Attending : an ethical art / / Warren Heiti |
Autore | Heiti Warren <1979-> |
Pubbl/distr/stampa | Montréal, Québec ; ; Chicago, Illinois : , : McGill-Queen's University Press, , [2021] |
Descrizione fisica | 1 online resource (361 pages) |
Disciplina | 170 |
Collana | McGill-Queen's Studies in the History of Ideas |
Soggetto topico | Ethics |
Soggetto non controllato |
Aristotle
GEM Anscombe Iris Murdoch Jan Zwicky John McDowell Ludwig Wittgenstein Plato Simone Weil aesthetics ancient Greek attention character cognitivism comparative literature environmental imagination integrity internalism listening lyric mindfulness moral psychology particul arism phronesis realism virtue |
ISBN |
0-2280-0740-2
0-2280-0739-9 |
Classificazione | cci1icc |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Cover -- Copyright -- Contents -- Figures -- 1 Introduction -- 2 Reflections on an Ethics of Attending -- 3 Further Reflections on an Ethics of Attending -- 4 Attending -- 5 Reading and Character -- 6 Prudence or Phronesis -- 7 Virtue Is Knowledge, Character Is Fate -- 8 The Dance of Perception -- 9 Integrative and Disintegrative Perspectives -- 10 Lyric Details and Ecological Integrity -- 11 Exodos -- Acknowledgements -- Bibliography -- Index. |
Record Nr. | UNINA-9910794536203321 |
Heiti Warren <1979->
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Montréal, Québec ; ; Chicago, Illinois : , : McGill-Queen's University Press, , [2021] | ||
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Lo trovi qui: Univ. Federico II | ||
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Attending : an ethical art / / Warren Heiti |
Autore | Heiti Warren <1979-> |
Pubbl/distr/stampa | Montréal, Québec ; ; Chicago, Illinois : , : McGill-Queen's University Press, , [2021] |
Descrizione fisica | 1 online resource (361 pages) |
Disciplina | 170 |
Collana | McGill-Queen's Studies in the History of Ideas |
Soggetto topico | Ethics |
Soggetto non controllato |
Aristotle
GEM Anscombe Iris Murdoch Jan Zwicky John McDowell Ludwig Wittgenstein Plato Simone Weil aesthetics ancient Greek attention character cognitivism comparative literature environmental imagination integrity internalism listening lyric mindfulness moral psychology particul arism phronesis realism virtue |
ISBN |
0-2280-0740-2
0-2280-0739-9 |
Classificazione | cci1icc |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Cover -- Copyright -- Contents -- Figures -- 1 Introduction -- 2 Reflections on an Ethics of Attending -- 3 Further Reflections on an Ethics of Attending -- 4 Attending -- 5 Reading and Character -- 6 Prudence or Phronesis -- 7 Virtue Is Knowledge, Character Is Fate -- 8 The Dance of Perception -- 9 Integrative and Disintegrative Perspectives -- 10 Lyric Details and Ecological Integrity -- 11 Exodos -- Acknowledgements -- Bibliography -- Index. |
Record Nr. | UNINA-9910827199603321 |
Heiti Warren <1979->
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Montréal, Québec ; ; Chicago, Illinois : , : McGill-Queen's University Press, , [2021] | ||
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Lo trovi qui: Univ. Federico II | ||
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Beyond structural listening? [[electronic resource] ] : postmodern modes of hearing / / edited by Andrew Dell'Antonio |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2004 |
Descrizione fisica | 1 online resource (346 p.) |
Disciplina | 781.1/7 |
Altri autori (Persone) | Dell'AntonioAndrew |
Soggetto topico |
Musical criticism
Musical analysis Music - Philosophy and aesthetics Music - Social aspects Postmodernism |
Soggetto non controllato |
20th century
anthology beauty beethoven collection of essays listening strategies listening modes of listening mtv music historians music scholars music students music textbooks music theorists music theory musical communities musical meaning musical scholarship musical structure nonfiction essays nonfiction postmodern modes of hearing postmodern theory structural hearing theoretical perspective western music |
ISBN |
0-520-93702-3
1-59734-491-5 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction : beyond structural listening? / Andrew Dell'Antonio -- The disciplined subject of music analysis / Fred Everett Maus -- Musical virtues / Mitchell Morris -- The chosen one's choice / Tamara Levitz -- Beethoven antihero : sex, violence, and the aesthetics of failure, or, Listening to the Ninth symphony as postmodern sublime / Robert Fink -- Passion ; Mirrors / Paul Attinello -- Uncertainty, disorientation, and loss as responses to musical structure / Joseph Dubiel -- Collective listening : postmodern critical processes and MTV / Andrew Dell'Antonio -- One bar in eight : Debussy and the death of description / Elisabeth LeGuin -- The return of the aesthetic : music formalism and its place in political critique / Martin Scherzinger -- Afterword : toward the next paradigm of musical scholarship / Rose Rosengard Subotnik. |
Record Nr. | UNINA-9910783387903321 |
Berkeley, : University of California Press, c2004 | ||
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Lo trovi qui: Univ. Federico II | ||
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Seventeenth-Century Opera and the Sound of the Commedia dell'Arte / / Emily Wilbourne |
Autore | Wilbourne Emily |
Pubbl/distr/stampa | Chicago : , : University of Chicago Press, , [2016] |
Descrizione fisica | 1 online resource : illustrations (black and white) |
Disciplina | 782.109032 |
Soggetto topico |
Opera - Italy - 17th century
Commedia dell'arte - History and criticism Commedia dell'arte - Influence Commedia dell'arte - Characters |
Soggetto non controllato |
Claudio Monteverdi
Francesco Cavalli Virginia Andreini aria commedia dell'arte lament listening opera recitative sound |
ISBN | 0-226-40160-X |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Note to the Reader -- Introduction. "The Tragedies and Comedies Recited by the Zanni" -- Chapter one. The Commedia dell'Arte as Theater -- Chapter two. "Ma meglio di tutti Arianna comediante" -- Chapter three. The Serious Elements of Early Comic Opera -- Chapter four. Penelope and Poppea as Stock Figures of the Commedia dell'Arte -- Conclusion. Seventeenth- Century Opera and the Sound of the Commedia dell'Arte -- Acknowledgments -- Notes -- Selected Bibliography -- Index |
Record Nr. | UNINA-9910136122903321 |
Wilbourne Emily
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Chicago : , : University of Chicago Press, , [2016] | ||
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Lo trovi qui: Univ. Federico II | ||
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The Acquisition of Chinese as a First and Second Language |
Autore | Wen Xiaohong |
Pubbl/distr/stampa | Basel, Switzerland, : MDPI - Multidisciplinary Digital Publishing Institute, 2020 |
Descrizione fisica | 1 electronic resource (174 p.) |
Soggetto topico | Language |
Soggetto non controllato |
lexical access
second language speech fluency accuracy complexity information structure child language acquisition Mandarin Chinese word order Chinese as a foreign language consciousness-raising obligatory and forbidden contexts perfective aspect marker rule induction Mandarin consonants English CFL learners L2 perception and production Chinese listening metacognition metacognitive strategy strategy training Mandarin polysemy verb semantics L2 Chinese descriptive writing metadiscourse cohesion local global text interactive interactional sentence-final particle Chinese heritage speakers features |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910557514403321 |
Wen Xiaohong
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Basel, Switzerland, : MDPI - Multidisciplinary Digital Publishing Institute, 2020 | ||
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Lo trovi qui: Univ. Federico II | ||
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Thresholds of listening : sound, technics, space / / edited by Sander van Maas |
Edizione | [First edition.] |
Pubbl/distr/stampa | New York, [New York] : , : Fordham University Press, , 2015 |
Descrizione fisica | 1 online resource (324 pages) |
Disciplina | 128/.4 |
Soggetto topico | Listening (Philosophy) |
Soggetto non controllato |
address
aurality' hearing technology liminal listening senses tropes |
ISBN |
0-8232-6678-8
0-8232-6441-6 0-8232-6440-8 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- CONTENTS -- ACKNOWLEDGMENTS -- Introduction -- 1. The Auditory Re-Turn (The Point of Listening) -- 2. “Dear Listener . . .”: Music and the Invention of Subjectivity -- 3. Scenes of Devastation: Interpellation, Finite and Infinite -- 4. Positive Feedback: Listening behind Hearing -- 5. “Antennas Have Long Since Invaded Our Brains” -- 6. Movement at the Boundaries of Listening, Composition, and Performance -- 7. The Biopolitics of Noise: Kafka’s “Der Bau” -- 8. Torture as an Instrument of Music -- 9. Stop It, I Like It! -- 10. Sounds of Belonging -- 11. Back to the Beat -- 12. The Discovery of Slowness in Music -- 13. Negotiating Ecstasy -- NOTES -- CONTRIBUTORS -- INDEX |
Record Nr. | UNINA-9910797374303321 |
New York, [New York] : , : Fordham University Press, , 2015 | ||
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Lo trovi qui: Univ. Federico II | ||
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Thresholds of listening : sound, technics, space / / edited by Sander van Maas |
Edizione | [First edition.] |
Pubbl/distr/stampa | New York, [New York] : , : Fordham University Press, , 2015 |
Descrizione fisica | 1 online resource (324 pages) |
Disciplina | 128/.4 |
Soggetto topico | Listening (Philosophy) |
Soggetto non controllato |
address
aurality' hearing technology liminal listening senses tropes |
ISBN |
0-8232-6678-8
0-8232-6441-6 0-8232-6440-8 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- CONTENTS -- ACKNOWLEDGMENTS -- Introduction -- 1. The Auditory Re-Turn (The Point of Listening) -- 2. “Dear Listener . . .”: Music and the Invention of Subjectivity -- 3. Scenes of Devastation: Interpellation, Finite and Infinite -- 4. Positive Feedback: Listening behind Hearing -- 5. “Antennas Have Long Since Invaded Our Brains” -- 6. Movement at the Boundaries of Listening, Composition, and Performance -- 7. The Biopolitics of Noise: Kafka’s “Der Bau” -- 8. Torture as an Instrument of Music -- 9. Stop It, I Like It! -- 10. Sounds of Belonging -- 11. Back to the Beat -- 12. The Discovery of Slowness in Music -- 13. Negotiating Ecstasy -- NOTES -- CONTRIBUTORS -- INDEX |
Record Nr. | UNINA-9910818711303321 |
New York, [New York] : , : Fordham University Press, , 2015 | ||
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Lo trovi qui: Univ. Federico II | ||
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Ubiquitous Listening : Affect, Attention, and Distributed Subjectivity / / Anahid Kassabian |
Autore | Kassabian Anahid |
Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [2013] |
Descrizione fisica | 1 online resource (184 p.) |
Disciplina | 781.11 |
Soggetto topico |
Listening
Music -- Philosophy and aesthetics Sound Music - Philosophy and aesthetics |
Soggetto non controllato |
art
artists background noise clever insight critical theory cultural hybridization digital art digital music engage with music engaging for reference listening lively marketing tools media studies modern life mood modulation music and sound music appreciation music musical moments musical thought musicology passive listening performing arts popular music sonic experiences sonic tourism sound studies sound theory sound white noise |
ISBN | 0-520-95486-6 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction -- 1. Ubiquitous Listening -- 2. Listening to Video Art and the Problem of Too Many Homelands -- 3. "BOOM!" Is the Next Big Thing -- 4. Musicals Hit the Small Screen -- 5. Improvising Diasporan Identities -- 6. Would You Like Some World Music with Your Latte? -- Conclusion -- Notes -- Works Cited -- Index |
Record Nr. | UNINA-9910786229003321 |
Kassabian Anahid
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Berkeley, CA : , : University of California Press, , [2013] | ||
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Lo trovi qui: Univ. Federico II | ||
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Witnessing witnessing : on the reception of Holocaust survivor testimony / / Thomas Trezise |
Autore | Trezise Thomas <1953-> |
Edizione | [First edition.] |
Pubbl/distr/stampa | New York : , : Fordham University Press, , 2013 |
Descrizione fisica | 1 online resource (336 p.) |
Disciplina | 940.53/18092 |
Soggetto topico |
Holocaust survivors - Psychology
Holocaust, Jewish (1939-1945) - Psychological aspects Psychic trauma |
Soggetto non controllato |
art after auschwitz
history holocaust listening memory reception survivor testimony trauma witnessing |
ISBN |
0-8232-6405-X
0-8232-5273-6 0-8232-5044-X |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Preface -- Acknowledgments -- Abbreviations -- Introduction -- One. Frames of Reception -- Two. Trauma and Theory -- Three. Art after Auschwitz, Again -- Four. Theory and Testimony -- Five. The Survivor as Other -- Conclusion -- Notes -- Bibliography -- Index |
Record Nr. | UNINA-9910788213003321 |
Trezise Thomas <1953->
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New York : , : Fordham University Press, , 2013 | ||
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Lo trovi qui: Univ. Federico II | ||
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Witnessing witnessing : on the reception of Holocaust survivor testimony / / Thomas Trezise |
Autore | Trezise Thomas <1953-> |
Edizione | [First edition.] |
Pubbl/distr/stampa | New York : , : Fordham University Press, , 2013 |
Descrizione fisica | 1 online resource (336 p.) |
Disciplina | 940.53/18092 |
Soggetto topico |
Holocaust survivors - Psychology
Holocaust, Jewish (1939-1945) - Psychological aspects Psychic trauma |
Soggetto non controllato |
art after auschwitz
history holocaust listening memory reception survivor testimony trauma witnessing |
ISBN |
0-8232-6405-X
0-8232-5273-6 0-8232-5044-X |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Preface -- Acknowledgments -- Abbreviations -- Introduction -- One. Frames of Reception -- Two. Trauma and Theory -- Three. Art after Auschwitz, Again -- Four. Theory and Testimony -- Five. The Survivor as Other -- Conclusion -- Notes -- Bibliography -- Index |
Record Nr. | UNINA-9910814200503321 |
Trezise Thomas <1953->
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New York : , : Fordham University Press, , 2013 | ||
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Lo trovi qui: Univ. Federico II | ||
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