Chanteuse in the city [[electronic resource] ] : the realist singer in French film / / Kelley Conway |
Autore | Conway Kelley <1963-> |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2004 |
Descrizione fisica | 1 online resource (277 p.) |
Disciplina | 782.42164/082/0944 |
Soggetto topico |
Popular music - France - History and criticism
Motion picture music - France - History and criticism Women singers - France Motion pictures - France - History |
Soggetto non controllato |
1930s
beauty belle epoque music hall cafe concert cinema lovers cinemaphiles cultural implications cultural roles cultural studies female desire femininity film and culture film historians france french cinema french culture french film gender roles golden era music hall careers music paris popular entertainment popular music realist performance realist singer singers theatre women in film womens roles working class life |
ISBN |
9786612763182
0-520-93857-7 1-282-76318-0 1-59734-527-X |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction -- Caf-conc' : the rise of the unruly woman -- Music hall Miss -- Voices from the past -- The revue star and the realist singer : the return of the unruly woman -- Violent spectatorship : mechanical reproduction, the female voice, and the imaginary of intimacy -- Conclusion. |
Record Nr. | UNINA-9910783386103321 |
Conway Kelley <1963->
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Berkeley, : University of California Press, c2004 | ||
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Lo trovi qui: Univ. Federico II | ||
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Chanteuse in the city : the realist singer in French film / / Kelley Conway |
Autore | Conway Kelley <1963-> |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2004 |
Descrizione fisica | 1 online resource (277 p.) |
Disciplina | 782.42164/082/0944 |
Soggetto topico |
Popular music - France - History and criticism
Motion picture music - France - History and criticism Women singers - France Motion pictures - France - History |
Soggetto non controllato |
1930s
beauty belle epoque music hall cafe concert cinema lovers cinemaphiles cultural implications cultural roles cultural studies female desire femininity film and culture film historians france french cinema french culture french film gender roles golden era music hall careers music paris popular entertainment popular music realist performance realist singer singers theatre women in film womens roles working class life |
ISBN |
9786612763182
0-520-93857-7 1-282-76318-0 1-59734-527-X |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction -- Caf-conc' : the rise of the unruly woman -- Music hall Miss -- Voices from the past -- The revue star and the realist singer : the return of the unruly woman -- Violent spectatorship : mechanical reproduction, the female voice, and the imaginary of intimacy -- Conclusion. |
Record Nr. | UNINA-9910816780203321 |
Conway Kelley <1963->
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Berkeley, : University of California Press, c2004 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Killer tapes and shattered screens [[electronic resource] ] : video spectatorship from VHS to file sharing / / Caetlin Benson-Allott |
Autore | Benson-Allott Caetlin Anne |
Pubbl/distr/stampa | Berkeley, CA, : University of California Press, 2013 |
Descrizione fisica | 1 online resource (312 p.) |
Disciplina | 791.43/656 |
Soggetto topico |
Cinematography - Technological innovations
Digital video - Production and direction - Data processing Horror films - History and criticism Motion picture audiences Technology in motion pictures Video recordings industry Video recordings - Production and direction - Data processing |
Soggetto non controllato |
apparatus theory
blu ray box office case studies digital video dvd file sharing film and culture film audiences film critics film industry film scholars film studies home viewing horror movies media studies motion pictures movie culture movies nonfiction piracy post cinematic postmodern philosophy prerecorded video psychoanalysis spectatorship streaming services thrillers united states vhs video on demand video platforms video revenues |
ISBN | 0-520-95449-1 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Introduction. Opening Up to Home Video -- 1. Distributing the Dead Video Spectatorship in the Movies of George A. Romero -- 2. Addressing the "New Flesh" Videodrome's Format War -- 3. Reprotechnophobia Putting an End to Analog Abjection with The Ring -- 4. Going, Going, Grindhouse Simulacral Cinematicity and Postcinematic Spectatorship -- 5. Paranormal Spectatorship Faux Footage Horror and the P2P Spectator -- Conclusion. Power Play -- Notes -- Bibliography -- Filmography, Videography, and Gameography -- Index |
Record Nr. | UNINA-9910779540003321 |
Benson-Allott Caetlin Anne
![]() |
||
Berkeley, CA, : University of California Press, 2013 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Killer tapes and shattered screens [[electronic resource] ] : video spectatorship from VHS to file sharing / / Caetlin Benson-Allott |
Autore | Benson-Allott Caetlin Anne |
Pubbl/distr/stampa | Berkeley, CA, : University of California Press, 2013 |
Descrizione fisica | 1 online resource (312 p.) |
Disciplina | 791.43/656 |
Soggetto topico |
Cinematography - Technological innovations
Digital video - Production and direction - Data processing Horror films - History and criticism Motion picture audiences Technology in motion pictures Video recordings industry Video recordings - Production and direction - Data processing |
Soggetto non controllato |
apparatus theory
blu ray box office case studies digital video dvd file sharing film and culture film audiences film critics film industry film scholars film studies home viewing horror movies media studies motion pictures movie culture movies nonfiction piracy post cinematic postmodern philosophy prerecorded video psychoanalysis spectatorship streaming services thrillers united states vhs video on demand video platforms video revenues |
ISBN | 0-520-95449-1 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Introduction. Opening Up to Home Video -- 1. Distributing the Dead Video Spectatorship in the Movies of George A. Romero -- 2. Addressing the "New Flesh" Videodrome's Format War -- 3. Reprotechnophobia Putting an End to Analog Abjection with The Ring -- 4. Going, Going, Grindhouse Simulacral Cinematicity and Postcinematic Spectatorship -- 5. Paranormal Spectatorship Faux Footage Horror and the P2P Spectator -- Conclusion. Power Play -- Notes -- Bibliography -- Filmography, Videography, and Gameography -- Index |
Record Nr. | UNINA-9910826753503321 |
Benson-Allott Caetlin Anne
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Berkeley, CA, : University of California Press, 2013 | ||
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Lo trovi qui: Univ. Federico II | ||
|
Michelangelo red Antonioni blue [[electronic resource] ] : eight reflections on cinema / / Murray Pomerance |
Autore | Pomerance Murray <1946-> |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2011 |
Descrizione fisica | 1 online resource (321 p.) |
Disciplina | 791.4302/33092 |
Soggetto topico | PERFORMING ARTS / Film & Video / General |
Soggetto non controllato |
1960s
art film beyond the clouds blow up cinema scholars cinema studies cinemaphiles discussion books essay collection famous directors film analysis film and culture film criticism film critics film historians film production film scholars film studies filmmakers identification of a woman michelangelo antonioni modernism modernist film nonfiction essays pop culture space in film the dangerous thread of things the red desert zabriskie point |
ISBN |
1-283-29178-9
0-520-94830-0 9786613291783 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction -- Beyond the clouds -- Identification of a woman -- The Red Desert -- The dangerous thread of things -- The mystery of Oberwald -- Zabriskie Point -- The passenger -- Blow-up. |
Record Nr. | UNINA-9910786709303321 |
Pomerance Murray <1946->
![]() |
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Berkeley, : University of California Press, c2011 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Michelangelo red Antonioni blue [[electronic resource] ] : eight reflections on cinema / / Murray Pomerance |
Autore | Pomerance Murray <1946-> |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2011 |
Descrizione fisica | 1 online resource (321 p.) |
Disciplina | 791.4302/33092 |
Soggetto topico | PERFORMING ARTS / Film & Video / General |
Soggetto non controllato |
1960s
art film beyond the clouds blow up cinema scholars cinema studies cinemaphiles discussion books essay collection famous directors film analysis film and culture film criticism film critics film historians film production film scholars film studies filmmakers identification of a woman michelangelo antonioni modernism modernist film nonfiction essays pop culture space in film the dangerous thread of things the red desert zabriskie point |
ISBN |
1-283-29178-9
0-520-94830-0 9786613291783 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction -- Beyond the clouds -- Identification of a woman -- The Red Desert -- The dangerous thread of things -- The mystery of Oberwald -- Zabriskie Point -- The passenger -- Blow-up. |
Record Nr. | UNINA-9910817908703321 |
Pomerance Murray <1946->
![]() |
||
Berkeley, : University of California Press, c2011 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
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