Absolute music, mechanical reproduction [[electronic resource] /] / Arved Ashby |
Autore | Ashby Arved Mark |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2010 |
Descrizione fisica | 1 online resource (333 pages) |
Disciplina | 781.49 |
Soggetto topico |
Absolute music
Sound recordings - Social aspects Music - Philosophy and aesthetics Performance practice (Music) - History - 20th century Music and technology Sound - Recording and reproducing - Digital techniques MP3 (Audio coding standard) - Social aspects |
Soggetto non controllato |
absolute instrumental music
aesthetics art music classical music contemporary world historical listening to music live arts mechanical reproduction music criticism music critics music historians music history music recordings music scholars music musical contexts musical culture musicology nonfiction performing arts recording technology recordings and sound socially progressive students and teachers |
ISBN |
9786612697661
0-520-94569-7 1-282-69766-8 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | The recorded musical text -- Recording, repetition, and memory in absolute music -- Schnabel's rationalism, Gould's pragmatism -- Digital mythologies -- Beethoven and the iPod Nation -- Photo/phono/porno -- Mahler as imagist. |
Record Nr. | UNINA-9910781129403321 |
Ashby Arved Mark
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Berkeley, : University of California Press, c2010 | ||
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Lo trovi qui: Univ. Federico II | ||
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Absolute music, mechanical reproduction [[electronic resource] /] / Arved Ashby |
Autore | Ashby Arved Mark |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2010 |
Descrizione fisica | 1 online resource (333 pages) |
Disciplina | 781.49 |
Soggetto topico |
Absolute music
Sound recordings - Social aspects Music - Philosophy and aesthetics Performance practice (Music) - History - 20th century Music and technology Sound - Recording and reproducing - Digital techniques MP3 (Audio coding standard) - Social aspects |
Soggetto non controllato |
absolute instrumental music
aesthetics art music classical music contemporary world historical listening to music live arts mechanical reproduction music criticism music critics music historians music history music recordings music scholars music musical contexts musical culture musicology nonfiction performing arts recording technology recordings and sound socially progressive students and teachers |
ISBN |
9786612697661
0-520-94569-7 1-282-69766-8 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | The recorded musical text -- Recording, repetition, and memory in absolute music -- Schnabel's rationalism, Gould's pragmatism -- Digital mythologies -- Beethoven and the iPod Nation -- Photo/phono/porno -- Mahler as imagist. |
Record Nr. | UNINA-9910808751903321 |
Ashby Arved Mark
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Berkeley, : University of California Press, c2010 | ||
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Lo trovi qui: Univ. Federico II | ||
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The Art of Fugue : Bach Fugues for Keyboard, 1715-1750 / / Joseph Kerman |
Autore | Kerman Joseph <1924-2014, > |
Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [2015] |
Descrizione fisica | 1 online resource (xxv, 165 pages) : music; digital, PDF file(s) |
Disciplina | 786 |
Collana | Luminos |
Soggetto topico |
Fugue
MUSIC / Genres & Styles / Classical |
Soggetto non controllato |
18th century fugues
18th century music bach classical music clavichord music fugue in c major fugue in c minor fugues harpsichord music history of music intimate fugues keyboard composition keyboard music music appreciation music composition music theory musical analysis musical commentary musical scores musicology organ music organ toccatas piano keyboard studies in classical music technical music analysis the well tempered clavier |
Classificazione | LP 38250 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- List of Recordings and Scores -- Preface -- Acknowledgments -- 1. Fugue in C Major: The Well-Tempered Clavier, book 1 -- 2. Fugue in C Minor: The Well-Tempered Clavier, book 1 -- 3. Fughetta in C Major, BWV 952 -- 4. Fugue in C-sharp Minor: The Well-Tempered Clavier, book 1 -- 5. Contrapunctus 1: The Art of Fugue -- 6. Contrapunctus 10: The Art of Fugue -- 7. Chromatic Fantasy and Fugue, BWV 903 -- 8. Prelude and Fugue in E-flat Major: The Well-Tempered Clavier, book 1 -- 9. Fugue in E Major: The Well-Tempered Clavier, book 2 -- 10. Fugue on "Jesus Christus unser Heiland": Clavierübung, book 3 -- 11. Fugue in F-sharp Minor: The Well-Tempered Clavier, book 1 -- 12. Gigue: English Suite no. 3 in G Minor -- 13. Fugue in A-flat Major: The Well-Tempered Clavier, book 1 -- 14. Fugue in A Minor: Fantasy and Fugue in A Minor, BWV 904 -- 15. Fugue in B-flat Major: The Well-Tempered Clavier, book 2 -- 16. Fugue in B Major: The Well-Tempered Clavier, book 2 -- Afterword -- Notes -- Notes to the Recordings -- Glossary -- Bibliography -- Index |
Record Nr. | UNISA-996328041503316 |
Kerman Joseph <1924-2014, >
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Berkeley, CA : , : University of California Press, , [2015] | ||
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Lo trovi qui: Univ. di Salerno | ||
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The Art of Fugue : Bach Fugues for Keyboard, 1715-1750 / / Joseph Kerman |
Autore | Kerman Joseph <1924-2014, > |
Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [2015] |
Descrizione fisica | 1 online resource (xxv, 165 pages) : music; digital, PDF file(s) |
Disciplina | 786 |
Collana | Luminos |
Soggetto topico |
Fugue
MUSIC / Genres & Styles / Classical |
Soggetto non controllato |
18th century fugues
18th century music bach classical music clavichord music fugue in c major fugue in c minor fugues harpsichord music history of music intimate fugues keyboard composition keyboard music music appreciation music composition music theory musical analysis musical commentary musical scores musicology organ music organ toccatas piano keyboard studies in classical music technical music analysis the well tempered clavier |
Classificazione | LP 38250 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- List of Recordings and Scores -- Preface -- Acknowledgments -- 1. Fugue in C Major: The Well-Tempered Clavier, book 1 -- 2. Fugue in C Minor: The Well-Tempered Clavier, book 1 -- 3. Fughetta in C Major, BWV 952 -- 4. Fugue in C-sharp Minor: The Well-Tempered Clavier, book 1 -- 5. Contrapunctus 1: The Art of Fugue -- 6. Contrapunctus 10: The Art of Fugue -- 7. Chromatic Fantasy and Fugue, BWV 903 -- 8. Prelude and Fugue in E-flat Major: The Well-Tempered Clavier, book 1 -- 9. Fugue in E Major: The Well-Tempered Clavier, book 2 -- 10. Fugue on "Jesus Christus unser Heiland": Clavierübung, book 3 -- 11. Fugue in F-sharp Minor: The Well-Tempered Clavier, book 1 -- 12. Gigue: English Suite no. 3 in G Minor -- 13. Fugue in A-flat Major: The Well-Tempered Clavier, book 1 -- 14. Fugue in A Minor: Fantasy and Fugue in A Minor, BWV 904 -- 15. Fugue in B-flat Major: The Well-Tempered Clavier, book 2 -- 16. Fugue in B Major: The Well-Tempered Clavier, book 2 -- Afterword -- Notes -- Notes to the Recordings -- Glossary -- Bibliography -- Index |
Record Nr. | UNINA-9910136269503321 |
Kerman Joseph <1924-2014, >
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Berkeley, CA : , : University of California Press, , [2015] | ||
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Lo trovi qui: Univ. Federico II | ||
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Beethoven after Napoleon [[electronic resource] ] : political romanticism in the late works / / Stephen Rumph |
Autore | Rumph Stephen C |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2004 |
Descrizione fisica | 1 online resource (307 p.) |
Disciplina | 780/.92 |
Collana | California studies in 19th century music |
Soggetto topico | Romanticism in music |
Soggetto non controllato |
academic
beethoven biographical classical music composer conservative economics famous composer freedom french revolution german composer german ideology german music german musician humanism interdisciplinary liberal music history musical composer musical composition napoleon napoleonic native german native people political commentary political politics progress religious studies revolution revolutionary romantic scholarly |
ISBN |
1-282-75922-1
9786612759222 0-520-93012-6 1-59734-484-2 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | A kingdom not of this world -- The heroic sublime -- Promethean history -- 1809 -- Contrapunctus I: prelude and fugue -- Contrapunctus II: double fugue -- Androgynous utopias -- Vox populi, vox dei -- A modernist epilogue. |
Record Nr. | UNINA-9910783388203321 |
Rumph Stephen C
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Berkeley, : University of California Press, c2004 | ||
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Lo trovi qui: Univ. Federico II | ||
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Beethoven after Napoleon [[electronic resource] ] : political romanticism in the late works / / Stephen Rumph |
Autore | Rumph Stephen C |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2004 |
Descrizione fisica | 1 online resource (307 p.) |
Disciplina | 780/.92 |
Collana | California studies in 19th century music |
Soggetto topico | Romanticism in music |
Soggetto non controllato |
academic
beethoven biographical classical music composer conservative economics famous composer freedom french revolution german composer german ideology german music german musician humanism interdisciplinary liberal music history musical composer musical composition napoleon napoleonic native german native people political commentary political politics progress religious studies revolution revolutionary romantic scholarly |
ISBN |
1-282-75922-1
9786612759222 0-520-93012-6 1-59734-484-2 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | A kingdom not of this world -- The heroic sublime -- Promethean history -- 1809 -- Contrapunctus I: prelude and fugue -- Contrapunctus II: double fugue -- Androgynous utopias -- Vox populi, vox dei -- A modernist epilogue. |
Record Nr. | UNINA-9910826745803321 |
Rumph Stephen C
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Berkeley, : University of California Press, c2004 | ||
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Lo trovi qui: Univ. Federico II | ||
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Boccherini's body [[electronic resource] ] : an essay in carnal musicology / / Elisabeth Le Guin |
Autore | Le Guin Elisabeth <1957-> |
Pubbl/distr/stampa | Berkeley, : University of California Press, 2006 |
Descrizione fisica | 1 online resource (375 p.) |
Disciplina | 780/.92 |
Soggetto topico | Music - Interpretation (Phrasing, dynamics, etc.) |
Soggetto non controllato |
affect theory
allegro angiolini biography boccherini cello sonata cello cherini classical music composers consumption depression drama embodiment emotion history of medicine instrumental music kinesthesia melancholy mental illness mind and body music history music theory music musical dynamics musician musicians musicology nonfiction performing arts popular culture sensation solipsism string quartet theater theatrical music tuberculosis virtuoso |
ISBN |
1-282-75926-4
9786612759260 0-520-93062-2 1-59875-919-1 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- List of figures -- List of music examples -- CD playlist -- Acknowledgments -- Introduction -- Chapter 1. "Cello-and-Bow Thinking" -- Chapter 2. "As My Works Show Me to Be" -- Chapter 3. Gestures and Tableaux -- Chapter 4. Virtuosity, Virtuality, Virtue -- Chapter 5. A Melancholy Anatomy -- Chapter 6. "It Is All Cloth of the Same Piece" -- Chapter 7. The Perfect Listener -- Appendix: Chronological Table of String Quartets -- Notes -- Bibliography -- Index |
Record Nr. | UNINA-9910783669303321 |
Le Guin Elisabeth <1957->
![]() |
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Berkeley, : University of California Press, 2006 | ||
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Lo trovi qui: Univ. Federico II | ||
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Boccherini's body : an essay in carnal musicology / / Elisabeth Le Guin |
Autore | Le Guin Elisabeth <1957-> |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Berkeley, : University of California Press, 2006 |
Descrizione fisica | 1 online resource (375 p.) |
Disciplina | 780/.92 |
Soggetto topico | Music - Interpretation (Phrasing, dynamics, etc.) |
Soggetto non controllato |
affect theory
allegro angiolini biography boccherini cello sonata cello cherini classical music composers consumption depression drama embodiment emotion history of medicine instrumental music kinesthesia melancholy mental illness mind and body music history music theory music musical dynamics musician musicians musicology nonfiction performing arts popular culture sensation solipsism string quartet theater theatrical music tuberculosis virtuoso |
ISBN |
1-282-75926-4
9786612759260 0-520-93062-2 1-59875-919-1 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- List of figures -- List of music examples -- CD playlist -- Acknowledgments -- Introduction -- Chapter 1. "Cello-and-Bow Thinking" -- Chapter 2. "As My Works Show Me to Be" -- Chapter 3. Gestures and Tableaux -- Chapter 4. Virtuosity, Virtuality, Virtue -- Chapter 5. A Melancholy Anatomy -- Chapter 6. "It Is All Cloth of the Same Piece" -- Chapter 7. The Perfect Listener -- Appendix: Chronological Table of String Quartets -- Notes -- Bibliography -- Index |
Record Nr. | UNINA-9910827043903321 |
Le Guin Elisabeth <1957->
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Berkeley, : University of California Press, 2006 | ||
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Lo trovi qui: Univ. Federico II | ||
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The danger of music and other anti-utopian essays [[electronic resource] /] / Richard Taruskin |
Autore | Taruskin Richard |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2009 |
Descrizione fisica | 1 online resource (508 p.) |
Disciplina | 780.9 |
Soggetto topico |
Musical criticism
Music trade |
Soggetto non controllato |
21st century art criticism
21st century music criticism aesthetics anti utopian thought art post 9/11 arts bach beethoven boris goudenow career classical music colonialism contemporary composition contemporary performance critics ethics ezra pound hindemith legacy historians lifetime modernism music musicology nationalism nature optimism performance political art politics public musicologist pundits sterility stravinsky terrorist attacks teutonic train wreck the new york times wagner |
ISBN |
1-282-36081-7
9786612360817 0-520-94279-5 |
Classificazione | LR 56800 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Preface: Against Utopia -- 1. Et in Arcadia Ego Or, I Didn't Know I Was Such a Pessimist until I Wrote This Thing -- 2. Only Time Will Cover the Taint -- 3. "Nationalism": Colonialism in Disguise? -- 4. Why Do They All Hate Horowitz? -- 5. Optimism amid the Rubble -- 6. A Survivor from the Teutonic Train Wreck -- 7. Does Nature Call the Tune? -- 8. Two Stabs at the Universe -- 9. In Search of the "Good" Hindemith Legacy -- 10. Six Times Six: A Bach Suite Selection -- 11. A Beethoven Season? -- 12. Dispelling the Contagious Wagnerian Mist -- 13. How Talented Composers Become Useless -- 14. Making a Stand against Sterility -- 15. A Sturdy Musical Bridge to the Twenty-first Century -- 16. Calling All Pundits: No More Predictions! -- 17. In The Rake's Progress, Love Conquers (Almost) All -- 18. Markevitch as Icarus -- 19. Let's Rescue Poor Schumann from His Rescuers -- 20. Early Music: Truly Old-Fashioned at Last? -- 21. Bartók and Stravinsky: Odd Couple Reunited? -- 22. Wagner's Antichrist Crashes a Pagan Party -- 23. A Surrealist Composer Comes to the Rescue of Modernism -- 24. Corraling a Herd of Musical Mavericks -- 25. Can We Give Poor Orff a Pass at Last? -- 26. The Danger of Music and the Case for Control -- 27. Ezra Pound: A Slim Sound Claim to Musical Immortality -- 28. Underneath the Dissonance Beat a Brahmsian Heart -- 29. Enter Boris Goudenow, Just 295 Years Late -- 30. The First Modernist -- 31. The Dark Side of the Moon -- 32. Of Kings and Divas -- 33. The Golden Age of Kitsch -- 34. No Ear for Music: The Scary Purity of John Cage -- 35. Sacred Entertainments -- 36. The Poietic Fallacy -- 37. The Musical Mystique: Defending Classical Music against Its Devotees -- 38. Revising Revision -- 39. Back to Whom? Neoclassicism as Ideology -- 40. She Do the Ring in Different Voices -- 41. Stravinsky and Us -- 42. Setting Limits (a talk) -- Index |
Record Nr. | UNINA-9910777952803321 |
Taruskin Richard
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Berkeley, : University of California Press, c2009 | ||
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Lo trovi qui: Univ. Federico II | ||
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The danger of music and other anti-utopian essays [[electronic resource] /] / Richard Taruskin |
Autore | Taruskin Richard |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2009 |
Descrizione fisica | 1 online resource (508 p.) |
Disciplina | 780.9 |
Soggetto topico |
Musical criticism
Music trade |
Soggetto non controllato |
21st century art criticism
21st century music criticism aesthetics anti utopian thought art post 9/11 arts bach beethoven boris goudenow career classical music colonialism contemporary composition contemporary performance critics ethics ezra pound hindemith legacy historians lifetime modernism music musicology nationalism nature optimism performance political art politics public musicologist pundits sterility stravinsky terrorist attacks teutonic train wreck the new york times wagner |
ISBN |
1-282-36081-7
9786612360817 0-520-94279-5 |
Classificazione | LR 56800 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Preface: Against Utopia -- 1. Et in Arcadia Ego Or, I Didn't Know I Was Such a Pessimist until I Wrote This Thing -- 2. Only Time Will Cover the Taint -- 3. "Nationalism": Colonialism in Disguise? -- 4. Why Do They All Hate Horowitz? -- 5. Optimism amid the Rubble -- 6. A Survivor from the Teutonic Train Wreck -- 7. Does Nature Call the Tune? -- 8. Two Stabs at the Universe -- 9. In Search of the "Good" Hindemith Legacy -- 10. Six Times Six: A Bach Suite Selection -- 11. A Beethoven Season? -- 12. Dispelling the Contagious Wagnerian Mist -- 13. How Talented Composers Become Useless -- 14. Making a Stand against Sterility -- 15. A Sturdy Musical Bridge to the Twenty-first Century -- 16. Calling All Pundits: No More Predictions! -- 17. In The Rake's Progress, Love Conquers (Almost) All -- 18. Markevitch as Icarus -- 19. Let's Rescue Poor Schumann from His Rescuers -- 20. Early Music: Truly Old-Fashioned at Last? -- 21. Bartók and Stravinsky: Odd Couple Reunited? -- 22. Wagner's Antichrist Crashes a Pagan Party -- 23. A Surrealist Composer Comes to the Rescue of Modernism -- 24. Corraling a Herd of Musical Mavericks -- 25. Can We Give Poor Orff a Pass at Last? -- 26. The Danger of Music and the Case for Control -- 27. Ezra Pound: A Slim Sound Claim to Musical Immortality -- 28. Underneath the Dissonance Beat a Brahmsian Heart -- 29. Enter Boris Goudenow, Just 295 Years Late -- 30. The First Modernist -- 31. The Dark Side of the Moon -- 32. Of Kings and Divas -- 33. The Golden Age of Kitsch -- 34. No Ear for Music: The Scary Purity of John Cage -- 35. Sacred Entertainments -- 36. The Poietic Fallacy -- 37. The Musical Mystique: Defending Classical Music against Its Devotees -- 38. Revising Revision -- 39. Back to Whom? Neoclassicism as Ideology -- 40. She Do the Ring in Different Voices -- 41. Stravinsky and Us -- 42. Setting Limits (a talk) -- Index |
Record Nr. | UNINA-9910809072003321 |
Taruskin Richard
![]() |
||
Berkeley, : University of California Press, c2009 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
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