Jazz cultures [[electronic resource] /] / David Ake |
Autore | Ake David Andrew <1961-> |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2002 |
Descrizione fisica | 1 online resource (239 p.) |
Disciplina | 781.65 |
Soggetto topico |
Jazz
Jazz - History and criticism Jazz musicians |
Soggetto non controllato |
american music
famous pianist history of music jazz communities jazz composer jazz education jazz history jazz music jazz performance jazz pianist jazz piano jazz standards jazz tradition john coltrane music performance musical community musical genres musical history musical styles musicians original music performance pianist saxophone traditional |
ISBN |
1-282-75893-4
9786612758935 0-520-92696-X 1-59734-690-X |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Illustrations -- Preface -- Acknowledgments -- Introduction -- One. "Blue Horizon" Creole Culture and Early New Orleans Jazz -- Two. Jazz Historiography and the Problem of Louis Jordan -- Three. Regendering Jazz Ornette Coleman and the New York Scene in the Late 1950's -- Four. Body and Soul Performing Deep Jazz -- Five. Jazz 'Traning John Coltrane and the Conservatory -- Six. Jazz Traditioning Setting Standards at Century's Close -- Notes -- Index |
Record Nr. | UNINA-9910780377003321 |
Ake David Andrew <1961-> | ||
Berkeley, : University of California Press, c2002 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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Shaping jazz [[electronic resource] ] : cities, labels, and the global emergence of an art form / / Damon J. Phillips |
Autore | Phillips Damon J. <1968-> |
Edizione | [Core Textbook] |
Pubbl/distr/stampa | Princeton, NJ, : Princeton University Press, 2013 |
Descrizione fisica | 1 online resource (233 p.) |
Disciplina | 781.6509 |
Soggetto topico |
Jazz - Social aspects
Jazz - History and criticism |
Soggetto non controllato |
African Americans
Berlin German jazz Milenburg Joys New York Victorian-era firms Weimar Germany adoption narratives anti-jazz sentiments authenticity black musicians bottled water consumers critics cultural elites cultural markets cultural objects cultural products diffusion discographical canon disconnected cities disconnectedness geographic mobility geography green technology identity sequences identity threats identity incumbents jazz music jazz recordings jazz standards jazz legitimacy markets mobility networks musicians nanotechnology organizational role identities product appeal production pseudonyms race re-recording reception record company deception record company record labels recording industry recording location social congruence social systems sociological congruence software |
ISBN | 1-4008-4648-X |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction. Sociological Congruence and the Shaping of Recorded Jazz -- Chapter 1. The Puzzle of Geographical Disconnectedness -- Chapter 2. Further Exploring the Salience of Geography -- Chapter 3. Sociological Congruence and the Puzzle of Early German Jazz -- Chapter 4. Sociological Congruence and Record Company Comparative Advantage -- Chapter 5. The Sociological Congruence of Record Company Deception -- Chapter 6. The Sociological Congruence of Identity Sequences and Adoption Narratives -- Chapter 7. Pulling It Together and Stretching It Beyond -- Appendix -- Notes -- References -- Index |
Record Nr. | UNINA-9910786967803321 |
Phillips Damon J. <1968-> | ||
Princeton, NJ, : Princeton University Press, 2013 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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