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Andre Bazin's new media / / Andre Bazin ; edited and translated by Dudley Andrew
| Andre Bazin's new media / / Andre Bazin ; edited and translated by Dudley Andrew |
| Autore | Bazin André <1918-1958, > |
| Pubbl/distr/stampa | Oakland, California : , : University of California Press, , 2014 |
| Descrizione fisica | 1 online resource (590 p.) |
| Disciplina | 791.4 |
| Soggetto topico |
Television - Philosophy
Motion pictures and television Motion pictures - Philosophy |
| Soggetto non controllato |
1950s
3d film andre bazin art films art forms artistic potential cinema studies cinema cinemascope cinerama contemporary film critical thought english translation essay collection film criticism film critics film historians film reviews film scholars film students film studies media historians media studies modern film movie theory new media nonfiction social influence television textbooks visual media |
| ISBN |
0-520-28357-0
0-520-95939-6 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Editor's Note: About This Collection -- Introduction: André Bazin Meets the New Media of the 1950's -- PART ONE. THE ONTOLOGY AND LANGUAGE OF TELEVISION -- PART TWO. TELEVISION AMONG THE ARTS -- PART THREE. TELEVISION AND SOCIETY -- PART FOUR. TELEVISION AND CINEMA -- PART FIVE. CINERAMA AND 3D -- PART SIX. CINEMASCOPE -- PART SEVEN. FINALE -- Appendix: A Selective Reference Guide to 1950's French Television -- Index |
| Record Nr. | UNINA-9910791151703321 |
Bazin André <1918-1958, >
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| Oakland, California : , : University of California Press, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Andre Bazin's new media / / Andre Bazin ; edited and translated by Dudley Andrew
| Andre Bazin's new media / / Andre Bazin ; edited and translated by Dudley Andrew |
| Autore | Bazin André <1918-1958, > |
| Pubbl/distr/stampa | Oakland, California : , : University of California Press, , 2014 |
| Descrizione fisica | 1 online resource (590 p.) |
| Disciplina | 791.4 |
| Soggetto topico |
Television - Philosophy
Motion pictures and television Motion pictures - Philosophy |
| Soggetto non controllato |
1950s
3d film andre bazin art films art forms artistic potential cinema studies cinema cinemascope cinerama contemporary film critical thought english translation essay collection film criticism film critics film historians film reviews film scholars film students film studies media historians media studies modern film movie theory new media nonfiction social influence television textbooks visual media |
| ISBN |
0-520-28357-0
0-520-95939-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Editor's Note: About This Collection -- Introduction: André Bazin Meets the New Media of the 1950's -- PART ONE. THE ONTOLOGY AND LANGUAGE OF TELEVISION -- PART TWO. TELEVISION AMONG THE ARTS -- PART THREE. TELEVISION AND SOCIETY -- PART FOUR. TELEVISION AND CINEMA -- PART FIVE. CINERAMA AND 3D -- PART SIX. CINEMASCOPE -- PART SEVEN. FINALE -- Appendix: A Selective Reference Guide to 1950's French Television -- Index |
| Record Nr. | UNINA-9910809787503321 |
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Bazin André <1918-1958, >
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| Oakland, California : , : University of California Press, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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First cut 2 [[electronic resource] ] : more conversations with film editors / / Gabriella Oldham
| First cut 2 [[electronic resource] ] : more conversations with film editors / / Gabriella Oldham |
| Autore | Oldham Gabriella |
| Pubbl/distr/stampa | Berkeley, : University of California Press, 2012 |
| Descrizione fisica | 1 online resource (310 p.) |
| Disciplina | 777/.55 |
| Soggetto topico |
Motion pictures - Editing
Motion picture editors |
| Soggetto non controllato |
21st century
aspiring filmmakers award winners cinema and film cinematic insights digital age documentary film editing editorial process film buffs film editing film editors film historians film history film industry film production film scholars film students film studies film theory filmmaking process independent filmmakers interviews media studies modern film movie buffs nonfiction psychology theatrical productions |
| ISBN |
1-280-79266-3
0-520-95399-1 9786613703057 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. Keeping Beats -- 2. Pushing the Envelope -- 3. Cutting from the Gut -- 4. Sensing Psychology -- 5. Capturing the Feeling -- 6. Speaking Cinema -- 7. Editing the Self -- 8. Pointing to the Middle -- 9. Honoring Lives -- 10. Weighing the Gold -- 11. Making It Work -- 12. Striking the Balance -- Bibliography -- Index |
| Altri titoli varianti | First cut two |
| Record Nr. | UNINA-9910779251803321 |
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Oldham Gabriella
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| Berkeley, : University of California Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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First cut 2 : more conversations with film editors / / Gabriella Oldham
| First cut 2 : more conversations with film editors / / Gabriella Oldham |
| Autore | Oldham Gabriella |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, 2012 |
| Descrizione fisica | 1 online resource (310 p.) |
| Disciplina | 777/.55 |
| Soggetto topico |
Motion pictures - Editing
Motion picture editors |
| Soggetto non controllato |
21st century
aspiring filmmakers award winners cinema and film cinematic insights digital age documentary film editing editorial process film buffs film editing film editors film historians film history film industry film production film scholars film students film studies film theory filmmaking process independent filmmakers interviews media studies modern film movie buffs nonfiction psychology theatrical productions |
| ISBN |
1-280-79266-3
0-520-95399-1 9786613703057 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. Keeping Beats -- 2. Pushing the Envelope -- 3. Cutting from the Gut -- 4. Sensing Psychology -- 5. Capturing the Feeling -- 6. Speaking Cinema -- 7. Editing the Self -- 8. Pointing to the Middle -- 9. Honoring Lives -- 10. Weighing the Gold -- 11. Making It Work -- 12. Striking the Balance -- Bibliography -- Index |
| Altri titoli varianti | First cut two |
| Record Nr. | UNINA-9910823899403321 |
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Oldham Gabriella
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| Berkeley, : University of California Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Hollywood quarterly : film culture in postwar America, 1945-1957 / / edited by Eric Smoodin and Ann Martin
| Hollywood quarterly : film culture in postwar America, 1945-1957 / / edited by Eric Smoodin and Ann Martin |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California, c2002 |
| Descrizione fisica | 1 online resource (422 p.) |
| Disciplina | 791.43/0973/09044 |
| Altri autori (Persone) |
SmoodinEric Loren
MartinAnn <1940-> |
| Soggetto topico | Motion pictures - United States |
| Soggetto non controllato |
20th century
academics anthology avant garde film discussion books documentary entertainment essay collection film culture film historians film journalism film scholars film students film studies historical hollywood intellectual perspective journal archives leftist utopianism mass media media studies narrative films nonfiction pop culture postwar america retrospective sociological textbooks united states |
| ISBN |
1-282-76260-5
1-59734-656-X 9786612762604 0-520-93632-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Hollywood Quarterly -- Front matter -- Contents -- Acknowledgments -- Introduction: The Hollywood Quarterly, 1945-1957 -- Editorial Statement -- 1. The Avant-Garde -- Experimental Cinema in America. Part One: 1921-1941 -- Experimental Cinema in America. Part Two: The Postwar Revival -- The Avant-Garde Film Seen from Within -- Cinema 16: A Showcase for the Nonfiction Film -- 2. Animation -- Animation Learns a New Language -- Music and the Animated Cartoon -- Notes on Animated Sound -- Mr. Magoo as Public Dream -- 3. Documentary -- Postwar Patterns -- The Documentary and Hollywood -- Time Flickers Out: Notes on the Passing of the March of Time -- 4. Radio -- The Case of David Smith -- Radio's Attraction for Housewives -- A New Kind of Diplomacy -- 5. Practice -- A Costume Problem: From Shop to Stage to Screen -- Performance under Pressure -- Designing The Heiress -- The Limitations of Television -- 6. Television -- Hollywood in the Television Age -- You and Television -- Children's Television Habits and Preferences -- How to Look at Television -- 7. The Hollywood Picture -- Why Wait for Posterity? -- Hollywood-Illusion and Reality -- Negro Stereotypes on the Screen -- Today's Hero: A Review -- An Exhibitor Begs for "B's" -- A Word of Caution for the Intelligent Consumer of Motion Pictures -- There's Really No Business Like Show Business -- There's Still No Business Like It -- Hollywood's Foreign Correspondents -- 8. Scenes from Abroad -- Advanced Training for Film Workers: Russia -- Advanced Training for Film Workers: France -- The Global Film -- The Postwar French Cinema -- When in Rome . . . -- 9. Notes and Communications -- J'Accuse -- Je Confirme -- The Cinémathèque Française -- Jean Vigo -- Two Views of a Director-Billy Wilder -- Dialogue Between the Moviegoing Public and a Witness for Jean Cocteau -- Selected Names Index -- Selected Titles Index |
| Record Nr. | UNINA-9910450232503321 |
| Berkeley, : University of California, c2002 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Mining the home movie [[electronic resource] ] : excavations in histories and memories / / edited by Karen L. Ishizuka and Patricia R. Zimmermann
| Mining the home movie [[electronic resource] ] : excavations in histories and memories / / edited by Karen L. Ishizuka and Patricia R. Zimmermann |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2008 |
| Descrizione fisica | 1 online resource (354 p.) |
| Disciplina | 791.43/0222 |
| Altri autori (Persone) |
IshizukaKaren L
ZimmermannPatricia Rodden |
| Soggetto topico |
Amateur films - History and criticism
Film archives |
| Soggetto non controllato |
amateur film
anthology archival films archives critical analysis essay collection family memories film analysis film scholars film students film studies film theory filmmakers firsthand accounts historical significance home movies international perspective moviemaking nonfiction essays personal documentaries personal histories personal memories social insights theoretical approach visual essays visual history |
| ISBN |
9786612358456
1-282-35845-6 0-520-93968-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Illustrations -- Foreword -- Acknowledgments -- Introduction. The Home Movie Movement: Excavations, Artifacts, Minings -- 1. Remaking Home Movies -- 2. The Human Studies Film Archives, Smithsonian Institution -- 3. Wittgenstein Tractatus: Personal Reflections on Home Movies -- 4. La Filmoteca de la Universidad Nacional Autónoma de México -- 5. Ordinary Film: Péter Forgács's The Maelstrom -- 6. The Imperial War Museum Film and Video Archive -- 7. 90 Miles: The Politics and Aesthetics of Personal Documentary -- 8. The Florida Moving Image Archive -- 9. Something Strong Within: A Visual Essay -- 10. Something Strong Within as Historical Memory -- 11. The Moving Image Archive of the Japanese American National Museum -- 12. The Home Movie and the National Film Registry: The Story of Topaz -- 13. The Nederlands Archive/Museum Institute -- 14. Home Away from Home: Private Films from the Dutch East Indies -- 15. The Library of Congress -- 16. Deteriorating Memories: Blurring Fact and Fiction in Home Movies in India -- 17. The Movie Queen: Northeast Historic Film -- 18. The WPA Film Library -- 19. Mule Racing in the Mississippi Delta -- 20. The Academy Film Archive -- 21. "As If by Magic": Authority, Aesthetics, and Visions of the Workplace in Home Movies, circa 1931-1949 -- 22. The New Zealand Film Archive/Nga Kaitiaki o Nga Taonga Whitiahua -- 23. Working People, Topical Films, and Home Movies: The Case of the North West Film Archive -- 24. The Oregon State Historical Society's Moving Image Archives -- 25. Reflections on the Family Home Movie as Document: A Semio-Pragmatic Approach -- 26. The Stephen Lighthill Collection at the UCLA Film & Television Archive -- 27. Morphing History into Histories: From Amateur Film to the Archive of the Future -- Selected Filmography and Videography -- Selected Bibliography -- Contributors -- Index |
| Record Nr. | UNINA-9910777935903321 |
| Berkeley, : University of California Press, c2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Mining the home movie [[electronic resource] ] : excavations in histories and memories / / edited by Karen L. Ishizuka and Patricia R. Zimmermann
| Mining the home movie [[electronic resource] ] : excavations in histories and memories / / edited by Karen L. Ishizuka and Patricia R. Zimmermann |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2008 |
| Descrizione fisica | 1 online resource (354 p.) |
| Disciplina | 791.43/0222 |
| Altri autori (Persone) |
IshizukaKaren L
ZimmermannPatricia Rodden |
| Soggetto topico |
Amateur films - History and criticism
Film archives |
| Soggetto non controllato |
amateur film
anthology archival films archives critical analysis essay collection family memories film analysis film scholars film students film studies film theory filmmakers firsthand accounts historical significance home movies international perspective moviemaking nonfiction essays personal documentaries personal histories personal memories social insights theoretical approach visual essays visual history |
| ISBN |
9786612358456
1-282-35845-6 0-520-93968-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Illustrations -- Foreword -- Acknowledgments -- Introduction. The Home Movie Movement: Excavations, Artifacts, Minings -- 1. Remaking Home Movies -- 2. The Human Studies Film Archives, Smithsonian Institution -- 3. Wittgenstein Tractatus: Personal Reflections on Home Movies -- 4. La Filmoteca de la Universidad Nacional Autónoma de México -- 5. Ordinary Film: Péter Forgács's The Maelstrom -- 6. The Imperial War Museum Film and Video Archive -- 7. 90 Miles: The Politics and Aesthetics of Personal Documentary -- 8. The Florida Moving Image Archive -- 9. Something Strong Within: A Visual Essay -- 10. Something Strong Within as Historical Memory -- 11. The Moving Image Archive of the Japanese American National Museum -- 12. The Home Movie and the National Film Registry: The Story of Topaz -- 13. The Nederlands Archive/Museum Institute -- 14. Home Away from Home: Private Films from the Dutch East Indies -- 15. The Library of Congress -- 16. Deteriorating Memories: Blurring Fact and Fiction in Home Movies in India -- 17. The Movie Queen: Northeast Historic Film -- 18. The WPA Film Library -- 19. Mule Racing in the Mississippi Delta -- 20. The Academy Film Archive -- 21. "As If by Magic": Authority, Aesthetics, and Visions of the Workplace in Home Movies, circa 1931-1949 -- 22. The New Zealand Film Archive/Nga Kaitiaki o Nga Taonga Whitiahua -- 23. Working People, Topical Films, and Home Movies: The Case of the North West Film Archive -- 24. The Oregon State Historical Society's Moving Image Archives -- 25. Reflections on the Family Home Movie as Document: A Semio-Pragmatic Approach -- 26. The Stephen Lighthill Collection at the UCLA Film & Television Archive -- 27. Morphing History into Histories: From Amateur Film to the Archive of the Future -- Selected Filmography and Videography -- Selected Bibliography -- Contributors -- Index |
| Record Nr. | UNINA-9910823172003321 |
| Berkeley, : University of California Press, c2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Museum movies : the museum of modern art and the birth of art cinema / / Haidee Wasson
| Museum movies : the museum of modern art and the birth of art cinema / / Haidee Wasson |
| Autore | Wasson Haidee <1970-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, 2005 |
| Descrizione fisica | 1 online resource (331 p.) |
| Disciplina | 026/.79143/097471 |
| Collana | Simpson imprint in humanities |
| Soggetto topico |
Motion pictures - Preservation - United States
Motion pictures - United States - History |
| Soggetto non controllato |
1935
american film art cinema art forms art history birth of art cinema canadian film cinema scholars cinemas transformation cultural history european film film analysis film archives film historians film history film library film museum film students historical historiography information sciences libraries modern life modern politics moma movie theory museum of modern art new york popular films universities |
| ISBN |
1-282-76303-2
9786612763038 0-520-93783-X 1-59875-534-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Illustrations -- Acknowledgments -- 1. Making Cinema A Modern Art -- 2. Mannered Cinema/ Mobile Theaters -- 3. The Mass Museology Of The Modern -- 4. An Awkward And Dangerous Task -- 5. Rearguard Exhibition -- 6. Enduring Legacies -- Appendix: Film Programs Of The Museum Of Modern Art, 1934-1949 -- Notes -- Bibliography -- Index |
| Record Nr. | UNISA-996248198403316 |
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Wasson Haidee <1970->
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| Berkeley, : University of California Press, 2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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The new German cinema : music, history, and the matter of style / / Caryl Flinn
| The new German cinema : music, history, and the matter of style / / Caryl Flinn |
| Autore | Flinn Caryl |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2004 |
| Descrizione fisica | 1 online resource (332 p.) |
| Disciplina | 791.43/657 |
| Soggetto topico |
Motion picture music - Germany - History and criticism
Motion pictures - Germany |
| Soggetto non controllato |
cinema historians
contemporary germany famous films film buffs film students film styles film textbooks german cinema german cinematic style german culture german directors german music germany historical contexts historical review kitsch music styles music national identity new german cinema nonfiction personal identity political identity r w fassbinder sexual identity transnational contexts ulrike ottinger werner schroeter |
| ISBN |
9786612359705
0-520-93715-5 1-59734-773-6 1-282-35970-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction: "Strategies Of Remembrance" -- 1. Mourning, Melancholia, And "New German Melodrama" -- 2. Modernism's Aftershocks: Peer Raben's Film Music For Fassbinder -- 3. Kluge's Assault On History: Trauma, Testimony, And Difference In The Patriot -- 4. Undoing Act 5: History, Bodies, And Operatic Remains: Kluge's The Power Of Emotion -- 5. Restaging History With Fantasy: Body, Camp, And Sound In The Films Of Treut, Ottinger, And Von Praunheim -- 6. Introjecting Kitsch: Werner Schroeter, Music, And Alterity -- Coda: Working The Pieces -- Notes -- Index |
| Record Nr. | UNISA-996248202203316 |
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Flinn Caryl
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| Berkeley, : University of California Press, c2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
The new German cinema : music, history, and the matter of style / / Caryl Flinn
| The new German cinema : music, history, and the matter of style / / Caryl Flinn |
| Autore | Flinn Caryl |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2004 |
| Descrizione fisica | 1 online resource (332 p.) |
| Disciplina | 791.43/657 |
| Soggetto topico |
Motion picture music - Germany - History and criticism
Motion pictures - Germany |
| Soggetto non controllato |
cinema historians
contemporary germany famous films film buffs film students film styles film textbooks german cinema german cinematic style german culture german directors german music germany historical contexts historical review kitsch music styles music national identity new german cinema nonfiction personal identity political identity r w fassbinder sexual identity transnational contexts ulrike ottinger werner schroeter |
| ISBN |
9786612359705
0-520-93715-5 1-59734-773-6 1-282-35970-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction: "Strategies Of Remembrance" -- 1. Mourning, Melancholia, And "New German Melodrama" -- 2. Modernism's Aftershocks: Peer Raben's Film Music For Fassbinder -- 3. Kluge's Assault On History: Trauma, Testimony, And Difference In The Patriot -- 4. Undoing Act 5: History, Bodies, And Operatic Remains: Kluge's The Power Of Emotion -- 5. Restaging History With Fantasy: Body, Camp, And Sound In The Films Of Treut, Ottinger, And Von Praunheim -- 6. Introjecting Kitsch: Werner Schroeter, Music, And Alterity -- Coda: Working The Pieces -- Notes -- Index |
| Record Nr. | UNINA-9910449664203321 |
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Flinn Caryl
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| Berkeley, : University of California Press, c2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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