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First cut 2 [[electronic resource] ] : more conversations with film editors / / Gabriella Oldham
| First cut 2 [[electronic resource] ] : more conversations with film editors / / Gabriella Oldham |
| Autore | Oldham Gabriella |
| Pubbl/distr/stampa | Berkeley, : University of California Press, 2012 |
| Descrizione fisica | 1 online resource (310 p.) |
| Disciplina | 777/.55 |
| Soggetto topico |
Motion pictures - Editing
Motion picture editors |
| Soggetto non controllato |
21st century
aspiring filmmakers award winners cinema and film cinematic insights digital age documentary film editing editorial process film buffs film editing film editors film historians film history film industry film production film scholars film students film studies film theory filmmaking process independent filmmakers interviews media studies modern film movie buffs nonfiction psychology theatrical productions |
| ISBN |
1-280-79266-3
0-520-95399-1 9786613703057 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. Keeping Beats -- 2. Pushing the Envelope -- 3. Cutting from the Gut -- 4. Sensing Psychology -- 5. Capturing the Feeling -- 6. Speaking Cinema -- 7. Editing the Self -- 8. Pointing to the Middle -- 9. Honoring Lives -- 10. Weighing the Gold -- 11. Making It Work -- 12. Striking the Balance -- Bibliography -- Index |
| Altri titoli varianti | First cut two |
| Record Nr. | UNINA-9910779251803321 |
Oldham Gabriella
|
||
| Berkeley, : University of California Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
First cut 2 : more conversations with film editors / / Gabriella Oldham
| First cut 2 : more conversations with film editors / / Gabriella Oldham |
| Autore | Oldham Gabriella |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, 2012 |
| Descrizione fisica | 1 online resource (310 p.) |
| Disciplina | 777/.55 |
| Soggetto topico |
Motion pictures - Editing
Motion picture editors |
| Soggetto non controllato |
21st century
aspiring filmmakers award winners cinema and film cinematic insights digital age documentary film editing editorial process film buffs film editing film editors film historians film history film industry film production film scholars film students film studies film theory filmmaking process independent filmmakers interviews media studies modern film movie buffs nonfiction psychology theatrical productions |
| ISBN |
1-280-79266-3
0-520-95399-1 9786613703057 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. Keeping Beats -- 2. Pushing the Envelope -- 3. Cutting from the Gut -- 4. Sensing Psychology -- 5. Capturing the Feeling -- 6. Speaking Cinema -- 7. Editing the Self -- 8. Pointing to the Middle -- 9. Honoring Lives -- 10. Weighing the Gold -- 11. Making It Work -- 12. Striking the Balance -- Bibliography -- Index |
| Altri titoli varianti | First cut two |
| Record Nr. | UNINA-9910823899403321 |
|
Oldham Gabriella
|
||
| Berkeley, : University of California Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Hollywood be thy name [[electronic resource] ] : African American religion in American film, 1929-1949 / / Judith Weisenfeld
| Hollywood be thy name [[electronic resource] ] : African American religion in American film, 1929-1949 / / Judith Weisenfeld |
| Autore | Weisenfeld Judith |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2007 |
| Descrizione fisica | 1 online resource (357 p.) |
| Disciplina | 791.43/652996073 |
| Collana | A George Gund Foundation book in African American studies |
| Soggetto topico |
African Americans in motion pictures
Religion in motion pictures Motion pictures - United States |
| Soggetto non controllato |
african american films
african american religion african american religious practices american citizenship american film culture american film history american identity censorship records cinema cultural studies film history film studies film history hollywood studios hollywood independent filmmakers moral landscape movie history movie studies movies race films race in america racial authenticity religion and film religious sound film studio production films wartime |
| ISBN |
1-282-36023-X
9786612360237 0-520-94066-0 |
| Classificazione | AP 59783 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Introduction -- 1. "'Taint What You Was, It's What You Is Today": Hallelujah and the Politics of Racial Authenticity -- 2. "'De Lawd' a Natchel Man": The Green Pastures in the American Cultural Imagination -- 3. "A Mighty Epic of Modern Morals": Black-Audience Religious Films -- 4. "Saturday Sinners and Sunday Saints": Urban Commercial Culture and the Reconstruction of Black Religious Leadership -- 5. "A Long, Long Way": Religion and African American Wartime Morale -- 6. "Why Didn't They Tell Me I'm a Negro?": Lost Boundaries and the Moral Landscape of Race -- Conclusion -- Filmography -- Notes -- Select Bibliography -- Index |
| Record Nr. | UNINA-9910780637503321 |
|
Weisenfeld Judith
|
||
| Berkeley, : University of California Press, c2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Hollywood be thy name : African American religion in American film, 1929-1949 / / Judith Weisenfeld
| Hollywood be thy name : African American religion in American film, 1929-1949 / / Judith Weisenfeld |
| Autore | Weisenfeld Judith |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2007 |
| Descrizione fisica | 1 online resource (357 p.) |
| Disciplina | 791.43/652996073 |
| Collana | A George Gund Foundation book in African American studies |
| Soggetto topico |
African Americans in motion pictures
Religion in motion pictures Motion pictures - United States |
| Soggetto non controllato |
african american films
african american religion african american religious practices american citizenship american film culture american film history american identity censorship records cinema cultural studies film history film studies film history hollywood studios hollywood independent filmmakers moral landscape movie history movie studies movies race films race in america racial authenticity religion and film religious sound film studio production films wartime |
| ISBN |
1-282-36023-X
9786612360237 0-520-94066-0 |
| Classificazione | AP 59783 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Introduction -- 1. "'Taint What You Was, It's What You Is Today": Hallelujah and the Politics of Racial Authenticity -- 2. "'De Lawd' a Natchel Man": The Green Pastures in the American Cultural Imagination -- 3. "A Mighty Epic of Modern Morals": Black-Audience Religious Films -- 4. "Saturday Sinners and Sunday Saints": Urban Commercial Culture and the Reconstruction of Black Religious Leadership -- 5. "A Long, Long Way": Religion and African American Wartime Morale -- 6. "Why Didn't They Tell Me I'm a Negro?": Lost Boundaries and the Moral Landscape of Race -- Conclusion -- Filmography -- Notes -- Select Bibliography -- Index |
| Record Nr. | UNINA-9910819661203321 |
|
Weisenfeld Judith
|
||
| Berkeley, : University of California Press, c2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||