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Filmische Seitenblicke : Cinepoetische Exkursionen ins Kino von 1968 / / Hermann Kappelhoff, Christine Lötscher, Daniel Illger
| Filmische Seitenblicke : Cinepoetische Exkursionen ins Kino von 1968 / / Hermann Kappelhoff, Christine Lötscher, Daniel Illger |
| Autore | Illger Daniel <1977-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | De Gruyter, 2019 |
| Descrizione fisica | 1 online resource (452 pages) |
| Disciplina | 302.2343 |
| Collana | Cinepoetics |
| Soggetto topico |
Culture in motion pictures
Motion pictures - History |
| Soggetto genere / forma | History |
| Soggetto non controllato |
1968
film analysis happening |
| ISBN |
3-11-061870-2
3-11-061894-X |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Frontmatter -- Vorwort -- Inhalt -- Auf- und Abbrüche: Die Internationale der Pop-Kultur / Kappelhoff, Hermann -- Zweifelhafte Subjekte / Grotkopp, Matthias -- Kreuzungen und Kollisionen / Wedel, Michael -- Der Superbulle und der Gangster / Berger, Hanno -- Gaudeamus igitur / Rüdiger, Christian -- Die Revolution im Gedanken -- Kein Kind seiner Zeit / Wesselkämper, Hannes -- Im Anagramm gefangen / Rositzka, Eileen -- "I can no longer associate my self" / Schlepfer, Zoé Iris -- Nach dem Konzil oder Der Geist vergangener Weihnacht / Haupts, Tobias -- Zeitgenossenschaft der Aufklärung / Ufer, Michael -- The Revolution Will Not Be Televised / Scherer, Thomas -- Erinnerung an eine schematische Zeit / Stratil, Jasper -- Blow Up - Close Up / Kappelhoff, Hermann -- Unerhörte Philosophien / Lötscher, Christine -- Halbwelten und Doppelfiguren / Bakels, Jan-Hendrik -- Mädchen in der Grube / Gronmaier, Danny / Brückner, Regina -- Zahnlücken und Melancholie / Lötscher, Christine -- Zerfließende Körper, Klänge und Räume / Hochschild, Björn -- Groteske und Banalität -- Die Freiheit der Untoten / Illger, Daniel -- Die Autorinnen und Autoren -- Personenregister -- Sachregister -- Farbtafeln |
| Record Nr. | UNISA-996309225003316 |
Illger Daniel <1977->
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| De Gruyter, 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Inszenierungen Zeitgenössischer Propaganda : Kampagnenfilme Im Dienste des Gemeinwohls
| Inszenierungen Zeitgenössischer Propaganda : Kampagnenfilme Im Dienste des Gemeinwohls |
| Autore | Scherer Thomas J. J |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berlin/Boston : , : Walter de Gruyter GmbH, , 2023 |
| Descrizione fisica | 1 online resource (488 pages) |
| Collana | Cinepoetics Series |
| Soggetto topico | PERFORMING ARTS / Film & Video / History & Criticism |
| Soggetto non controllato |
Propaganda
advertising audiovisual discourse film analysis persuasion utility film |
| ISBN | 3-11-118565-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Frontmatter -- Danksagung -- Vorwort -- Inhaltsverzeichnis -- 1 Einleitung -- Teil I: Zugänge -- 2 Gemeinwohlappelle – Weltbilder zwischen Propaganda und sozialem Marketing -- 3 Überredung als Fiktionalisierung – Poetiken der Persuasion und die Poiesis des Filme-Sehens -- Teil II: Inszenierungen -- 4 ‚Feel-Bad Movies‘ – zur Überzeugungskraft schlechter Zuschauergefühle -- 5 ‚Metaphors we should live by‘ – zur Metaphorik von Social Advertisements -- Teil III: Diskursformationen -- 6 Streitende Bilder – zur Grundmetaphorik audiovisueller Diskursformationen -- 7 Es wird gewesen sein – filmische Zeit-Räume präventiven Denkens -- 8 Schlussbetrachtungen -- Literaturverzeichnis -- Verzeichnis audiovisueller Quellen -- Abbildungsverzeichnis -- Namensregister -- Filmregister -- Farbabbildungen |
| Record Nr. | UNISA-996556961403316 |
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Scherer Thomas J. J
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| Berlin/Boston : , : Walter de Gruyter GmbH, , 2023 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Inszenierungen Zeitgenössischer Propaganda : Kampagnenfilme Im Dienste des Gemeinwohls
| Inszenierungen Zeitgenössischer Propaganda : Kampagnenfilme Im Dienste des Gemeinwohls |
| Autore | Scherer Thomas J. J |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berlin/Boston : , : Walter de Gruyter GmbH, , 2023 |
| Descrizione fisica | 1 online resource (488 pages) |
| Collana | Cinepoetics Series |
| Soggetto topico | PERFORMING ARTS / Film & Video / History & Criticism |
| Soggetto non controllato |
Propaganda
advertising audiovisual discourse film analysis persuasion utility film |
| ISBN | 3-11-118565-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Frontmatter -- Danksagung -- Vorwort -- Inhaltsverzeichnis -- 1 Einleitung -- Teil I: Zugänge -- 2 Gemeinwohlappelle – Weltbilder zwischen Propaganda und sozialem Marketing -- 3 Überredung als Fiktionalisierung – Poetiken der Persuasion und die Poiesis des Filme-Sehens -- Teil II: Inszenierungen -- 4 ‚Feel-Bad Movies‘ – zur Überzeugungskraft schlechter Zuschauergefühle -- 5 ‚Metaphors we should live by‘ – zur Metaphorik von Social Advertisements -- Teil III: Diskursformationen -- 6 Streitende Bilder – zur Grundmetaphorik audiovisueller Diskursformationen -- 7 Es wird gewesen sein – filmische Zeit-Räume präventiven Denkens -- 8 Schlussbetrachtungen -- Literaturverzeichnis -- Verzeichnis audiovisueller Quellen -- Abbildungsverzeichnis -- Namensregister -- Filmregister -- Farbabbildungen |
| Record Nr. | UNINA-9910838188003321 |
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Scherer Thomas J. J
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| Berlin/Boston : , : Walter de Gruyter GmbH, , 2023 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Michelangelo red Antonioni blue [[electronic resource] ] : eight reflections on cinema / / Murray Pomerance
| Michelangelo red Antonioni blue [[electronic resource] ] : eight reflections on cinema / / Murray Pomerance |
| Autore | Pomerance Murray <1946-> |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2011 |
| Descrizione fisica | 1 online resource (321 p.) |
| Disciplina | 791.4302/33092 |
| Soggetto topico | PERFORMING ARTS / Film & Video / General |
| Soggetto non controllato |
1960s
art film beyond the clouds blow up cinema scholars cinema studies cinemaphiles discussion books essay collection famous directors film analysis film and culture film criticism film critics film historians film production film scholars film studies filmmakers identification of a woman michelangelo antonioni modernism modernist film nonfiction essays pop culture space in film the dangerous thread of things the red desert zabriskie point |
| ISBN |
1-283-29178-9
0-520-94830-0 9786613291783 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- Beyond the clouds -- Identification of a woman -- The Red Desert -- The dangerous thread of things -- The mystery of Oberwald -- Zabriskie Point -- The passenger -- Blow-up. |
| Record Nr. | UNINA-9910786709303321 |
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Pomerance Murray <1946->
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| Berkeley, : University of California Press, c2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Mining the home movie [[electronic resource] ] : excavations in histories and memories / / edited by Karen L. Ishizuka and Patricia R. Zimmermann
| Mining the home movie [[electronic resource] ] : excavations in histories and memories / / edited by Karen L. Ishizuka and Patricia R. Zimmermann |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2008 |
| Descrizione fisica | 1 online resource (354 p.) |
| Disciplina | 791.43/0222 |
| Altri autori (Persone) |
IshizukaKaren L
ZimmermannPatricia Rodden |
| Soggetto topico |
Amateur films - History and criticism
Film archives |
| Soggetto non controllato |
amateur film
anthology archival films archives critical analysis essay collection family memories film analysis film scholars film students film studies film theory filmmakers firsthand accounts historical significance home movies international perspective moviemaking nonfiction essays personal documentaries personal histories personal memories social insights theoretical approach visual essays visual history |
| ISBN |
9786612358456
1-282-35845-6 0-520-93968-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Illustrations -- Foreword -- Acknowledgments -- Introduction. The Home Movie Movement: Excavations, Artifacts, Minings -- 1. Remaking Home Movies -- 2. The Human Studies Film Archives, Smithsonian Institution -- 3. Wittgenstein Tractatus: Personal Reflections on Home Movies -- 4. La Filmoteca de la Universidad Nacional Autónoma de México -- 5. Ordinary Film: Péter Forgács's The Maelstrom -- 6. The Imperial War Museum Film and Video Archive -- 7. 90 Miles: The Politics and Aesthetics of Personal Documentary -- 8. The Florida Moving Image Archive -- 9. Something Strong Within: A Visual Essay -- 10. Something Strong Within as Historical Memory -- 11. The Moving Image Archive of the Japanese American National Museum -- 12. The Home Movie and the National Film Registry: The Story of Topaz -- 13. The Nederlands Archive/Museum Institute -- 14. Home Away from Home: Private Films from the Dutch East Indies -- 15. The Library of Congress -- 16. Deteriorating Memories: Blurring Fact and Fiction in Home Movies in India -- 17. The Movie Queen: Northeast Historic Film -- 18. The WPA Film Library -- 19. Mule Racing in the Mississippi Delta -- 20. The Academy Film Archive -- 21. "As If by Magic": Authority, Aesthetics, and Visions of the Workplace in Home Movies, circa 1931-1949 -- 22. The New Zealand Film Archive/Nga Kaitiaki o Nga Taonga Whitiahua -- 23. Working People, Topical Films, and Home Movies: The Case of the North West Film Archive -- 24. The Oregon State Historical Society's Moving Image Archives -- 25. Reflections on the Family Home Movie as Document: A Semio-Pragmatic Approach -- 26. The Stephen Lighthill Collection at the UCLA Film & Television Archive -- 27. Morphing History into Histories: From Amateur Film to the Archive of the Future -- Selected Filmography and Videography -- Selected Bibliography -- Contributors -- Index |
| Record Nr. | UNINA-9910777935903321 |
| Berkeley, : University of California Press, c2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Museum movies : the museum of modern art and the birth of art cinema / / Haidee Wasson
| Museum movies : the museum of modern art and the birth of art cinema / / Haidee Wasson |
| Autore | Wasson Haidee <1970-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, 2005 |
| Descrizione fisica | 1 online resource (331 p.) |
| Disciplina | 026/.79143/097471 |
| Collana | Simpson imprint in humanities |
| Soggetto topico |
Motion pictures - Preservation - United States
Motion pictures - United States - History |
| Soggetto non controllato |
1935
american film art cinema art forms art history birth of art cinema canadian film cinema scholars cinemas transformation cultural history european film film analysis film archives film historians film history film library film museum film students historical historiography information sciences libraries modern life modern politics moma movie theory museum of modern art new york popular films universities |
| ISBN |
1-282-76303-2
9786612763038 0-520-93783-X 1-59875-534-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Illustrations -- Acknowledgments -- 1. Making Cinema A Modern Art -- 2. Mannered Cinema/ Mobile Theaters -- 3. The Mass Museology Of The Modern -- 4. An Awkward And Dangerous Task -- 5. Rearguard Exhibition -- 6. Enduring Legacies -- Appendix: Film Programs Of The Museum Of Modern Art, 1934-1949 -- Notes -- Bibliography -- Index |
| Record Nr. | UNISA-996248198403316 |
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Wasson Haidee <1970->
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| Berkeley, : University of California Press, 2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Organic cinema : film, architecture, and the work of Béla Tarr / / Thorsten Botz-Bornstein
| Organic cinema : film, architecture, and the work of Béla Tarr / / Thorsten Botz-Bornstein |
| Autore | Botz-Bornstein Thorsten |
| Pubbl/distr/stampa | New York ; ; Oxford, [England] : , : Berghahn Books, , 2017 |
| Descrizione fisica | 1 online resource (221 pages) : illustrations |
| Disciplina | 791.4302/33092 |
| Soggetto topico |
Tarr, Baela - Criticism and interpretation
PERFORMING ARTS / Film & Video / History & Criticism |
| Soggetto non controllato |
20th century
aesthetics architects architecture art artists beauty bela tarr buildings career cinema design engaging film analysis film criticism film school film studies filmmaking history criticism history hungarian filmmaker innovative study long take organic principles organic original analysis page turner performing arts philosophy realistic science and math slow cinema movement theater venerable concept |
| ISBN | 1-78533-567-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- List of Illustrations -- Introduction -- CHAPTER 1 Cinema, Architecture, Literature -- CHAPTER 2 Central Europe -- CHAPTER 3 What Is “Organic?” -- CHAPTER 4 The Melancholy of Evolution -- CHAPTER 5 Where Is the Center? -- CHAPTER 6 Modernism and Postmodernism -- CHAPTER 7 Organic Harmonies -- CHAPTER 8 Back to Humanism? -- CHAPTER 9 Politics of Harmony -- CHAPTER 10 The Spiritual -- CHAPTER 11 Organic Places -- CHAPTER 12 The Organic Camera Shot -- Conclusion -- Bibliography -- Index |
| Record Nr. | UNINA-9910792923203321 |
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Botz-Bornstein Thorsten
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| New York ; ; Oxford, [England] : , : Berghahn Books, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Organic cinema : film, architecture, and the work of Béla Tarr / / Thorsten Botz-Bornstein
| Organic cinema : film, architecture, and the work of Béla Tarr / / Thorsten Botz-Bornstein |
| Autore | Botz-Bornstein Thorsten |
| Pubbl/distr/stampa | New York ; ; Oxford, [England] : , : Berghahn Books, , 2017 |
| Descrizione fisica | 1 online resource (221 pages) : illustrations |
| Disciplina | 791.4302/33092 |
| Soggetto topico |
Tarr, Baela - Criticism and interpretation
PERFORMING ARTS / Film & Video / History & Criticism |
| Soggetto non controllato |
20th century
aesthetics architects architecture art artists beauty bela tarr buildings career cinema design engaging film analysis film criticism film school film studies filmmaking history criticism history hungarian filmmaker innovative study long take organic principles organic original analysis page turner performing arts philosophy realistic science and math slow cinema movement theater venerable concept |
| ISBN | 1-78533-567-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- List of Illustrations -- Introduction -- CHAPTER 1 Cinema, Architecture, Literature -- CHAPTER 2 Central Europe -- CHAPTER 3 What Is “Organic?” -- CHAPTER 4 The Melancholy of Evolution -- CHAPTER 5 Where Is the Center? -- CHAPTER 6 Modernism and Postmodernism -- CHAPTER 7 Organic Harmonies -- CHAPTER 8 Back to Humanism? -- CHAPTER 9 Politics of Harmony -- CHAPTER 10 The Spiritual -- CHAPTER 11 Organic Places -- CHAPTER 12 The Organic Camera Shot -- Conclusion -- Bibliography -- Index |
| Record Nr. | UNINA-9910824247103321 |
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Botz-Bornstein Thorsten
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| New York ; ; Oxford, [England] : , : Berghahn Books, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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