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American ethnographic film and personal documentary [[electronic resource] ] : the Cambridge turn / / Scott MacDonald
| American ethnographic film and personal documentary [[electronic resource] ] : the Cambridge turn / / Scott MacDonald |
| Autore | MacDonald Scott <1942-> |
| Pubbl/distr/stampa | Berkeley, : University of California Press, 2013 |
| Descrizione fisica | 1 online resource (425 p.) |
| Disciplina | 070.1/8 |
| Soggetto topico |
Documentary films - United States - History and criticism
Ethnographic films - United States - History and criticism |
| Soggetto non controllato |
accomplished filmmakers
boston cambridge carpenter center cosmopolitan approach documentary movies ed pincus ethnography film and television film study center groundbreaking films history of film history influential filmmakers john marshall michel negroponte miriam weinstein mit film section nina davenport performing arts personal documentary professional relationships robb moss robert gardner timothy asch visual and environmental studies department at harvard |
| ISBN | 0-520-95493-9 |
| Classificazione | PER004000 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Introduction -- 1. Lorna and John Marshall -- 2. Robert Gardner -- 3. Timothy Asch -- 4. Ed Pincus and the Emergence of Personal Documentary -- 5. Alfred Guzzetti and Personal Cinema -- 6. Ross McElwee -- 7. Robb Moss -- 8. Panorama: Other Approaches to Personal Documentary -- 9. Lucien Castaing-Taylor and Sensory Ethnography -- Epilogue -- Appendix: Sources for Films -- Notes -- Index |
| Record Nr. | UNINA-9910792022803321 |
MacDonald Scott <1942->
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| Berkeley, : University of California Press, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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American ethnographic film and personal documentary [[electronic resource] ] : the Cambridge turn / / Scott MacDonald
| American ethnographic film and personal documentary [[electronic resource] ] : the Cambridge turn / / Scott MacDonald |
| Autore | MacDonald Scott <1942-> |
| Pubbl/distr/stampa | Berkeley, : University of California Press, 2013 |
| Descrizione fisica | 1 online resource (425 p.) |
| Disciplina | 070.1/8 |
| Soggetto topico |
Documentary films - United States - History and criticism
Ethnographic films - United States - History and criticism |
| Soggetto non controllato |
accomplished filmmakers
boston cambridge carpenter center cosmopolitan approach documentary movies ed pincus ethnography film and television film study center groundbreaking films history of film history influential filmmakers john marshall michel negroponte miriam weinstein mit film section nina davenport performing arts personal documentary professional relationships robb moss robert gardner timothy asch visual and environmental studies department at harvard |
| ISBN | 0-520-95493-9 |
| Classificazione | PER004000 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Introduction -- 1. Lorna and John Marshall -- 2. Robert Gardner -- 3. Timothy Asch -- 4. Ed Pincus and the Emergence of Personal Documentary -- 5. Alfred Guzzetti and Personal Cinema -- 6. Ross McElwee -- 7. Robb Moss -- 8. Panorama: Other Approaches to Personal Documentary -- 9. Lucien Castaing-Taylor and Sensory Ethnography -- Epilogue -- Appendix: Sources for Films -- Notes -- Index |
| Record Nr. | UNINA-9910814002103321 |
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MacDonald Scott <1942->
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| Berkeley, : University of California Press, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Continuity and crisis in German cinema, 1928-1936 / / edited by Barbara Hales, Mihaela Petrescu, and Valerie Weinstein [[electronic resource]]
| Continuity and crisis in German cinema, 1928-1936 / / edited by Barbara Hales, Mihaela Petrescu, and Valerie Weinstein [[electronic resource]] |
| Pubbl/distr/stampa | Rochester, New York : , : Camden House, , 2016 |
| Descrizione fisica | 1 online resource (vi, 333 pages) : digital, PDF file(s) |
| Disciplina | 791.430943 |
| Collana | Screen cultures: German film and the visual |
| Soggetto topico |
Motion pictures - Germany - History - 20th century
Motion pictures - Political aspects - Germany - History - 20th century Motion pictures - Social aspects - Germany - History - 20th century |
| Soggetto non controllato |
European history
German cinema Hitler Nazism World War II anthropology film scholarship film studies history of film media studies sociology twentieth century Germany |
| ISBN | 1-78204-843-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- Part I. Politics -- 1: “Timid Heresies”: Werner Hochbaum’s Razzia in St. Pauli (1932) -- 2: Film as Pedagogy in Late Weimar and Early Nazi Cinema: The Role of the Street in Mobilizing the Spectator -- Part II. The Economy -- 3: “A Fairy Tale for Grown-ups”: Financial and Cinematic Crises in Die Koffer des Herrn O.F. (1931) -- 4: “Denn Gold ist Glück und Fluch dieser Welt”: Examining the Trope of “Gold” in Gold (1934) and Der Kaiser von Kalifornien (1936) -- Part III. Concepts of Race and Ethnicity -- 5: Degenerate Disease and the Doctors of Death: Racial Hygiene Film as Propaganda in Weimar and Early Nazi Germany -- 6: “White Jews” and Dark Continents: Capitalist Critique and Its Racial Undercurrents in Detlef Sierck’s April! April! (1935) -- Part IV. Genre Cinema -- 7: The Zigeunerdrama Reloaded: Leni Riefenstahl’s Fantasy Gypsies and Sacrificial Others -- 8: Regaining Mobility: The Aviator in Weimar Mountain Films -- Part V. Making Cinema Stars -- 9: Brigitte Helm and Germany’s Star System in the 1920s and 1930s -- 10: Foreign Attractions: Czech Stars and Ethnic Masquerade -- Part VI. Film Technologies -- 11: Objects in Motion: Hans Richter’s Vormittagsspuk (1928) and the Crisis of Avant-Garde Film -- 12: Seeing Crisis in Harry Piel’s Ein Unsichtbarer geht durch die Stadt (1933) -- Part VII. German-International Film Relations -- 13: Playing the European Market: Marcel L’Herbier’s L’Argent (1928), Ufa, and German-French Film Relations -- 14: A Serious Man? Ernst Lubitsch’s Antiwar Film The Man I Killed (aka Broken Lullaby, USA 1932) -- Selected Bibliography -- Notes on the Contributors -- Index |
| Record Nr. | UNINA-9910149431903321 |
| Rochester, New York : , : Camden House, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Great Directors at Work : Stanislavsky, Brecht, Kazan, Brook / / David Richard Jones
| Great Directors at Work : Stanislavsky, Brecht, Kazan, Brook / / David Richard Jones |
| Autore | Jones David Richard |
| Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [1986] |
| Descrizione fisica | 1 online resource (300 p.) |
| Disciplina |
792.023
792.02330722 792/.0233/0922 |
| Soggetto topico |
Brecht, Bertolt, 1898-1956 -- Knowledge -- Performing arts
Brecht, Bertolt, 1898-1956 Brook, Peter Chaika Chekhov, Anton Pavlovich, 1860-1904 Kazan, Elia Mutter Courage und ihre Kinder Stanislavsky, Konstantin, 1863-1938 Streetcar named Desire Theater - Production and direction Theater -- Production and direction Theatrical producers and directors - Biography Theatrical producers and directors -- Biography Verfolgung und Ermordung Jean Paul Marats Weiss, Peter, 1916-1982 Williams, Tennessee, 1911-1983 |
| Soggetto non controllato |
20th century
anton chekhov auteur bertolt brecht cinema history cinema studies contemporary film contemporary theatre culture directing plays directing director drama elia kazan famous directors film history film making filmmaking history of cinema history of film history of theatre konstantin stanislavsky modern film modern plays modern theatre mother courage peter brook plays playwright stage director stage productions stage streetcar named desire theatre directing theatre theatrical |
| ISBN |
1-282-35535-X
9786612355356 0-520-90857-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. Konstantin Stanislavsky and The Seagull: The Paper Stage -- 2. Bertolt Brecht and Couragemodell 1949: Meaning in Detail -- 3. Elia Kazan and A Streetcar Named Desire: A Director at Work -- 4. Peter Brook and Marat/Sade: Workshop and Production -- Notes -- Index |
| Record Nr. | UNINA-9910777946903321 |
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Jones David Richard
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| Berkeley, CA : , : University of California Press, , [1986] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Great Directors at Work : Stanislavsky, Brecht, Kazan, Brook / / David Richard Jones
| Great Directors at Work : Stanislavsky, Brecht, Kazan, Brook / / David Richard Jones |
| Autore | Jones David Richard |
| Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [1986] |
| Descrizione fisica | 1 online resource (300 p.) |
| Disciplina |
792.023
792.02330722 792/.0233/0922 |
| Soggetto topico |
Brecht, Bertolt, 1898-1956 -- Knowledge -- Performing arts
Brecht, Bertolt, 1898-1956 Brook, Peter Chaika Chekhov, Anton Pavlovich, 1860-1904 Kazan, Elia Mutter Courage und ihre Kinder Stanislavsky, Konstantin, 1863-1938 Streetcar named Desire Theater - Production and direction Theater -- Production and direction Theatrical producers and directors - Biography Theatrical producers and directors -- Biography Verfolgung und Ermordung Jean Paul Marats Weiss, Peter, 1916-1982 Williams, Tennessee, 1911-1983 |
| Soggetto non controllato |
20th century
anton chekhov auteur bertolt brecht cinema history cinema studies contemporary film contemporary theatre culture directing plays directing director drama elia kazan famous directors film history film making filmmaking history of cinema history of film history of theatre konstantin stanislavsky modern film modern plays modern theatre mother courage peter brook plays playwright stage director stage productions stage streetcar named desire theatre directing theatre theatrical |
| ISBN |
1-282-35535-X
9786612355356 0-520-90857-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. Konstantin Stanislavsky and The Seagull: The Paper Stage -- 2. Bertolt Brecht and Couragemodell 1949: Meaning in Detail -- 3. Elia Kazan and A Streetcar Named Desire: A Director at Work -- 4. Peter Brook and Marat/Sade: Workshop and Production -- Notes -- Index |
| Record Nr. | UNINA-9910822094803321 |
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Jones David Richard
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| Berkeley, CA : , : University of California Press, , [1986] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Hokum! : The Early Sound Slapstick Short and Depression-Era Mass Culture / / Rob King
| Hokum! : The Early Sound Slapstick Short and Depression-Era Mass Culture / / Rob King |
| Autore | King Rob <1975-> |
| Pubbl/distr/stampa | Oakland, California : , : University of California Press, , [2017] |
| Descrizione fisica | 1 online resource (xiii, 253 pages) : illustrations; PDF, digital file(s) |
| Disciplina | 791.43/6170973 |
| Soggetto topico |
Comedy films - United States - History - 20th century
Comedy films - History and criticism |
| Soggetto genere / forma | Electronic books. |
| Soggetto non controllato |
1920 american comedy
20th century comedians 20th century comedy teams cinematography comedy films comedy movies comic movies depression era film early 20th century cinema early sound era early sound slapstick film and tv film industry film studies history of comedy history of film hokum laurel and hardy media studies popular culture robert benchley silent era slapstick slapstick stage slang comedy three stooges |
| ISBN | 0-520-96316-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | "The cuckoo school of humor" : humor and metropolitan culture in 1920s America -- "The stigma of slapstick" : the short-subject industry and its imagined public -- "The spice of the program" : educational pictures and the small-town audience -- "I want music everywhere" : music, operetta, and cultural hierarchy at the Hal Roach Studios -- "From the archives of Keystone memory" : slapstick and re-membrance at Columbia Pictures' short-subjects department -- Coda : when comedy was king. |
| Record Nr. | UNISA-996333147803316 |
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King Rob <1975->
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| Oakland, California : , : University of California Press, , [2017] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Hokum! : The Early Sound Slapstick Short and Depression-Era Mass Culture / / Rob King
| Hokum! : The Early Sound Slapstick Short and Depression-Era Mass Culture / / Rob King |
| Autore | King Rob <1975-> |
| Pubbl/distr/stampa | Oakland, California : , : University of California Press, , [2017] |
| Descrizione fisica | 1 online resource (xiii, 253 pages) : illustrations; PDF, digital file(s) |
| Disciplina | 791.43/6170973 |
| Soggetto topico |
Comedy films - United States - History - 20th century
Comedy films - History and criticism |
| Soggetto genere / forma | Electronic books. |
| Soggetto non controllato |
1920 american comedy
20th century comedians 20th century comedy teams cinematography comedy films comedy movies comic movies depression era film early 20th century cinema early sound era early sound slapstick film and tv film industry film studies history of comedy history of film hokum laurel and hardy media studies popular culture robert benchley silent era slapstick slapstick stage slang comedy three stooges |
| ISBN | 0-520-96316-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | "The cuckoo school of humor" : humor and metropolitan culture in 1920s America -- "The stigma of slapstick" : the short-subject industry and its imagined public -- "The spice of the program" : educational pictures and the small-town audience -- "I want music everywhere" : music, operetta, and cultural hierarchy at the Hal Roach Studios -- "From the archives of Keystone memory" : slapstick and re-membrance at Columbia Pictures' short-subjects department -- Coda : when comedy was king. |
| Record Nr. | UNINA-9910213849403321 |
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King Rob <1975->
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| Oakland, California : , : University of California Press, , [2017] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Music makes me [[electronic resource] ] : Fred Astaire and jazz / / Todd Decker
| Music makes me [[electronic resource] ] : Fred Astaire and jazz / / Todd Decker |
| Autore | Decker Todd R |
| Pubbl/distr/stampa | Berkeley, : University of California Press, 2011 |
| Descrizione fisica | 1 online resource (391 p.) |
| Disciplina | 781.65092 |
| Collana | Roth Family Foundation music in America imprint |
| Soggetto topico |
Jazz musicians - United States
Dancers - United States Motion picture actors and actresses - United States |
| Soggetto non controllato |
1930s movie musicals
20th century dance 20th century film 20th century jazz 20th century musicals 20th century african american musicians american choreographers american film american jazz american music culture american musicians dance easter parade funny face george gershwin history of film history of jazz history of music irving berlin jazz and blues jazz icons jazz musician biographies jerome kern johnny mercer music and dance music and race music legends musicians performing arts top hat |
| ISBN |
1-283-27836-7
0-520-95006-2 9786613278364 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | pt. 1. Astaire among others: "There's a difference and Astaire is it" ; "I am a creator" -- pt. 2. Astaire at the studios: "I play with the very best bands" ; "Tell them to let it swing" ; "Fixing up" tunes -- pt. 3. Astaire in jazz and popular music: "Keep time with the time and with the times" ; "Jazz means the blues" ; "Anything that will send me" ; "You play and I'll dance." |
| Altri titoli varianti | Fred Astaire and jazz |
| Record Nr. | UNINA-9910786708203321 |
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Decker Todd R
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| Berkeley, : University of California Press, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Music makes me : Fred Astaire and jazz / / Todd Decker
| Music makes me : Fred Astaire and jazz / / Todd Decker |
| Autore | Decker Todd R |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, 2011 |
| Descrizione fisica | 1 online resource (391 p.) |
| Disciplina | 781.65092 |
| Collana | Roth Family Foundation music in America imprint |
| Soggetto topico |
Jazz musicians - United States
Dancers - United States Motion picture actors and actresses - United States |
| Soggetto non controllato |
1930s movie musicals
20th century dance 20th century film 20th century jazz 20th century musicals 20th century african american musicians american choreographers american film american jazz american music culture american musicians dance easter parade funny face george gershwin history of film history of jazz history of music irving berlin jazz and blues jazz icons jazz musician biographies jerome kern johnny mercer music and dance music and race music legends musicians performing arts top hat |
| ISBN |
1-283-27836-7
0-520-95006-2 9786613278364 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | pt. 1. Astaire among others: "There's a difference and Astaire is it" ; "I am a creator" -- pt. 2. Astaire at the studios: "I play with the very best bands" ; "Tell them to let it swing" ; "Fixing up" tunes -- pt. 3. Astaire in jazz and popular music: "Keep time with the time and with the times" ; "Jazz means the blues" ; "Anything that will send me" ; "You play and I'll dance." |
| Altri titoli varianti | Fred Astaire and jazz |
| Record Nr. | UNINA-9910818644403321 |
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Decker Todd R
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| Berkeley, : University of California Press, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Sundance to Sarajevo [[electronic resource] ] : film festivals and the world they made / / Kenneth Turan
| Sundance to Sarajevo [[electronic resource] ] : film festivals and the world they made / / Kenneth Turan |
| Autore | Turan Kenneth |
| Pubbl/distr/stampa | Berkeley, : University of California Press, 2003 |
| Descrizione fisica | 1 online resource (216 p.) |
| Disciplina |
791.43/079
791.43 |
| Soggetto topico |
Film festivals
Performing arts festivals |
| Soggetto non controllato |
academic
actors award winning films cannes cinema studies cinematic cultural studies culture directors film critic film criticism film festival film history film studies history of film influential international land of the midnight sun political sahara desert sarajevo scholarly social studies sociology sub saharan africa sundance |
| ISBN |
1-59734-925-9
1-282-35740-9 0-520-93082-7 9786612357404 |
| Classificazione | AP 42200 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- CONTENTS -- Acknowledgments -- Introduction -- Part One: Festivals with Business Agendas -- Part Two: Festivals with Geopolitical Agendas -- Part Three: Festivals with Aesthetic Agendas -- Part Four: The Politics of Festivals |
| Record Nr. | UNINA-9910783159903321 |
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Turan Kenneth
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| Berkeley, : University of California Press, 2003 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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