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Blowin' the Blues Away : Performance and Meaning on the New York Jazz Scene / / Travis A. Jackson
| Blowin' the Blues Away : Performance and Meaning on the New York Jazz Scene / / Travis A. Jackson |
| Autore | Jackson Travis A. |
| Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [2012] |
| Descrizione fisica | 1 online resource (318 p.) |
| Disciplina | 781.6509747109049 |
| Collana | Music of the African Diaspora |
| Soggetto topico |
Jazz
Jazz - History and criticism - New York (State) - New York |
| Soggetto non controllato |
1980s new york
20th century jazz 20th century music 20th century new york african american jazz american music history books for music lovers books for music majors books for musicians ethnomusicology history of jazz jazz age jazz and blues jazz clubs jazz culture jazz icons jazz music music and culture music and entertainment music and race music research music musician stories new york city jazz new york city music clubs nyc history nyc jazz nyc music scene resurgence of jazz |
| ISBN |
1-280-49208-2
9786613587312 0-520-95192-1 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Illustrations -- Acknowledgments -- PART ONE. Black, Brown and Beige -- PART TWO. Scenes in the City -- PART THREE. Blowin' the Blues Away -- Glossary -- Appendix: Excerpt from an Interview with Steve Wilson -- Notes -- References -- Index |
| Record Nr. | UNINA-9910790115803321 |
Jackson Travis A.
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| Berkeley, CA : , : University of California Press, , [2012] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Funky Nassau : Roots, Routes, and Representation in Bahamian Popular Music / / Timothy Rommen
| Funky Nassau : Roots, Routes, and Representation in Bahamian Popular Music / / Timothy Rommen |
| Autore | Rommen Timothy |
| Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [2011] |
| Descrizione fisica | 1 online resource (332 p.) |
| Disciplina | 781.64097296 |
| Collana | Music of the African Diaspora |
| Soggetto topico |
Popular music - Bahamas - History and criticism
Popular music -- Bahamas -- History and criticism Popular music - History and criticism - Bahamas |
| Soggetto non controllato |
afro bahamian
baha men bahamas bahamian culture bahamian musicians bay street bilby blind blake calypso caribbean carnival colonialism colony ethnomusicology former colony freedom history independence islands junkanoo music musicians national identity nonfiction popular music postcolonial rake n scrape rebellion republic revolution tourism tropical |
| ISBN |
1-283-27786-7
9786613277862 0-520-94875-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Preface -- Acknowledgments -- Map of the Bahamas -- 1. Nassau's Gone Funky: Sounding Some Themes in Bahamian Music -- 2. "Muddy da Water": Provincializing the Center, or Recentering the Periphery through Rake-n-Scrape -- 3. "Calypso Island": Exporting the Local, Particularizing the Region, and Developing the Sounds of Goombay -- 4. "Gone ta Bay": Institutionalizing Junkanoo, Festivalizing the Nation -- 5. "A New Day Dawning": Cosmopolitanism, Roots, and Identity in the Postcolony -- 6. "Back to the Island": Travels in Paradox-Creating the Future-Past -- Epilogue -- Notes -- Bibliography -- Index |
| Record Nr. | UNINA-9910789634403321 |
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Rommen Timothy
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| Berkeley, CA : , : University of California Press, , [2011] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Holy Hip Hop in the City of Angels / Christina Zanfagna
| Holy Hip Hop in the City of Angels / Christina Zanfagna |
| Autore | Zanfagna Christina <1980-> |
| Pubbl/distr/stampa | University of California Press, 2017 |
| Descrizione fisica | 1 online resource (206 pages) : digital, PDF file(s) |
| Disciplina | 306.4/842490979494 |
| Collana | Music of the african diaspora |
| Soggetto topico |
Rap (Music) - California - Los Angeles - History and criticism
Rap (Music) - Religious aspects - Christianity |
| Soggetto genere / forma | Electronic books. |
| Soggetto non controllato |
1990s
african american culture anthems of praise beats bibles black lives matter black los angeles christianity churches earthquakes economic insecurity environmental eruption ethnomusicology floods gangsta rap gospel rap hip hop culture hip hop los angeles lutheran music musical philosophy and social aspects rap music rhymes riots southland spiritual realities |
| ISBN | 0-520-96879-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: Earthquake music and the politics of conversion -- "Now I bang for Christ": rites/rights of passage -- Hip hop church L.A.: shifting grounds in Inglewood -- Beyond Babylon: geographies of conversion -- The evangelical hustle: selling music, saving souls -- Roads to Zion: hip hop's search for the city yet to come -- Epilogue: Aftershocks. |
| Record Nr. | UNISA-996333146903316 |
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Zanfagna Christina <1980->
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| University of California Press, 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Music and revolution [[electronic resource] ] : cultural change in socialist Cuba / / Robin D. Moore
| Music and revolution [[electronic resource] ] : cultural change in socialist Cuba / / Robin D. Moore |
| Autore | Moore Robin <1964-> |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2006 |
| Descrizione fisica | 1 online resource (367 p.) |
| Disciplina | 780/.97291/0904 |
| Collana | Music of the African diaspora |
| Soggetto topico |
Music - Political aspects - Cuba
Music - Cuba - 20th century - History and criticism Socialism and music |
| Soggetto non controllato |
20th century
african diaspora art and music black music cuba cuban history cuban revolution cubans cultural historians cultural history dance styles ethnomusicologists ethnomusicology folklore international relations latin american studies music and culture music and politics music historians music history musical styles musicians political history political revolution religious traditions socialism soviet union |
| ISBN |
1-282-35836-7
0-520-93946-8 9786612358364 1-4237-8966-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Music and the arts in socialist Cuba -- Revelry and revolution : the paradox of the 1950s -- Music and social change in the first years -- Artistic institutions, initiatives, and policies -- Dance music and the politics of fun -- Transformations in Nueva Trova -- Afro-Cuban folklore in a raceless society -- Ay, dios ampárame : sacred music and revolution -- Music and ideological crisis -- Musical politics into the new millennium. |
| Record Nr. | UNINA-9910783666903321 |
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Moore Robin <1964->
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| Berkeley, : University of California Press, c2006 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Music in America's Cold War diplomacy / / Danielle Fosler-Lussier
| Music in America's Cold War diplomacy / / Danielle Fosler-Lussier |
| Autore | Fosler-Lussier Danielle <1969-> |
| Pubbl/distr/stampa | Oakland, California : , : University of California Press, , 2015 |
| Descrizione fisica | 1 online resource |
| Disciplina | 780.78/73 |
| Collana | California Studies in 20th-Century Music |
| Soggetto topico |
Music in intercultural communication - United States - History - 20th century
Arts and diplomacy - United States - History - 20th century Music and globalization - United States - History - 20th century |
| Soggetto non controllato |
20th century composers
20th century music accessible music bela bartok bela viktor janos bartok career cold war tensions cold war comparative musicology ethnomusicology folk music hermann scherchen hungarian composer international politics iron curtain modernism music musical legacy musical style musicians performing arts pianist pierre boulez political action political pressure politics radio programs socialist realism socialist state theodor adorno western composers |
| ISBN | 0-520-95978-7 |
| Classificazione | LQ 89307 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Illustrations -- Acknowledgments -- Abbreviations -- Introduction: Instruments of Diplomacy -- 1. Classical Music and the Mediation of Prestige -- 2. Classical Music as Development Aid -- 3. Jazz in the Cultural Presentations Program -- 4. African American Ambassadors Abroad and at Home -- 5. Presenting America's Religious Heritage Abroad -- 6. The Double-Edged Diplomacy of Popular Music -- 7. Music, Media, and Cultural Relations Between the United States and the Soviet Union -- Conclusion: Music, Mediated Diplomacy, and Globalization in the Cold War Era -- Notes -- Selected Bibliography -- Index |
| Record Nr. | UNINA-9910788152203321 |
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Fosler-Lussier Danielle <1969->
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| Oakland, California : , : University of California Press, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Music in America's Cold War diplomacy / / Danielle Fosler-Lussier
| Music in America's Cold War diplomacy / / Danielle Fosler-Lussier |
| Autore | Fosler-Lussier Danielle <1969-> |
| Pubbl/distr/stampa | Oakland, California : , : University of California Press, , 2015 |
| Descrizione fisica | 1 online resource |
| Disciplina | 780.78/73 |
| Collana | California Studies in 20th-Century Music |
| Soggetto topico |
Music in intercultural communication - United States - History - 20th century
Arts and diplomacy - United States - History - 20th century Music and globalization - United States - History - 20th century |
| Soggetto non controllato |
20th century composers
20th century music accessible music bela bartok bela viktor janos bartok career cold war tensions cold war comparative musicology ethnomusicology folk music hermann scherchen hungarian composer international politics iron curtain modernism music musical legacy musical style musicians performing arts pianist pierre boulez political action political pressure politics radio programs socialist realism socialist state theodor adorno western composers |
| ISBN | 0-520-95978-7 |
| Classificazione | LQ 89307 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Illustrations -- Acknowledgments -- Abbreviations -- Introduction: Instruments of Diplomacy -- 1. Classical Music and the Mediation of Prestige -- 2. Classical Music as Development Aid -- 3. Jazz in the Cultural Presentations Program -- 4. African American Ambassadors Abroad and at Home -- 5. Presenting America's Religious Heritage Abroad -- 6. The Double-Edged Diplomacy of Popular Music -- 7. Music, Media, and Cultural Relations Between the United States and the Soviet Union -- Conclusion: Music, Mediated Diplomacy, and Globalization in the Cold War Era -- Notes -- Selected Bibliography -- Index |
| Record Nr. | UNINA-9910808592103321 |
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Fosler-Lussier Danielle <1969->
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| Oakland, California : , : University of California Press, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Music of a thousand years : a new history of Persian musical traditions / / Ann E. Lucas
| Music of a thousand years : a new history of Persian musical traditions / / Ann E. Lucas |
| Autore | Lucas Ann E. <1978-> |
| Pubbl/distr/stampa | Oakland, California : , : University of California Press, , [2019] |
| Descrizione fisica | 1 online resource (xvii, 265 pages) : illustrations, maps, plates; digital file(s) |
| Disciplina | 780.955 |
| Collana | Joan Palevsky imprint in classical literature |
| Soggetto topico |
Music - Iran - History and criticism
Maqām Dastgāh |
| Soggetto non controllato |
ancient persian culture
changing notions cultural dissimilarity discontinuity entertainment ethnomusicology historical analysis iran history iran middle eastern music modern musical norms modern phenomenon music making music national history persian art music persian music history political history premodern |
| ISBN | 0-520-30080-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- List of Illustrations -- List of Maps -- List of Tables -- Acknowledgments -- A Note about Transliteration -- 1. Ancient Music, Modern Myth -- Part One: Culture of Maqam -- 2. Musical Empires -- 3. Musical Structure: Cosmology and the Universal Order, c. 1100-1800 -- 4. Music and Morality: Listening to Dangers Inherent in the Cosmos -- 5. The Politics of Song: Music for Kings, Music for Empire, c. 1400-1722 -- Part Two: The Culture of Dastgah -- 6. Musical Structure, Musical Nation, c. 1800-1950 -- 7. The Nation's Music: Discovering and Recovering the Dastgah -- 8. Music and Morality: The Recovery of a Nation, c. 1880-1940 -- 9. Singing the Nation: Words of the People, Music for Iran -- 10. History, Agency, and the Power of Music -- Notes -- Discography -- Reference List -- Index |
| Record Nr. | UNINA-9910367592203321 |
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Lucas Ann E. <1978->
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| Oakland, California : , : University of California Press, , [2019] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Music of a thousand years : a new history of Persian musical traditions / / Ann E. Lucas
| Music of a thousand years : a new history of Persian musical traditions / / Ann E. Lucas |
| Autore | Lucas Ann E. <1978-> |
| Pubbl/distr/stampa | Oakland, California : , : University of California Press, , [2019] |
| Descrizione fisica | 1 online resource (xvii, 265 pages) : illustrations, maps, plates; digital file(s) |
| Disciplina | 780.955 |
| Collana | Joan Palevsky imprint in classical literature |
| Soggetto topico |
Music - Iran - History and criticism
Maqām Dastgāh |
| Soggetto non controllato |
ancient persian culture
changing notions cultural dissimilarity discontinuity entertainment ethnomusicology historical analysis iran history iran middle eastern music modern musical norms modern phenomenon music making music national history persian art music persian music history political history premodern |
| ISBN | 0-520-30080-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- List of Illustrations -- List of Maps -- List of Tables -- Acknowledgments -- A Note about Transliteration -- 1. Ancient Music, Modern Myth -- Part One: Culture of Maqam -- 2. Musical Empires -- 3. Musical Structure: Cosmology and the Universal Order, c. 1100-1800 -- 4. Music and Morality: Listening to Dangers Inherent in the Cosmos -- 5. The Politics of Song: Music for Kings, Music for Empire, c. 1400-1722 -- Part Two: The Culture of Dastgah -- 6. Musical Structure, Musical Nation, c. 1800-1950 -- 7. The Nation's Music: Discovering and Recovering the Dastgah -- 8. Music and Morality: The Recovery of a Nation, c. 1880-1940 -- 9. Singing the Nation: Words of the People, Music for Iran -- 10. History, Agency, and the Power of Music -- Notes -- Discography -- Reference List -- Index |
| Record Nr. | UNISA-996359646803316 |
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Lucas Ann E. <1978->
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| Oakland, California : , : University of California Press, , [2019] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Performing ethnomusicology [[electronic resource] ] : teaching and representation in world music ensembles / / edited by Ted Solís
| Performing ethnomusicology [[electronic resource] ] : teaching and representation in world music ensembles / / edited by Ted Solís |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2004 |
| Descrizione fisica | 1 online resource (332 p.) |
| Disciplina | 780/.89 |
| Altri autori (Persone) | SolísTed |
| Soggetto topico |
Ethnomusicology
World music - Instruction and study Folk music groups |
| Soggetto non controllato |
academic world music ensembles
anthology anthropology creating ensembles cultural studies essay collection ethical issues ethnomusicologists ethnomusicology folklore historical musicology intercultural music transmission intergenerational music pedagogy music performance music scholars music students music teaching musicians performing arts practical issues public music performance representation teaching ensembles theoretical issues western music performers world music ensembles |
| ISBN |
9786612762932
0-520-93717-1 1-59734-803-1 1-282-76293-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction. Teaching What Cannot Be Taught: An Optimistic Overview -- Chapter 1. Subject, Object, and the Ethnomusicology Ensemble The Ethnomusicological "We" and "Them" -- Chapter 2. "A Bridge to Java" Four Decades Teaching Gamelan in America -- Chapter 3. Opportunity and Interaction The Gamelan from Java to Wesleyan -- Chapter 4. "Where's 'One'?" Musical Encounters of the Ensemble Kind -- Chapter 5. A Square Peg in a Round Hole Teaching Javanese Gamelan in the Ensemble Paradigm of the Academy -- Chapter 6. "No, Not 'Bali Hai'!" Challenges of Adaptation and Orientalism in Performing and Teaching Balinese Gamelan -- Chapter 7. Cultural Interactions in an Asian Context Chinese and Javanese Ensembles in Hong Kong -- Chapter 8. "Can't Help but Speak, Can't Help but Play" Dual Discourse in Arab Music Pedagogy -- Chapter 9. The African Ensemble in America Contradictions and Possibilities -- Chapter 10. Klez Goes to College -- Chapter 11. Creating a Community, Negotiating Among Communities Performing Middle Eastern Music for a Diverse Middle Eastern and American Public -- Chapter 12. Bilateral Negotiations in Bimusicality Insiders, Outsiders, and the "Real Version" in Middle Eastern Music Performance -- Chapter 13. Community of Comfort Negotiating a World of "Latin Marimba" -- Chapter 14. What's the "It" That We Learn to Perform? Teaching BaAka Music and Dance -- Chapter 15. "When Can We Improvise?" The Place of Creativity in Academic World Music Performance -- Afterword. Some Closing Thoughts from the First Voice -- Works Cites -- Contributors -- Index |
| Record Nr. | UNINA-9910783388303321 |
| Berkeley, : University of California Press, c2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Songs of Seoul : an ethnography of voice and voicing in christian South Korea / / Nicholas Harkness
| Songs of Seoul : an ethnography of voice and voicing in christian South Korea / / Nicholas Harkness |
| Autore | Harkness Nicholas |
| Pubbl/distr/stampa | Berkeley : , : University of California Press, , [2014] |
| Descrizione fisica | 1 online resource (320 p.) |
| Disciplina |
782.2
782.22095195 |
| Soggetto topico |
Church music - Korea (South)
Music - Religious aspects - Korea (South) Singing - Korea (South) |
| Soggetto non controllato |
anthropology
art songs choral music christianity christians church concert halls culture ethnographic study ethnomusicology european style classical voice evangelical christian faith korean christians linguistics materiality of the body music musicians opera performance personhood politics preachers prosperity religion religious schools of music semiotics seoul singing social transformation societal norms society songs sound south korea study of voice superstition vocal and singing western opera |
| ISBN |
0-520-27653-1
0-520-95740-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- Note on Romanization -- Introduction -- Part One. The Qualities of Voice -- Part Two. The Sociality of Voice -- Notes -- References Cited -- Index |
| Record Nr. | UNINA-9910790799503321 |
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Harkness Nicholas
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| Berkeley : , : University of California Press, , [2014] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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