The Extraordinary Image : Orson Welles, Alfred Hitchcock, Stanley Kubrick, and the Reimagining of Cinema / / Robert P. Kolker |
Autore | Kolker Robert Phillip |
Pubbl/distr/stampa | New Brunswick, NJ : , : Rutgers University Press, , [2016] |
Descrizione fisica | 1 online resource (246 pages) : illustrations |
Disciplina | 791.430973 |
Soggetto topico | Motion pictures - United States |
Soggetto non controllato |
2001 a space odyssey
2001 black and white cinema studies cinema cinematography citizen kane classic film clockwork orange directing film history film studies film filmmaker filmmaking hitchcock psycho rear window the birds vertigo welles |
ISBN |
0-8135-8311-X
0-8135-8312-8 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- CONTENTS -- List of Illustrations -- Acknowledgments -- Prelude -- The Passion of Film -- What We Talk about When We Talk about Film -- The Body of Work -- Origins -- The Films They Made -- The Work of the Body -- Hunger Artists -- Apollo, Dionysus, and Nemesis -- Embodiment and Performance -- Form, Time, and Space -- Spatial Illusions -- Conventional Spaces -- Against Realism -- Touch of Evil and Psycho -- Labyrinths, Lost Time, Dying Falls -- Hitchcock and the Abyss -- The Dreamworld -- The Spaces of Space Fiction -- Cycles and Symmetry -- Photograph of a Photograph -- Power and Sexuality -- The Art of Feeling -- Coda: An Immense Shadow -- Chronology of Films by Welles, Hitchcock, and Kubrick -- Notes -- Select Bibliography -- Index |
Record Nr. | UNINA-9910154624103321 |
Kolker Robert Phillip
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New Brunswick, NJ : , : Rutgers University Press, , [2016] | ||
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Lo trovi qui: Univ. Federico II | ||
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Film as Embodied Art : Bodily Meaning in the Cinema of Stanley Kubrick / / Maarten Coëgnarts |
Autore | Coëgnarts Maarten |
Pubbl/distr/stampa | Boston, MA : , : Academic Studies Press, , [2019] |
Descrizione fisica | 1 online resource (264 p.) |
Disciplina | 791.430233092 |
Soggetto topico | Film theory & criticism |
Soggetto genere / forma | Electronic books. |
Soggetto non controllato |
2001: A Space Odyssey
20th century film Barry Lyndon Eyes Wide Shut Paths of Glory Stanley Kubrick The Shining aesthetics artistic intention cinema studies cognitive film theory cognitive linguistics communication directing embodied cognitive science embodied meaning evolutionary theory film as language film scores film semiotics film studies film filmmaking metaphor methodology music perception philosophy psychoanalysis screenwriting semiotics twentieth century film |
ISBN | 1-64469-113-2 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction. The Theoretical Context of This Study -- Chapter 1. Identifying the Meaning: In Search of the Concepts of Kubrick's Films -- Chapter 2. Embodying the Meaning: The Role of Image Schemas, Metaphors, and Metonymies -- Chapter 3. Setting the Conditions of Embodied Meaning-Making in Film: The Role of Film Style and Acting -- Chapter 4. Fleshing Out the Embodied Meaning Visually: The Art of Kubrick -- Chapter 5. Seeing and Listening to Kubrick's Films: The Embodied Film Viewer -- Appendix -- Glossary -- Filmography -- Discography -- Bibliography -- Index |
Record Nr. | UNINA-9910342949503321 |
Coëgnarts Maarten
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Boston, MA : , : Academic Studies Press, , [2019] | ||
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Lo trovi qui: Univ. Federico II | ||
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Film as Embodied Art : Bodily Meaning in the Cinema of Stanley Kubrick / / Maarten Coëgnarts |
Autore | Coëgnarts Maarten |
Pubbl/distr/stampa | Boston, MA : , : Academic Studies Press, , [2019] |
Descrizione fisica | 1 online resource (264 p.) |
Disciplina | 791.430233092 |
Soggetto topico | Film theory & criticism |
Soggetto genere / forma | Electronic books. |
Soggetto non controllato |
2001: A Space Odyssey
20th century film Barry Lyndon Eyes Wide Shut Paths of Glory Stanley Kubrick The Shining aesthetics artistic intention cinema studies cognitive film theory cognitive linguistics communication directing embodied cognitive science embodied meaning evolutionary theory film as language film scores film semiotics film studies film filmmaking metaphor methodology music perception philosophy psychoanalysis screenwriting semiotics twentieth century film |
ISBN | 1-64469-113-2 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction. The Theoretical Context of This Study -- Chapter 1. Identifying the Meaning: In Search of the Concepts of Kubrick's Films -- Chapter 2. Embodying the Meaning: The Role of Image Schemas, Metaphors, and Metonymies -- Chapter 3. Setting the Conditions of Embodied Meaning-Making in Film: The Role of Film Style and Acting -- Chapter 4. Fleshing Out the Embodied Meaning Visually: The Art of Kubrick -- Chapter 5. Seeing and Listening to Kubrick's Films: The Embodied Film Viewer -- Appendix -- Glossary -- Filmography -- Discography -- Bibliography -- Index |
Record Nr. | UNISA-996333144103316 |
Coëgnarts Maarten
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Boston, MA : , : Academic Studies Press, , [2019] | ||
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Lo trovi qui: Univ. di Salerno | ||
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Great Directors at Work : Stanislavsky, Brecht, Kazan, Brook / / David Richard Jones |
Autore | Jones David Richard |
Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [1986] |
Descrizione fisica | 1 online resource (300 p.) |
Disciplina |
792.023
792.02330722 792/.0233/0922 |
Soggetto topico |
Brecht, Bertolt, 1898-1956 -- Knowledge -- Performing arts
Brecht, Bertolt, 1898-1956 Brook, Peter Chaika Chekhov, Anton Pavlovich, 1860-1904 Kazan, Elia Mutter Courage und ihre Kinder Stanislavsky, Konstantin, 1863-1938 Streetcar named Desire Theater - Production and direction Theater -- Production and direction Theatrical producers and directors - Biography Theatrical producers and directors -- Biography Verfolgung und Ermordung Jean Paul Marats Weiss, Peter, 1916-1982 Williams, Tennessee, 1911-1983 |
Soggetto non controllato |
20th century
anton chekhov auteur bertolt brecht cinema history cinema studies contemporary film contemporary theatre culture directing plays directing director drama elia kazan famous directors film history film making filmmaking history of cinema history of film history of theatre konstantin stanislavsky modern film modern plays modern theatre mother courage peter brook plays playwright stage director stage productions stage streetcar named desire theatre directing theatre theatrical |
ISBN |
1-282-35535-X
9786612355356 0-520-90857-0 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. Konstantin Stanislavsky and The Seagull: The Paper Stage -- 2. Bertolt Brecht and Couragemodell 1949: Meaning in Detail -- 3. Elia Kazan and A Streetcar Named Desire: A Director at Work -- 4. Peter Brook and Marat/Sade: Workshop and Production -- Notes -- Index |
Record Nr. | UNINA-9910777946903321 |
Jones David Richard
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Berkeley, CA : , : University of California Press, , [1986] | ||
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Lo trovi qui: Univ. Federico II | ||
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A Short History of Film / / Wheeler Winston Dixon, Gwendolyn Audrey Foster |
Autore | Dixon Wheeler W. <1950-> |
Edizione | [Third edition.] |
Pubbl/distr/stampa | New Brunswick, NJ : , : Rutgers University Press, , [2018] |
Descrizione fisica | 1 online resource (449 pages) |
Disciplina | 791.4309 |
Soggetto topico |
Motion pictures - History
Motion picture industry - History |
Soggetto non controllato |
black and white
cinema studies cinema cinematography classic film directing dixon foster film history film studies film |
ISBN |
0-8135-9514-2
1-78684-766-3 0-8135-9516-9 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Timeline -- One. The Invention Of The Movies -- Two. The Birth Of An American Industry -- Three. World Cinema: The Silent Era -- Four. The Hollywood Studio System In The 1930S And 1940S -- Five. International Cinema Through World War II -- Six. Postwar Challenges To The Movies -- Seven. World Cinema In The 1950S -- Eight. The 1960S Explosion -- Nine. World Cinema 1970 To The Present -- Ten. The New Hollywood -- Glossary Of Film Terms -- Bibliography -- Index |
Record Nr. | UNINA-9910795064203321 |
Dixon Wheeler W. <1950->
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New Brunswick, NJ : , : Rutgers University Press, , [2018] | ||
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Lo trovi qui: Univ. Federico II | ||
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