Medieval music and the art of memory [[electronic resource] /] / Anna Maria Busse Berger |
Autore | Berger Anna Maria Busse |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2005 |
Descrizione fisica | 1 online resource (305 p.) |
Disciplina | 780/.9/02 |
Soggetto topico |
Music - 500-1400 - History and criticism
Music - 15th century - History and criticism Composition (Music) - History Memory |
Soggetto non controllato |
antiphons
art carolingian modes chant composers composition discant harmony improvisation intervals intonations isorhythmic motets literacy medieval history medieval music melismas memorization memory music history music theory music musicology nonfiction note progression notre dame polyphony oral composition oral transmission orality organum performing arts polyphonic music polyphony psalm tones pseudo chilston religious music rhythm tonaries transmission visualization |
ISBN |
9786612357312
0-520-93064-9 1-282-35731-X 1-4237-3134-4 1-59875-803-9 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Prologue : the first great dead white male composer -- The construction of the memorial archive -- Tonaries : a tool for memorizing chant -- Basic theory treatises -- The memorization of organum, discant, and counterpoint treatises -- Compositional process in polyphonic music -- Compositional process and transmission of Notre Dame polyphony -- Visualization and the composition of polyphonic music. |
Record Nr. | UNINA-9910783669903321 |
Berger Anna Maria Busse | ||
Berkeley, : University of California Press, c2005 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Medieval music and the art of memory [[electronic resource] /] / Anna Maria Busse Berger |
Autore | Berger Anna Maria Busse |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2005 |
Descrizione fisica | 1 online resource (305 p.) |
Disciplina | 780/.9/02 |
Soggetto topico |
Music - 500-1400 - History and criticism
Music - 15th century - History and criticism Composition (Music) - History Memory |
Soggetto non controllato |
antiphons
art carolingian modes chant composers composition discant harmony improvisation intervals intonations isorhythmic motets literacy medieval history medieval music melismas memorization memory music history music theory music musicology nonfiction note progression notre dame polyphony oral composition oral transmission orality organum performing arts polyphonic music polyphony psalm tones pseudo chilston religious music rhythm tonaries transmission visualization |
ISBN |
9786612357312
0-520-93064-9 1-282-35731-X 1-4237-3134-4 1-59875-803-9 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Prologue : the first great dead white male composer -- The construction of the memorial archive -- Tonaries : a tool for memorizing chant -- Basic theory treatises -- The memorization of organum, discant, and counterpoint treatises -- Compositional process in polyphonic music -- Compositional process and transmission of Notre Dame polyphony -- Visualization and the composition of polyphonic music. |
Record Nr. | UNINA-9910810054803321 |
Berger Anna Maria Busse | ||
Berkeley, : University of California Press, c2005 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Reconfiguring modernity [[electronic resource] ] : concepts of nature in Japanese political ideology / / Julia Adeney Thomas |
Autore | Thomas Julia Adeney <1958-> |
Pubbl/distr/stampa | Berkeley, Calif., : University of California Press, c2002 |
Descrizione fisica | 1 online resource (257 p.) |
Disciplina | 304.2/0952 |
Collana | Twentieth-century Japan |
Soggetto topico | Nature - Effect of human beings on - Japan |
Soggetto non controllato |
asia
biology colonial empire colonialism competition east asia empire environment environmentalism feudalism harmony industrial revolution japan japanese colonialism japanese history japanese imperialism japanese literature japanese studies liberal democracy meiji history modern japan modernity natural world nature nonfiction physical environment political authority political power politics prewar japan progress social darwinism state power technology tokugawa tradition |
ISBN |
1-282-35638-0
0-520-92684-6 9786612356384 1-59734-854-6 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Preface -- Acknowledgments -- Note on Transliteration -- 1. Introduction: The Trouble with Nature -- 2. The Topographical Imagination of Tokugawa Politics -- 3. Early Meiji's Contentious Natures -- 4. Katō Hiroyuki: Turning Nature into Time -- 5. Baba Tatsui: Natural Laws and Willful Natures -- 6. Ueki Emori: Singing the Body Electric -- 7. The Acculturation of Japanese Nature -- 8. Ultranational Nature: Dead Time and Dead Space -- 9. Conclusion: Natural Freedom -- Index |
Record Nr. | UNINA-9910780378703321 |
Thomas Julia Adeney <1958-> | ||
Berkeley, Calif., : University of California Press, c2002 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Reconfiguring modernity [[electronic resource] ] : concepts of nature in Japanese political ideology / / Julia Adeney Thomas |
Autore | Thomas Julia Adeney <1958-> |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Berkeley, Calif., : University of California Press, c2002 |
Descrizione fisica | 1 online resource (257 p.) |
Disciplina | 304.2/0952 |
Collana | Twentieth-century Japan |
Soggetto topico | Nature - Effect of human beings on - Japan |
Soggetto non controllato |
asia
biology colonial empire colonialism competition east asia empire environment environmentalism feudalism harmony industrial revolution japan japanese colonialism japanese history japanese imperialism japanese literature japanese studies liberal democracy meiji history modern japan modernity natural world nature nonfiction physical environment political authority political power politics prewar japan progress social darwinism state power technology tokugawa tradition |
ISBN |
1-282-35638-0
0-520-92684-6 9786612356384 1-59734-854-6 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Preface -- Acknowledgments -- Note on Transliteration -- 1. Introduction: The Trouble with Nature -- 2. The Topographical Imagination of Tokugawa Politics -- 3. Early Meiji's Contentious Natures -- 4. Katō Hiroyuki: Turning Nature into Time -- 5. Baba Tatsui: Natural Laws and Willful Natures -- 6. Ueki Emori: Singing the Body Electric -- 7. The Acculturation of Japanese Nature -- 8. Ultranational Nature: Dead Time and Dead Space -- 9. Conclusion: Natural Freedom -- Index |
Record Nr. | UNINA-9910808766203321 |
Thomas Julia Adeney <1958-> | ||
Berkeley, Calif., : University of California Press, c2002 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Religion and art : rethinking aesthetic and auratic experiences in 'post-secular' times / / special issue editor, Davor Džalto |
Pubbl/distr/stampa | MDPI - Multidisciplinary Digital Publishing Institute, 2019 |
Descrizione fisica | 1 electronic resource (102 p.) |
Disciplina | 201/.67 |
Soggetto topico |
Art and religion
Postsecularism |
Soggetto non controllato |
aesthetic
harmony beauty Gerhard Richter haptic Cologne Cathedral window secularism iconography Strip aesthetic experience iconology retro-avant-garde photography Augustine concepts: image Franciscan theology faith post-secular intentionality aura theurgy freedom authorship Magdalene contemporary painting mysticism wonder belief sacred art Vermeer chance abstract painting sensory experience skepticism digital imagery reading/readers aesthetics rhythm book(s) culture sentience Jerome ratio |
ISBN | 3-03921-033-5 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Altri titoli varianti | Religion and Art |
Record Nr. | UNINA-9910346683903321 |
MDPI - Multidisciplinary Digital Publishing Institute, 2019 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|