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Buñuel and Mexico [[electronic resource] ] : the crisis of national cinema / / Ernesto R. Acevedo-Muñoz
| Buñuel and Mexico [[electronic resource] ] : the crisis of national cinema / / Ernesto R. Acevedo-Muñoz |
| Autore | Acevedo-Muñoz Ernesto R. <1968-> |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2003 |
| Descrizione fisica | 1 online resource (216 p.) |
| Disciplina | 791.43/0233/092 |
| Soggetto topico | Motion pictures - Mexico |
| Soggetto non controllato |
auteur
bunueliana cabaretera cinema cultural studies director el ensayo de un crimen family melodrama film criticism film genre film history film industry film theory film filmmaking gran casino hispanic studies hispanic latin america latino los olvidados luis bunuel mexican cinema mexican film mexican history mexico national identity nationalism performance performing arts political film politics satire social commentary subida al cielo surrealism susana una mujer sin amor |
| ISBN |
0-520-93048-7
1-59734-516-4 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Figures -- Acknowledgments -- Introduction -- 1. Mexican Cinema in the Time of Luis Buñuel -- 2. Buñuel and Mexico -- 3. Los Olvidados and the Crisis of Mexican Cinema -- 4. Genre,Women, Narrative -- 5. On the Road -- 6. Masculinity and Class Conflict -- Conclusion. From Buñuel to "Nuevo Cine" -- Filmography of Luis Buñuel -- Notes -- Bibliography -- Index |
| Record Nr. | UNINA-9910780445203321 |
Acevedo-Muñoz Ernesto R. <1968->
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| Berkeley, : University of California Press, c2003 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Carnal thoughts [[electronic resource] ] : embodiment and moving image culture / / Vivian Sobchack
| Carnal thoughts [[electronic resource] ] : embodiment and moving image culture / / Vivian Sobchack |
| Autore | Sobchack Vivian Carol |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2004 |
| Descrizione fisica | 1 online resource (341 p.) |
| Disciplina | 791.43/01/5 |
| Soggetto topico |
Motion pictures - Philosophy
Motion pictures - Psychological aspects |
| Soggetto non controllato |
carnality
cinema media studies cinema scholars cinematic experiences contemporary culture corporeal selves emotional experiences essay collection film studies film theory image saturated world media consumption mind body split modern culture modern philosophy moving image culture nonfiction essays nonfiction phenomenological philosophy photographic spaces physical experiences sense making sensory experiences subjects and objects thoughts and senses |
| ISBN |
0-520-93782-1
9786613303943 1-283-30394-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction -- PART I. Sensible Scenes -- PART II. Responsible Visions -- Index |
| Record Nr. | UNINA-9910783386303321 |
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Sobchack Vivian Carol
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| Berkeley, : University of California Press, c2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Chaste Cinematics / Victor J. Vitanza
| Chaste Cinematics / Victor J. Vitanza |
| Autore | Vitanza Victor J. |
| Pubbl/distr/stampa | Brooklyn, NY, : punctum books, 2015 |
| Descrizione fisica | 1 online resource (xxx, 243 pages) : illustrations; digital, PDF file(s) |
| Soggetto topico |
Motion pictures - Philosophy
Rape in motion pictures - History and criticism |
| Soggetto non controllato |
rape
film theory sexual violence rhetoric |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Preamble. Behind the ob-scenes (or, confronting the preamble) -- Chaste cinema I? -- Chaste cinema II+? -- Chaste cinema III? -- Excursus : the assessment-test event -- Alternate endings with rebeginnings? -- Easter eggs -- Deleted scenes. |
| Record Nr. | UNINA-9910131521003321 |
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Vitanza Victor J.
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| Brooklyn, NY, : punctum books, 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Closely watched films : an introduction to the art of narrative film technique / / Marilyn Fabe
| Closely watched films : an introduction to the art of narrative film technique / / Marilyn Fabe |
| Autore | Fabe Marilyn |
| Pubbl/distr/stampa | Oakland, California : , : University of California Press, , 2004 |
| Descrizione fisica | 1 online resource (313 p.) |
| Disciplina | 791.43/015 |
| Soggetto topico |
Motion pictures - Evaluation
Motion pictures - Aesthetics Motion pictures |
| Soggetto non controllato |
analytical tools
auteur theory avatar classic films classical hollywood film classical sound theory digital media expressionism in film feminist film theory feminist theory film history film medium film scholarship film studies film theory film french new wave film hollywood italian neorealism modern sound theory modernism in film narrative film political cinema postmodernism in film realism in film shot by shot analysis soviet montage special effects the birth of a nation visual narratives |
| ISBN | 0-520-95901-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- 1. The Beginnings of Film Narrative: D.W. Griffith's The Birth of a Nation -- 2 The Art of Montage: Sergei Eisenstein's The Battleship Potemkin -- 3. Expressionism and Realism in Film Form: F.W. Murnau's The Last Laugh and Charles Chaplin's The Adventurer -- 4. The Conversion to Sound and the Classical Hollywood Film: Howard Hawks's His Girl Friday -- 5. Expressive Realism: Orson Welles's Citizen Kane -- 6. Italian Neorealism: Vittorio De Sica's The Bicycle Thief -- 7. Auteur Theory and the French New Wave: François Truffaut's The 400 Blows -- 8. Hollywood Auteur: Alfred Hitchcock's Notorious -- 9. The European Art Film: Federico Fellini's 8 1/2 -- 10. Film and Postmodernism: Woody Allen's Annie Hall -- 11. Political Cinema: Spike Lee's Do the Right Thing -- 12. Feminism and Film Form: Patricia Rozema's I've Heard the Mermaids Singing -- 13. Digital Video and New Forms of Narrative: Mike Figgis's Timecode and James Cameron's Avatar -- Notes -- Glossary -- Bibliography -- Index |
| Record Nr. | UNINA-9910787197203321 |
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Fabe Marilyn
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| Oakland, California : , : University of California Press, , 2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Closely watched films : an introduction to the art of narrative film technique / / Marilyn Fabe
| Closely watched films : an introduction to the art of narrative film technique / / Marilyn Fabe |
| Autore | Fabe Marilyn |
| Pubbl/distr/stampa | Oakland, California : , : University of California Press, , 2004 |
| Descrizione fisica | 1 online resource (313 p.) |
| Disciplina | 791.43/015 |
| Soggetto topico |
Motion pictures - Evaluation
Motion pictures - Aesthetics Motion pictures |
| Soggetto non controllato |
analytical tools
auteur theory avatar classic films classical hollywood film classical sound theory digital media expressionism in film feminist film theory feminist theory film history film medium film scholarship film studies film theory film french new wave film hollywood italian neorealism modern sound theory modernism in film narrative film political cinema postmodernism in film realism in film shot by shot analysis soviet montage special effects the birth of a nation visual narratives |
| ISBN | 0-520-95901-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- 1. The Beginnings of Film Narrative: D.W. Griffith's The Birth of a Nation -- 2 The Art of Montage: Sergei Eisenstein's The Battleship Potemkin -- 3. Expressionism and Realism in Film Form: F.W. Murnau's The Last Laugh and Charles Chaplin's The Adventurer -- 4. The Conversion to Sound and the Classical Hollywood Film: Howard Hawks's His Girl Friday -- 5. Expressive Realism: Orson Welles's Citizen Kane -- 6. Italian Neorealism: Vittorio De Sica's The Bicycle Thief -- 7. Auteur Theory and the French New Wave: François Truffaut's The 400 Blows -- 8. Hollywood Auteur: Alfred Hitchcock's Notorious -- 9. The European Art Film: Federico Fellini's 8 1/2 -- 10. Film and Postmodernism: Woody Allen's Annie Hall -- 11. Political Cinema: Spike Lee's Do the Right Thing -- 12. Feminism and Film Form: Patricia Rozema's I've Heard the Mermaids Singing -- 13. Digital Video and New Forms of Narrative: Mike Figgis's Timecode and James Cameron's Avatar -- Notes -- Glossary -- Bibliography -- Index |
| Record Nr. | UNINA-9910820139803321 |
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Fabe Marilyn
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| Oakland, California : , : University of California Press, , 2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Developments in the Japanese Documentary Mode
| Developments in the Japanese Documentary Mode |
| Autore | Centeno Marcos |
| Pubbl/distr/stampa | Basel, Switzerland, : MDPI - Multidisciplinary Digital Publishing Institute, 2021 |
| Descrizione fisica | 1 electronic resource (140 p.) |
| Soggetto topico | Music |
| Soggetto non controllato |
ethnofiction
Japan documentary non-fiction dramatization Minamata disease Tsuchimoto Noriaki W. Eugene Smith Ishimure Michiko ethics of representation The Children of Minamata are Living Minamata: The Victims and Their World authorship documentary film hibakusha Japanese cinema Mizoguchi Kenji semi-documentary Shindō Kaneto film theory documentary film theory postwar Japan post-1945 Japan Hani Susumu cinéma verité direct cinema observational documentary cinematography the culture film Imamura Shōhei History of Post-War Japan as Told by a Bar Hostess fiction and documentary history memory experience magic lantern popular history movement avant-garde documentary new Left Teshigahara Hiroshi Adachi Masao subjectivity landscapes folklore studies documentary photography |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910557339003321 |
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Centeno Marcos
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| Basel, Switzerland, : MDPI - Multidisciplinary Digital Publishing Institute, 2021 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Farocki/Godard / Volker Pantenburg ; translated by Micheal Turnbull
| Farocki/Godard / Volker Pantenburg ; translated by Micheal Turnbull |
| Autore | Pantenburg Volker <1973-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Amsterdam University Press, 2015 |
| Descrizione fisica | 1 online resource (285 pages) : illustrations |
| Disciplina | 791 |
| Collana |
IKKM books
Film Culture in Transition |
| Soggetto topico | Motion pictures - Philosophy |
| Soggetto non controllato |
essay film
harun farocki film theory jean-luc godard Photography |
| ISBN | 90-485-2755-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: Two Image Researchers -- 1. Le film qui pense: Image, Theory, Practice -- Film as a "Concrete Medium" -- Film Theories / Film as Theory -- Difference and Theory -- Montage and Cinematic Thinking -- 2. The Camera as Brush -- Film and Painting: Narrating with Images: Breathless -- Exploding the Museum: Pierrot le fou -- Arranging Things: Still Life -- Processing Images: Passion -- 3. Deviation as Norm -- Notes on the Essay Film -- 4. Cut -- Interlude in the Editing Room: What an Editing Room is: Interface -- Montage, toujours: JLG/JLG -- 5. Taking Pictures -- Photography and Film: Displacing: The Carabineers -- Rendering: Before Your Eyes Vietnam -- Surveying: Images of the World and The Inscription of War -- 6. Two or Three Ways of Speaking with the Hands: Asking Oneself: La Chinoise / Vent d'est -- Offering Oneself: Nouvelle vague -- Wxpressing Oneself: Georg K. Glaser / The Expression of Hands -- Conclusion. |
| Record Nr. | UNISA-996379047303316 |
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Pantenburg Volker <1973->
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| Amsterdam University Press, 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Farocki/Godard / Volker Pantenburg ; translated by Micheal Turnbull
| Farocki/Godard / Volker Pantenburg ; translated by Micheal Turnbull |
| Autore | Pantenburg Volker <1973-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Amsterdam University Press, 2015 |
| Descrizione fisica | 1 online resource (285 pages) : illustrations |
| Disciplina | 791 |
| Collana |
IKKM books
Film Culture in Transition |
| Soggetto topico | Motion pictures - Philosophy |
| Soggetto non controllato |
essay film
harun farocki film theory jean-luc godard Photography |
| ISBN | 90-485-2755-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: Two Image Researchers -- 1. Le film qui pense: Image, Theory, Practice -- Film as a "Concrete Medium" -- Film Theories / Film as Theory -- Difference and Theory -- Montage and Cinematic Thinking -- 2. The Camera as Brush -- Film and Painting: Narrating with Images: Breathless -- Exploding the Museum: Pierrot le fou -- Arranging Things: Still Life -- Processing Images: Passion -- 3. Deviation as Norm -- Notes on the Essay Film -- 4. Cut -- Interlude in the Editing Room: What an Editing Room is: Interface -- Montage, toujours: JLG/JLG -- 5. Taking Pictures -- Photography and Film: Displacing: The Carabineers -- Rendering: Before Your Eyes Vietnam -- Surveying: Images of the World and The Inscription of War -- 6. Two or Three Ways of Speaking with the Hands: Asking Oneself: La Chinoise / Vent d'est -- Offering Oneself: Nouvelle vague -- Wxpressing Oneself: Georg K. Glaser / The Expression of Hands -- Conclusion. |
| Record Nr. | UNINA-9910131489103321 |
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Pantenburg Volker <1973->
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| Amsterdam University Press, 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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First cut 2 [[electronic resource] ] : more conversations with film editors / / Gabriella Oldham
| First cut 2 [[electronic resource] ] : more conversations with film editors / / Gabriella Oldham |
| Autore | Oldham Gabriella |
| Pubbl/distr/stampa | Berkeley, : University of California Press, 2012 |
| Descrizione fisica | 1 online resource (310 p.) |
| Disciplina | 777/.55 |
| Soggetto topico |
Motion pictures - Editing
Motion picture editors |
| Soggetto non controllato |
21st century
aspiring filmmakers award winners cinema and film cinematic insights digital age documentary film editing editorial process film buffs film editing film editors film historians film history film industry film production film scholars film students film studies film theory filmmaking process independent filmmakers interviews media studies modern film movie buffs nonfiction psychology theatrical productions |
| ISBN |
1-280-79266-3
0-520-95399-1 9786613703057 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. Keeping Beats -- 2. Pushing the Envelope -- 3. Cutting from the Gut -- 4. Sensing Psychology -- 5. Capturing the Feeling -- 6. Speaking Cinema -- 7. Editing the Self -- 8. Pointing to the Middle -- 9. Honoring Lives -- 10. Weighing the Gold -- 11. Making It Work -- 12. Striking the Balance -- Bibliography -- Index |
| Altri titoli varianti | First cut two |
| Record Nr. | UNINA-9910779251803321 |
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Oldham Gabriella
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| Berkeley, : University of California Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Invisible storytellers : voice-over narration in American fiction film / / Sarah Kozloff
| Invisible storytellers : voice-over narration in American fiction film / / Sarah Kozloff |
| Autore | Kozloff Sarah |
| Pubbl/distr/stampa | Berkeley : , : University of California Press, , 1988 |
| Descrizione fisica | 1 online resource (178 pages) : illustrations |
| Disciplina | 791.43/0973 |
| Soggetto topico |
Voice-overs
Motion picture plays, American - History and criticism Motion pictures - United States |
| Soggetto non controllato |
adaptation theory
adaptations all about eve annie hall barry lyndon book to movie documentary film double indemnity exposition film adaptation film criticism film interpretation film studies film technique film theory film filmmaking how green was my valley literature media naked city narration narrative theory narrative newsreels nonfiction opening frames platoon popular culture radio red river silent film storytelling television tv voice over wuthering heights |
| ISBN |
1-282-35560-0
9786612355608 0-520-90966-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. The Prejudices against Voice-Over Narration -- 2. Ancestors, Influences, and Development -- 3. First-Person Narrators -- 4. Third-Person Narrators -- 5. Irony in Voice-Over Films -- Conclusion -- Notes -- Filmography -- Bibliography of Works Cited -- Index |
| Record Nr. | UNINA-9910778470603321 |
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Kozloff Sarah
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| Berkeley : , : University of California Press, , 1988 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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