Americanizing the movies and "movie-mad" audiences, 1910-1914 [[electronic resource] /] / Richard Abel |
Autore | Abel Richard <1941-> |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2006 |
Descrizione fisica | 1 online resource (392 p.) |
Disciplina | 791.430973 |
Soggetto topico |
Motion pictures - United States - History
Motion pictures - Social aspects - United States Nationalism - United States |
Soggetto non controllato |
1910s
american cinema american history americanizing film animal films anthropologists cinema studies civil war films critical analysis detective films early cinema film distribution film historians film industry film scholars film studies immigrant culture movie audiences moviegoing national identity nonfiction study popular film genres sensational melodramas sociologists united states westerns working class culture |
ISBN |
1-282-35839-1
0-520-93952-2 9786612358395 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Illustrations -- Acknowledgments -- L'Envoi of Moving Pictures -- Introduction -- Chapter 1. American Variety and/or Foreign Features -- Entr'acte 1. Mapping the Local Terrain of Exhibition -- Chapter 2. The "Usable Past" of Westerns -- Entr'acte 2. Moviegoing Habits and Everyday Life -- Chapter 3. The "Usable Past" of Westerns -- Entr'acte 3. A "Forgotten" Part of the Program -- Chapter 4. The "Usable Past" of Civil War Films -- Entr'acte 4. Another "Forgotten" Part of the Program -- Chapter 5. The "Usable Present" of Thrillers -- Entr'acte 5. Trash Twins -- Chapter 6. "The Power of Personality in Pictures" -- Notes -- Bibliography -- Index |
Altri titoli varianti | Imagined community of United States cinema |
Record Nr. | UNINA-9910782201003321 |
Abel Richard <1941->
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Berkeley, : University of California Press, c2006 | ||
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Lo trovi qui: Univ. Federico II | ||
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Andre Bazin's new media / / Andre Bazin ; edited and translated by Dudley Andrew |
Autore | Bazin André <1918-1958, > |
Pubbl/distr/stampa | Oakland, California : , : University of California Press, , 2014 |
Descrizione fisica | 1 online resource (590 p.) |
Disciplina | 791.4 |
Soggetto topico |
Television - Philosophy
Motion pictures and television Motion pictures - Philosophy |
Soggetto non controllato |
1950s
3d film andre bazin art films art forms artistic potential cinema studies cinema cinemascope cinerama contemporary film critical thought english translation essay collection film criticism film critics film historians film reviews film scholars film students film studies media historians media studies modern film movie theory new media nonfiction social influence television textbooks visual media |
ISBN |
0-520-28357-0
0-520-95939-6 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Editor's Note: About This Collection -- Introduction: André Bazin Meets the New Media of the 1950's -- PART ONE. THE ONTOLOGY AND LANGUAGE OF TELEVISION -- PART TWO. TELEVISION AMONG THE ARTS -- PART THREE. TELEVISION AND SOCIETY -- PART FOUR. TELEVISION AND CINEMA -- PART FIVE. CINERAMA AND 3D -- PART SIX. CINEMASCOPE -- PART SEVEN. FINALE -- Appendix: A Selective Reference Guide to 1950's French Television -- Index |
Record Nr. | UNINA-9910791151703321 |
Bazin André <1918-1958, >
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Oakland, California : , : University of California Press, , 2014 | ||
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Lo trovi qui: Univ. Federico II | ||
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Andre Bazin's new media / / Andre Bazin ; edited and translated by Dudley Andrew |
Autore | Bazin André <1918-1958, > |
Pubbl/distr/stampa | Oakland, California : , : University of California Press, , 2014 |
Descrizione fisica | 1 online resource (590 p.) |
Disciplina | 791.4 |
Soggetto topico |
Television - Philosophy
Motion pictures and television Motion pictures - Philosophy |
Soggetto non controllato |
1950s
3d film andre bazin art films art forms artistic potential cinema studies cinema cinemascope cinerama contemporary film critical thought english translation essay collection film criticism film critics film historians film reviews film scholars film students film studies media historians media studies modern film movie theory new media nonfiction social influence television textbooks visual media |
ISBN |
0-520-28357-0
0-520-95939-6 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Editor's Note: About This Collection -- Introduction: André Bazin Meets the New Media of the 1950's -- PART ONE. THE ONTOLOGY AND LANGUAGE OF TELEVISION -- PART TWO. TELEVISION AMONG THE ARTS -- PART THREE. TELEVISION AND SOCIETY -- PART FOUR. TELEVISION AND CINEMA -- PART FIVE. CINERAMA AND 3D -- PART SIX. CINEMASCOPE -- PART SEVEN. FINALE -- Appendix: A Selective Reference Guide to 1950's French Television -- Index |
Record Nr. | UNINA-9910809787503321 |
Bazin André <1918-1958, >
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Oakland, California : , : University of California Press, , 2014 | ||
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Lo trovi qui: Univ. Federico II | ||
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First cut 2 [[electronic resource] ] : more conversations with film editors / / Gabriella Oldham |
Autore | Oldham Gabriella |
Pubbl/distr/stampa | Berkeley, : University of California Press, 2012 |
Descrizione fisica | 1 online resource (310 p.) |
Disciplina | 777/.55 |
Soggetto topico |
Motion pictures - Editing
Motion picture editors |
Soggetto non controllato |
21st century
aspiring filmmakers award winners cinema and film cinematic insights digital age documentary film editing editorial process film buffs film editing film editors film historians film history film industry film production film scholars film students film studies film theory filmmaking process independent filmmakers interviews media studies modern film movie buffs nonfiction psychology theatrical productions |
ISBN |
1-280-79266-3
0-520-95399-1 9786613703057 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. Keeping Beats -- 2. Pushing the Envelope -- 3. Cutting from the Gut -- 4. Sensing Psychology -- 5. Capturing the Feeling -- 6. Speaking Cinema -- 7. Editing the Self -- 8. Pointing to the Middle -- 9. Honoring Lives -- 10. Weighing the Gold -- 11. Making It Work -- 12. Striking the Balance -- Bibliography -- Index |
Altri titoli varianti | First cut two |
Record Nr. | UNINA-9910779251803321 |
Oldham Gabriella
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Berkeley, : University of California Press, 2012 | ||
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Lo trovi qui: Univ. Federico II | ||
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Killer tapes and shattered screens [[electronic resource] ] : video spectatorship from VHS to file sharing / / Caetlin Benson-Allott |
Autore | Benson-Allott Caetlin Anne |
Pubbl/distr/stampa | Berkeley, CA, : University of California Press, 2013 |
Descrizione fisica | 1 online resource (312 p.) |
Disciplina | 791.43/656 |
Soggetto topico |
Cinematography - Technological innovations
Digital video - Production and direction - Data processing Horror films - History and criticism Motion picture audiences Technology in motion pictures Video recordings industry Video recordings - Production and direction - Data processing |
Soggetto non controllato |
apparatus theory
blu ray box office case studies digital video dvd file sharing film and culture film audiences film critics film industry film scholars film studies home viewing horror movies media studies motion pictures movie culture movies nonfiction piracy post cinematic postmodern philosophy prerecorded video psychoanalysis spectatorship streaming services thrillers united states vhs video on demand video platforms video revenues |
ISBN | 0-520-95449-1 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Introduction. Opening Up to Home Video -- 1. Distributing the Dead Video Spectatorship in the Movies of George A. Romero -- 2. Addressing the "New Flesh" Videodrome's Format War -- 3. Reprotechnophobia Putting an End to Analog Abjection with The Ring -- 4. Going, Going, Grindhouse Simulacral Cinematicity and Postcinematic Spectatorship -- 5. Paranormal Spectatorship Faux Footage Horror and the P2P Spectator -- Conclusion. Power Play -- Notes -- Bibliography -- Filmography, Videography, and Gameography -- Index |
Record Nr. | UNINA-9910779540003321 |
Benson-Allott Caetlin Anne
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Berkeley, CA, : University of California Press, 2013 | ||
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Lo trovi qui: Univ. Federico II | ||
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Michelangelo red Antonioni blue [[electronic resource] ] : eight reflections on cinema / / Murray Pomerance |
Autore | Pomerance Murray <1946-> |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2011 |
Descrizione fisica | 1 online resource (321 p.) |
Disciplina | 791.4302/33092 |
Soggetto topico | PERFORMING ARTS / Film & Video / General |
Soggetto non controllato |
1960s
art film beyond the clouds blow up cinema scholars cinema studies cinemaphiles discussion books essay collection famous directors film analysis film and culture film criticism film critics film historians film production film scholars film studies filmmakers identification of a woman michelangelo antonioni modernism modernist film nonfiction essays pop culture space in film the dangerous thread of things the red desert zabriskie point |
ISBN |
1-283-29178-9
0-520-94830-0 9786613291783 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction -- Beyond the clouds -- Identification of a woman -- The Red Desert -- The dangerous thread of things -- The mystery of Oberwald -- Zabriskie Point -- The passenger -- Blow-up. |
Record Nr. | UNINA-9910786709303321 |
Pomerance Murray <1946->
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Berkeley, : University of California Press, c2011 | ||
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Lo trovi qui: Univ. Federico II | ||
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Mining the home movie [[electronic resource] ] : excavations in histories and memories / / edited by Karen L. Ishizuka and Patricia R. Zimmermann |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2008 |
Descrizione fisica | 1 online resource (354 p.) |
Disciplina | 791.43/0222 |
Altri autori (Persone) |
IshizukaKaren L
ZimmermannPatricia Rodden |
Soggetto topico |
Amateur films - History and criticism
Film archives |
Soggetto non controllato |
amateur film
anthology archival films archives critical analysis essay collection family memories film analysis film scholars film students film studies film theory filmmakers firsthand accounts historical significance home movies international perspective moviemaking nonfiction essays personal documentaries personal histories personal memories social insights theoretical approach visual essays visual history |
ISBN |
9786612358456
1-282-35845-6 0-520-93968-9 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Illustrations -- Foreword -- Acknowledgments -- Introduction. The Home Movie Movement: Excavations, Artifacts, Minings -- 1. Remaking Home Movies -- 2. The Human Studies Film Archives, Smithsonian Institution -- 3. Wittgenstein Tractatus: Personal Reflections on Home Movies -- 4. La Filmoteca de la Universidad Nacional Autónoma de México -- 5. Ordinary Film: Péter Forgács's The Maelstrom -- 6. The Imperial War Museum Film and Video Archive -- 7. 90 Miles: The Politics and Aesthetics of Personal Documentary -- 8. The Florida Moving Image Archive -- 9. Something Strong Within: A Visual Essay -- 10. Something Strong Within as Historical Memory -- 11. The Moving Image Archive of the Japanese American National Museum -- 12. The Home Movie and the National Film Registry: The Story of Topaz -- 13. The Nederlands Archive/Museum Institute -- 14. Home Away from Home: Private Films from the Dutch East Indies -- 15. The Library of Congress -- 16. Deteriorating Memories: Blurring Fact and Fiction in Home Movies in India -- 17. The Movie Queen: Northeast Historic Film -- 18. The WPA Film Library -- 19. Mule Racing in the Mississippi Delta -- 20. The Academy Film Archive -- 21. "As If by Magic": Authority, Aesthetics, and Visions of the Workplace in Home Movies, circa 1931-1949 -- 22. The New Zealand Film Archive/Nga Kaitiaki o Nga Taonga Whitiahua -- 23. Working People, Topical Films, and Home Movies: The Case of the North West Film Archive -- 24. The Oregon State Historical Society's Moving Image Archives -- 25. Reflections on the Family Home Movie as Document: A Semio-Pragmatic Approach -- 26. The Stephen Lighthill Collection at the UCLA Film & Television Archive -- 27. Morphing History into Histories: From Amateur Film to the Archive of the Future -- Selected Filmography and Videography -- Selected Bibliography -- Contributors -- Index |
Record Nr. | UNINA-9910777935903321 |
Berkeley, : University of California Press, c2008 | ||
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Lo trovi qui: Univ. Federico II | ||
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The passion of Montgomery Clift [[electronic resource] /] / Amy Lawrence |
Autore | Lawrence Amy <1957-> |
Pubbl/distr/stampa | Berkeley, : University of California Press, 2010 |
Descrizione fisica | 1 online resource (353 p.) |
Disciplina | 791.4302/8092 |
Soggetto topico |
Motion picture actors and actresses - United States - Public opinion
Motion pictures - Social aspects Popular culture - United States |
Soggetto non controllato |
20th century
a place in the sun acting icons acting studies acting american history biographical career cinema studies cinemaphiles cinematic famous actors film historians film history film industry film scholars film studies from here to eternity james dean lgbtq marlon brando montgomery clift naturalistic acting naturalists new masculinity red river retrospective the heiress theatrical tragic life story |
ISBN |
1-282-76392-X
9786612763922 0-520-94582-4 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- 1. The Face of a Saint -- 2. The Bobby-Soxers' Idol -- 3. Actor as Saint -- 4. Facing Persecution -- 5. Mortification of the Flesh -- 6. A Gay Martyr -- 7. Nothing Sacred -- Notes -- Index |
Record Nr. | UNINA-9910784956203321 |
Lawrence Amy <1957->
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Berkeley, : University of California Press, 2010 | ||
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Lo trovi qui: Univ. Federico II | ||
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Policing cinema [[electronic resource] ] : movies and censorship in early-twentieth-century America / / Lee Grieveson |
Autore | Grieveson Lee <1969-> |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2004 |
Descrizione fisica | 1 online resource (363 p.) |
Disciplina | 363.31/0973 |
Soggetto topico | Motion pictures - Censorship - United States - History |
Soggetto non controllato |
african americans
american cinema american culture birth of a nation censorship cinema historians class differences controversial films cultural history early 20th century film content film culture film industry film regulations film scholars film studies gender roles governance and culture immigration issues nonfiction policing art political elites power of cinema prize fights racism role of cinema sex scandals slave films social function social history social justice textbooks |
ISBN |
1-59734-813-9
1-282-35975-4 0-520-93742-2 9786612359750 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Policing cinema -- 2. Scandalous cinema, 1906/1907 -- 3. Reforming cinema, 1907/1909 -- 4. Fighting films, 1909/1912 -- 4. Judging cinema, 1913/1914. |
Record Nr. | UNINA-9910783389403321 |
Grieveson Lee <1969->
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Berkeley, : University of California Press, c2004 | ||
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Lo trovi qui: Univ. Federico II | ||
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Policing cinema : movies and censorship in early-twentieth-century America / / Lee Grieveson |
Autore | Grieveson Lee <1969-> |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2004 |
Descrizione fisica | 1 online resource (363 p.) |
Disciplina | 363.31/0973 |
Soggetto topico | Motion pictures - Censorship - United States - History |
Soggetto non controllato |
african americans
american cinema american culture birth of a nation censorship cinema historians class differences controversial films cultural history early 20th century film content film culture film industry film regulations film scholars film studies gender roles governance and culture immigration issues nonfiction policing art political elites power of cinema prize fights racism role of cinema sex scandals slave films social function social history social justice textbooks |
ISBN |
1-59734-813-9
1-282-35975-4 0-520-93742-2 9786612359750 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Policing cinema -- 2. Scandalous cinema, 1906/1907 -- 3. Reforming cinema, 1907/1909 -- 4. Fighting films, 1909/1912 -- 4. Judging cinema, 1913/1914. |
Record Nr. | UNISA-996248050903316 |
Grieveson Lee <1969->
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Berkeley, : University of California Press, c2004 | ||
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Lo trovi qui: Univ. di Salerno | ||
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