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Funny pictures [[electronic resource] ] : animation and comedy in studio-era Hollywood / / edited by Daniel Goldmark and Charlie Keil
| Funny pictures [[electronic resource] ] : animation and comedy in studio-era Hollywood / / edited by Daniel Goldmark and Charlie Keil |
| Pubbl/distr/stampa | Berkeley, Calif., : University of California Press, 2011 |
| Descrizione fisica | 1 online resource (341 p.) |
| Disciplina | 791.43/340973 |
| Altri autori (Persone) |
GoldmarkDaniel
KeilCharlie |
| Soggetto topico |
Animated films - United States - History and criticism
Wit and humor in motion pictures |
| Soggetto non controllato |
20th century animation
20th century cartoons 20th century comedy american animations american entertainment history american entertainment animated comedy animation and comedy animation graphic design animation literature animation studies books for film enthusiasts charlie chaplain classic hollywood film and television film history history of animation history of cinema history of comedy history of motion picture pixar books popular entertainment studio era cartoons the simpsons |
| ISBN |
1-283-27839-1
0-520-95012-7 9786613278395 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | pt. 1. The (filmic) roots of early animation -- pt. 2. Systems and effects : making cartoons funny -- pt. 3. Retheorizing animated comedy -- pt. 4. Comic inspiration : animation auteurs -- pt. 5. Beyond the studio era : building on tradition. |
| Altri titoli varianti | Animation and comedy in studio-era Hollywood |
| Record Nr. | UNINA-9910786707703321 |
| Berkeley, Calif., : University of California Press, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Funny pictures : animation and comedy in studio-era Hollywood / / edited by Daniel Goldmark and Charlie Keil
| Funny pictures : animation and comedy in studio-era Hollywood / / edited by Daniel Goldmark and Charlie Keil |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, Calif., : University of California Press, 2011 |
| Descrizione fisica | 1 online resource (341 p.) |
| Disciplina | 791.43/340973 |
| Altri autori (Persone) |
GoldmarkDaniel
KeilCharlie |
| Soggetto topico |
Animated films - United States - History and criticism
Wit and humor in motion pictures |
| Soggetto non controllato |
20th century animation
20th century cartoons 20th century comedy american animations american entertainment history american entertainment animated comedy animation and comedy animation graphic design animation literature animation studies books for film enthusiasts charlie chaplain classic hollywood film and television film history history of animation history of cinema history of comedy history of motion picture pixar books popular entertainment studio era cartoons the simpsons |
| ISBN |
1-283-27839-1
0-520-95012-7 9786613278395 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | pt. 1. The (filmic) roots of early animation -- pt. 2. Systems and effects : making cartoons funny -- pt. 3. Retheorizing animated comedy -- pt. 4. Comic inspiration : animation auteurs -- pt. 5. Beyond the studio era : building on tradition. |
| Altri titoli varianti | Animation and comedy in studio-era Hollywood |
| Record Nr. | UNINA-9910813178403321 |
| Berkeley, Calif., : University of California Press, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Great Directors at Work : Stanislavsky, Brecht, Kazan, Brook / / David Richard Jones
| Great Directors at Work : Stanislavsky, Brecht, Kazan, Brook / / David Richard Jones |
| Autore | Jones David Richard |
| Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [1986] |
| Descrizione fisica | 1 online resource (300 p.) |
| Disciplina |
792.023
792.02330722 792/.0233/0922 |
| Soggetto topico |
Brecht, Bertolt, 1898-1956 -- Knowledge -- Performing arts
Brecht, Bertolt, 1898-1956 Brook, Peter Chaika Chekhov, Anton Pavlovich, 1860-1904 Kazan, Elia Mutter Courage und ihre Kinder Stanislavsky, Konstantin, 1863-1938 Streetcar named Desire Theater - Production and direction Theater -- Production and direction Theatrical producers and directors - Biography Theatrical producers and directors -- Biography Verfolgung und Ermordung Jean Paul Marats Weiss, Peter, 1916-1982 Williams, Tennessee, 1911-1983 |
| Soggetto non controllato |
20th century
anton chekhov auteur bertolt brecht cinema history cinema studies contemporary film contemporary theatre culture directing plays directing director drama elia kazan famous directors film history film making filmmaking history of cinema history of film history of theatre konstantin stanislavsky modern film modern plays modern theatre mother courage peter brook plays playwright stage director stage productions stage streetcar named desire theatre directing theatre theatrical |
| ISBN |
1-282-35535-X
9786612355356 0-520-90857-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. Konstantin Stanislavsky and The Seagull: The Paper Stage -- 2. Bertolt Brecht and Couragemodell 1949: Meaning in Detail -- 3. Elia Kazan and A Streetcar Named Desire: A Director at Work -- 4. Peter Brook and Marat/Sade: Workshop and Production -- Notes -- Index |
| Record Nr. | UNINA-9910777946903321 |
Jones David Richard
|
||
| Berkeley, CA : , : University of California Press, , [1986] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Great Directors at Work : Stanislavsky, Brecht, Kazan, Brook / / David Richard Jones
| Great Directors at Work : Stanislavsky, Brecht, Kazan, Brook / / David Richard Jones |
| Autore | Jones David Richard |
| Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [1986] |
| Descrizione fisica | 1 online resource (300 p.) |
| Disciplina |
792.023
792.02330722 792/.0233/0922 |
| Soggetto topico |
Brecht, Bertolt, 1898-1956 -- Knowledge -- Performing arts
Brecht, Bertolt, 1898-1956 Brook, Peter Chaika Chekhov, Anton Pavlovich, 1860-1904 Kazan, Elia Mutter Courage und ihre Kinder Stanislavsky, Konstantin, 1863-1938 Streetcar named Desire Theater - Production and direction Theater -- Production and direction Theatrical producers and directors - Biography Theatrical producers and directors -- Biography Verfolgung und Ermordung Jean Paul Marats Weiss, Peter, 1916-1982 Williams, Tennessee, 1911-1983 |
| Soggetto non controllato |
20th century
anton chekhov auteur bertolt brecht cinema history cinema studies contemporary film contemporary theatre culture directing plays directing director drama elia kazan famous directors film history film making filmmaking history of cinema history of film history of theatre konstantin stanislavsky modern film modern plays modern theatre mother courage peter brook plays playwright stage director stage productions stage streetcar named desire theatre directing theatre theatrical |
| ISBN |
1-282-35535-X
9786612355356 0-520-90857-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. Konstantin Stanislavsky and The Seagull: The Paper Stage -- 2. Bertolt Brecht and Couragemodell 1949: Meaning in Detail -- 3. Elia Kazan and A Streetcar Named Desire: A Director at Work -- 4. Peter Brook and Marat/Sade: Workshop and Production -- Notes -- Index |
| Record Nr. | UNINA-9910822094803321 |
|
Jones David Richard
|
||
| Berkeley, CA : , : University of California Press, , [1986] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Hitchcock on Hitchcock . Volume 2 : selected writings and interviews / / edited by Sidney Gottlieb
| Hitchcock on Hitchcock . Volume 2 : selected writings and interviews / / edited by Sidney Gottlieb |
| Autore | Hitchcock Alfred <1899-1980, > |
| Pubbl/distr/stampa | Oakland, California : , : University of California Press, , 2015 |
| Descrizione fisica | 1 online resource (738 p.) |
| Disciplina | 791.430233092 |
| Soggetto topico |
Motion pictures - Production and direction
Motion pictures |
| Soggetto non controllato |
20th century film history
alfred hitchcock art of cinema art artists career cinema collection of interviews dial m for murder directors early fiction english film director english producer film industry film filmmakers filmmaking techniques filmmaking history of cinema hitchcockian influential directors innovative insightful master of suspense movies north by northwest originality psycho pure cinema rear window strangers on a train vertigo |
| ISBN |
0-520-27960-3
0-520-96039-4 |
| Classificazione | HN 4446 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Hitchcock on Hitchcock, Volume 2 -- Front matter -- CONTENTS -- Acknowledgments -- Introduction -- STORIES AND SUSPENSE -- Introduction -- The Henley Telegraph Stories -- Good-night, Nurse! (c. 1922-23) -- Hitchcock on Stories (1937) -- Lights! Action!-but Mostly Camera! (1941) -- Hitchcock, Master Maker of Mystery (1941) -- Introduction to Intrigue: Four Great Spy Novels of Eric Ambler (1943) -- The Quality of Suspense (1945) -- The Film Thriller (1946) -- Death in the Crystal Ball (1950) -- The Wise Man of Kumin (1951) -- The Chloroform Clue: My Favorite True Mystery (1953) -- "It's the Manner of Telling": An Interview with Alfred Hitchcock (1976) -- PURE CINEMA AND THE HITCHCOCK TOUCH -- Introduction -- Titles-Artistic and Otherwise (1921) -- How a Talking Film Is Made (1929) -- Why I Make Melodramas (1937) -- Some Thoughts on Color (1937) -- The "Hitch" Touch (1946) -- Encounter with Alfred Hitchcock (1956) -- Alfred Hitchcock Murders a Blonde (1958) -- My Favorite Film Character Is-ME! (1959) -- A Lesson in PSYCHO-logy (1960) -- Rear Window (1968) -- ON DIRECTORS AND DIRECTING -- Introduction -- An Autocrat of the Film Studio (1928) -- A New "Chair" Which a Woman Might Fill (1929) -- A Columbus of the Screen (1931) -- Britain Must Be Great (1932) -- The Man Who Knew Too Much (1956) -- Hitchcock on Truffaut (1962) -- Declaration of Alfred Hitchcock (1967) -- Interview with Alfred Hitchcock (1973) -- HITCHCOCK AT WORK -- Introduction -- Making Murder! (1930) -- Hitchcock's Notes on Stage Fright (c. 1950) -- Interview with Alfred Hitchcock (1955) -- Alfred Hitchcock Brings His Directing Techniques to the Medium of Television (1955) -- Hitch: I Wish I Didn't Have to Shoot the Picture (1966) -- HITCHCOCK SPEAKS -- Introduction -- Hitchcock Speaking (1956) -- Women (1959) -- Alfred Hitchcock Resents (1962) -- The Chairman of the Board (1964) -- John Player Lecture (1967) -- Interview: Alfred Hitchcock (1978) -- Selected Bibliography -- Acknowledgments of Permissions -- Index |
| Record Nr. | UNINA-9910787298803321 |
|
Hitchcock Alfred <1899-1980, >
|
||
| Oakland, California : , : University of California Press, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Hitchcock on Hitchcock . Volume 2 : selected writings and interviews / / edited by Sidney Gottlieb
| Hitchcock on Hitchcock . Volume 2 : selected writings and interviews / / edited by Sidney Gottlieb |
| Autore | Hitchcock Alfred <1899-1980, > |
| Pubbl/distr/stampa | Oakland, California : , : University of California Press, , 2015 |
| Descrizione fisica | 1 online resource (738 p.) |
| Disciplina | 791.430233092 |
| Soggetto topico |
Motion pictures - Production and direction
Motion pictures |
| Soggetto non controllato |
20th century film history
alfred hitchcock art of cinema art artists career cinema collection of interviews dial m for murder directors early fiction english film director english producer film industry film filmmakers filmmaking techniques filmmaking history of cinema hitchcockian influential directors innovative insightful master of suspense movies north by northwest originality psycho pure cinema rear window strangers on a train vertigo |
| ISBN |
0-520-27960-3
0-520-96039-4 |
| Classificazione | HN 4446 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Hitchcock on Hitchcock, Volume 2 -- Front matter -- CONTENTS -- Acknowledgments -- Introduction -- STORIES AND SUSPENSE -- Introduction -- The Henley Telegraph Stories -- Good-night, Nurse! (c. 1922-23) -- Hitchcock on Stories (1937) -- Lights! Action!-but Mostly Camera! (1941) -- Hitchcock, Master Maker of Mystery (1941) -- Introduction to Intrigue: Four Great Spy Novels of Eric Ambler (1943) -- The Quality of Suspense (1945) -- The Film Thriller (1946) -- Death in the Crystal Ball (1950) -- The Wise Man of Kumin (1951) -- The Chloroform Clue: My Favorite True Mystery (1953) -- "It's the Manner of Telling": An Interview with Alfred Hitchcock (1976) -- PURE CINEMA AND THE HITCHCOCK TOUCH -- Introduction -- Titles-Artistic and Otherwise (1921) -- How a Talking Film Is Made (1929) -- Why I Make Melodramas (1937) -- Some Thoughts on Color (1937) -- The "Hitch" Touch (1946) -- Encounter with Alfred Hitchcock (1956) -- Alfred Hitchcock Murders a Blonde (1958) -- My Favorite Film Character Is-ME! (1959) -- A Lesson in PSYCHO-logy (1960) -- Rear Window (1968) -- ON DIRECTORS AND DIRECTING -- Introduction -- An Autocrat of the Film Studio (1928) -- A New "Chair" Which a Woman Might Fill (1929) -- A Columbus of the Screen (1931) -- Britain Must Be Great (1932) -- The Man Who Knew Too Much (1956) -- Hitchcock on Truffaut (1962) -- Declaration of Alfred Hitchcock (1967) -- Interview with Alfred Hitchcock (1973) -- HITCHCOCK AT WORK -- Introduction -- Making Murder! (1930) -- Hitchcock's Notes on Stage Fright (c. 1950) -- Interview with Alfred Hitchcock (1955) -- Alfred Hitchcock Brings His Directing Techniques to the Medium of Television (1955) -- Hitch: I Wish I Didn't Have to Shoot the Picture (1966) -- HITCHCOCK SPEAKS -- Introduction -- Hitchcock Speaking (1956) -- Women (1959) -- Alfred Hitchcock Resents (1962) -- The Chairman of the Board (1964) -- John Player Lecture (1967) -- Interview: Alfred Hitchcock (1978) -- Selected Bibliography -- Acknowledgments of Permissions -- Index |
| Record Nr. | UNINA-9910828109703321 |
|
Hitchcock Alfred <1899-1980, >
|
||
| Oakland, California : , : University of California Press, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
An invention without a future : essays on cinema / / James Naremore
| An invention without a future : essays on cinema / / James Naremore |
| Autore | Naremore James |
| Pubbl/distr/stampa | Berkeley : , : University of California Press, , [2014] |
| Descrizione fisica | 1 online resource (369 p.) |
| Disciplina | 791.43 |
| Soggetto topico | Motion pictures |
| Soggetto non controllato |
acting
adaptation alfred hitchcock american cinema andrew sarris authorship cinema in the digital age cinema death of cinema digital age film and television film criticism film filmmaking history of cinema howard hawks humanities james agee john huston jonathan rosenbaum literary studies manny farber mediascape modernism modernity and film movies orson welles postmodernism and film postmodernity print journalism stanley kubrick technology vincente minnelli |
| ISBN |
0-520-27974-3
0-520-95794-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: An invention without a future -- Part 1. Issues -- Authorship, auteurism, and cultural politics -- The reign of adaptation -- Notes on acting in cinema -- Imitation, eccentricity, and impersonation in movie acting -- The death and rebirth of rhetoric -- Part 2. Authors, actors, adaptations -- Hawks, Chandler, Bogart, Bacall: The big sleep -- Uptown folk: blackness and entertainment in Cabin in the sky -- Hitchcock and humor -- Hitchcock at the margins of noir -- Spies and lovers: North by Northwest -- Welles, Hollywood, and Heart of darkness -- Orson Welles and movie acting -- Welles and Kubrick: two forms of exile -- The treasure of the Sierra Madre -- The return of the dead -- Part 3. In defense of criticism -- James Agee -- Manny Farber -- Andrew Sarris -- Jonathan Rosenbaum -- Years as a critic: 2007-2010. |
| Record Nr. | UNINA-9910790843303321 |
|
Naremore James
|
||
| Berkeley : , : University of California Press, , [2014] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
An invention without a future : essays on cinema / / James Naremore
| An invention without a future : essays on cinema / / James Naremore |
| Autore | Naremore James |
| Pubbl/distr/stampa | Berkeley : , : University of California Press, , [2014] |
| Descrizione fisica | 1 online resource (369 p.) |
| Disciplina | 791.43 |
| Soggetto topico | Motion pictures |
| Soggetto non controllato |
acting
adaptation alfred hitchcock american cinema andrew sarris authorship cinema in the digital age cinema death of cinema digital age film and television film criticism film filmmaking history of cinema howard hawks humanities james agee john huston jonathan rosenbaum literary studies manny farber mediascape modernism modernity and film movies orson welles postmodernism and film postmodernity print journalism stanley kubrick technology vincente minnelli |
| ISBN |
0-520-27974-3
0-520-95794-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: An invention without a future -- Part 1. Issues -- Authorship, auteurism, and cultural politics -- The reign of adaptation -- Notes on acting in cinema -- Imitation, eccentricity, and impersonation in movie acting -- The death and rebirth of rhetoric -- Part 2. Authors, actors, adaptations -- Hawks, Chandler, Bogart, Bacall: The big sleep -- Uptown folk: blackness and entertainment in Cabin in the sky -- Hitchcock and humor -- Hitchcock at the margins of noir -- Spies and lovers: North by Northwest -- Welles, Hollywood, and Heart of darkness -- Orson Welles and movie acting -- Welles and Kubrick: two forms of exile -- The treasure of the Sierra Madre -- The return of the dead -- Part 3. In defense of criticism -- James Agee -- Manny Farber -- Andrew Sarris -- Jonathan Rosenbaum -- Years as a critic: 2007-2010. |
| Record Nr. | UNINA-9910819551803321 |
|
Naremore James
|
||
| Berkeley : , : University of California Press, , [2014] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The promise of cinema : German film theory, 1907-1933 / / edited by Anton Kaes, Nicholas Baer, Michael Cowan
| The promise of cinema : German film theory, 1907-1933 / / edited by Anton Kaes, Nicholas Baer, Michael Cowan |
| Pubbl/distr/stampa | Oakland, California : , : University of California Press, , [2016] |
| Descrizione fisica | 1 online resource (701 p.) |
| Disciplina | 791.430943 |
| Collana | Weimar and now: German cultural criticism |
| Soggetto topico |
Motion pictures - Germany - History - 20th century
Film criticism - Germany Motion pictures - History - 20th century Film criticism |
| Soggetto non controllato |
aesthetics and german cinema
bela balazs cinema and film early 20th century german film early 20th century germany early 20th century media film history film scholarship film studies film theory fritz lang fw murnau german cinema german cinematography german film german filmmaking german media german study of film history of cinema history of german film study of german film weimar cinema weimar filmmakers |
| ISBN | 0-520-96243-5 |
| Classificazione | AP 45100 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
The Kientopp (1907) / Hanns Heinz Ewers -- Cinematographic theater (1909) / Max Brod -- On living photography and the film drama (1909) / Gustav Melcher -- A new task for the cinema (1909) / Kurt Weisse -- New terrain for cinematographic theaters (1909) / Anon. -- The career of the cinematograph (1910) / Anon. -- The cinematograph (1911) / Karl Hans Strobl -- On the psychology of the cinematograph (1911) / Ph. Sommer -- Theater and cinematograph (1911) / Hermann Kienzl -- The secret of the cinema (1912) / Adolf Sellmann -- Sports on film (1912) / Arno Arndt -- Thrills in film drama and elsewhere (1912-1913) / Carl Forch -- Cinema (1912-1913) / Lou Andreas-Salome -- The Kintopp as educator: an apology (1913) / Walter Hasenclever -- Cinema and visual pleasure (1913) / Walter Serner -- Illusions and hallucinations during cinematographic projections (1914) / Albert Hellwig -- The cinematograph in the service of ethnology (1907) / Anon. -- The cinematograph as modern newspaper (1913-1914) / O.Th. Stein -- Cinema and geography: introduction (1914) / Hermann Ha The cinema ballad (1913) / Ulrich Rauscher -- Quo vadis, cinema? (1913) / Kurt Pinthus -- The student of Prague (1913) / Anon. -- The call for art (1913) / Hermann Ha The threepenny lawsuit (1931) / Bertolt Brecht -- The banned Kuhle Wampe (1932) / Herbert Jhering -- Film and conviction (1933) / Georg Wilhelm Pabst -- Thoughts toward an aesthetic of the cinema (1911) / Georg Lukacs -- The effects of the film theater (1912) / Alfred A. Baeumler -- A substitute for dreams (1921) / Hugo von Hofmannsthal -- The ethical potential of film (1923) / Kurt Pinthus -- A film (1924) / Siegfried Kracauer -- Film image and prophetic speech (1925) / Siegfried Kracauer -- The public's attitude toward modern German literature (1926) / Adolf Behne -- Revue and film (1928) / Fritz Giese -- Chaplin in retrospect (1928) / Walter Benjamin -- Chaplin in old films (1930) / Siegfried Kracauer -- Kierkegaard prophesies Chaplin (1930) / Theodor W. Adorno -- Mickey Mouse (1931) / Walter Benjamin -- Painting and film (1931) / Ernst Kallai -- Fantasy by the meter (1931) / Rene Fu Cinematography in the service of neurology and psychiatry (1910) / Hans Hennes - The cinematograph in biological and medical science (1911) / Osvaldo Polimanti -- The cultural mission of the cinematograph (1912) / Leonhard Birnbaum -- Cinema in the light of medicine (1913) / Der Kinematograph -- Film advertising (1913) / Julius Pinschewer -- Artistic film program (1920) / Bruno Taut -- Cinematography in the service of the police (1921) / Wilhelm von Ledebur -- Film advertising and advertising films (1921) / Arthur Lassally -- School and film (1924) / Edgar Beyfuss -- Industrial films (1924) / Ulrich Kayser -- Kulturfilm and cinema (1924) / Eugen R. Schlesinger -- The trick film (1927) / Dietrich W. Dreyer -- Film is promotion (1929) / Hans Cu |
| Record Nr. | UNINA-9910798180803321 |
| Oakland, California : , : University of California Press, , [2016] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The promise of cinema : German film theory, 1907-1933 / / edited by Anton Kaes, Nicholas Baer, Michael Cowan
| The promise of cinema : German film theory, 1907-1933 / / edited by Anton Kaes, Nicholas Baer, Michael Cowan |
| Pubbl/distr/stampa | Oakland, California : , : University of California Press, , [2016] |
| Descrizione fisica | 1 online resource (701 p.) |
| Disciplina | 791.430943 |
| Collana | Weimar and now: German cultural criticism |
| Soggetto topico |
Motion pictures - Germany - History - 20th century
Film criticism - Germany Motion pictures - History - 20th century Film criticism |
| Soggetto non controllato |
aesthetics and german cinema
bela balazs cinema and film early 20th century german film early 20th century germany early 20th century media film history film scholarship film studies film theory fritz lang fw murnau german cinema german cinematography german film german filmmaking german media german study of film history of cinema history of german film study of german film weimar cinema weimar filmmakers |
| ISBN | 0-520-96243-5 |
| Classificazione | AP 45100 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
The Kientopp (1907) / Hanns Heinz Ewers -- Cinematographic theater (1909) / Max Brod -- On living photography and the film drama (1909) / Gustav Melcher -- A new task for the cinema (1909) / Kurt Weisse -- New terrain for cinematographic theaters (1909) / Anon. -- The career of the cinematograph (1910) / Anon. -- The cinematograph (1911) / Karl Hans Strobl -- On the psychology of the cinematograph (1911) / Ph. Sommer -- Theater and cinematograph (1911) / Hermann Kienzl -- The secret of the cinema (1912) / Adolf Sellmann -- Sports on film (1912) / Arno Arndt -- Thrills in film drama and elsewhere (1912-1913) / Carl Forch -- Cinema (1912-1913) / Lou Andreas-Salome -- The Kintopp as educator: an apology (1913) / Walter Hasenclever -- Cinema and visual pleasure (1913) / Walter Serner -- Illusions and hallucinations during cinematographic projections (1914) / Albert Hellwig -- The cinematograph in the service of ethnology (1907) / Anon. -- The cinematograph as modern newspaper (1913-1914) / O.Th. Stein -- Cinema and geography: introduction (1914) / Hermann Ha The cinema ballad (1913) / Ulrich Rauscher -- Quo vadis, cinema? (1913) / Kurt Pinthus -- The student of Prague (1913) / Anon. -- The call for art (1913) / Hermann Ha The threepenny lawsuit (1931) / Bertolt Brecht -- The banned Kuhle Wampe (1932) / Herbert Jhering -- Film and conviction (1933) / Georg Wilhelm Pabst -- Thoughts toward an aesthetic of the cinema (1911) / Georg Lukacs -- The effects of the film theater (1912) / Alfred A. Baeumler -- A substitute for dreams (1921) / Hugo von Hofmannsthal -- The ethical potential of film (1923) / Kurt Pinthus -- A film (1924) / Siegfried Kracauer -- Film image and prophetic speech (1925) / Siegfried Kracauer -- The public's attitude toward modern German literature (1926) / Adolf Behne -- Revue and film (1928) / Fritz Giese -- Chaplin in retrospect (1928) / Walter Benjamin -- Chaplin in old films (1930) / Siegfried Kracauer -- Kierkegaard prophesies Chaplin (1930) / Theodor W. Adorno -- Mickey Mouse (1931) / Walter Benjamin -- Painting and film (1931) / Ernst Kallai -- Fantasy by the meter (1931) / Rene Fu Cinematography in the service of neurology and psychiatry (1910) / Hans Hennes - The cinematograph in biological and medical science (1911) / Osvaldo Polimanti -- The cultural mission of the cinematograph (1912) / Leonhard Birnbaum -- Cinema in the light of medicine (1913) / Der Kinematograph -- Film advertising (1913) / Julius Pinschewer -- Artistic film program (1920) / Bruno Taut -- Cinematography in the service of the police (1921) / Wilhelm von Ledebur -- Film advertising and advertising films (1921) / Arthur Lassally -- School and film (1924) / Edgar Beyfuss -- Industrial films (1924) / Ulrich Kayser -- Kulturfilm and cinema (1924) / Eugen R. Schlesinger -- The trick film (1927) / Dietrich W. Dreyer -- Film is promotion (1929) / Hans Cu |
| Record Nr. | UNINA-9910813864503321 |
| Oakland, California : , : University of California Press, , [2016] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
