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Americanizing the movies and "movie-mad" audiences, 1910-1914 [[electronic resource] /] / Richard Abel
| Americanizing the movies and "movie-mad" audiences, 1910-1914 [[electronic resource] /] / Richard Abel |
| Autore | Abel Richard <1941-> |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2006 |
| Descrizione fisica | 1 online resource (392 p.) |
| Disciplina | 791.430973 |
| Soggetto topico |
Motion pictures - United States - History
Motion pictures - Social aspects - United States Nationalism - United States |
| Soggetto non controllato |
1910s
american cinema american history americanizing film animal films anthropologists cinema studies civil war films critical analysis detective films early cinema film distribution film historians film industry film scholars film studies immigrant culture movie audiences moviegoing national identity nonfiction study popular film genres sensational melodramas sociologists united states westerns working class culture |
| ISBN |
1-282-35839-1
0-520-93952-2 9786612358395 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Illustrations -- Acknowledgments -- L'Envoi of Moving Pictures -- Introduction -- Chapter 1. American Variety and/or Foreign Features -- Entr'acte 1. Mapping the Local Terrain of Exhibition -- Chapter 2. The "Usable Past" of Westerns -- Entr'acte 2. Moviegoing Habits and Everyday Life -- Chapter 3. The "Usable Past" of Westerns -- Entr'acte 3. A "Forgotten" Part of the Program -- Chapter 4. The "Usable Past" of Civil War Films -- Entr'acte 4. Another "Forgotten" Part of the Program -- Chapter 5. The "Usable Present" of Thrillers -- Entr'acte 5. Trash Twins -- Chapter 6. "The Power of Personality in Pictures" -- Notes -- Bibliography -- Index |
| Altri titoli varianti | Imagined community of United States cinema |
| Record Nr. | UNINA-9910782201003321 |
Abel Richard <1941->
|
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| Berkeley, : University of California Press, c2006 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Americanizing the movies and "movie-mad" audiences, 1910-1914 / / Richard Abel
| Americanizing the movies and "movie-mad" audiences, 1910-1914 / / Richard Abel |
| Autore | Abel Richard <1941-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2006 |
| Descrizione fisica | 1 online resource (392 p.) |
| Disciplina | 791.430973 |
| Soggetto topico |
Motion pictures - United States - History
Motion pictures - Social aspects - United States Nationalism - United States |
| Soggetto non controllato |
1910s
american cinema american history americanizing film animal films anthropologists cinema studies civil war films critical analysis detective films early cinema film distribution film historians film industry film scholars film studies immigrant culture movie audiences moviegoing national identity nonfiction study popular film genres sensational melodramas sociologists united states westerns working class culture |
| ISBN |
1-282-35839-1
0-520-93952-2 9786612358395 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Illustrations -- Acknowledgments -- L'Envoi of Moving Pictures -- Introduction -- Chapter 1. American Variety and/or Foreign Features -- Entr'acte 1. Mapping the Local Terrain of Exhibition -- Chapter 2. The "Usable Past" of Westerns -- Entr'acte 2. Moviegoing Habits and Everyday Life -- Chapter 3. The "Usable Past" of Westerns -- Entr'acte 3. A "Forgotten" Part of the Program -- Chapter 4. The "Usable Past" of Civil War Films -- Entr'acte 4. Another "Forgotten" Part of the Program -- Chapter 5. The "Usable Present" of Thrillers -- Entr'acte 5. Trash Twins -- Chapter 6. "The Power of Personality in Pictures" -- Notes -- Bibliography -- Index |
| Altri titoli varianti | Imagined community of United States cinema |
| Record Nr. | UNINA-9910811838203321 |
|
Abel Richard <1941->
|
||
| Berkeley, : University of California Press, c2006 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Cinepoetry [[electronic resource] ] : imaginary cinemas in French poetry / / Christophe Wall-Romana
| Cinepoetry [[electronic resource] ] : imaginary cinemas in French poetry / / Christophe Wall-Romana |
| Autore | Wall-Romana Christophe |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | New York, : Fordham University Press, 2013 |
| Descrizione fisica | 1 online resource (504 p.) |
| Disciplina | 841/.91209357 |
| Collana | Verbal arts: studies in poetics |
| Soggetto topico |
French poetry - 19th century - History and criticism
French poetry - 20th century - History and criticism Motion pictures and literature - France Motion pictures in literature |
| Soggetto non controllato |
André Breton
Charles Chaplin Jean Epstein Stéphane Mallarmé cross media studies early cinema film studies literary criticism modern French literature poetry |
| ISBN |
0-8232-4551-9
0-8232-5252-3 0-8232-5033-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- List of Illustrations -- Acknowledgments -- List of Abbreviations -- Introduction: Cinema as Imaginary Medium in French Poetry -- 1. Mallarmé Unfolds the Cinématographe -- 2. The Pen-Camera: Raymond Roussel’s Freeze-Frame Panorama -- 3. Le Film surnaturel: Cocteau’s Immersive Writing -- 4. Jean Epstein’s Invention of Cinepoetry -- 5. Breton’s Surrealism, or How to Sublimate Cinepoetry -- 6. Doing Filmic Things with Words: On Chaplin -- 7. The Poem-Scenario in the Interwar (1917–1928) -- 8. Reembodied Writing: Lettrism and Kinesthetic Scripts (1946–1959) -- 9. Postlyricism and the Movie Program: From Jarry to Alferi -- 10. Cine-Verse: Decoupage Poetics and Filmic Implicature -- 11. Max Jeanne’s Western: Eschatological Sarcasm in the Postcolony -- 12. Maurice Roche’s Compact: Word-Tracks and the Body Apparatus -- 13. Nelly Kaplan’s Le Collier de ptyx: Mallarmé as Political McGuffin -- Conclusion: The Film to Come in Contemporary Poetry -- Notes -- Bibliography -- Index |
| Record Nr. | UNINA-9910788213803321 |
|
Wall-Romana Christophe
|
||
| New York, : Fordham University Press, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Cinepoetry : imaginary cinemas in French poetry / / Christophe Wall-Romana
| Cinepoetry : imaginary cinemas in French poetry / / Christophe Wall-Romana |
| Autore | Wall-Romana Christophe |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | New York, : Fordham University Press, 2013 |
| Descrizione fisica | 1 online resource (504 p.) |
| Disciplina |
841/.91209357
841.91209357 |
| Collana | Verbal arts: studies in poetics |
| Soggetto topico |
French poetry - 19th century - History and criticism
French poetry - 20th century - History and criticism Motion pictures and literature - France Motion pictures in literature |
| Soggetto non controllato |
André Breton
Charles Chaplin Jean Epstein Stéphane Mallarmé cross media studies early cinema film studies literary criticism modern French literature poetry |
| ISBN |
0-8232-4551-9
0-8232-5252-3 0-8232-5033-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- List of Illustrations -- Acknowledgments -- List of Abbreviations -- Introduction: Cinema as Imaginary Medium in French Poetry -- 1. Mallarmé Unfolds the Cinématographe -- 2. The Pen-Camera: Raymond Roussel’s Freeze-Frame Panorama -- 3. Le Film surnaturel: Cocteau’s Immersive Writing -- 4. Jean Epstein’s Invention of Cinepoetry -- 5. Breton’s Surrealism, or How to Sublimate Cinepoetry -- 6. Doing Filmic Things with Words: On Chaplin -- 7. The Poem-Scenario in the Interwar (1917–1928) -- 8. Reembodied Writing: Lettrism and Kinesthetic Scripts (1946–1959) -- 9. Postlyricism and the Movie Program: From Jarry to Alferi -- 10. Cine-Verse: Decoupage Poetics and Filmic Implicature -- 11. Max Jeanne’s Western: Eschatological Sarcasm in the Postcolony -- 12. Maurice Roche’s Compact: Word-Tracks and the Body Apparatus -- 13. Nelly Kaplan’s Le Collier de ptyx: Mallarmé as Political McGuffin -- Conclusion: The Film to Come in Contemporary Poetry -- Notes -- Bibliography -- Index |
| Record Nr. | UNINA-9910814200803321 |
|
Wall-Romana Christophe
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||
| New York, : Fordham University Press, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Fight pictures [[electronic resource] ] : a history of boxing and early cinema / / Dan Streible
| Fight pictures [[electronic resource] ] : a history of boxing and early cinema / / Dan Streible |
| Autore | Streible Dan |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2008 |
| Descrizione fisica | 1 online resource (418 p.) |
| Disciplina | 791.43/6579 |
| Soggetto topico |
Boxing films - United States - History and criticism
Motion pictures - History and criticism |
| Soggetto non controllato |
20th century america culture
20th century american film history american cinema american film history bob fitzsimmons bootlegging boxing match boxing pictures championship prizefight cinema documentary film early cinema fighting film history film studies film first feature film historical jack johnson james j corbett jim jeffries latham loop movie history movie studies movies national film registry nickelodeon films prizefighting retrospective sports history sports the corbett fitzsimmons fight |
| ISBN |
1-282-36021-3
9786612360213 0-520-94058-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Illustrations -- Foreword -- Acknowledgments -- Chronology -- Preliminaries: History, Prizefighting, Early Cinema -- 1. The Sporting and Theatrical Syndicate: Boxing Pictures and the Origins of Cinema, 1891-1896 -- 2. The Corbett-Fitzsimmons Fight: Women at the Veriscope, 1897 -- 3. Under the Lights: Filming Ringside in the Jim Jeffries Era, 1899-1904 -- 4. Fake Fight Films: S. Lubin of Philadelphia, 1897-1908 -- 5. Fight Pictures in the Nickelodeon Era: Miles Bros. of New York & San Francisco, 1905-1912 -- 6. Jack Johnson Films: Black Exhibition and White Suppression, 1908-1910 -- 7. Jack Johnson's Decline: The Prizefight Film Ban, 1911-1915 -- 8. Bootlegging The Clandestine Traffic in Fight Pictures, 1916-1940 -- Filmography -- Notes -- Index |
| Record Nr. | UNINA-9910780640603321 |
|
Streible Dan
|
||
| Berkeley, : University of California Press, c2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Fight pictures : a history of boxing and early cinema / / Dan Streible
| Fight pictures : a history of boxing and early cinema / / Dan Streible |
| Autore | Streible Dan |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2008 |
| Descrizione fisica | 1 online resource (418 p.) |
| Disciplina | 791.43/6579 |
| Soggetto topico |
Boxing films - United States - History and criticism
Motion pictures - History and criticism |
| Soggetto non controllato |
20th century america culture
20th century american film history american cinema american film history bob fitzsimmons bootlegging boxing match boxing pictures championship prizefight cinema documentary film early cinema fighting film history film studies film first feature film historical jack johnson james j corbett jim jeffries latham loop movie history movie studies movies national film registry nickelodeon films prizefighting retrospective sports history sports the corbett fitzsimmons fight |
| ISBN |
1-282-36021-3
9786612360213 0-520-94058-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Illustrations -- Foreword -- Acknowledgments -- Chronology -- Preliminaries: History, Prizefighting, Early Cinema -- 1. The Sporting and Theatrical Syndicate: Boxing Pictures and the Origins of Cinema, 1891-1896 -- 2. The Corbett-Fitzsimmons Fight: Women at the Veriscope, 1897 -- 3. Under the Lights: Filming Ringside in the Jim Jeffries Era, 1899-1904 -- 4. Fake Fight Films: S. Lubin of Philadelphia, 1897-1908 -- 5. Fight Pictures in the Nickelodeon Era: Miles Bros. of New York & San Francisco, 1905-1912 -- 6. Jack Johnson Films: Black Exhibition and White Suppression, 1908-1910 -- 7. Jack Johnson's Decline: The Prizefight Film Ban, 1911-1915 -- 8. Bootlegging The Clandestine Traffic in Fight Pictures, 1916-1940 -- Filmography -- Notes -- Index |
| Record Nr. | UNINA-9910819704203321 |
|
Streible Dan
|
||
| Berkeley, : University of California Press, c2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||