Arts and Refugees: Multidisciplinary Perspectives |
Autore | Martiniello Marco |
Pubbl/distr/stampa | MDPI - Multidisciplinary Digital Publishing Institute, 2019 |
Descrizione fisica | 1 electronic resource (100 p.) |
Soggetto non controllato |
postmigrant theater
minority arts refugees fair participation participatory video representation improvisation documentary films diversity solidarity universalism cultural policies arts Syrian artist political solidarity political art creative process refugee crisis third space relational dynamics Belgium world music translation migration Italy |
ISBN | 3-03921-406-3 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Altri titoli varianti | Arts and Refugees |
Record Nr. | UNINA-9910367753503321 |
Martiniello Marco
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MDPI - Multidisciplinary Digital Publishing Institute, 2019 | ||
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Lo trovi qui: Univ. Federico II | ||
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Design, gestaltung, formativita : philosophies of making / / Patricia Ribault (editor) |
Pubbl/distr/stampa | Basel : , : Birkhäuser, , [2022] |
Descrizione fisica | 1 online resource (384 pages) |
Disciplina | 153.35 |
Soggetto topico | Creation (Literary, artistic, etc.) |
Soggetto non controllato |
Gilles Tiberghien
Luigi Pareyson Pierre-Damien Huyghe creative process design process design theory philosophies of making |
ISBN | 9783035622447 |
Classificazione | LH 79540 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Intro -- Contents -- Design, Gestaltung, Formatività. An Introduction -- Giving Form -- Estetica. Teoria della formatività. Preface to the 1988 edition, followed by "The Specification of Art" -- Formativity: A Philosophy of Making -- Gestaltung: A Process of Transformation of Forms as the Dynamic of Creativity -- Form in the Sphere of Design -- First There Is Form. Some Critical Remarks About the Belief That Form Follows Function -- No Deviation, No Life. Fine Arts and Symmetry -- Bricology: An Anthropology of Making Art -- The Threshold of Invention. Design Processes in Light of Some Methods of Projection -- From Gestalt to Gestaltung. A Conversation with Giovanni Anceschi -- From Invisible Design to Post-Optimal Objects. Interface Design and Discourses of Dematerialization since circa 1960 -- The Will to Engineer. Synthetic Biology and the Escalation of Zoëpolitics -- Buckminster Fuller: In Praise of the Imperfect -- The Design Turn 2.0 -- Form Given -- From the Invention of Manufacturing Processes to the Discovery of Matter -- Toward an Archaeology of Hanro's Design Processes of Underwear Production in the 1930s -- The Discreet Charm of Typography -- Acting Things. Choreographing the Everyday -- In Formation & -- amp -- Information in Living Material -- Rethinking the Materials Paradigm. Toward an Active Understanding of Gestaltung -- The Bark Project. Combining Science and Design to Elaborate New Models of Production for the Design Industry -- In the Flow. Incorporating the Formative Forces of Fluid Matter -- Designing Openness. An Approach to Integrate Active Material Behavior into Digital Design Practice -- To Build a Fish. Structuring Space and Material in Skeletons -- The Role of Mechanics in the Growth and Modeling of Biological Materials -- Expansions and Imperfections. Experiments on a Self-Morphing Lattice.
Attempts at Explementation. Combining Material and Symbolic Operations in Art and Design Research -- Afterword -- Biographies -- Image Credits -- Acknowledgments. |
Record Nr. | UNISA-996552360103316 |
Basel : , : Birkhäuser, , [2022] | ||
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Lo trovi qui: Univ. di Salerno | ||
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Design, gestaltung, formativita : philosophies of making / / Patricia Ribault (editor) |
Pubbl/distr/stampa | Basel : , : Birkhäuser, , [2022] |
Descrizione fisica | 1 online resource (384 pages) |
Disciplina | 153.35 |
Soggetto topico | Creation (Literary, artistic, etc.) |
Soggetto non controllato |
Gilles Tiberghien
Luigi Pareyson Pierre-Damien Huyghe creative process design process design theory philosophies of making |
ISBN | 9783035622447 |
Classificazione | LH 79540 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Intro -- Contents -- Design, Gestaltung, Formatività. An Introduction -- Giving Form -- Estetica. Teoria della formatività. Preface to the 1988 edition, followed by "The Specification of Art" -- Formativity: A Philosophy of Making -- Gestaltung: A Process of Transformation of Forms as the Dynamic of Creativity -- Form in the Sphere of Design -- First There Is Form. Some Critical Remarks About the Belief That Form Follows Function -- No Deviation, No Life. Fine Arts and Symmetry -- Bricology: An Anthropology of Making Art -- The Threshold of Invention. Design Processes in Light of Some Methods of Projection -- From Gestalt to Gestaltung. A Conversation with Giovanni Anceschi -- From Invisible Design to Post-Optimal Objects. Interface Design and Discourses of Dematerialization since circa 1960 -- The Will to Engineer. Synthetic Biology and the Escalation of Zoëpolitics -- Buckminster Fuller: In Praise of the Imperfect -- The Design Turn 2.0 -- Form Given -- From the Invention of Manufacturing Processes to the Discovery of Matter -- Toward an Archaeology of Hanro's Design Processes of Underwear Production in the 1930s -- The Discreet Charm of Typography -- Acting Things. Choreographing the Everyday -- In Formation & -- amp -- Information in Living Material -- Rethinking the Materials Paradigm. Toward an Active Understanding of Gestaltung -- The Bark Project. Combining Science and Design to Elaborate New Models of Production for the Design Industry -- In the Flow. Incorporating the Formative Forces of Fluid Matter -- Designing Openness. An Approach to Integrate Active Material Behavior into Digital Design Practice -- To Build a Fish. Structuring Space and Material in Skeletons -- The Role of Mechanics in the Growth and Modeling of Biological Materials -- Expansions and Imperfections. Experiments on a Self-Morphing Lattice.
Attempts at Explementation. Combining Material and Symbolic Operations in Art and Design Research -- Afterword -- Biographies -- Image Credits -- Acknowledgments. |
Record Nr. | UNINA-9910776178303321 |
Basel : , : Birkhäuser, , [2022] | ||
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Lo trovi qui: Univ. Federico II | ||
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Discovering Orson Welles [[electronic resource] /] / Jonathan Rosenbaum |
Autore | Rosenbaum Jonathan |
Pubbl/distr/stampa | Berkeley, Calif. ; ; London, : University of California Press, c2007 |
Descrizione fisica | 1 online resource (348 p.) |
Disciplina | 791.430233092 |
Soggetto topico |
Motion pictures
Motion pictures - Analysis, appreciation |
Soggetto non controllato |
american director
biographical career chimes at midnight cinema creative control creative process don quixote f for fake film criticism film director film studies films heart of darkness hollywood innovation movie studies movies orson welles othello personal interviews raising kane studio memo the big brass ring the cradle will rock the ultimate auteur touch of evil unfinished films unfinished work welles canon |
ISBN |
9786612360244
1-282-36024-8 0-520-94071-7 1-4294-7183-2 1-4337-0966-X |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction -- 1.I Missed It at the Movies: Objections to "Raising kane" -- 2.The Voice and the Eye: A Commentary on the heart of darkness Script -- 3.Notes on a Conversation with Welles -- 4.First Impressions of f for fake -- 5.The Butterfly and the Whale: Orson Welles's f for fake -- 6.Prime Cut (The 107-Minute touch of evil) -- 7.André Bazin and the Politics of Sound in touch of evil -- 8.The Invisible Orson Welles: A First Inventory -- 9.Reviews of Biographies by Barbara Leaming and Charles Higham and a Critical Edition of touch of evil -- 10.Afterword to the big brass ring, a Screenplay by Orson Welles (with Oja Kodar) -- 11.Wellesian: Quixote in a Trashcan (New York University Welles Conference) -- 12.Reviews of Citizen Welles and a Critical Edition of chimes at midnight -- 13.Review of Orson Welles: A Bio-Bibliography -- 14.Orson Welles's Essay Films and Documentary Fictions: A Two-Part Speculation -- 15.The Seven Arkadins -- 16. Othello Goes Hollywood -- 17.Truth and Consequence: On it's all true: based on an unfinished film by Orson Welles -- 18.Afterword to the cradle will rock, an Original Screenplay by Orson Welles -- 19. Orson Welles in the U.S.: An Exchange with Bill Krohn -- 20.The Battle over Orson Welles -- 21. Touch of Evil Retouched -- 22.Excerpt from "Problems of Access: On the Trail of Some Festival Films and Filmmakers" (On touch of evil) -- 23.Welles in the Lime Light: The Third Man -- 24.Orson Welles as Ideological Challenge -- 25.Orson Welles's Purloined Letter: F for Fake -- 26.When Will-and How Can-We Finish Orson Welles's Don Quixote? -- Appendix: The Present State of the Welles Film Legacy -- Index |
Record Nr. | UNINA-9910784421003321 |
Rosenbaum Jonathan
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Berkeley, Calif. ; ; London, : University of California Press, c2007 | ||
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Lo trovi qui: Univ. Federico II | ||
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Discovering Orson Welles / / Jonathan Rosenbaum |
Autore | Rosenbaum Jonathan |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Berkeley, Calif. ; ; London, : University of California Press, c2007 |
Descrizione fisica | 1 online resource (348 p.) |
Disciplina | 791.430233092 |
Soggetto topico |
Motion pictures
Motion pictures - Analysis, appreciation |
Soggetto non controllato |
american director
biographical career chimes at midnight cinema creative control creative process don quixote f for fake film criticism film director film studies films heart of darkness hollywood innovation movie studies movies orson welles othello personal interviews raising kane studio memo the big brass ring the cradle will rock the ultimate auteur touch of evil unfinished films unfinished work welles canon |
ISBN |
9786612360244
1-282-36024-8 0-520-94071-7 1-4294-7183-2 1-4337-0966-X |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Acknowledgments -- Introduction -- 1.I Missed It at the Movies: Objections to "Raising kane" -- 2.The Voice and the Eye: A Commentary on the heart of darkness Script -- 3.Notes on a Conversation with Welles -- 4.First Impressions of f for fake -- 5.The Butterfly and the Whale: Orson Welles's f for fake -- 6.Prime Cut (The 107-Minute touch of evil) -- 7.André Bazin and the Politics of Sound in touch of evil -- 8.The Invisible Orson Welles: A First Inventory -- 9.Reviews of Biographies by Barbara Leaming and Charles Higham and a Critical Edition of touch of evil -- 10.Afterword to the big brass ring, a Screenplay by Orson Welles (with Oja Kodar) -- 11.Wellesian: Quixote in a Trashcan (New York University Welles Conference) -- 12.Reviews of Citizen Welles and a Critical Edition of chimes at midnight -- 13.Review of Orson Welles: A Bio-Bibliography -- 14.Orson Welles's Essay Films and Documentary Fictions: A Two-Part Speculation -- 15.The Seven Arkadins -- 16. Othello Goes Hollywood -- 17.Truth and Consequence: On it's all true: based on an unfinished film by Orson Welles -- 18.Afterword to the cradle will rock, an Original Screenplay by Orson Welles -- 19. Orson Welles in the U.S.: An Exchange with Bill Krohn -- 20.The Battle over Orson Welles -- 21. Touch of Evil Retouched -- 22.Excerpt from "Problems of Access: On the Trail of Some Festival Films and Filmmakers" (On touch of evil) -- 23.Welles in the Lime Light: The Third Man -- 24.Orson Welles as Ideological Challenge -- 25.Orson Welles's Purloined Letter: F for Fake -- 26.When Will-and How Can-We Finish Orson Welles's Don Quixote? -- Appendix: The Present State of the Welles Film Legacy -- Index |
Record Nr. | UNINA-9910823946003321 |
Rosenbaum Jonathan
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Berkeley, Calif. ; ; London, : University of California Press, c2007 | ||
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Lo trovi qui: Univ. Federico II | ||
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