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Thresholds of listening : sound, technics, space / / edited by Sander van Maas
| Thresholds of listening : sound, technics, space / / edited by Sander van Maas |
| Edizione | [First edition.] |
| Pubbl/distr/stampa | New York, [New York] : , : Fordham University Press, , 2015 |
| Descrizione fisica | 1 online resource (324 pages) |
| Disciplina | 128/.4 |
| Soggetto topico | Listening (Philosophy) |
| Soggetto non controllato |
address
aurality' hearing technology liminal listening senses tropes |
| ISBN |
0-8232-6678-8
0-8232-6441-6 0-8232-6440-8 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- CONTENTS -- ACKNOWLEDGMENTS -- Introduction -- 1. The Auditory Re-Turn (The Point of Listening) -- 2. “Dear Listener . . .”: Music and the Invention of Subjectivity -- 3. Scenes of Devastation: Interpellation, Finite and Infinite -- 4. Positive Feedback: Listening behind Hearing -- 5. “Antennas Have Long Since Invaded Our Brains” -- 6. Movement at the Boundaries of Listening, Composition, and Performance -- 7. The Biopolitics of Noise: Kafka’s “Der Bau” -- 8. Torture as an Instrument of Music -- 9. Stop It, I Like It! -- 10. Sounds of Belonging -- 11. Back to the Beat -- 12. The Discovery of Slowness in Music -- 13. Negotiating Ecstasy -- NOTES -- CONTRIBUTORS -- INDEX |
| Record Nr. | UNINA-9910797374303321 |
| New York, [New York] : , : Fordham University Press, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Thresholds of listening : sound, technics, space / / edited by Sander van Maas
| Thresholds of listening : sound, technics, space / / edited by Sander van Maas |
| Edizione | [First edition.] |
| Pubbl/distr/stampa | New York, [New York] : , : Fordham University Press, , 2015 |
| Descrizione fisica | 1 online resource (324 pages) |
| Disciplina | 128/.4 |
| Soggetto topico | Listening (Philosophy) |
| Soggetto non controllato |
address
aurality' hearing technology liminal listening senses tropes |
| ISBN |
0-8232-6678-8
0-8232-6441-6 0-8232-6440-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- CONTENTS -- ACKNOWLEDGMENTS -- Introduction -- 1. The Auditory Re-Turn (The Point of Listening) -- 2. “Dear Listener . . .”: Music and the Invention of Subjectivity -- 3. Scenes of Devastation: Interpellation, Finite and Infinite -- 4. Positive Feedback: Listening behind Hearing -- 5. “Antennas Have Long Since Invaded Our Brains” -- 6. Movement at the Boundaries of Listening, Composition, and Performance -- 7. The Biopolitics of Noise: Kafka’s “Der Bau” -- 8. Torture as an Instrument of Music -- 9. Stop It, I Like It! -- 10. Sounds of Belonging -- 11. Back to the Beat -- 12. The Discovery of Slowness in Music -- 13. Negotiating Ecstasy -- NOTES -- CONTRIBUTORS -- INDEX |
| Record Nr. | UNINA-9910818711303321 |
| New York, [New York] : , : Fordham University Press, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||