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Academic Contributions to the UNESCO 2019 Forum on Education for Sustainable Development and Global Citizenship
| Academic Contributions to the UNESCO 2019 Forum on Education for Sustainable Development and Global Citizenship |
| Autore | Vuong Quan-Hoang |
| Pubbl/distr/stampa | Basel, Switzerland, : MDPI - Multidisciplinary Digital Publishing Institute, 2021 |
| Descrizione fisica | 1 electronic resource (216 p.) |
| Soggetto topico |
Humanities
Education |
| Soggetto non controllato |
international student
higher education sustainability student loyalty Vietnam sustainable education internationalization international university help-seeking acculturative stress depression social connectedness Japan reading practices reading abilities junior high school students education for sustainable developments gender STEM occupational aspiration parental influence socioeconomic background academic achievement quality education sustainable development goal 4 competency heads of department mid-level academic managers mid-level management sustainable development interior ethnic boarding school inclusive and equitable quality education sociocultural adaptation latent class analysis research international publishing university Delphi method socio-economic status parental education digital literacy digital resilience Sustainable Development Goal 4 digital age bayesvl educational rights ethnic minorities sustainable development goals multi-cultural education learning habit school closure socioeconomic COVID-19 SDG4 secondary school |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910557542003321 |
Vuong Quan-Hoang
|
||
| Basel, Switzerland, : MDPI - Multidisciplinary Digital Publishing Institute, 2021 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The arc and the machine : narrative and new media / / Caroline Bassett
| The arc and the machine : narrative and new media / / Caroline Bassett |
| Autore | Bassett Caroline |
| Edizione | [Online-ausg.] |
| Pubbl/distr/stampa | Manchester : , : Manchester University Press, , 2007 |
| Descrizione fisica | 1 online resource (225 p.) |
| Disciplina | 302.231 |
| Collana | EBL-Schweitzer |
| Soggetto topico |
Digital media
Discourse analysis, Narrative |
| Soggetto non controllato |
age of information
cultural production digital age information technology informational culture interpretation narrative new media sensation techno-cultural writing |
| ISBN |
1-84779-649-4
1-78170-090-7 1-84779-161-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 9780719073427; 9780719073427; Copyright; Contents; Acknowledgements; Introduction; 1 Narrative machines; 2 'Beautiful patterns of bits': cybernetics, interfaces, new media; 3 Those with whom the archive dwells; 4 Annihilating all that's made?Legends of virtual community; 5 'Just because' stories:on Elephant; Bibliography; Index |
| Record Nr. | UNINA-9910791945603321 |
|
Bassett Caroline
|
||
| Manchester : , : Manchester University Press, , 2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The arc and the machine : narrative and new media / / Caroline Bassett
| The arc and the machine : narrative and new media / / Caroline Bassett |
| Autore | Bassett Caroline |
| Edizione | [Online-ausg.] |
| Pubbl/distr/stampa | Manchester : , : Manchester University Press, , 2007 |
| Descrizione fisica | 1 online resource (225 p.) |
| Disciplina | 302.231 |
| Collana | EBL-Schweitzer |
| Soggetto topico |
Digital media
Discourse analysis, Narrative |
| Soggetto non controllato |
age of information
cultural production digital age information technology informational culture interpretation narrative new media sensation techno-cultural writing |
| ISBN |
1-84779-649-4
1-78170-090-7 1-84779-161-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 9780719073427; 9780719073427; Copyright; Contents; Acknowledgements; Introduction; 1 Narrative machines; 2 'Beautiful patterns of bits': cybernetics, interfaces, new media; 3 Those with whom the archive dwells; 4 Annihilating all that's made?Legends of virtual community; 5 'Just because' stories:on Elephant; Bibliography; Index |
| Record Nr. | UNINA-9910819994503321 |
|
Bassett Caroline
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| Manchester : , : Manchester University Press, , 2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
B C, Before Computers : On Information Technology from Writing to the Age of Digital Data
| B C, Before Computers : On Information Technology from Writing to the Age of Digital Data |
| Autore | Robertson Stephen |
| Pubbl/distr/stampa | Open Book Publishers, 2020 |
| Descrizione fisica | 1 electronic resource (170 p.) |
| Soggetto topico |
Computing & information technology
Information theory Educational equipment & technology, computer-aided learning (CAL) Biography & True Stories Information technology: general issues |
| Soggetto non controllato |
history of computer developments
digital age computer information technology revolution data processing cryptography visual art music postal system |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Altri titoli varianti | B C, Before Computers |
| Record Nr. | UNINA-9910688420203321 |
|
Robertson Stephen
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| Open Book Publishers, 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Celluloid Symphonies : Texts and Contexts in Film Music History / / Julie Hubbert
| Celluloid Symphonies : Texts and Contexts in Film Music History / / Julie Hubbert |
| Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [2011] |
| Descrizione fisica | 1 online resource (525 p.) |
| Disciplina | 781.5/4209 |
| Soggetto topico |
Motion picture music
Symphony |
| Soggetto non controllato |
aesthetics
art history auteurs commercial pressure digital age early sound films elmer bernstein erich korngold film criticism film history film music film studies hollywood scores howard shore jerry goldsmith max steiner movie criticism movie studies music and film music for film music history music popular music postmodern film serialism technological innovations the silent film writings |
| ISBN |
1-283-27727-1
9786613277275 0-520-94743-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Celluloid Symphonies -- Front matter -- Contents -- Preface -- Acknowledgments -- Part One. Playing the Pictures: Music and the Silent Film (1895-1925) -- Introduction -- 1. Plain Talk to Theater Managers and Operators. Seating/Music (1909) -- 2. Incidental Music for Edison Pictures (1909) -- 3. Jackass Music (1911) -- 4. Selections from What and How to Play for Pictures (1913) -- 5. Music for the Picture (1911) -- 6. The Art of Exhibition: Rothapfel on Motion Picture Music-Its Object and Its Possibilities (1914) -- 7. Selections from Musical Accompaniment of Moving Pictures (1920) -- 8. Selections from Musical Presentation of Motion Pictures (1921) -- 9. Selections from Encyclopaedia of Music for Pictures (1925) -- 10. Two Thematic Music Cue Sheets: The Thief of Bagdad (1924) and Dame Chance (1926) -- 11. Music and Motion Pictures (1926) -- 12. Publishers Win Movie Music Suit (1924) -- Part Two. All Singing, Dancing, and Talking: Music in the Early Sound Film (1926- 1934) -- Introduction -- 13. New Musical Marvels in the Movies (1926) -- 14. Musicians to Fight Sound-Film Devices (1928) -- 15. The Truth about Voice Doubling (1929) -- 16. Westward the Course of Tin-Pan Alley (1929) -- 17. What's Wrong with Musical Pictures? (1930) -- 18. Present Day Musical Films and How They Are Made Possible (1931) -- 19. Alfred Hitchcock on Music in Films (1934) -- Part Three. Carpet, Wallpaper, and Earmuffs: The Hollywood Score (1935-1959) -- Introduction -- 20. Composers in Movieland (1935) -- 21. The Aesthetics of the Sound Film (1935) -- 22. Scoring the Film (1937) -- 23. Some Experiences in Film Music (1940) -- 24. What Is a Filmusical? (1937) -- 25. Music in the Films (1941) -- 26. Music or Sound Effects? (1947) -- 27. The New Musical Resources (1947) -- 28. Movie Music Goes on Record (1952) -- 29. The Man with the Golden Arm (1956) -- 30. Forbidden Planet (1956) -- 31. Interview with Stanley Donen (1977) -- 32. One Thing's for Sure, R 'n' R Is Boffo B.O. (1958) -- Part Four. The Recession Soundtrack: From Albums to Auteurs, Songs to Serialism (1960-1977) -- Introduction -- 33. Film Themes Link Movie, Disk Trades (1960) -- 34. Mancini Debunks Album Values (1961) -- 35. Herrmann Says Hollywood Tone Deaf as to Film Scores (1964) -- 36. The New Sound on the Soundtracks (1967) -- 37. Movies: Tuning In to the Sound of New Music (1968) -- 38. Towards an Interior Music (1997) -- 39. Keeping Score on Schifrin: Lalo Schifrin and the Art of Film Music (1969) -- 40. BBC Interview with Jerry Goldsmith (1969) -- 41. The Jazz Composers in Hollywood: A Symposium with Benny Carter, Quincy Jones, Henry Mancini, Lalo Schifrin, and Pat Williams (1972) -- 42. George Lucas: Stinky Kid Hits the Bigtime (1974) -- 43. The Annotated Friedkin (1974) -- 44. What ever Became of Movie Music? (1974) -- Part Five. The Postmodern Soundtrack: Film Music in the Video and Digital Age (1978-Present) -- Introduction -- 45. Selling a Hit Soundtrack (1979) -- 46. Interview with John Williams (1997) -- 47. Scoring with Synthesizers (1982) -- 48. Rock Movideo (1985) -- 49. How Rock Is Changing Hollywood's Tune (1989) -- 50. Danny Elfman: From Boingo to Batman (1990) -- 51. Selections from The Celluloid Jukebox: Interviews with Allison Anders, Alan Rudolph, Michael Mann, Isaac Julien, Wim Wenders, Bob Last, Penelope Spheeris, Ry Cooder, Quentin Tarantino, Cameron Crowe, and David Byrne (1995) -- 52. Composing with a Very Wide Palette: Howard Shore in Conversation (1999) -- 53. Hollywood Sound (2005) -- Index |
| Record Nr. | UNINA-9910785691503321 |
| Berkeley, CA : , : University of California Press, , [2011] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Celluloid Symphonies : Texts and Contexts in Film Music History / / Julie Hubbert
| Celluloid Symphonies : Texts and Contexts in Film Music History / / Julie Hubbert |
| Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [2011] |
| Descrizione fisica | 1 online resource (525 p.) |
| Disciplina | 781.5/4209 |
| Soggetto topico |
Motion picture music
Symphony |
| Soggetto non controllato |
aesthetics
art history auteurs commercial pressure digital age early sound films elmer bernstein erich korngold film criticism film history film music film studies hollywood scores howard shore jerry goldsmith max steiner movie criticism movie studies music and film music for film music history music popular music postmodern film serialism technological innovations the silent film writings |
| ISBN |
1-283-27727-1
9786613277275 0-520-94743-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Celluloid Symphonies -- Front matter -- Contents -- Preface -- Acknowledgments -- Part One. Playing the Pictures: Music and the Silent Film (1895-1925) -- Introduction -- 1. Plain Talk to Theater Managers and Operators. Seating/Music (1909) -- 2. Incidental Music for Edison Pictures (1909) -- 3. Jackass Music (1911) -- 4. Selections from What and How to Play for Pictures (1913) -- 5. Music for the Picture (1911) -- 6. The Art of Exhibition: Rothapfel on Motion Picture Music-Its Object and Its Possibilities (1914) -- 7. Selections from Musical Accompaniment of Moving Pictures (1920) -- 8. Selections from Musical Presentation of Motion Pictures (1921) -- 9. Selections from Encyclopaedia of Music for Pictures (1925) -- 10. Two Thematic Music Cue Sheets: The Thief of Bagdad (1924) and Dame Chance (1926) -- 11. Music and Motion Pictures (1926) -- 12. Publishers Win Movie Music Suit (1924) -- Part Two. All Singing, Dancing, and Talking: Music in the Early Sound Film (1926- 1934) -- Introduction -- 13. New Musical Marvels in the Movies (1926) -- 14. Musicians to Fight Sound-Film Devices (1928) -- 15. The Truth about Voice Doubling (1929) -- 16. Westward the Course of Tin-Pan Alley (1929) -- 17. What's Wrong with Musical Pictures? (1930) -- 18. Present Day Musical Films and How They Are Made Possible (1931) -- 19. Alfred Hitchcock on Music in Films (1934) -- Part Three. Carpet, Wallpaper, and Earmuffs: The Hollywood Score (1935-1959) -- Introduction -- 20. Composers in Movieland (1935) -- 21. The Aesthetics of the Sound Film (1935) -- 22. Scoring the Film (1937) -- 23. Some Experiences in Film Music (1940) -- 24. What Is a Filmusical? (1937) -- 25. Music in the Films (1941) -- 26. Music or Sound Effects? (1947) -- 27. The New Musical Resources (1947) -- 28. Movie Music Goes on Record (1952) -- 29. The Man with the Golden Arm (1956) -- 30. Forbidden Planet (1956) -- 31. Interview with Stanley Donen (1977) -- 32. One Thing's for Sure, R 'n' R Is Boffo B.O. (1958) -- Part Four. The Recession Soundtrack: From Albums to Auteurs, Songs to Serialism (1960-1977) -- Introduction -- 33. Film Themes Link Movie, Disk Trades (1960) -- 34. Mancini Debunks Album Values (1961) -- 35. Herrmann Says Hollywood Tone Deaf as to Film Scores (1964) -- 36. The New Sound on the Soundtracks (1967) -- 37. Movies: Tuning In to the Sound of New Music (1968) -- 38. Towards an Interior Music (1997) -- 39. Keeping Score on Schifrin: Lalo Schifrin and the Art of Film Music (1969) -- 40. BBC Interview with Jerry Goldsmith (1969) -- 41. The Jazz Composers in Hollywood: A Symposium with Benny Carter, Quincy Jones, Henry Mancini, Lalo Schifrin, and Pat Williams (1972) -- 42. George Lucas: Stinky Kid Hits the Bigtime (1974) -- 43. The Annotated Friedkin (1974) -- 44. What ever Became of Movie Music? (1974) -- Part Five. The Postmodern Soundtrack: Film Music in the Video and Digital Age (1978-Present) -- Introduction -- 45. Selling a Hit Soundtrack (1979) -- 46. Interview with John Williams (1997) -- 47. Scoring with Synthesizers (1982) -- 48. Rock Movideo (1985) -- 49. How Rock Is Changing Hollywood's Tune (1989) -- 50. Danny Elfman: From Boingo to Batman (1990) -- 51. Selections from The Celluloid Jukebox: Interviews with Allison Anders, Alan Rudolph, Michael Mann, Isaac Julien, Wim Wenders, Bob Last, Penelope Spheeris, Ry Cooder, Quentin Tarantino, Cameron Crowe, and David Byrne (1995) -- 52. Composing with a Very Wide Palette: Howard Shore in Conversation (1999) -- 53. Hollywood Sound (2005) -- Index |
| Record Nr. | UNINA-9910825955803321 |
| Berkeley, CA : , : University of California Press, , [2011] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The digital public domain [[electronic resource] ] : foundations for an open culture / / edited by Melanie Dulong de Rosnay and Juan Carlos De Martin
| The digital public domain [[electronic resource] ] : foundations for an open culture / / edited by Melanie Dulong de Rosnay and Juan Carlos De Martin |
| Autore | Dulong de Rosnay Melanie |
| Pubbl/distr/stampa | Cambridge, : Open Book Publishers, 2012 |
| Descrizione fisica | 1 online resource (xxv, 220 pages) : illustrations; PDF file(s) |
| Disciplina | 346.048 |
| Altri autori (Persone) |
RosnayMelanie Dulong de
MartinJuan Carlos de |
| Collana | Digital Humanities Series |
| Soggetto topico |
Public domain (Copyright law)
Digital rights management Copyright and electronic data processing |
| Soggetto non controllato |
copyright
cultural studies communia creative commons internet regulation the commons licensing digitization digital age copyright law open culture Intellectual property Public domain Resource Description Framework |
| ISBN |
1-906924-75-9
1-906924-45-7 2-8218-1715-0 1-906924-47-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Foreword / ‡r Charles R. Nesson -- ‡t Introduction / ‡r Melanie Dulong de Rosnay and Juan Carlos De Martin -- ‡t The Public Domain Manifesto -- ‡g I. ‡t Introducing the Digital Public Domain -- ‡t Communia and the European Public Domain Project: A Politics of the Public Domain / ‡r Giancarlo Frosio -- ‡g II. ‡t Legal Framework -- ‡t Consume and Share: Making Copyright Fit for the Digital Agenda / ‡r Marco Ricolfi -- ‡t Evaluating Directive 2001/29/EC in the Light of the Digital Public Domain / ‡r Lucie Guibault -- ‡t Building Digital Commons through Open Access Management of Copyright-related Rights / ‡r Giuseppe Mazziotti -- ‡g III. ‡t The Digital Public Domain Developments and Case Studies -- ‡t Contractually-constructed Research Commons: A Critical Economic Appraisal / ‡r Enrico Bertacchini -- ‡t Social Motivations and Incentives in Ex Situ Conservation of Microbial Genetic Resources / ‡r Tom Dedeurwaerdere, Per M. Stromberg and Unai Pascual -- ‡t Open Knowledge: Promises and Challenges / ‡r Rufus Pollock and Jo Walsh -- ‡t Science Commons: Building the Research / ‡r Web Kaitlin Thaney -- ‡t The DRIVER Project: The Socio-economic Benefits of a European Scientific Commons / ‡r Karen Van Godtsenhoven -- ‡t CC REL: The Creative Commons Rights Expression Language / ‡r Hal Abelson, Ben Adida, Mike Linksvayer and Nathan Yergler -- ‡t The Value of Registering Creative Works / ‡r Roland Alton-Scheidl, Joe Benso and Martin Springer -- ‡t Select Bibliography of Resources Cited -- ‡t Websites -- ‡t Reports, Conference Papers and Working Papers. |
| Record Nr. | UNISA-996255449803316 |
|
Dulong de Rosnay Melanie
|
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| Cambridge, : Open Book Publishers, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
The digital public domain [[electronic resource] ] : foundations for an open culture / / edited by Melanie Dulong de Rosnay and Juan Carlos De Martin
| The digital public domain [[electronic resource] ] : foundations for an open culture / / edited by Melanie Dulong de Rosnay and Juan Carlos De Martin |
| Autore | Dulong de Rosnay Melanie |
| Pubbl/distr/stampa | Cambridge, : Open Book Publishers, 2012 |
| Descrizione fisica | 1 online resource (xxv, 220 pages) : illustrations; PDF file(s) |
| Disciplina | 346.048 |
| Altri autori (Persone) |
RosnayMelanie Dulong de
MartinJuan Carlos de |
| Collana | Digital Humanities Series |
| Soggetto topico |
Public domain (Copyright law)
Digital rights management Copyright and electronic data processing |
| Soggetto non controllato |
copyright
cultural studies communia creative commons internet regulation the commons licensing digitization digital age copyright law open culture Intellectual property Public domain Resource Description Framework |
| ISBN |
1-906924-75-9
1-906924-45-7 2-8218-1715-0 1-906924-47-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Foreword / ‡r Charles R. Nesson -- ‡t Introduction / ‡r Melanie Dulong de Rosnay and Juan Carlos De Martin -- ‡t The Public Domain Manifesto -- ‡g I. ‡t Introducing the Digital Public Domain -- ‡t Communia and the European Public Domain Project: A Politics of the Public Domain / ‡r Giancarlo Frosio -- ‡g II. ‡t Legal Framework -- ‡t Consume and Share: Making Copyright Fit for the Digital Agenda / ‡r Marco Ricolfi -- ‡t Evaluating Directive 2001/29/EC in the Light of the Digital Public Domain / ‡r Lucie Guibault -- ‡t Building Digital Commons through Open Access Management of Copyright-related Rights / ‡r Giuseppe Mazziotti -- ‡g III. ‡t The Digital Public Domain Developments and Case Studies -- ‡t Contractually-constructed Research Commons: A Critical Economic Appraisal / ‡r Enrico Bertacchini -- ‡t Social Motivations and Incentives in Ex Situ Conservation of Microbial Genetic Resources / ‡r Tom Dedeurwaerdere, Per M. Stromberg and Unai Pascual -- ‡t Open Knowledge: Promises and Challenges / ‡r Rufus Pollock and Jo Walsh -- ‡t Science Commons: Building the Research / ‡r Web Kaitlin Thaney -- ‡t The DRIVER Project: The Socio-economic Benefits of a European Scientific Commons / ‡r Karen Van Godtsenhoven -- ‡t CC REL: The Creative Commons Rights Expression Language / ‡r Hal Abelson, Ben Adida, Mike Linksvayer and Nathan Yergler -- ‡t The Value of Registering Creative Works / ‡r Roland Alton-Scheidl, Joe Benso and Martin Springer -- ‡t Select Bibliography of Resources Cited -- ‡t Websites -- ‡t Reports, Conference Papers and Working Papers. |
| Record Nr. | UNINA-9910139053003321 |
|
Dulong de Rosnay Melanie
|
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| Cambridge, : Open Book Publishers, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Digital technology and the practices of humanities research / / edited by Jennifer Edmond
| Digital technology and the practices of humanities research / / edited by Jennifer Edmond |
| Autore | Jennifer Edmond (ed.) |
| Pubbl/distr/stampa | Open Book Publishers, 2020 |
| Descrizione fisica | 1 online resource (xv, 276 pages) : illustrations |
| Disciplina | 001.30721 |
| Soggetto topico | Humanities - Research - Methodology |
| Soggetto non controllato |
humanities
scholarly identity digital age scholarly publishing scholarship technology digitisation |
| ISBN |
979-1-03-656084-2
1-78374-841-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction: power, practices, and the gatekeepers of humanistic research in the digital age / Jonnifer Edmon -- 2. Publishing in the digital humanities: the treacle of the academic tradition / Adrian van der Weel and Fleur Praal -- 3. Academic publishing: new opportunities for the culture of supply and the nature of demand / Jennifer Edmond and Laurent Romary -- 4. the impact of digital resources '/ Claire Warwick and Claire Bailey-Ross -- 5. Violins in the subway: scarcity correlations, evaluative cultures, and disciplinary authority in the digital humanities / Martin Paul Eve -- 6. "black boxes" and true colour: a rhetoric of scholarly code / Joris J. van Zundert, Smiljana Antonijević, and Tara L. Andrews -- 7. the evaluation and peer review of digital scholarship in the humanities: experiences, discussions, and histories / Julianne Nyhan -- 8. Critical mass: the listserv and the early online community as a case study in the unanticipated consequences of innovation in scholarly commu nication / daniel Paul O'Donnell -- 9. Springing the floor for a different kind of dance: building DARIAH as a Twenty-First-Century research infrastructure for the arts and humanities / Jennifer Edmond, Frank Fischer, Laurent Romary, and Toma Tasovac -- 10. The risk of losing the thick description: data management challenges faced by the arts and humanities in the evolving fair data ecosystem / Erzsébet Tóth-Czifra. |
| Record Nr. | UNINA-9910372743903321 |
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Jennifer Edmond (ed.)
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| Open Book Publishers, 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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First cut 2 [[electronic resource] ] : more conversations with film editors / / Gabriella Oldham
| First cut 2 [[electronic resource] ] : more conversations with film editors / / Gabriella Oldham |
| Autore | Oldham Gabriella |
| Pubbl/distr/stampa | Berkeley, : University of California Press, 2012 |
| Descrizione fisica | 1 online resource (310 p.) |
| Disciplina | 777/.55 |
| Soggetto topico |
Motion pictures - Editing
Motion picture editors |
| Soggetto non controllato |
21st century
aspiring filmmakers award winners cinema and film cinematic insights digital age documentary film editing editorial process film buffs film editing film editors film historians film history film industry film production film scholars film students film studies film theory filmmaking process independent filmmakers interviews media studies modern film movie buffs nonfiction psychology theatrical productions |
| ISBN |
1-280-79266-3
0-520-95399-1 9786613703057 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. Keeping Beats -- 2. Pushing the Envelope -- 3. Cutting from the Gut -- 4. Sensing Psychology -- 5. Capturing the Feeling -- 6. Speaking Cinema -- 7. Editing the Self -- 8. Pointing to the Middle -- 9. Honoring Lives -- 10. Weighing the Gold -- 11. Making It Work -- 12. Striking the Balance -- Bibliography -- Index |
| Altri titoli varianti | First cut two |
| Record Nr. | UNINA-9910779251803321 |
|
Oldham Gabriella
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||
| Berkeley, : University of California Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
