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Color and empathy : essays on two aspects of film / / Christine N. Brinckmann [[electronic resource]]
| Color and empathy : essays on two aspects of film / / Christine N. Brinckmann [[electronic resource]] |
| Autore | Brinckmann Christine <1937-> |
| Pubbl/distr/stampa | Amsterdam : , : Amsterdam University Press, , 2014 |
| Descrizione fisica | 1 online resource (269 pages) : digital, PDF file(s) |
| Disciplina | 791 |
| Collana | Film culture in transition |
| Soggetto topico |
Colors in motion pictures - History
Color cinematography - History Color motion pictures - History |
| Soggetto non controllato |
Film poetics
colour in film documentary film historical stylistics viewer response |
| ISBN | 90-485-2326-5 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Table of Contents -- Preface / Brinckman, Christine N. -- Cinematic Color as Likeness and as Artifact -- Chords of Color -- The Tension of Colors in Colorized Silent Films -- Structural Film, Structuring Color: Jenny Okun's Still Life -- Desert Fury: A Film Noir in Color -- The Work of the Camera: Beau travail -- Empathy with the Animal -- Motor Mimicry in Hitchcock -- Abstraction and Empathy in the Early German Avant-garde -- The Role of Empathy in Documentary Film: A Case Study -- Genre Conflict in Tracey Emin's Top Spot -- Viewer Empathy and Mosaic Structure in Frederick Wiseman's Primate -- Casta Diva: An Empathetic Reading -- Publication Data -- Index of Films -- Index of Subjects -- Film Culture in Transition |
| Record Nr. | UNINA-9910787400203321 |
Brinckmann Christine <1937->
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| Amsterdam : , : Amsterdam University Press, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Color and empathy : essays on two aspects of film / / Christine N. Brinckmann [[electronic resource]]
| Color and empathy : essays on two aspects of film / / Christine N. Brinckmann [[electronic resource]] |
| Autore | Brinckmann Christine <1937-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Amsterdam : , : Amsterdam University Press, , 2014 |
| Descrizione fisica | 1 online resource (269 pages) : digital, PDF file(s) |
| Disciplina | 791 |
| Collana | Film culture in transition |
| Soggetto topico |
Colors in motion pictures - History
Color cinematography - History Color motion pictures - History |
| Soggetto non controllato |
Film poetics
colour in film documentary film historical stylistics viewer response |
| ISBN | 90-485-2326-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Table of Contents -- Preface / Brinckman, Christine N. -- Cinematic Color as Likeness and as Artifact -- Chords of Color -- The Tension of Colors in Colorized Silent Films -- Structural Film, Structuring Color: Jenny Okun's Still Life -- Desert Fury: A Film Noir in Color -- The Work of the Camera: Beau travail -- Empathy with the Animal -- Motor Mimicry in Hitchcock -- Abstraction and Empathy in the Early German Avant-garde -- The Role of Empathy in Documentary Film: A Case Study -- Genre Conflict in Tracey Emin's Top Spot -- Viewer Empathy and Mosaic Structure in Frederick Wiseman's Primate -- Casta Diva: An Empathetic Reading -- Publication Data -- Index of Films -- Index of Subjects -- Film Culture in Transition |
| Record Nr. | UNINA-9910810766303321 |
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Brinckmann Christine <1937->
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| Amsterdam : , : Amsterdam University Press, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Developments in the Japanese Documentary Mode
| Developments in the Japanese Documentary Mode |
| Autore | Centeno Marcos |
| Pubbl/distr/stampa | Basel, Switzerland, : MDPI - Multidisciplinary Digital Publishing Institute, 2021 |
| Descrizione fisica | 1 electronic resource (140 p.) |
| Soggetto topico | Music |
| Soggetto non controllato |
ethnofiction
Japan documentary non-fiction dramatization Minamata disease Tsuchimoto Noriaki W. Eugene Smith Ishimure Michiko ethics of representation The Children of Minamata are Living Minamata: The Victims and Their World authorship documentary film hibakusha Japanese cinema Mizoguchi Kenji semi-documentary Shindō Kaneto film theory documentary film theory postwar Japan post-1945 Japan Hani Susumu cinéma verité direct cinema observational documentary cinematography the culture film Imamura Shōhei History of Post-War Japan as Told by a Bar Hostess fiction and documentary history memory experience magic lantern popular history movement avant-garde documentary new Left Teshigahara Hiroshi Adachi Masao subjectivity landscapes folklore studies documentary photography |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910557339003321 |
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Centeno Marcos
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| Basel, Switzerland, : MDPI - Multidisciplinary Digital Publishing Institute, 2021 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Fight pictures [[electronic resource] ] : a history of boxing and early cinema / / Dan Streible
| Fight pictures [[electronic resource] ] : a history of boxing and early cinema / / Dan Streible |
| Autore | Streible Dan |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2008 |
| Descrizione fisica | 1 online resource (418 p.) |
| Disciplina | 791.43/6579 |
| Soggetto topico |
Boxing films - United States - History and criticism
Motion pictures - History and criticism |
| Soggetto non controllato |
20th century america culture
20th century american film history american cinema american film history bob fitzsimmons bootlegging boxing match boxing pictures championship prizefight cinema documentary film early cinema fighting film history film studies film first feature film historical jack johnson james j corbett jim jeffries latham loop movie history movie studies movies national film registry nickelodeon films prizefighting retrospective sports history sports the corbett fitzsimmons fight |
| ISBN |
1-282-36021-3
9786612360213 0-520-94058-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Illustrations -- Foreword -- Acknowledgments -- Chronology -- Preliminaries: History, Prizefighting, Early Cinema -- 1. The Sporting and Theatrical Syndicate: Boxing Pictures and the Origins of Cinema, 1891-1896 -- 2. The Corbett-Fitzsimmons Fight: Women at the Veriscope, 1897 -- 3. Under the Lights: Filming Ringside in the Jim Jeffries Era, 1899-1904 -- 4. Fake Fight Films: S. Lubin of Philadelphia, 1897-1908 -- 5. Fight Pictures in the Nickelodeon Era: Miles Bros. of New York & San Francisco, 1905-1912 -- 6. Jack Johnson Films: Black Exhibition and White Suppression, 1908-1910 -- 7. Jack Johnson's Decline: The Prizefight Film Ban, 1911-1915 -- 8. Bootlegging The Clandestine Traffic in Fight Pictures, 1916-1940 -- Filmography -- Notes -- Index |
| Record Nr. | UNINA-9910780640603321 |
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Streible Dan
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| Berkeley, : University of California Press, c2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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First cut 2 [[electronic resource] ] : more conversations with film editors / / Gabriella Oldham
| First cut 2 [[electronic resource] ] : more conversations with film editors / / Gabriella Oldham |
| Autore | Oldham Gabriella |
| Pubbl/distr/stampa | Berkeley, : University of California Press, 2012 |
| Descrizione fisica | 1 online resource (310 p.) |
| Disciplina | 777/.55 |
| Soggetto topico |
Motion pictures - Editing
Motion picture editors |
| Soggetto non controllato |
21st century
aspiring filmmakers award winners cinema and film cinematic insights digital age documentary film editing editorial process film buffs film editing film editors film historians film history film industry film production film scholars film students film studies film theory filmmaking process independent filmmakers interviews media studies modern film movie buffs nonfiction psychology theatrical productions |
| ISBN |
1-280-79266-3
0-520-95399-1 9786613703057 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. Keeping Beats -- 2. Pushing the Envelope -- 3. Cutting from the Gut -- 4. Sensing Psychology -- 5. Capturing the Feeling -- 6. Speaking Cinema -- 7. Editing the Self -- 8. Pointing to the Middle -- 9. Honoring Lives -- 10. Weighing the Gold -- 11. Making It Work -- 12. Striking the Balance -- Bibliography -- Index |
| Altri titoli varianti | First cut two |
| Record Nr. | UNINA-9910779251803321 |
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Oldham Gabriella
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| Berkeley, : University of California Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The first sail : J. Hillis Miller : a film book / / Dragan Kujundzic
| The first sail : J. Hillis Miller : a film book / / Dragan Kujundzic |
| Autore | Kujundzic Dragan <1959-> |
| Pubbl/distr/stampa | Open Humanities Press, 2015 |
| Descrizione fisica | 1 online resource (223 pages) |
| Disciplina | 810.9 |
| Soggetto topico |
Critics - United States
American literature - History and criticism - Theory, etc |
| Soggetto non controllato |
j. hillis miller
documentary film film transcript the first sail interview Deconstruction Essay Jacques Derrida |
| ISBN | 1-78542-076-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Avant-propos /Dragan Kujundžić -- Introduction / Henry Sussman -- Film Transcript -- Interview / Taryn Devereux -- Talking about the same questions but at another rhythm: Deconstruction and Film / Sarah Dillon -- Just a Miracle / Charlie Gere -- Up 111 / Nicholas Royle -- Miller's Idle Tears / Éamonn Dunne and Michael O'Rourke -- Envoiles (Post It) / Dragan Kujundžić -- Memory to come (tba) or, towards a poetics of the spectral / Julian Wolfreys -- Like a Beginning of an Interminable Waterway: J. Hillis Miller and the Theory to Come / Dragan Kujundžić -- Thanks a Lot and What I Would Say Now / J. Hillis Miller. |
| Record Nr. | UNINA-9910131402203321 |
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Kujundzic Dragan <1959->
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| Open Humanities Press, 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Invisible storytellers : voice-over narration in American fiction film / / Sarah Kozloff
| Invisible storytellers : voice-over narration in American fiction film / / Sarah Kozloff |
| Autore | Kozloff Sarah |
| Pubbl/distr/stampa | Berkeley : , : University of California Press, , 1988 |
| Descrizione fisica | 1 online resource (178 pages) : illustrations |
| Disciplina | 791.43/0973 |
| Soggetto topico |
Voice-overs
Motion picture plays, American - History and criticism Motion pictures - United States |
| Soggetto non controllato |
adaptation theory
adaptations all about eve annie hall barry lyndon book to movie documentary film double indemnity exposition film adaptation film criticism film interpretation film studies film technique film theory film filmmaking how green was my valley literature media naked city narration narrative theory narrative newsreels nonfiction opening frames platoon popular culture radio red river silent film storytelling television tv voice over wuthering heights |
| ISBN |
1-282-35560-0
9786612355608 0-520-90966-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. The Prejudices against Voice-Over Narration -- 2. Ancestors, Influences, and Development -- 3. First-Person Narrators -- 4. Third-Person Narrators -- 5. Irony in Voice-Over Films -- Conclusion -- Notes -- Filmography -- Bibliography of Works Cited -- Index |
| Record Nr. | UNINA-9910778470603321 |
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Kozloff Sarah
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| Berkeley : , : University of California Press, , 1988 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Where Truth Lies : Digital Culture and Documentary Media after 9/11 / / Kris Fallon
| Where Truth Lies : Digital Culture and Documentary Media after 9/11 / / Kris Fallon |
| Autore | Fallon Kris |
| Pubbl/distr/stampa | Oakland, : University of California Press, 2019 |
| Descrizione fisica | 1 online resource (xvi, 227 pages) : illustrations; PDF, digital file(s) |
| Disciplina | 302.23/10973 |
| Soggetto topico |
Digital media - Political aspects - United States - 21st century
Documentary mass media - United States - 21st century Mass media - Objectivity - United States - 21st century Online social networks - Political aspects - 21st century Films, cinema Media studies Politics & government |
| Soggetto non controllato |
21st century
abu ghraib torture big data crowdsourcing cultural integration data visualization digital platforms documentary film tradition documentary film evolution fake news formative influence ideological rifts key media forms photography political action political conflict political rupture presidential elections scandal social networking video games virtual environments wars |
| ISBN | 0-520-30093-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- Preface -- 1. Seeing in the Dark -- 2. "We See What We Want to Believe": Archival Logic and Database Aesthetics in the War Films of Errol Morris -- 3. Networked Audiences: MoveOn.org and Brave New Films -- 4. "States of Exception": The Paradox of Virtual Documentary Representation -- 5. Technology, Transparency, and the Digital Presidency -- 6. Post-Truth Politics: Conspiracy Media and the Specter of "Fake News" -- Notes -- Index |
| Record Nr. | UNINA-9910367592003321 |
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Fallon Kris
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| Oakland, : University of California Press, 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Where Truth Lies : Digital Culture and Documentary Media after 9/11 / / Kris Fallon
| Where Truth Lies : Digital Culture and Documentary Media after 9/11 / / Kris Fallon |
| Autore | Fallon Kris |
| Pubbl/distr/stampa | Oakland, : University of California Press, 2019 |
| Descrizione fisica | 1 online resource (xvi, 227 pages) : illustrations; PDF, digital file(s) |
| Disciplina | 302.23/10973 |
| Soggetto topico |
Digital media - Political aspects - United States - 21st century
Documentary mass media - United States - 21st century Mass media - Objectivity - United States - 21st century Online social networks - Political aspects - 21st century Films, cinema Media studies Politics & government |
| Soggetto non controllato |
21st century
abu ghraib torture big data crowdsourcing cultural integration data visualization digital platforms documentary film tradition documentary film evolution fake news formative influence ideological rifts key media forms photography political action political conflict political rupture presidential elections scandal social networking video games virtual environments wars |
| ISBN | 0-520-30093-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- Preface -- 1. Seeing in the Dark -- 2. "We See What We Want to Believe": Archival Logic and Database Aesthetics in the War Films of Errol Morris -- 3. Networked Audiences: MoveOn.org and Brave New Films -- 4. "States of Exception": The Paradox of Virtual Documentary Representation -- 5. Technology, Transparency, and the Digital Presidency -- 6. Post-Truth Politics: Conspiracy Media and the Specter of "Fake News" -- Notes -- Index |
| Record Nr. | UNISA-996328036703316 |
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Fallon Kris
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| Oakland, : University of California Press, 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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