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Cinemasaurus : Russian Film in Contemporary Context / / Nancy Condee, Alexander Prokhorov, Elena Prokhorova
| Cinemasaurus : Russian Film in Contemporary Context / / Nancy Condee, Alexander Prokhorov, Elena Prokhorova |
| Pubbl/distr/stampa | Boston, MA : , : Academic Studies Press, , [2020] |
| Descrizione fisica | 1 online resource |
| Disciplina | 791.430947 |
| Collana | Film and Media Studies |
| Soggetto topico | Motion picture industry - Russia (Federation) |
| Soggetto non controllato |
20th century film
21st century film Aleksandr Kott Another Sky Bekmambetov Cinema Dmitrii Mamuliia Elki Eurasian Film Symposium KinoKultura Kinotavr Mikhalkov Russia The Test art arthouse films cinematography comedy contemporary criticism culture documentary film festival film production film genre horror independent films movies political commentary post-Soviet violence in film |
| ISBN |
1-64469-374-7
1-64469-272-4 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- List of Illustrations -- Foreword -- Acknowledgments -- Note on Transliteration and Translations -- Cinemasaurus: Introduction -- Introduction -- 1. Imperial Fatigue: Somnambulants, Ghosts, and Monsters -- 2. Empire Reloaded: Sacred Power in a Postmodern Era -- 3. Russia's Quiet Other: Dmitrii Mamuliia's Another Sky and Aleksandr Kott's The Test -- Introduction -- 4. Laughing Apocalypse: Horror and/as Comedy -- 5. Eccentricity, Theatricality, and the Grotesque -- 6. Privatized Violence in the New Russian Cinema -- Introduction -- 7. Fragments of Empire: The Heartland in Post-Soviet Film -- 8. Russia on the Margins? -- 9. Contending Alterities: Drag Show, Roma Camp . . . -- Introduction -- 10. Past, Present, and Posthumous Fathers: Cinepaternity Reloaded -- 11. New Auteurism: The Case of Mikhalkov and Bekmambetov -- 12. Elki: The Most Profitable Franchise of the Putin Era -- 13. The Mediascape: Alexander Rodnyansky (CEO, AR Films, Non-Stop Production) -- 14. The Festival: Sitora Alieva (Program Director, Kinotavr) -- 15. The Exhibition Space: Paul Heth (CEO, Rising Star Media; Karo Film Holding) -- 16. The Film Journal: Birgit Beumers (KinoKultura, UK) -- 17. The Film Symposium: Vladimir Padunov (Russian Film Symposium, US) -- Kino-Grafik -- Notes on the Contributors -- Works Cited -- Index |
| Record Nr. | UNINA-9910794192703321 |
| Boston, MA : , : Academic Studies Press, , [2020] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Cinemasaurus : Russian Film in Contemporary Context / / Nancy Condee, Alexander Prokhorov, Elena Prokhorova
| Cinemasaurus : Russian Film in Contemporary Context / / Nancy Condee, Alexander Prokhorov, Elena Prokhorova |
| Pubbl/distr/stampa | Boston, MA : , : Academic Studies Press, , [2020] |
| Descrizione fisica | 1 online resource |
| Disciplina | 791.430947 |
| Collana | Film and Media Studies |
| Soggetto topico | Motion picture industry - Russia (Federation) |
| Soggetto non controllato |
20th century film
21st century film Aleksandr Kott Another Sky Bekmambetov Cinema Dmitrii Mamuliia Elki Eurasian Film Symposium KinoKultura Kinotavr Mikhalkov Russia The Test art arthouse films cinematography comedy contemporary criticism culture documentary film festival film production film genre horror independent films movies political commentary post-Soviet violence in film |
| ISBN |
1-64469-374-7
1-64469-272-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- List of Illustrations -- Foreword -- Acknowledgments -- Note on Transliteration and Translations -- Cinemasaurus: Introduction -- Introduction -- 1. Imperial Fatigue: Somnambulants, Ghosts, and Monsters -- 2. Empire Reloaded: Sacred Power in a Postmodern Era -- 3. Russia's Quiet Other: Dmitrii Mamuliia's Another Sky and Aleksandr Kott's The Test -- Introduction -- 4. Laughing Apocalypse: Horror and/as Comedy -- 5. Eccentricity, Theatricality, and the Grotesque -- 6. Privatized Violence in the New Russian Cinema -- Introduction -- 7. Fragments of Empire: The Heartland in Post-Soviet Film -- 8. Russia on the Margins? -- 9. Contending Alterities: Drag Show, Roma Camp . . . -- Introduction -- 10. Past, Present, and Posthumous Fathers: Cinepaternity Reloaded -- 11. New Auteurism: The Case of Mikhalkov and Bekmambetov -- 12. Elki: The Most Profitable Franchise of the Putin Era -- 13. The Mediascape: Alexander Rodnyansky (CEO, AR Films, Non-Stop Production) -- 14. The Festival: Sitora Alieva (Program Director, Kinotavr) -- 15. The Exhibition Space: Paul Heth (CEO, Rising Star Media; Karo Film Holding) -- 16. The Film Journal: Birgit Beumers (KinoKultura, UK) -- 17. The Film Symposium: Vladimir Padunov (Russian Film Symposium, US) -- Kino-Grafik -- Notes on the Contributors -- Works Cited -- Index |
| Record Nr. | UNINA-9910820442703321 |
| Boston, MA : , : Academic Studies Press, , [2020] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The Conscience of Cinema / / Thomas Waugh
| The Conscience of Cinema / / Thomas Waugh |
| Autore | Waugh Thomas <1948-> |
| Pubbl/distr/stampa | Amsterdam, : Amsterdam University Press, 2016 |
| Descrizione fisica | 1 online resource (779 pages) : illustrations;digital, PDF file(s) |
| Disciplina | 791 |
| Collana | Framing Film |
| Soggetto topico | Documentary films - Netherlands - History and criticism |
| Soggetto non controllato |
film theory and criticism
media and communications cinema joris ivens documentary twentieth century |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Table of Contents -- Notes to the Reader -- Acknowledgments -- List of Illustrations -- Foreword By André Stufkens / Stufkens, André -- Foreword By Bill Nichols / Nichols, Bill -- Introduction -- Part I -- 1. Ivens and the Silent Film Avant-Garde 1926-1929 -- 2. The Radicalisation of the Poet 1929-1936 -- 3. Anti-Fascist Solidarity Documentary -- 4. Projects of the Forties -- Part II -- 5. Torn Curtain: lvens the Cold Warrior 1946-1956 -- 6. The 'Poet' Reborn? 1956-1965 -- 7. Southeast Asia 1966-1970 Reinventing the Solidarity Film -- 8. China 1971-1989 -- Conclusion: Qui s'arrête se trompe -- Notes -- Appendix: Films on Ivens -- Filmography -- Reference List -- Index |
| Record Nr. | UNINA-9910136780603321 |
Waugh Thomas <1948->
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| Amsterdam, : Amsterdam University Press, 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The Conscience of Cinema / / Thomas Waugh
| The Conscience of Cinema / / Thomas Waugh |
| Autore | Waugh Thomas <1948-> |
| Pubbl/distr/stampa | Amsterdam, : Amsterdam University Press, 2016 |
| Descrizione fisica | 1 online resource (779 pages) : illustrations;digital, PDF file(s) |
| Disciplina | 791 |
| Collana | Framing Film |
| Soggetto topico | Documentary films - Netherlands - History and criticism |
| Soggetto non controllato |
film theory and criticism
media and communications cinema joris ivens documentary twentieth century |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Table of Contents -- Notes to the Reader -- Acknowledgments -- List of Illustrations -- Foreword By André Stufkens / Stufkens, André -- Foreword By Bill Nichols / Nichols, Bill -- Introduction -- Part I -- 1. Ivens and the Silent Film Avant-Garde 1926-1929 -- 2. The Radicalisation of the Poet 1929-1936 -- 3. Anti-Fascist Solidarity Documentary -- 4. Projects of the Forties -- Part II -- 5. Torn Curtain: lvens the Cold Warrior 1946-1956 -- 6. The 'Poet' Reborn? 1956-1965 -- 7. Southeast Asia 1966-1970 Reinventing the Solidarity Film -- 8. China 1971-1989 -- Conclusion: Qui s'arrête se trompe -- Notes -- Appendix: Films on Ivens -- Filmography -- Reference List -- Index |
| Record Nr. | UNISA-996379045803316 |
|
Waugh Thomas <1948->
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| Amsterdam, : Amsterdam University Press, 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Developments in the Japanese Documentary Mode
| Developments in the Japanese Documentary Mode |
| Autore | Centeno Marcos |
| Pubbl/distr/stampa | Basel, Switzerland, : MDPI - Multidisciplinary Digital Publishing Institute, 2021 |
| Descrizione fisica | 1 electronic resource (140 p.) |
| Soggetto topico | Music |
| Soggetto non controllato |
ethnofiction
Japan documentary non-fiction dramatization Minamata disease Tsuchimoto Noriaki W. Eugene Smith Ishimure Michiko ethics of representation The Children of Minamata are Living Minamata: The Victims and Their World authorship documentary film hibakusha Japanese cinema Mizoguchi Kenji semi-documentary Shindō Kaneto film theory documentary film theory postwar Japan post-1945 Japan Hani Susumu cinéma verité direct cinema observational documentary cinematography the culture film Imamura Shōhei History of Post-War Japan as Told by a Bar Hostess fiction and documentary history memory experience magic lantern popular history movement avant-garde documentary new Left Teshigahara Hiroshi Adachi Masao subjectivity landscapes folklore studies documentary photography |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910557339003321 |
|
Centeno Marcos
|
||
| Basel, Switzerland, : MDPI - Multidisciplinary Digital Publishing Institute, 2021 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Disability media studies / / Elizabeth Ellcessor, Bill Kirkpatrick
| Disability media studies / / Elizabeth Ellcessor, Bill Kirkpatrick |
| Pubbl/distr/stampa | New York, NY : , : New York University Press, , [2017] |
| Descrizione fisica | 1 online resource (333 pages) : illustrations |
| Disciplina | 302.23087 |
| Soggetto topico | People with disabilities in mass media |
| Soggetto non controllato |
Accessible
Biopolitics Sexuality Television access culture disability documentary film media policy queer |
| ISBN | 1-4798-0234-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Chapters by Topic (Medium) -- Introduction -- 1. Kickstarting Community -- 2. After School Special Education -- 3. Throw Yo’ Voice Out -- 4. How to Stare at Your Television -- 5. Prosthetic Heroes -- 6. “It’s Not Just Sexism” -- 7. One of Us? -- 8. Disability, Global Popular Media, and Injustice in the Trial of Oscar Pistorius -- 9. Autism in Translation -- 10. How to Get through the Day with Pain and Sadness -- 11. Any Day Now -- 12. The Price of the Popular Media Is Paid by the Effluent Citizen -- 13. Disability and Biomediation -- 14. “A Blessed Boon” -- 15. Afterword I -- 16. Afterword II -- Bibliography -- About the Contributors -- Index |
| Record Nr. | UNISA-996582069103316 |
| New York, NY : , : New York University Press, , [2017] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Disability media studies / / Elizabeth Ellcessor, Bill Kirkpatrick
| Disability media studies / / Elizabeth Ellcessor, Bill Kirkpatrick |
| Pubbl/distr/stampa | New York, NY : , : New York University Press, , [2017] |
| Descrizione fisica | 1 online resource (333 pages) : illustrations |
| Disciplina | 302.23087 |
| Soggetto topico | People with disabilities in mass media |
| Soggetto non controllato |
Accessible
Biopolitics Sexuality Television access culture disability documentary film media policy queer |
| ISBN | 1-4798-0234-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Chapters by Topic (Medium) -- Introduction -- 1. Kickstarting Community -- 2. After School Special Education -- 3. Throw Yo’ Voice Out -- 4. How to Stare at Your Television -- 5. Prosthetic Heroes -- 6. “It’s Not Just Sexism” -- 7. One of Us? -- 8. Disability, Global Popular Media, and Injustice in the Trial of Oscar Pistorius -- 9. Autism in Translation -- 10. How to Get through the Day with Pain and Sadness -- 11. Any Day Now -- 12. The Price of the Popular Media Is Paid by the Effluent Citizen -- 13. Disability and Biomediation -- 14. “A Blessed Boon” -- 15. Afterword I -- 16. Afterword II -- Bibliography -- About the Contributors -- Index |
| Record Nr. | UNINA-9910852984803321 |
| New York, NY : , : New York University Press, , [2017] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The ethics of seeing : photography and twentieth-century German history / / edited by Jennifer Evans, Paul Betts, and Stefan-Ludwig Hoffmann
| The ethics of seeing : photography and twentieth-century German history / / edited by Jennifer Evans, Paul Betts, and Stefan-Ludwig Hoffmann |
| Pubbl/distr/stampa | New York, [New York] ; ; Oxford, [England] : , : Berghahn Books, , 2018 |
| Descrizione fisica | 1 online resource (294 pages) : illustrations (some color), photographs |
| Disciplina | 770.0943 |
| Collana | Studies in German History |
| Soggetto topico |
Photography - Germany - History - 20th century
Photography - Social aspects - Germany - History - 20th century Photography - Moral and ethical aspects - Germany - History - 20th century Photography in historiography |
| Soggetto non controllato |
activist
aesthetics amateur america art berlin censorship community concentration camps culture democracy diary documentary ethics ethnic european history everyday exhibition german studies germany government historian holocaust jennifer evans military nazi paul betts photography political portrait professional representation revolution scholarly socialist society stefan ludwig hoffmann visual wartime |
| ISBN | 1-78533-729-7 |
| Classificazione | AP 99010 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Thoughts on photography and the practice of history / Elizabeth Edwards -- Seeing the 'savage' and the suspension of time : photography, war and concentration camps in southwest Africa, 1904-1908 / Claudia Siebrecht -- The "face of war" in Weimar visual culture / Annelie Ramsbrock -- Documenting Heimkehr : photography, displacement and "homecoming" in the Nazi resettlement of ethnic Germans, 1939-1940 / Elizabeth Harvey -- Visible trophies of war : German occupiers' photographic perceptions of France, 1940-44 / Julia Torrie -- Gazing at ruins : German defeat as visual experience / Stefan-Ludwig Hoffmann -- Edmund Kesting's polyphonic portraits & the abstract face of the socialist self in East Germany / Sarah E. James -- Seeing subjectivity : erotic photograph and the optics of desire / Jennifer Evans -- Photographing reurbanization in West Berlin, 1977-84 / Anna Ross -- The diversification of East Germany's visual culture / Candice M. Hamelin -- The intimacy of revolution : 1989 in pictures / Paul Betts. |
| Record Nr. | UNINA-9910796393203321 |
| New York, [New York] ; ; Oxford, [England] : , : Berghahn Books, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The ethics of seeing : photography and twentieth-century German history / / edited by Jennifer Evans, Paul Betts, and Stefan-Ludwig Hoffmann
| The ethics of seeing : photography and twentieth-century German history / / edited by Jennifer Evans, Paul Betts, and Stefan-Ludwig Hoffmann |
| Pubbl/distr/stampa | New York, [New York] ; ; Oxford, [England] : , : Berghahn Books, , 2018 |
| Descrizione fisica | 1 online resource (294 pages) : illustrations (some color), photographs |
| Disciplina | 770.0943 |
| Collana | Studies in German History |
| Soggetto topico |
Photography - Germany - History - 20th century
Photography - Social aspects - Germany - History - 20th century Photography - Moral and ethical aspects - Germany - History - 20th century Photography in historiography |
| Soggetto non controllato |
activist
aesthetics amateur america art berlin censorship community concentration camps culture democracy diary documentary ethics ethnic european history everyday exhibition german studies germany government historian holocaust jennifer evans military nazi paul betts photography political portrait professional representation revolution scholarly socialist society stefan ludwig hoffmann visual wartime |
| ISBN | 1-78533-729-7 |
| Classificazione | AP 99010 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Thoughts on photography and the practice of history / Elizabeth Edwards -- Seeing the 'savage' and the suspension of time : photography, war and concentration camps in southwest Africa, 1904-1908 / Claudia Siebrecht -- The "face of war" in Weimar visual culture / Annelie Ramsbrock -- Documenting Heimkehr : photography, displacement and "homecoming" in the Nazi resettlement of ethnic Germans, 1939-1940 / Elizabeth Harvey -- Visible trophies of war : German occupiers' photographic perceptions of France, 1940-44 / Julia Torrie -- Gazing at ruins : German defeat as visual experience / Stefan-Ludwig Hoffmann -- Edmund Kesting's polyphonic portraits & the abstract face of the socialist self in East Germany / Sarah E. James -- Seeing subjectivity : erotic photograph and the optics of desire / Jennifer Evans -- Photographing reurbanization in West Berlin, 1977-84 / Anna Ross -- The diversification of East Germany's visual culture / Candice M. Hamelin -- The intimacy of revolution : 1989 in pictures / Paul Betts. |
| Record Nr. | UNINA-9910819550503321 |
| New York, [New York] ; ; Oxford, [England] : , : Berghahn Books, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Hollywood quarterly : film culture in postwar America, 1945-1957 / / edited by Eric Smoodin and Ann Martin
| Hollywood quarterly : film culture in postwar America, 1945-1957 / / edited by Eric Smoodin and Ann Martin |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California, c2002 |
| Descrizione fisica | 1 online resource (422 p.) |
| Disciplina | 791.43/0973/09044 |
| Altri autori (Persone) |
SmoodinEric Loren
MartinAnn <1940-> |
| Soggetto topico | Motion pictures - United States |
| Soggetto non controllato |
20th century
academics anthology avant garde film discussion books documentary entertainment essay collection film culture film historians film journalism film scholars film students film studies historical hollywood intellectual perspective journal archives leftist utopianism mass media media studies narrative films nonfiction pop culture postwar america retrospective sociological textbooks united states |
| ISBN |
1-282-76260-5
1-59734-656-X 9786612762604 0-520-93632-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Hollywood Quarterly -- Front matter -- Contents -- Acknowledgments -- Introduction: The Hollywood Quarterly, 1945-1957 -- Editorial Statement -- 1. The Avant-Garde -- Experimental Cinema in America. Part One: 1921-1941 -- Experimental Cinema in America. Part Two: The Postwar Revival -- The Avant-Garde Film Seen from Within -- Cinema 16: A Showcase for the Nonfiction Film -- 2. Animation -- Animation Learns a New Language -- Music and the Animated Cartoon -- Notes on Animated Sound -- Mr. Magoo as Public Dream -- 3. Documentary -- Postwar Patterns -- The Documentary and Hollywood -- Time Flickers Out: Notes on the Passing of the March of Time -- 4. Radio -- The Case of David Smith -- Radio's Attraction for Housewives -- A New Kind of Diplomacy -- 5. Practice -- A Costume Problem: From Shop to Stage to Screen -- Performance under Pressure -- Designing The Heiress -- The Limitations of Television -- 6. Television -- Hollywood in the Television Age -- You and Television -- Children's Television Habits and Preferences -- How to Look at Television -- 7. The Hollywood Picture -- Why Wait for Posterity? -- Hollywood-Illusion and Reality -- Negro Stereotypes on the Screen -- Today's Hero: A Review -- An Exhibitor Begs for "B's" -- A Word of Caution for the Intelligent Consumer of Motion Pictures -- There's Really No Business Like Show Business -- There's Still No Business Like It -- Hollywood's Foreign Correspondents -- 8. Scenes from Abroad -- Advanced Training for Film Workers: Russia -- Advanced Training for Film Workers: France -- The Global Film -- The Postwar French Cinema -- When in Rome . . . -- 9. Notes and Communications -- J'Accuse -- Je Confirme -- The Cinémathèque Française -- Jean Vigo -- Two Views of a Director-Billy Wilder -- Dialogue Between the Moviegoing Public and a Witness for Jean Cocteau -- Selected Names Index -- Selected Titles Index |
| Record Nr. | UNINA-9910450232503321 |
| Berkeley, : University of California, c2002 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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