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Almost Hollywood, Nearly New Orleans : The Lure of the Local Film Economy / / Vicki Mayer
| Almost Hollywood, Nearly New Orleans : The Lure of the Local Film Economy / / Vicki Mayer |
| Autore | Mayer Vicki <1971-> |
| Pubbl/distr/stampa | Oakland, California : , : University of California Press, , [2017] |
| Descrizione fisica | 1 online resource (xi, 147 pages) : illustrations (some colour); digital, PDF file(s) |
| Disciplina | 791.4309763/35 |
| Soggetto topico | Motion picture industry - Louisiana - New Orleans |
| Soggetto non controllato |
academic
american south career cinema studies economy film crew film economy film studies film filming hollywood south hollywood local film los angeles making money making movies media money movie star movies multimedia new orleans press coverage regional film economies regional film saving money scholarly southern california television |
| ISBN | 0-520-96717-8 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Prologue : I'm just a film tax credit -- Introduction : presenting Hollywood South -- The making of regional film economies : why La. is not L.A. -- Hollywood South : structural to visceral reorganizations of space -- The place of Treme in the film economy : love and labor for Hollywood South -- (Almost a) conclusion -- Appendix : a guide to decoding film economy claims and press coverage. |
| Record Nr. | UNISA-996333148203316 |
Mayer Vicki <1971->
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| Oakland, California : , : University of California Press, , [2017] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Almost Hollywood, Nearly New Orleans : The Lure of the Local Film Economy / / Vicki Mayer
| Almost Hollywood, Nearly New Orleans : The Lure of the Local Film Economy / / Vicki Mayer |
| Autore | Mayer Vicki <1971-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Oakland, California : , : University of California Press, , [2017] |
| Descrizione fisica | 1 online resource (xi, 147 pages) : illustrations (some colour); digital, PDF file(s) |
| Disciplina | 791.4309763/35 |
| Soggetto topico | Motion picture industry - Louisiana - New Orleans |
| Soggetto non controllato |
academic
american south career cinema studies economy film crew film economy film studies film filming hollywood south hollywood local film los angeles making money making movies media money movie star movies multimedia new orleans press coverage regional film economies regional film saving money scholarly southern california television |
| ISBN | 0-520-96717-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Prologue : I'm just a film tax credit -- Introduction : presenting Hollywood South -- The making of regional film economies : why La. is not L.A. -- Hollywood South : structural to visceral reorganizations of space -- The place of Treme in the film economy : love and labor for Hollywood South -- (Almost a) conclusion -- Appendix : a guide to decoding film economy claims and press coverage. |
| Record Nr. | UNINA-9910166649003321 |
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Mayer Vicki <1971->
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| Oakland, California : , : University of California Press, , [2017] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Beyond the multiplex [[electronic resource] ] : cinema, new technologies, and the home / / Barbara Klinger
| Beyond the multiplex [[electronic resource] ] : cinema, new technologies, and the home / / Barbara Klinger |
| Autore | Klinger Barbara <1951-> |
| Edizione | [Reprint 2019] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2006 |
| Descrizione fisica | 1 online resource (323 p.) |
| Disciplina | 302.23/45 |
| Soggetto topico |
Home theaters
Motion pictures and television Television - Social aspects Television - Technological innovations |
| Soggetto non controllato |
america
cable television cinema aesthetics cinema historians cinemaphiles contemporary film cultural analysis dvd entertainment media entertainment technology ethnography film industry film parodies film reception film studies hollywood home theaters home viewers ideological perspective internet films internet media media studies movie theaters movies and culture nonfiction post theatrical venues social presence theoretical us households vhs |
| ISBN |
1-4237-5548-0
0-520-93907-7 1-59875-918-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | The new media aristocrats -- The contemporary cinephile -- Remembrance of films past -- Once is not enough -- To infinity and beyond. |
| Record Nr. | UNINA-9910783669703321 |
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Klinger Barbara <1951->
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| Berkeley, : University of California Press, c2006 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Beyond the multiplex : cinema, new technologies, and the home / / Barbara Klinger
| Beyond the multiplex : cinema, new technologies, and the home / / Barbara Klinger |
| Autore | Klinger Barbara <1951-> |
| Edizione | [Reprint 2019] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2006 |
| Descrizione fisica | 1 online resource (323 p.) |
| Disciplina | 302.23/45 |
| Soggetto topico |
Home theaters
Motion pictures and television Television - Social aspects Television - Technological innovations |
| Soggetto non controllato |
america
cable television cinema aesthetics cinema historians cinemaphiles contemporary film cultural analysis dvd entertainment media entertainment technology ethnography film industry film parodies film reception film studies hollywood home theaters home viewers ideological perspective internet films internet media media studies movie theaters movies and culture nonfiction post theatrical venues social presence theoretical us households vhs |
| ISBN |
1-4237-5548-0
0-520-93907-7 1-59875-918-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | The new media aristocrats -- The contemporary cinephile -- Remembrance of films past -- Once is not enough -- To infinity and beyond. |
| Record Nr. | UNINA-9910825232803321 |
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Klinger Barbara <1951->
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| Berkeley, : University of California Press, c2006 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Cinema and fascism [[electronic resource] ] : Italian film and society, 1922-1943 / / Steven Ricci
| Cinema and fascism [[electronic resource] ] : Italian film and society, 1922-1943 / / Steven Ricci |
| Autore | Ricci Steven |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2008 |
| Descrizione fisica | 1 online resource (249 p.) |
| Disciplina | 791.43/094509041 |
| Soggetto topico |
Motion pictures - Italy - History
Fascism and motion pictures - Italy - History Motion pictures - Social aspects - Italy |
| Soggetto non controllato |
anti fascism
class differences cultural studies fascism fascist era fascist sports film history film industry film studies historical memory historiography hollywood ideology industrialization interwar years italian cinema italian fascist regime italian film history italian film italian filmmaking italy leisure time movie studies mussolini national body national identity neorealism political politics propaganda readership regional differences spectatorship totalitarian government |
| ISBN |
1-282-77230-9
9786612772306 0-520-94128-4 |
| Classificazione | 24.32 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Illustrations -- Preface -- Introduction -- 1. Amnesia and Historical Memory -- 2. The Political Economy of Italian Cinema, 1922-1943 -- 3. Leisure Time, Historiography, and Spectatorship -- 4. Italy and America: Fascination and (Re)Negotiation -- 5. The Fascist Codex -- Notes -- Selected Bibliography -- Index |
| Record Nr. | UNINA-9910789000603321 |
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Ricci Steven
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| Berkeley, : University of California Press, c2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Closely watched films : an introduction to the art of narrative film technique / / Marilyn Fabe
| Closely watched films : an introduction to the art of narrative film technique / / Marilyn Fabe |
| Autore | Fabe Marilyn |
| Pubbl/distr/stampa | Oakland, California : , : University of California Press, , 2004 |
| Descrizione fisica | 1 online resource (313 p.) |
| Disciplina | 791.43/015 |
| Soggetto topico |
Motion pictures - Evaluation
Motion pictures - Aesthetics Motion pictures |
| Soggetto non controllato |
analytical tools
auteur theory avatar classic films classical hollywood film classical sound theory digital media expressionism in film feminist film theory feminist theory film history film medium film scholarship film studies film theory film french new wave film hollywood italian neorealism modern sound theory modernism in film narrative film political cinema postmodernism in film realism in film shot by shot analysis soviet montage special effects the birth of a nation visual narratives |
| ISBN | 0-520-95901-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- 1. The Beginnings of Film Narrative: D.W. Griffith's The Birth of a Nation -- 2 The Art of Montage: Sergei Eisenstein's The Battleship Potemkin -- 3. Expressionism and Realism in Film Form: F.W. Murnau's The Last Laugh and Charles Chaplin's The Adventurer -- 4. The Conversion to Sound and the Classical Hollywood Film: Howard Hawks's His Girl Friday -- 5. Expressive Realism: Orson Welles's Citizen Kane -- 6. Italian Neorealism: Vittorio De Sica's The Bicycle Thief -- 7. Auteur Theory and the French New Wave: François Truffaut's The 400 Blows -- 8. Hollywood Auteur: Alfred Hitchcock's Notorious -- 9. The European Art Film: Federico Fellini's 8 1/2 -- 10. Film and Postmodernism: Woody Allen's Annie Hall -- 11. Political Cinema: Spike Lee's Do the Right Thing -- 12. Feminism and Film Form: Patricia Rozema's I've Heard the Mermaids Singing -- 13. Digital Video and New Forms of Narrative: Mike Figgis's Timecode and James Cameron's Avatar -- Notes -- Glossary -- Bibliography -- Index |
| Record Nr. | UNINA-9910787197203321 |
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Fabe Marilyn
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| Oakland, California : , : University of California Press, , 2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Closely watched films : an introduction to the art of narrative film technique / / Marilyn Fabe
| Closely watched films : an introduction to the art of narrative film technique / / Marilyn Fabe |
| Autore | Fabe Marilyn |
| Pubbl/distr/stampa | Oakland, California : , : University of California Press, , 2004 |
| Descrizione fisica | 1 online resource (313 p.) |
| Disciplina | 791.43/015 |
| Soggetto topico |
Motion pictures - Evaluation
Motion pictures - Aesthetics Motion pictures |
| Soggetto non controllato |
analytical tools
auteur theory avatar classic films classical hollywood film classical sound theory digital media expressionism in film feminist film theory feminist theory film history film medium film scholarship film studies film theory film french new wave film hollywood italian neorealism modern sound theory modernism in film narrative film political cinema postmodernism in film realism in film shot by shot analysis soviet montage special effects the birth of a nation visual narratives |
| ISBN | 0-520-95901-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- 1. The Beginnings of Film Narrative: D.W. Griffith's The Birth of a Nation -- 2 The Art of Montage: Sergei Eisenstein's The Battleship Potemkin -- 3. Expressionism and Realism in Film Form: F.W. Murnau's The Last Laugh and Charles Chaplin's The Adventurer -- 4. The Conversion to Sound and the Classical Hollywood Film: Howard Hawks's His Girl Friday -- 5. Expressive Realism: Orson Welles's Citizen Kane -- 6. Italian Neorealism: Vittorio De Sica's The Bicycle Thief -- 7. Auteur Theory and the French New Wave: François Truffaut's The 400 Blows -- 8. Hollywood Auteur: Alfred Hitchcock's Notorious -- 9. The European Art Film: Federico Fellini's 8 1/2 -- 10. Film and Postmodernism: Woody Allen's Annie Hall -- 11. Political Cinema: Spike Lee's Do the Right Thing -- 12. Feminism and Film Form: Patricia Rozema's I've Heard the Mermaids Singing -- 13. Digital Video and New Forms of Narrative: Mike Figgis's Timecode and James Cameron's Avatar -- Notes -- Glossary -- Bibliography -- Index |
| Record Nr. | UNINA-9910820139803321 |
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Fabe Marilyn
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| Oakland, California : , : University of California Press, , 2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The decline of sentiment [[electronic resource] ] : American film in the 1920s / / Lea Jacobs
| The decline of sentiment [[electronic resource] ] : American film in the 1920s / / Lea Jacobs |
| Autore | Jacobs Lea |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2008 |
| Descrizione fisica | 1 online resource (373 p.) |
| Disciplina | 791.43/75 |
| Soggetto topico |
Motion pictures - United States - History
Silent films - United States - History and criticism Melodrama in motion pictures |
| Soggetto non controllato |
20th century american film
american cinema american film charlie chaplin comedy erich von stroheim ernst lubitsch film genres film history film studies film style film filmmakers history hollywood jazz age literary naturalism male adventure story modernization of classical hollywood monta bell movie history movie studies movies narrative form romantic drama seduction plot sentimental art sentimental films sophisticated film trade papers |
| ISBN |
1-282-36050-7
9786612360503 0-520-94153-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Preface -- 1. Toward a History of Taste -- 2. Hollywood Naturalism -- 3. Sophisticated Comedy -- 4. The Male Adventure Story -- 5. The Seduction Plot -- 6. The Romantic Drama -- Afterword -- Notes -- Bibliography -- Filmography -- Index |
| Record Nr. | UNINA-9910777955103321 |
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Jacobs Lea
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| Berkeley, : University of California Press, c2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Discovering Orson Welles [[electronic resource] /] / Jonathan Rosenbaum
| Discovering Orson Welles [[electronic resource] /] / Jonathan Rosenbaum |
| Autore | Rosenbaum Jonathan |
| Pubbl/distr/stampa | Berkeley, Calif. ; ; London, : University of California Press, c2007 |
| Descrizione fisica | 1 online resource (348 p.) |
| Disciplina | 791.430233092 |
| Soggetto topico |
Motion pictures
Motion pictures - Analysis, appreciation |
| Soggetto non controllato |
american director
biographical career chimes at midnight cinema creative control creative process don quixote f for fake film criticism film director film studies films heart of darkness hollywood innovation movie studies movies orson welles othello personal interviews raising kane studio memo the big brass ring the cradle will rock the ultimate auteur touch of evil unfinished films unfinished work welles canon |
| ISBN |
9786612360244
1-282-36024-8 0-520-94071-7 1-4294-7183-2 1-4337-0966-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction -- 1.I Missed It at the Movies: Objections to "Raising kane" -- 2.The Voice and the Eye: A Commentary on the heart of darkness Script -- 3.Notes on a Conversation with Welles -- 4.First Impressions of f for fake -- 5.The Butterfly and the Whale: Orson Welles's f for fake -- 6.Prime Cut (The 107-Minute touch of evil) -- 7.André Bazin and the Politics of Sound in touch of evil -- 8.The Invisible Orson Welles: A First Inventory -- 9.Reviews of Biographies by Barbara Leaming and Charles Higham and a Critical Edition of touch of evil -- 10.Afterword to the big brass ring, a Screenplay by Orson Welles (with Oja Kodar) -- 11.Wellesian: Quixote in a Trashcan (New York University Welles Conference) -- 12.Reviews of Citizen Welles and a Critical Edition of chimes at midnight -- 13.Review of Orson Welles: A Bio-Bibliography -- 14.Orson Welles's Essay Films and Documentary Fictions: A Two-Part Speculation -- 15.The Seven Arkadins -- 16. Othello Goes Hollywood -- 17.Truth and Consequence: On it's all true: based on an unfinished film by Orson Welles -- 18.Afterword to the cradle will rock, an Original Screenplay by Orson Welles -- 19. Orson Welles in the U.S.: An Exchange with Bill Krohn -- 20.The Battle over Orson Welles -- 21. Touch of Evil Retouched -- 22.Excerpt from "Problems of Access: On the Trail of Some Festival Films and Filmmakers" (On touch of evil) -- 23.Welles in the Lime Light: The Third Man -- 24.Orson Welles as Ideological Challenge -- 25.Orson Welles's Purloined Letter: F for Fake -- 26.When Will-and How Can-We Finish Orson Welles's Don Quixote? -- Appendix: The Present State of the Welles Film Legacy -- Index |
| Record Nr. | UNINA-9910784421003321 |
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Rosenbaum Jonathan
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| Berkeley, Calif. ; ; London, : University of California Press, c2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Distribution revolution : conversations about the digital future of film and television / / edited by Michael Curtin, Jennifer Holt, and Kevin Sanson ; foreword by Kurt Sutter
| Distribution revolution : conversations about the digital future of film and television / / edited by Michael Curtin, Jennifer Holt, and Kevin Sanson ; foreword by Kurt Sutter |
| Pubbl/distr/stampa | Oakland, California : , : University of California Press, , 2014 |
| Descrizione fisica | 1 online resource (273 p.) |
| Disciplina | 384/.84 |
| Soggetto topico |
Motion pictures - Marketing
Motion pictures - Distribution Television programs - Marketing Television broadcasting Digital media - Influence Chief executive officers - United States |
| Soggetto non controllato |
20th century fox
audience behaviors business content creation content distribution creative development creative talent digital delivery systems digital era direct marketing entertainment business entertainment industry film and television film professionals hollywood movie industry netflix online streaming revenue streams silicon valley streaming services studio executives technology television professionals walt disney studios warner bros entertainment |
| ISBN | 0-520-95908-6 |
| Classificazione | PER004030PER010030PER004000 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Foreword -- Acknowledgments -- Introduction: Making of a Revolution -- Editors' Introduction -- Gary Newman, Chairman, 20th Century Fox Television -- Richard Berger, Senior Vice President, Global Digital Strategy and Operations, Sony Pictures Home Entertainment -- Kelly Summers, Former Vice President, Global Business Development and New Media Strategy, The Walt Disney Company -- Thomas Gewecke, Chief Digital Officer and Executive Vice President, Strategy and Business Development, Warner Bros. Entertainment -- Mitch Singer, Chief Digital Strategy Officer, Sony Pictures Entertainment -- Editors' Introduction -- Gail Berman, Founding Partner, Berman Braun -- Jordan Levin, President, Alloy Digital, and Chief Executive Officer, Generate -- Betsy Scolnik, Found er, Scolnik Enterprises -- Christian Mann, General Manager, Evil Angel Productions -- Ted Sarandos, Chief Content Officer, Netflix -- Anders Sjöman, Vice President, Communication, Voddler -- Editors' Introduction -- Scott Frank, Screenwriter- Director -- Paris Barclay, Director- Producer -- Felicia D. Henderson, Writer- Producer -- Stanton "Larry" Stein, Partner, Liner Law -- Patric Verrone, Writer- Producer and Former President, Writers Guild of America, West -- Dick Wolf, Executive Producer and Creator, Law & Order -- Appendix -- Glossary -- About the Editors -- Index |
| Record Nr. | UNINA-9910786691603321 |
| Oakland, California : , : University of California Press, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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