -- Reflecting on reflex : a touching fact about Chopin -- The Sontag-Malibran stereotype -- Boneless hands/Thalberg's ready-made soul/velvet fingers -- In search of voice : Nourrit's voix mixte, Donzelli's bari-tenor -- Liszt's metapianism and the cultural history of the hand. |
Record Nr. | UNINA-9910789286903321 |
Davies J. Q. <1973-> | ||
Berkeley : , : University of California Press, , [2014] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Romantic anatomies of performance / / J.Q. Davies |
Autore | Davies J. Q. <1973-> |
Pubbl/distr/stampa | Berkeley : , : University of California Press, , [2014] |
Descrizione fisica | 1 online resource (281 p.) |
Disciplina | 781.4/309034 |
Soggetto topico |
Music - 19th century - History and criticism
Music - Performance - History |
Soggetto non controllato |
castrato
celebrity pianists franz liszt frederic francois chopin giovanni battista rubini giovanni battista velluti historical history of music history live entertainment maria felicia malibran medical approach to music music and physical impacts music musical expression musical performers musicians musicological opera pianistic health pianists piano scientific approach to music sigismond thalberg singers techniques of musical training virtuosic musicians vocal health |
ISBN | 0-520-95800-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Veluti in speculum : the twilight of the castrato -- Reflecting on reflex : a touching fact about Chopin -- The Sontag-Malibran stereotype -- Boneless hands/Thalberg's ready-made soul/velvet fingers -- In search of voice : Nourrit's voix mixte, Donzelli's bari-tenor -- Liszt's metapianism and the cultural history of the hand. |
Record Nr. | UNINA-9910822815903321 |
Davies J. Q. <1973-> | ||
Berkeley : , : University of California Press, , [2014] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|