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Andre Bazin's new media / / Andre Bazin ; edited and translated by Dudley Andrew
| Andre Bazin's new media / / Andre Bazin ; edited and translated by Dudley Andrew |
| Autore | Bazin André <1918-1958, > |
| Pubbl/distr/stampa | Oakland, California : , : University of California Press, , 2014 |
| Descrizione fisica | 1 online resource (590 p.) |
| Disciplina | 791.4 |
| Soggetto topico |
Television - Philosophy
Motion pictures and television Motion pictures - Philosophy |
| Soggetto non controllato |
1950s
3d film andre bazin art films art forms artistic potential cinema studies cinema cinemascope cinerama contemporary film critical thought english translation essay collection film criticism film critics film historians film reviews film scholars film students film studies media historians media studies modern film movie theory new media nonfiction social influence television textbooks visual media |
| ISBN |
0-520-28357-0
0-520-95939-6 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Editor's Note: About This Collection -- Introduction: André Bazin Meets the New Media of the 1950's -- PART ONE. THE ONTOLOGY AND LANGUAGE OF TELEVISION -- PART TWO. TELEVISION AMONG THE ARTS -- PART THREE. TELEVISION AND SOCIETY -- PART FOUR. TELEVISION AND CINEMA -- PART FIVE. CINERAMA AND 3D -- PART SIX. CINEMASCOPE -- PART SEVEN. FINALE -- Appendix: A Selective Reference Guide to 1950's French Television -- Index |
| Record Nr. | UNINA-9910791151703321 |
Bazin André <1918-1958, >
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| Oakland, California : , : University of California Press, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Andre Bazin's new media / / Andre Bazin ; edited and translated by Dudley Andrew
| Andre Bazin's new media / / Andre Bazin ; edited and translated by Dudley Andrew |
| Autore | Bazin André <1918-1958, > |
| Pubbl/distr/stampa | Oakland, California : , : University of California Press, , 2014 |
| Descrizione fisica | 1 online resource (590 p.) |
| Disciplina | 791.4 |
| Soggetto topico |
Television - Philosophy
Motion pictures and television Motion pictures - Philosophy |
| Soggetto non controllato |
1950s
3d film andre bazin art films art forms artistic potential cinema studies cinema cinemascope cinerama contemporary film critical thought english translation essay collection film criticism film critics film historians film reviews film scholars film students film studies media historians media studies modern film movie theory new media nonfiction social influence television textbooks visual media |
| ISBN |
0-520-28357-0
0-520-95939-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Editor's Note: About This Collection -- Introduction: André Bazin Meets the New Media of the 1950's -- PART ONE. THE ONTOLOGY AND LANGUAGE OF TELEVISION -- PART TWO. TELEVISION AMONG THE ARTS -- PART THREE. TELEVISION AND SOCIETY -- PART FOUR. TELEVISION AND CINEMA -- PART FIVE. CINERAMA AND 3D -- PART SIX. CINEMASCOPE -- PART SEVEN. FINALE -- Appendix: A Selective Reference Guide to 1950's French Television -- Index |
| Record Nr. | UNINA-9910809787503321 |
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Bazin André <1918-1958, >
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| Oakland, California : , : University of California Press, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The British new wave [[electronic resource] ] : a certain tendency? / / B.F. Taylor
| The British new wave [[electronic resource] ] : a certain tendency? / / B.F. Taylor |
| Autore | Taylor B. F |
| Pubbl/distr/stampa | Manchester, : Manchester University Press, 2006 |
| Descrizione fisica | 1 online resource (200 p.) |
| Disciplina | 791.430941 |
| Soggetto topico | Motion picture industry - Great Britain |
| Soggetto non controllato |
Billy Liar
British New Wave British films Kind of Loving class film criticism film interpretation gender ideology realism |
| ISBN |
1-78170-121-0
1-84779-193-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 9780719069086; 9780719069086; Copyright; Contents; Plates; Acknowledgements; 1 The British New Wave:a certain tendency?; 2 From microscope to telescope: the films of Tony Richardson; 3 A cinema of surfaces: Jack Clayton's Room at the Top; 4 Major themes and minormovements: composition and repetition in John Schlesinger's Billy Liar; 5 The critical forest; 6 Straight lines and rigid readings: Arthur Seaton and the arc of flight; 7 Bodies, critics and This Sporting Life; 8 Single vessels and twisting ropes; Bibliography; Index |
| Record Nr. | UNINA-9910791730403321 |
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Taylor B. F
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| Manchester, : Manchester University Press, 2006 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The British new wave : a certain tendency? / / B.F. Taylor
| The British new wave : a certain tendency? / / B.F. Taylor |
| Autore | Taylor B. F |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Manchester, : Manchester University Press, 2006 |
| Descrizione fisica | 1 online resource (200 p.) |
| Disciplina | 791.430941 |
| Soggetto topico | Motion picture industry - Great Britain |
| Soggetto non controllato |
Billy Liar
British New Wave British films Kind of Loving class film criticism film interpretation gender ideology realism |
| ISBN |
1-78170-121-0
1-84779-193-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 9780719069086; 9780719069086; Copyright; Contents; Plates; Acknowledgements; 1 The British New Wave:a certain tendency?; 2 From microscope to telescope: the films of Tony Richardson; 3 A cinema of surfaces: Jack Clayton's Room at the Top; 4 Major themes and minormovements: composition and repetition in John Schlesinger's Billy Liar; 5 The critical forest; 6 Straight lines and rigid readings: Arthur Seaton and the arc of flight; 7 Bodies, critics and This Sporting Life; 8 Single vessels and twisting ropes; Bibliography; Index |
| Record Nr. | UNINA-9910808311803321 |
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Taylor B. F
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| Manchester, : Manchester University Press, 2006 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Buñuel and Mexico [[electronic resource] ] : the crisis of national cinema / / Ernesto R. Acevedo-Muñoz
| Buñuel and Mexico [[electronic resource] ] : the crisis of national cinema / / Ernesto R. Acevedo-Muñoz |
| Autore | Acevedo-Muñoz Ernesto R. <1968-> |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2003 |
| Descrizione fisica | 1 online resource (216 p.) |
| Disciplina | 791.43/0233/092 |
| Soggetto topico | Motion pictures - Mexico |
| Soggetto non controllato |
auteur
bunueliana cabaretera cinema cultural studies director el ensayo de un crimen family melodrama film criticism film genre film history film industry film theory film filmmaking gran casino hispanic studies hispanic latin america latino los olvidados luis bunuel mexican cinema mexican film mexican history mexico national identity nationalism performance performing arts political film politics satire social commentary subida al cielo surrealism susana una mujer sin amor |
| ISBN |
0-520-93048-7
1-59734-516-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Figures -- Acknowledgments -- Introduction -- 1. Mexican Cinema in the Time of Luis Buñuel -- 2. Buñuel and Mexico -- 3. Los Olvidados and the Crisis of Mexican Cinema -- 4. Genre,Women, Narrative -- 5. On the Road -- 6. Masculinity and Class Conflict -- Conclusion. From Buñuel to "Nuevo Cine" -- Filmography of Luis Buñuel -- Notes -- Bibliography -- Index |
| Record Nr. | UNINA-9910780445203321 |
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Acevedo-Muñoz Ernesto R. <1968->
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| Berkeley, : University of California Press, c2003 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Celluloid Symphonies : Texts and Contexts in Film Music History / / Julie Hubbert
| Celluloid Symphonies : Texts and Contexts in Film Music History / / Julie Hubbert |
| Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [2011] |
| Descrizione fisica | 1 online resource (525 p.) |
| Disciplina | 781.5/4209 |
| Soggetto topico |
Motion picture music
Symphony |
| Soggetto non controllato |
aesthetics
art history auteurs commercial pressure digital age early sound films elmer bernstein erich korngold film criticism film history film music film studies hollywood scores howard shore jerry goldsmith max steiner movie criticism movie studies music and film music for film music history music popular music postmodern film serialism technological innovations the silent film writings |
| ISBN |
1-283-27727-1
9786613277275 0-520-94743-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Celluloid Symphonies -- Front matter -- Contents -- Preface -- Acknowledgments -- Part One. Playing the Pictures: Music and the Silent Film (1895-1925) -- Introduction -- 1. Plain Talk to Theater Managers and Operators. Seating/Music (1909) -- 2. Incidental Music for Edison Pictures (1909) -- 3. Jackass Music (1911) -- 4. Selections from What and How to Play for Pictures (1913) -- 5. Music for the Picture (1911) -- 6. The Art of Exhibition: Rothapfel on Motion Picture Music-Its Object and Its Possibilities (1914) -- 7. Selections from Musical Accompaniment of Moving Pictures (1920) -- 8. Selections from Musical Presentation of Motion Pictures (1921) -- 9. Selections from Encyclopaedia of Music for Pictures (1925) -- 10. Two Thematic Music Cue Sheets: The Thief of Bagdad (1924) and Dame Chance (1926) -- 11. Music and Motion Pictures (1926) -- 12. Publishers Win Movie Music Suit (1924) -- Part Two. All Singing, Dancing, and Talking: Music in the Early Sound Film (1926- 1934) -- Introduction -- 13. New Musical Marvels in the Movies (1926) -- 14. Musicians to Fight Sound-Film Devices (1928) -- 15. The Truth about Voice Doubling (1929) -- 16. Westward the Course of Tin-Pan Alley (1929) -- 17. What's Wrong with Musical Pictures? (1930) -- 18. Present Day Musical Films and How They Are Made Possible (1931) -- 19. Alfred Hitchcock on Music in Films (1934) -- Part Three. Carpet, Wallpaper, and Earmuffs: The Hollywood Score (1935-1959) -- Introduction -- 20. Composers in Movieland (1935) -- 21. The Aesthetics of the Sound Film (1935) -- 22. Scoring the Film (1937) -- 23. Some Experiences in Film Music (1940) -- 24. What Is a Filmusical? (1937) -- 25. Music in the Films (1941) -- 26. Music or Sound Effects? (1947) -- 27. The New Musical Resources (1947) -- 28. Movie Music Goes on Record (1952) -- 29. The Man with the Golden Arm (1956) -- 30. Forbidden Planet (1956) -- 31. Interview with Stanley Donen (1977) -- 32. One Thing's for Sure, R 'n' R Is Boffo B.O. (1958) -- Part Four. The Recession Soundtrack: From Albums to Auteurs, Songs to Serialism (1960-1977) -- Introduction -- 33. Film Themes Link Movie, Disk Trades (1960) -- 34. Mancini Debunks Album Values (1961) -- 35. Herrmann Says Hollywood Tone Deaf as to Film Scores (1964) -- 36. The New Sound on the Soundtracks (1967) -- 37. Movies: Tuning In to the Sound of New Music (1968) -- 38. Towards an Interior Music (1997) -- 39. Keeping Score on Schifrin: Lalo Schifrin and the Art of Film Music (1969) -- 40. BBC Interview with Jerry Goldsmith (1969) -- 41. The Jazz Composers in Hollywood: A Symposium with Benny Carter, Quincy Jones, Henry Mancini, Lalo Schifrin, and Pat Williams (1972) -- 42. George Lucas: Stinky Kid Hits the Bigtime (1974) -- 43. The Annotated Friedkin (1974) -- 44. What ever Became of Movie Music? (1974) -- Part Five. The Postmodern Soundtrack: Film Music in the Video and Digital Age (1978-Present) -- Introduction -- 45. Selling a Hit Soundtrack (1979) -- 46. Interview with John Williams (1997) -- 47. Scoring with Synthesizers (1982) -- 48. Rock Movideo (1985) -- 49. How Rock Is Changing Hollywood's Tune (1989) -- 50. Danny Elfman: From Boingo to Batman (1990) -- 51. Selections from The Celluloid Jukebox: Interviews with Allison Anders, Alan Rudolph, Michael Mann, Isaac Julien, Wim Wenders, Bob Last, Penelope Spheeris, Ry Cooder, Quentin Tarantino, Cameron Crowe, and David Byrne (1995) -- 52. Composing with a Very Wide Palette: Howard Shore in Conversation (1999) -- 53. Hollywood Sound (2005) -- Index |
| Record Nr. | UNINA-9910785691503321 |
| Berkeley, CA : , : University of California Press, , [2011] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Celluloid Symphonies : Texts and Contexts in Film Music History / / Julie Hubbert
| Celluloid Symphonies : Texts and Contexts in Film Music History / / Julie Hubbert |
| Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [2011] |
| Descrizione fisica | 1 online resource (525 p.) |
| Disciplina | 781.5/4209 |
| Soggetto topico |
Motion picture music
Symphony |
| Soggetto non controllato |
aesthetics
art history auteurs commercial pressure digital age early sound films elmer bernstein erich korngold film criticism film history film music film studies hollywood scores howard shore jerry goldsmith max steiner movie criticism movie studies music and film music for film music history music popular music postmodern film serialism technological innovations the silent film writings |
| ISBN |
1-283-27727-1
9786613277275 0-520-94743-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Celluloid Symphonies -- Front matter -- Contents -- Preface -- Acknowledgments -- Part One. Playing the Pictures: Music and the Silent Film (1895-1925) -- Introduction -- 1. Plain Talk to Theater Managers and Operators. Seating/Music (1909) -- 2. Incidental Music for Edison Pictures (1909) -- 3. Jackass Music (1911) -- 4. Selections from What and How to Play for Pictures (1913) -- 5. Music for the Picture (1911) -- 6. The Art of Exhibition: Rothapfel on Motion Picture Music-Its Object and Its Possibilities (1914) -- 7. Selections from Musical Accompaniment of Moving Pictures (1920) -- 8. Selections from Musical Presentation of Motion Pictures (1921) -- 9. Selections from Encyclopaedia of Music for Pictures (1925) -- 10. Two Thematic Music Cue Sheets: The Thief of Bagdad (1924) and Dame Chance (1926) -- 11. Music and Motion Pictures (1926) -- 12. Publishers Win Movie Music Suit (1924) -- Part Two. All Singing, Dancing, and Talking: Music in the Early Sound Film (1926- 1934) -- Introduction -- 13. New Musical Marvels in the Movies (1926) -- 14. Musicians to Fight Sound-Film Devices (1928) -- 15. The Truth about Voice Doubling (1929) -- 16. Westward the Course of Tin-Pan Alley (1929) -- 17. What's Wrong with Musical Pictures? (1930) -- 18. Present Day Musical Films and How They Are Made Possible (1931) -- 19. Alfred Hitchcock on Music in Films (1934) -- Part Three. Carpet, Wallpaper, and Earmuffs: The Hollywood Score (1935-1959) -- Introduction -- 20. Composers in Movieland (1935) -- 21. The Aesthetics of the Sound Film (1935) -- 22. Scoring the Film (1937) -- 23. Some Experiences in Film Music (1940) -- 24. What Is a Filmusical? (1937) -- 25. Music in the Films (1941) -- 26. Music or Sound Effects? (1947) -- 27. The New Musical Resources (1947) -- 28. Movie Music Goes on Record (1952) -- 29. The Man with the Golden Arm (1956) -- 30. Forbidden Planet (1956) -- 31. Interview with Stanley Donen (1977) -- 32. One Thing's for Sure, R 'n' R Is Boffo B.O. (1958) -- Part Four. The Recession Soundtrack: From Albums to Auteurs, Songs to Serialism (1960-1977) -- Introduction -- 33. Film Themes Link Movie, Disk Trades (1960) -- 34. Mancini Debunks Album Values (1961) -- 35. Herrmann Says Hollywood Tone Deaf as to Film Scores (1964) -- 36. The New Sound on the Soundtracks (1967) -- 37. Movies: Tuning In to the Sound of New Music (1968) -- 38. Towards an Interior Music (1997) -- 39. Keeping Score on Schifrin: Lalo Schifrin and the Art of Film Music (1969) -- 40. BBC Interview with Jerry Goldsmith (1969) -- 41. The Jazz Composers in Hollywood: A Symposium with Benny Carter, Quincy Jones, Henry Mancini, Lalo Schifrin, and Pat Williams (1972) -- 42. George Lucas: Stinky Kid Hits the Bigtime (1974) -- 43. The Annotated Friedkin (1974) -- 44. What ever Became of Movie Music? (1974) -- Part Five. The Postmodern Soundtrack: Film Music in the Video and Digital Age (1978-Present) -- Introduction -- 45. Selling a Hit Soundtrack (1979) -- 46. Interview with John Williams (1997) -- 47. Scoring with Synthesizers (1982) -- 48. Rock Movideo (1985) -- 49. How Rock Is Changing Hollywood's Tune (1989) -- 50. Danny Elfman: From Boingo to Batman (1990) -- 51. Selections from The Celluloid Jukebox: Interviews with Allison Anders, Alan Rudolph, Michael Mann, Isaac Julien, Wim Wenders, Bob Last, Penelope Spheeris, Ry Cooder, Quentin Tarantino, Cameron Crowe, and David Byrne (1995) -- 52. Composing with a Very Wide Palette: Howard Shore in Conversation (1999) -- 53. Hollywood Sound (2005) -- Index |
| Record Nr. | UNINA-9910825955803321 |
| Berkeley, CA : , : University of California Press, , [2011] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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A critical cinema 5 [[electronic resource] ] : interviews with independent filmmakers / / Scott MacDonald
| A critical cinema 5 [[electronic resource] ] : interviews with independent filmmakers / / Scott MacDonald |
| Autore | MacDonald Scott <1942-> |
| Pubbl/distr/stampa | Berkeley, Calif. ; ; London, : University of California Press, 2006 |
| Descrizione fisica | 1 online resource (462 p.) |
| Disciplina | 791.43750973 |
| Soggetto topico |
Experimental films - United States - History and criticism
Independent filmmakers - United States |
| Soggetto non controllato |
avant garde
cinemaphiles critical cinema cultural critique directors entertainment industry experimental film film criticism film critics film historians film industry filmmaker community filmmakers independent cinema independent films media studies modern cinema movie production nonfiction performing arts personal experiences personal interviews political perspectives theoretical perspective unconventional media |
| ISBN |
1-282-35819-7
1-4237-4550-7 9786612358197 0-520-93908-5 1-59875-914-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction -- Kenneth Anger -- Tony Conrad: On the Sixties -- Nathaniel Dorsky (and Jerome Hiler) -- Peggy Ahwesh -- Alan Berliner -- Robb Moss -- Phil Solomon -- James Benning: On His Westerns -- J. Leighton Pierce -- Matthias Müller -- Sharon Lockhart -- Jennifer Todd Reeves: On Chronic and The Time We Killed -- Shiho Kano -- Ernie Gehr -- Filmography -- Bibliography -- Index |
| Record Nr. | UNINA-9910783669103321 |
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MacDonald Scott <1942->
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| Berkeley, Calif. ; ; London, : University of California Press, 2006 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Discovering Orson Welles [[electronic resource] /] / Jonathan Rosenbaum
| Discovering Orson Welles [[electronic resource] /] / Jonathan Rosenbaum |
| Autore | Rosenbaum Jonathan |
| Pubbl/distr/stampa | Berkeley, Calif. ; ; London, : University of California Press, c2007 |
| Descrizione fisica | 1 online resource (348 p.) |
| Disciplina | 791.430233092 |
| Soggetto topico |
Motion pictures
Motion pictures - Analysis, appreciation |
| Soggetto non controllato |
american director
biographical career chimes at midnight cinema creative control creative process don quixote f for fake film criticism film director film studies films heart of darkness hollywood innovation movie studies movies orson welles othello personal interviews raising kane studio memo the big brass ring the cradle will rock the ultimate auteur touch of evil unfinished films unfinished work welles canon |
| ISBN |
9786612360244
1-282-36024-8 0-520-94071-7 1-4294-7183-2 1-4337-0966-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction -- 1.I Missed It at the Movies: Objections to "Raising kane" -- 2.The Voice and the Eye: A Commentary on the heart of darkness Script -- 3.Notes on a Conversation with Welles -- 4.First Impressions of f for fake -- 5.The Butterfly and the Whale: Orson Welles's f for fake -- 6.Prime Cut (The 107-Minute touch of evil) -- 7.André Bazin and the Politics of Sound in touch of evil -- 8.The Invisible Orson Welles: A First Inventory -- 9.Reviews of Biographies by Barbara Leaming and Charles Higham and a Critical Edition of touch of evil -- 10.Afterword to the big brass ring, a Screenplay by Orson Welles (with Oja Kodar) -- 11.Wellesian: Quixote in a Trashcan (New York University Welles Conference) -- 12.Reviews of Citizen Welles and a Critical Edition of chimes at midnight -- 13.Review of Orson Welles: A Bio-Bibliography -- 14.Orson Welles's Essay Films and Documentary Fictions: A Two-Part Speculation -- 15.The Seven Arkadins -- 16. Othello Goes Hollywood -- 17.Truth and Consequence: On it's all true: based on an unfinished film by Orson Welles -- 18.Afterword to the cradle will rock, an Original Screenplay by Orson Welles -- 19. Orson Welles in the U.S.: An Exchange with Bill Krohn -- 20.The Battle over Orson Welles -- 21. Touch of Evil Retouched -- 22.Excerpt from "Problems of Access: On the Trail of Some Festival Films and Filmmakers" (On touch of evil) -- 23.Welles in the Lime Light: The Third Man -- 24.Orson Welles as Ideological Challenge -- 25.Orson Welles's Purloined Letter: F for Fake -- 26.When Will-and How Can-We Finish Orson Welles's Don Quixote? -- Appendix: The Present State of the Welles Film Legacy -- Index |
| Record Nr. | UNINA-9910784421003321 |
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Rosenbaum Jonathan
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| Berkeley, Calif. ; ; London, : University of California Press, c2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Edgar G. Ulmer : a filmmaker at the margins / / Noah Isenberg
| Edgar G. Ulmer : a filmmaker at the margins / / Noah Isenberg |
| Autore | Isenberg Noah William |
| Pubbl/distr/stampa | Berkeley : , : University of California Press, , 2013 |
| Descrizione fisica | 1 online resource (384 pages) |
| Disciplina |
791.43/0233092
B |
| Collana | Weimar and now: German cultural criticism |
| Soggetto topico | Motion picture producers and directors - United States |
| Soggetto non controllato |
20th century directors
american films austrian american austrian directors auteur theory b movies detour directors eclectic films emigre directors film criticism film director film history film noir film filmmaker genre films german directors hollywood career hollywood horror films jewish film directors low budget productions minority audience movies noir people on sunday performing arts personal life ruthless sci fi films studio era the black cat unconventional |
| ISBN | 0-520-95717-2 |
| Classificazione | AP 51400 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Preface -- Traces of a Viennese youth -- Toward a cinema at the margins -- Hollywood horror -- Songs of exile -- Capra of PRC -- Back in black -- Independence days -- Postscript. |
| Record Nr. | UNINA-9910790539303321 |
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Isenberg Noah William
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| Berkeley : , : University of California Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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