The danger of music and other anti-utopian essays [[electronic resource] /] / Richard Taruskin |
Autore | Taruskin Richard |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2009 |
Descrizione fisica | 1 online resource (508 p.) |
Disciplina | 780.9 |
Soggetto topico |
Musical criticism
Music trade |
Soggetto non controllato |
21st century art criticism
21st century music criticism aesthetics anti utopian thought art post 9/11 arts bach beethoven boris goudenow career classical music colonialism contemporary composition contemporary performance critics ethics ezra pound hindemith legacy historians lifetime modernism music musicology nationalism nature optimism performance political art politics public musicologist pundits sterility stravinsky terrorist attacks teutonic train wreck the new york times wagner |
ISBN |
1-282-36081-7
9786612360817 0-520-94279-5 |
Classificazione | LR 56800 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Preface: Against Utopia -- 1. Et in Arcadia Ego Or, I Didn't Know I Was Such a Pessimist until I Wrote This Thing -- 2. Only Time Will Cover the Taint -- 3. "Nationalism": Colonialism in Disguise? -- 4. Why Do They All Hate Horowitz? -- 5. Optimism amid the Rubble -- 6. A Survivor from the Teutonic Train Wreck -- 7. Does Nature Call the Tune? -- 8. Two Stabs at the Universe -- 9. In Search of the "Good" Hindemith Legacy -- 10. Six Times Six: A Bach Suite Selection -- 11. A Beethoven Season? -- 12. Dispelling the Contagious Wagnerian Mist -- 13. How Talented Composers Become Useless -- 14. Making a Stand against Sterility -- 15. A Sturdy Musical Bridge to the Twenty-first Century -- 16. Calling All Pundits: No More Predictions! -- 17. In The Rake's Progress, Love Conquers (Almost) All -- 18. Markevitch as Icarus -- 19. Let's Rescue Poor Schumann from His Rescuers -- 20. Early Music: Truly Old-Fashioned at Last? -- 21. Bartók and Stravinsky: Odd Couple Reunited? -- 22. Wagner's Antichrist Crashes a Pagan Party -- 23. A Surrealist Composer Comes to the Rescue of Modernism -- 24. Corraling a Herd of Musical Mavericks -- 25. Can We Give Poor Orff a Pass at Last? -- 26. The Danger of Music and the Case for Control -- 27. Ezra Pound: A Slim Sound Claim to Musical Immortality -- 28. Underneath the Dissonance Beat a Brahmsian Heart -- 29. Enter Boris Goudenow, Just 295 Years Late -- 30. The First Modernist -- 31. The Dark Side of the Moon -- 32. Of Kings and Divas -- 33. The Golden Age of Kitsch -- 34. No Ear for Music: The Scary Purity of John Cage -- 35. Sacred Entertainments -- 36. The Poietic Fallacy -- 37. The Musical Mystique: Defending Classical Music against Its Devotees -- 38. Revising Revision -- 39. Back to Whom? Neoclassicism as Ideology -- 40. She Do the Ring in Different Voices -- 41. Stravinsky and Us -- 42. Setting Limits (a talk) -- Index |
Record Nr. | UNINA-9910777952803321 |
Taruskin Richard
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Berkeley, : University of California Press, c2009 | ||
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Lo trovi qui: Univ. Federico II | ||
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Middlebrow Modernism : Britten’s Operas and the Great Divide / / Christopher Chowrimootoo |
Autore | Chowrimootoo Christopher <1985-> |
Pubbl/distr/stampa | Oakland, California : , : University of California Press, , [2019] |
Descrizione fisica | 1 online resource (xii, 229 pages) : PDF, digital file(s) |
Disciplina | 782.1092 |
Collana | California Studies in 20th-Century Music |
Soggetto topico |
Music - 20th century - Philosophy and esthetics
Modernism (Music) - History - 20th century Opera - 20th century |
Soggetto non controllato |
20th century music
aesthetic oppositions aesthetics audiences benjamin britten composers consonance critics cultural hierarchies great divide historiography lyricism mass culture mid century discussions modernism music history and criticism music history music opera music opera prestige shades of grey theatrical spectacle |
ISBN | 0-520-29865-9 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Middlebrow modernism -- Sentimentality under erasure in Peter Grimes -- The timely traditions of Albert Herring -- The turn of the screw, or : the Gothic Melodrama of modernism -- The burning fiery furnace and the redemption of religious Kitsch -- Death in Venice and the aesthetics of sublimation. |
Record Nr. | UNISA-996312640803316 |
Chowrimootoo Christopher <1985->
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Oakland, California : , : University of California Press, , [2019] | ||
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Lo trovi qui: Univ. di Salerno | ||
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Shaping jazz [[electronic resource] ] : cities, labels, and the global emergence of an art form / / Damon J. Phillips |
Autore | Phillips Damon J. <1968-> |
Edizione | [Core Textbook] |
Pubbl/distr/stampa | Princeton, NJ, : Princeton University Press, 2013 |
Descrizione fisica | 1 online resource (233 p.) |
Disciplina | 781.6509 |
Soggetto topico |
Jazz - Social aspects
Jazz - History and criticism |
Soggetto non controllato |
African Americans
Berlin German jazz Milenburg Joys New York Victorian-era firms Weimar Germany adoption narratives anti-jazz sentiments authenticity black musicians bottled water consumers critics cultural elites cultural markets cultural objects cultural products diffusion discographical canon disconnected cities disconnectedness geographic mobility geography green technology identity sequences identity threats identity incumbents jazz music jazz recordings jazz standards jazz legitimacy markets mobility networks musicians nanotechnology organizational role identities product appeal production pseudonyms race re-recording reception record company deception record company record labels recording industry recording location social congruence social systems sociological congruence software |
ISBN | 1-4008-4648-X |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction. Sociological Congruence and the Shaping of Recorded Jazz -- Chapter 1. The Puzzle of Geographical Disconnectedness -- Chapter 2. Further Exploring the Salience of Geography -- Chapter 3. Sociological Congruence and the Puzzle of Early German Jazz -- Chapter 4. Sociological Congruence and Record Company Comparative Advantage -- Chapter 5. The Sociological Congruence of Record Company Deception -- Chapter 6. The Sociological Congruence of Identity Sequences and Adoption Narratives -- Chapter 7. Pulling It Together and Stretching It Beyond -- Appendix -- Notes -- References -- Index |
Record Nr. | UNINA-9910786967803321 |
Phillips Damon J. <1968->
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Princeton, NJ, : Princeton University Press, 2013 | ||
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Lo trovi qui: Univ. Federico II | ||
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