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Collaborative intimacies in music and dance : anthropologies of sound and movement / / edited by Evangelos Chrysagis and Panas Karampampas
| Collaborative intimacies in music and dance : anthropologies of sound and movement / / edited by Evangelos Chrysagis and Panas Karampampas |
| Pubbl/distr/stampa | New York ; ; Oxford, [England] : , : Berghahn Books, , 2017 |
| Descrizione fisica | 1 online resource (272 pages) : illustrations |
| Disciplina | 306.4/84 |
| Collana | Dance and Performance Studies |
| Soggetto topico |
Music and dance
Music - Social aspects Dance - Anthropological aspects |
| Soggetto non controllato |
anthropology
artistic audience ballet bands case studies cultural attitudes cultural studies culture dance studies dance dancers drama education engaging ethnographic approach ethnographic writing greek goth scene japanese shakuhachi live entertainment movement music musical philosophy musicality musicians performance studies performing arts peruvian huayno sociology sound theater theatre theatrical world music |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Illustrations and Table -- Preface -- Introduction: Collaborative Intimacies -- PART I Sound, Meaning and Self-Awareness -- Chapter 1 Being in Sound: Reflections on Recording while Practising Aikido and Shakuhachi -- Chapter 2 Performing and Narrating Selves in and through Classical Music: Being ‘Japanese’ and Being a Professional Musician in London -- PART II Pedagogies of Bodily Movement -- Chapter 3 Kinaesthetic Intimacy in a Choreographic Practice -- Chapter 4 The Presentation of Self in Participatory Dance Settings: Data Collecting with Erving Goffman -- PART III Music Practices and Ethical Selfhood -- Chapter 5 The Animador as Ethical Mediator: Stage Talk and Subject Formation at Peruvian Huayno Music Spectacles -- Chapter 6 A Sense of Togetherness: Music Promotion and Ethics in Glasgow -- PART IV Bodies Dancing in Time and across Space -- Chapter 7 Rumba: Heritage, Tourism and the ‘Authentic’ Afro-Cuban Experience Heritage, Tourism and the ‘Authentic’ Afro-Cuban Experience -- Chapter 8 Cinematic Dance as a Local Critical Commentary on the ‘Economic Crisis’ in Greece Exploring Dance in Korydallos, Attica, Greece -- PART V Motion, Irony and the Making of Lifeworlds -- Chapter 9 Performing Irony on the Dance Floor: in the Athenian Goth Scene The Many Faces of Goth Irony in the Athenian Goth Scene -- Chapter 10 The Intoxicating Intimacy of Drum Strokes, Sung Verses and Dancing Steps in the All-Night Ceremonies of Ambonwari (Papua New Guinea) -- Index |
| Record Nr. | UNINA-9910792967203321 |
| New York ; ; Oxford, [England] : , : Berghahn Books, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Collaborative intimacies in music and dance : anthropologies of sound and movement / / edited by Evangelos Chrysagis and Panas Karampampas
| Collaborative intimacies in music and dance : anthropologies of sound and movement / / edited by Evangelos Chrysagis and Panas Karampampas |
| Pubbl/distr/stampa | New York ; ; Oxford, [England] : , : Berghahn Books, , 2017 |
| Descrizione fisica | 1 online resource (272 pages) : illustrations |
| Disciplina | 306.4/84 |
| Collana | Dance and Performance Studies |
| Soggetto topico |
Music and dance
Music - Social aspects Dance - Anthropological aspects |
| Soggetto non controllato |
anthropology
artistic audience ballet bands case studies cultural attitudes cultural studies culture dance studies dance dancers drama education engaging ethnographic approach ethnographic writing greek goth scene japanese shakuhachi live entertainment movement music musical philosophy musicality musicians performance studies performing arts peruvian huayno sociology sound theater theatre theatrical world music |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Illustrations and Table -- Preface -- Introduction: Collaborative Intimacies -- PART I Sound, Meaning and Self-Awareness -- Chapter 1 Being in Sound: Reflections on Recording while Practising Aikido and Shakuhachi -- Chapter 2 Performing and Narrating Selves in and through Classical Music: Being ‘Japanese’ and Being a Professional Musician in London -- PART II Pedagogies of Bodily Movement -- Chapter 3 Kinaesthetic Intimacy in a Choreographic Practice -- Chapter 4 The Presentation of Self in Participatory Dance Settings: Data Collecting with Erving Goffman -- PART III Music Practices and Ethical Selfhood -- Chapter 5 The Animador as Ethical Mediator: Stage Talk and Subject Formation at Peruvian Huayno Music Spectacles -- Chapter 6 A Sense of Togetherness: Music Promotion and Ethics in Glasgow -- PART IV Bodies Dancing in Time and across Space -- Chapter 7 Rumba: Heritage, Tourism and the ‘Authentic’ Afro-Cuban Experience Heritage, Tourism and the ‘Authentic’ Afro-Cuban Experience -- Chapter 8 Cinematic Dance as a Local Critical Commentary on the ‘Economic Crisis’ in Greece Exploring Dance in Korydallos, Attica, Greece -- PART V Motion, Irony and the Making of Lifeworlds -- Chapter 9 Performing Irony on the Dance Floor: in the Athenian Goth Scene The Many Faces of Goth Irony in the Athenian Goth Scene -- Chapter 10 The Intoxicating Intimacy of Drum Strokes, Sung Verses and Dancing Steps in the All-Night Ceremonies of Ambonwari (Papua New Guinea) -- Index |
| Record Nr. | UNINA-9910808523103321 |
| New York ; ; Oxford, [England] : , : Berghahn Books, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Dancing Queen : Marie de Médicis' Ballets at the Court of Henri IV / / Melinda Gough
| Dancing Queen : Marie de Médicis' Ballets at the Court of Henri IV / / Melinda Gough |
| Autore | Gough Melinda |
| Pubbl/distr/stampa | Toronto : , : University of Toronto Press, , [2019] |
| Descrizione fisica | 1 online resource (395 pages) |
| Disciplina | 944/.031092 |
| Soggetto topico | Ballet - France - History - 17th century |
| Soggetto genere / forma | History |
| Soggetto non controllato |
Bourbon monarchy
France French court ballets French Henri IV Louvre Queen Marie de Médicis dance studies literary studies musicology political history women’s and gender studies |
| ISBN |
1-4875-1847-1
1-4875-1846-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Intro; Contents; Illustrations; Acknowledgments; Abbreviations; Principles of Transcription and Translation; Introduction; Chapter One-Magnificence, Mistresses, and Marie's Dance of Maternity; Peace, Plenty, and the Pleasures of Courtly Pastimes Restored; Franco-Florentine Neoplatonism and the (Medicean) Magnificence of Bourbon Rule; Marie as (Virgin) Mother; Marie's Primitive Accumulation of (Marian) Cultural Capital; Chapter Two-Royal Women's Ballet and/as Royal Ceremonial; Threats to Dynastic Continuity and Images of Joint Rule, 1603-5
The Occasion, the On-stage Action, and the Ballet's Framing as Royal Ceremonial"Pour faire ranger tout le monde"; Casting Choices: "Those Who Could Make her Queen"; Sovereign yet Subject; Ceremonial Expressions of Political Partnership: Abstract Theory, Embodied Practice; Chapter Three-Alliances and Others; Civility's (Islamic) Others; Restoring "the seat of his [Thracian] empire"; Collaboration ... and Contestation; Chapter Four-Eros and "Absolutism"; Marie's Ballet of Diana and her Nymphs: The On-stage Action and Its "Directrice Absolue." (Dance) Lessons from a Queen: New Bourbon "Methodologies of Authority"Dance and/vs Song: Angelique Paulet and the Limits of Marie's (Proto)feminism; Eros Channeled to (Sovereign) Virtue: Marie Dances Diana; The April 1609 Ballet de Madame and the Limits of (Patriarchal) Absolutism; Chapter Five-Dances of Diplomacy: London, Valladolid, Paris; Two Queen's Masques, a Sarao, and the Treaty of London, 1604-5; "Hostipitality" at France's 1605 ballet de la reine; A Queen's Ballet, a Queen's Masque, and the Truce of Antwerp, 1609; Conclusion; Appendices; Appendix 1; Appendix 2; Appendix 3; Notes |
| Record Nr. | UNINA-9910793597403321 |
Gough Melinda
|
||
| Toronto : , : University of Toronto Press, , [2019] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Dancing Queen : Marie de Médicis' Ballets at the Court of Henri IV / / Melinda Gough
| Dancing Queen : Marie de Médicis' Ballets at the Court of Henri IV / / Melinda Gough |
| Autore | Gough Melinda |
| Pubbl/distr/stampa | Toronto : , : University of Toronto Press, , [2019] |
| Descrizione fisica | 1 online resource (395 pages) |
| Disciplina | 944.031092 |
| Soggetto topico | Ballet - France - History - 17th century |
| Soggetto genere / forma | History |
| Soggetto non controllato |
Bourbon monarchy
France French court ballets French Henri IV Louvre Queen Marie de Médicis dance studies literary studies musicology political history women’s and gender studies |
| ISBN |
1-4875-1847-1
1-4875-1846-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Intro; Contents; Illustrations; Acknowledgments; Abbreviations; Principles of Transcription and Translation; Introduction; Chapter One-Magnificence, Mistresses, and Marie's Dance of Maternity; Peace, Plenty, and the Pleasures of Courtly Pastimes Restored; Franco-Florentine Neoplatonism and the (Medicean) Magnificence of Bourbon Rule; Marie as (Virgin) Mother; Marie's Primitive Accumulation of (Marian) Cultural Capital; Chapter Two-Royal Women's Ballet and/as Royal Ceremonial; Threats to Dynastic Continuity and Images of Joint Rule, 1603-5
The Occasion, the On-stage Action, and the Ballet's Framing as Royal Ceremonial"Pour faire ranger tout le monde"; Casting Choices: "Those Who Could Make her Queen"; Sovereign yet Subject; Ceremonial Expressions of Political Partnership: Abstract Theory, Embodied Practice; Chapter Three-Alliances and Others; Civility's (Islamic) Others; Restoring "the seat of his [Thracian] empire"; Collaboration ... and Contestation; Chapter Four-Eros and "Absolutism"; Marie's Ballet of Diana and her Nymphs: The On-stage Action and Its "Directrice Absolue." (Dance) Lessons from a Queen: New Bourbon "Methodologies of Authority"Dance and/vs Song: Angelique Paulet and the Limits of Marie's (Proto)feminism; Eros Channeled to (Sovereign) Virtue: Marie Dances Diana; The April 1609 Ballet de Madame and the Limits of (Patriarchal) Absolutism; Chapter Five-Dances of Diplomacy: London, Valladolid, Paris; Two Queen's Masques, a Sarao, and the Treaty of London, 1604-5; "Hostipitality" at France's 1605 ballet de la reine; A Queen's Ballet, a Queen's Masque, and the Truce of Antwerp, 1609; Conclusion; Appendices; Appendix 1; Appendix 2; Appendix 3; Notes |
| Record Nr. | UNINA-9910814872203321 |
|
Gough Melinda
|
||
| Toronto : , : University of Toronto Press, , [2019] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||