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Boccherini's body [[electronic resource] ] : an essay in carnal musicology / / Elisabeth Le Guin
| Boccherini's body [[electronic resource] ] : an essay in carnal musicology / / Elisabeth Le Guin |
| Autore | Le Guin Elisabeth <1957-> |
| Pubbl/distr/stampa | Berkeley, : University of California Press, 2006 |
| Descrizione fisica | 1 online resource (375 p.) |
| Disciplina | 780/.92 |
| Soggetto topico | Music - Interpretation (Phrasing, dynamics, etc.) |
| Soggetto non controllato |
affect theory
allegro angiolini biography boccherini cello sonata cello cherini classical music composers consumption depression drama embodiment emotion history of medicine instrumental music kinesthesia melancholy mental illness mind and body music history music theory music musical dynamics musician musicians musicology nonfiction performing arts popular culture sensation solipsism string quartet theater theatrical music tuberculosis virtuoso |
| ISBN |
1-282-75926-4
9786612759260 0-520-93062-2 1-59875-919-1 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- List of figures -- List of music examples -- CD playlist -- Acknowledgments -- Introduction -- Chapter 1. "Cello-and-Bow Thinking" -- Chapter 2. "As My Works Show Me to Be" -- Chapter 3. Gestures and Tableaux -- Chapter 4. Virtuosity, Virtuality, Virtue -- Chapter 5. A Melancholy Anatomy -- Chapter 6. "It Is All Cloth of the Same Piece" -- Chapter 7. The Perfect Listener -- Appendix: Chronological Table of String Quartets -- Notes -- Bibliography -- Index |
| Record Nr. | UNINA-9910783669303321 |
Le Guin Elisabeth <1957->
|
||
| Berkeley, : University of California Press, 2006 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Boccherini's body : an essay in carnal musicology / / Elisabeth Le Guin
| Boccherini's body : an essay in carnal musicology / / Elisabeth Le Guin |
| Autore | Le Guin Elisabeth <1957-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, 2006 |
| Descrizione fisica | 1 online resource (375 p.) |
| Disciplina | 780/.92 |
| Soggetto topico | Music - Interpretation (Phrasing, dynamics, etc.) |
| Soggetto non controllato |
affect theory
allegro angiolini biography boccherini cello sonata cello cherini classical music composers consumption depression drama embodiment emotion history of medicine instrumental music kinesthesia melancholy mental illness mind and body music history music theory music musical dynamics musician musicians musicology nonfiction performing arts popular culture sensation solipsism string quartet theater theatrical music tuberculosis virtuoso |
| ISBN |
1-282-75926-4
9786612759260 0-520-93062-2 1-59875-919-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- List of figures -- List of music examples -- CD playlist -- Acknowledgments -- Introduction -- Chapter 1. "Cello-and-Bow Thinking" -- Chapter 2. "As My Works Show Me to Be" -- Chapter 3. Gestures and Tableaux -- Chapter 4. Virtuosity, Virtuality, Virtue -- Chapter 5. A Melancholy Anatomy -- Chapter 6. "It Is All Cloth of the Same Piece" -- Chapter 7. The Perfect Listener -- Appendix: Chronological Table of String Quartets -- Notes -- Bibliography -- Index |
| Record Nr. | UNINA-9910827043903321 |
|
Le Guin Elisabeth <1957->
|
||
| Berkeley, : University of California Press, 2006 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Medieval music and the art of memory [[electronic resource] /] / Anna Maria Busse Berger
| Medieval music and the art of memory [[electronic resource] /] / Anna Maria Busse Berger |
| Autore | Berger Anna Maria Busse |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2005 |
| Descrizione fisica | 1 online resource (305 p.) |
| Disciplina | 780/.9/02 |
| Soggetto topico |
Music - 500-1400 - History and criticism
Music - 15th century - History and criticism Composition (Music) - History Memory |
| Soggetto non controllato |
antiphons
art carolingian modes chant composers composition discant harmony improvisation intervals intonations isorhythmic motets literacy medieval history medieval music melismas memorization memory music history music theory music musicology nonfiction note progression notre dame polyphony oral composition oral transmission orality organum performing arts polyphonic music polyphony psalm tones pseudo chilston religious music rhythm tonaries transmission visualization |
| ISBN |
9786612357312
0-520-93064-9 1-282-35731-X 1-4237-3134-4 1-59875-803-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Prologue : the first great dead white male composer -- The construction of the memorial archive -- Tonaries : a tool for memorizing chant -- Basic theory treatises -- The memorization of organum, discant, and counterpoint treatises -- Compositional process in polyphonic music -- Compositional process and transmission of Notre Dame polyphony -- Visualization and the composition of polyphonic music. |
| Record Nr. | UNINA-9910783669903321 |
|
Berger Anna Maria Busse
|
||
| Berkeley, : University of California Press, c2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Medieval music and the art of memory [[electronic resource] /] / Anna Maria Busse Berger
| Medieval music and the art of memory [[electronic resource] /] / Anna Maria Busse Berger |
| Autore | Berger Anna Maria Busse |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2005 |
| Descrizione fisica | 1 online resource (305 p.) |
| Disciplina | 780/.9/02 |
| Soggetto topico |
Music - 500-1400 - History and criticism
Music - 15th century - History and criticism Composition (Music) - History Memory |
| Soggetto non controllato |
antiphons
art carolingian modes chant composers composition discant harmony improvisation intervals intonations isorhythmic motets literacy medieval history medieval music melismas memorization memory music history music theory music musicology nonfiction note progression notre dame polyphony oral composition oral transmission orality organum performing arts polyphonic music polyphony psalm tones pseudo chilston religious music rhythm tonaries transmission visualization |
| ISBN |
9786612357312
0-520-93064-9 1-282-35731-X 1-4237-3134-4 1-59875-803-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Prologue : the first great dead white male composer -- The construction of the memorial archive -- Tonaries : a tool for memorizing chant -- Basic theory treatises -- The memorization of organum, discant, and counterpoint treatises -- Compositional process in polyphonic music -- Compositional process and transmission of Notre Dame polyphony -- Visualization and the composition of polyphonic music. |
| Record Nr. | UNINA-9910810054803321 |
|
Berger Anna Maria Busse
|
||
| Berkeley, : University of California Press, c2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Middlebrow Modernism : Britten’s Operas and the Great Divide / / Christopher Chowrimootoo
| Middlebrow Modernism : Britten’s Operas and the Great Divide / / Christopher Chowrimootoo |
| Autore | Chowrimootoo Christopher <1985-> |
| Pubbl/distr/stampa | Oakland, California : , : University of California Press, , [2019] |
| Descrizione fisica | 1 online resource (xii, 229 pages) : PDF, digital file(s) |
| Disciplina | 782.1092 |
| Collana | California Studies in 20th-Century Music |
| Soggetto topico |
Music - 20th century - Philosophy and esthetics
Modernism (Music) - History - 20th century Opera - 20th century |
| Soggetto non controllato |
20th century music
aesthetic oppositions aesthetics audiences benjamin britten composers consonance critics cultural hierarchies great divide historiography lyricism mass culture mid century discussions modernism music history and criticism music history music opera music opera prestige shades of grey theatrical spectacle |
| ISBN | 0-520-29865-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Middlebrow modernism -- Sentimentality under erasure in Peter Grimes -- The timely traditions of Albert Herring -- The turn of the screw, or : the Gothic Melodrama of modernism -- The burning fiery furnace and the redemption of religious Kitsch -- Death in Venice and the aesthetics of sublimation. |
| Record Nr. | UNINA-9910293134103321 |
|
Chowrimootoo Christopher <1985->
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| Oakland, California : , : University of California Press, , [2019] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Middlebrow Modernism : Britten’s Operas and the Great Divide / / Christopher Chowrimootoo
| Middlebrow Modernism : Britten’s Operas and the Great Divide / / Christopher Chowrimootoo |
| Autore | Chowrimootoo Christopher <1985-> |
| Pubbl/distr/stampa | Oakland, California : , : University of California Press, , [2019] |
| Descrizione fisica | 1 online resource (xii, 229 pages) : PDF, digital file(s) |
| Disciplina | 782.1092 |
| Collana | California Studies in 20th-Century Music |
| Soggetto topico |
Music - 20th century - Philosophy and esthetics
Modernism (Music) - History - 20th century Opera - 20th century |
| Soggetto non controllato |
20th century music
aesthetic oppositions aesthetics audiences benjamin britten composers consonance critics cultural hierarchies great divide historiography lyricism mass culture mid century discussions modernism music history and criticism music history music opera music opera prestige shades of grey theatrical spectacle |
| ISBN | 0-520-29865-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Middlebrow modernism -- Sentimentality under erasure in Peter Grimes -- The timely traditions of Albert Herring -- The turn of the screw, or : the Gothic Melodrama of modernism -- The burning fiery furnace and the redemption of religious Kitsch -- Death in Venice and the aesthetics of sublimation. |
| Record Nr. | UNISA-996312640803316 |
|
Chowrimootoo Christopher <1985->
|
||
| Oakland, California : , : University of California Press, , [2019] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Mozart and Enlightenment semiotics [[electronic resource] /] / Stephen Rumph
| Mozart and Enlightenment semiotics [[electronic resource] /] / Stephen Rumph |
| Autore | Rumph Stephen C |
| Pubbl/distr/stampa | Berkeley, : University of California Press, 2012 |
| Descrizione fisica | 1 online resource (284 p.) |
| Disciplina | 780.92 |
| Soggetto topico |
Music - 18th century - History and criticism
Music - Semiotics Enlightenment |
| Soggetto non controllato |
18th century composers
18th century europe 18th century music 18th century symphonies beethoven church music history classical composers classical music classical musicians classical period composers concertos european music european scholars famous composers famous operas history of music history italian writings literary movements and periods music icons music scholars musical semiotics musicians musicology neoclassical music renaissance humanism the enlightenment period theater |
| ISBN |
1-280-10022-2
9786613520531 0-520-95011-9 |
| Classificazione | LP 40411 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | From rhetoric to semiotics -- The sense of touch in Don Giovanni -- Topics in context -- Mozart and Marxism -- A dubious credo -- Archaic endings. |
| Record Nr. | UNINA-9910778811103321 |
|
Rumph Stephen C
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| Berkeley, : University of California Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Mozart and Enlightenment semiotics [[electronic resource] /] / Stephen Rumph
| Mozart and Enlightenment semiotics [[electronic resource] /] / Stephen Rumph |
| Autore | Rumph Stephen C |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, 2012 |
| Descrizione fisica | 1 online resource (284 p.) |
| Disciplina | 780.92 |
| Soggetto topico |
Music - 18th century - History and criticism
Music - Semiotics Enlightenment |
| Soggetto non controllato |
18th century composers
18th century europe 18th century music 18th century symphonies beethoven church music history classical composers classical music classical musicians classical period composers concertos european music european scholars famous composers famous operas history of music history italian writings literary movements and periods music icons music scholars musical semiotics musicians musicology neoclassical music renaissance humanism the enlightenment period theater |
| ISBN |
1-280-10022-2
9786613520531 0-520-95011-9 |
| Classificazione | LP 40411 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | From rhetoric to semiotics -- The sense of touch in Don Giovanni -- Topics in context -- Mozart and Marxism -- A dubious credo -- Archaic endings. |
| Record Nr. | UNINA-9910814418103321 |
|
Rumph Stephen C
|
||
| Berkeley, : University of California Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Music drama at the Paris Odéon, 1824-1828 [[electronic resource] /] / Mark Everist
| Music drama at the Paris Odéon, 1824-1828 [[electronic resource] /] / Mark Everist |
| Autore | Everist Mark |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2002 |
| Descrizione fisica | 1 online resource (350 p.) |
| Disciplina | 782.1/0944/36109034 |
| Soggetto topico | Opera - France - Paris - 19th century |
| Soggetto non controllato |
acadmie royale
aristocracy auber barber of seville beaumarchais berlioz bohemians boieldieu bourbon restoration bourgeoisie charles x. chorus composers drama eugene scribe faubourg st germain france french culture french history industrial revolution july monarchy la dame blanche les trois genres libretto louis xviii lyric theater monarchy music history music musical theater napoleon opera comique opera house opera paris odeon paris performing arts restoration society theater tout paris |
| ISBN |
1-282-35685-2
0-520-92890-3 9786612356858 1-59734-764-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Illustrations -- Acknowledgments -- Abbreviations -- Introduction -- PART ONE. The Institution -- PART TWO. The Repertory -- Conclusion -- APPENDIX ONE -- APPENDIX TWO -- BIBLIOGRAPHY -- INDEX |
| Record Nr. | UNINA-9910780247903321 |
|
Everist Mark
|
||
| Berkeley, : University of California Press, c2002 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Music drama at the Paris Odéon, 1824-1828 [[electronic resource] /] / Mark Everist
| Music drama at the Paris Odéon, 1824-1828 [[electronic resource] /] / Mark Everist |
| Autore | Everist Mark |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2002 |
| Descrizione fisica | 1 online resource (350 p.) |
| Disciplina | 782.1/0944/36109034 |
| Soggetto topico | Opera - France - Paris - 19th century |
| Soggetto non controllato |
acadmie royale
aristocracy auber barber of seville beaumarchais berlioz bohemians boieldieu bourbon restoration bourgeoisie charles x. chorus composers drama eugene scribe faubourg st germain france french culture french history industrial revolution july monarchy la dame blanche les trois genres libretto louis xviii lyric theater monarchy music history music musical theater napoleon opera comique opera house opera paris odeon paris performing arts restoration society theater tout paris |
| ISBN |
1-282-35685-2
0-520-92890-3 9786612356858 1-59734-764-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Illustrations -- Acknowledgments -- Abbreviations -- Introduction -- PART ONE. The Institution -- PART TWO. The Repertory -- Conclusion -- APPENDIX ONE -- APPENDIX TWO -- BIBLIOGRAPHY -- INDEX |
| Record Nr. | UNINA-9910815444903321 |
|
Everist Mark
|
||
| Berkeley, : University of California Press, c2002 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
