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Desire and pleasure in seventeenth-century music [[electronic resource] /] / Susan McClary
| Desire and pleasure in seventeenth-century music [[electronic resource] /] / Susan McClary |
| Autore | McClary Susan |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2012 |
| Descrizione fisica | 1 online resource (356 p.) |
| Disciplina | 780.9/032 |
| Soggetto topico |
Music - 17th century - History and criticism
Musical criticism |
| Soggetto non controllato |
17th century musicians
amarilli arias bach beethoven beethovens fifth classical composers classical music history clevelandclassical enlightening insights on music history of music composers history of music history of opera how to write music learning to play music leisure reads master piece music musical history musicians musicology ode to joy opera and sex religion renaissance era savant composers sex and music sex social and historical music timeless music vacation reads |
| ISBN |
1-280-11659-5
9786613520883 0-520-95206-5 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Prelude: The Music of Pleasure and Desire -- Part I. The Hydraulics of Musical Desire -- Part II. Gendering Voice -- Part III. Divine Love -- Part IV. Dancing Bodies -- Part V. La Mode Française -- Postlude: Toward Consolidation -- Notes -- Index |
| Record Nr. | UNINA-9910779087603321 |
McClary Susan
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| Berkeley, : University of California Press, c2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Desire and pleasure in seventeenth-century music [[electronic resource] /] / Susan McClary
| Desire and pleasure in seventeenth-century music [[electronic resource] /] / Susan McClary |
| Autore | McClary Susan |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2012 |
| Descrizione fisica | 1 online resource (356 p.) |
| Disciplina | 780.9/032 |
| Soggetto topico |
Music - 17th century - History and criticism
Musical criticism |
| Soggetto non controllato |
17th century musicians
amarilli arias bach beethoven beethovens fifth classical composers classical music history clevelandclassical enlightening insights on music history of music composers history of music history of opera how to write music learning to play music leisure reads master piece music musical history musicians musicology ode to joy opera and sex religion renaissance era savant composers sex and music sex social and historical music timeless music vacation reads |
| ISBN |
1-280-11659-5
9786613520883 0-520-95206-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Prelude: The Music of Pleasure and Desire -- Part I. The Hydraulics of Musical Desire -- Part II. Gendering Voice -- Part III. Divine Love -- Part IV. Dancing Bodies -- Part V. La Mode Française -- Postlude: Toward Consolidation -- Notes -- Index |
| Record Nr. | UNINA-9910807194503321 |
|
McClary Susan
|
||
| Berkeley, : University of California Press, c2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Mozart and Enlightenment semiotics [[electronic resource] /] / Stephen Rumph
| Mozart and Enlightenment semiotics [[electronic resource] /] / Stephen Rumph |
| Autore | Rumph Stephen C |
| Pubbl/distr/stampa | Berkeley, : University of California Press, 2012 |
| Descrizione fisica | 1 online resource (284 p.) |
| Disciplina | 780.92 |
| Soggetto topico |
Music - 18th century - History and criticism
Music - Semiotics Enlightenment |
| Soggetto non controllato |
18th century composers
18th century europe 18th century music 18th century symphonies beethoven church music history classical composers classical music classical musicians classical period composers concertos european music european scholars famous composers famous operas history of music history italian writings literary movements and periods music icons music scholars musical semiotics musicians musicology neoclassical music renaissance humanism the enlightenment period theater |
| ISBN |
1-280-10022-2
9786613520531 0-520-95011-9 |
| Classificazione | LP 40411 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | From rhetoric to semiotics -- The sense of touch in Don Giovanni -- Topics in context -- Mozart and Marxism -- A dubious credo -- Archaic endings. |
| Record Nr. | UNINA-9910778811103321 |
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Rumph Stephen C
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||
| Berkeley, : University of California Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Mozart and Enlightenment semiotics [[electronic resource] /] / Stephen Rumph
| Mozart and Enlightenment semiotics [[electronic resource] /] / Stephen Rumph |
| Autore | Rumph Stephen C |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, : University of California Press, 2012 |
| Descrizione fisica | 1 online resource (284 p.) |
| Disciplina | 780.92 |
| Soggetto topico |
Music - 18th century - History and criticism
Music - Semiotics Enlightenment |
| Soggetto non controllato |
18th century composers
18th century europe 18th century music 18th century symphonies beethoven church music history classical composers classical music classical musicians classical period composers concertos european music european scholars famous composers famous operas history of music history italian writings literary movements and periods music icons music scholars musical semiotics musicians musicology neoclassical music renaissance humanism the enlightenment period theater |
| ISBN |
1-280-10022-2
9786613520531 0-520-95011-9 |
| Classificazione | LP 40411 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | From rhetoric to semiotics -- The sense of touch in Don Giovanni -- Topics in context -- Mozart and Marxism -- A dubious credo -- Archaic endings. |
| Record Nr. | UNINA-9910814418103321 |
|
Rumph Stephen C
|
||
| Berkeley, : University of California Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Wagner, Schumann, and the lessons of Beethoven's Ninth / / Christopher Alan Reynolds
| Wagner, Schumann, and the lessons of Beethoven's Ninth / / Christopher Alan Reynolds |
| Autore | Reynolds Christopher A. |
| Pubbl/distr/stampa | Oakland, California : , : University of California Press, , 2015 |
| Descrizione fisica | 1 online resource (227 p.) |
| Disciplina | 780.943/09034 |
| Soggetto topico | Symphonies - 19th century - Analysis, appreciation |
| Soggetto non controllato |
18th century composers
19th century classical music 19th century composers bach beethoven beethovens influence on music beethovens influence beethovens ninth symphony brahms classical composers classical music studies classical music classical contrary motion in music contrary motion ludwig von beethoven music composition music history music musical theory musicians schumann symphonies symphony composers symphony the flying dutchman wagner |
| ISBN | 0-520-96097-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Preface -- Acknowledgments -- Introduction -- Chapter 1. Wagner's Faustian Understanding of Beethoven's Ninth -- Chapter 2. The Impact of Beethoven's Ninth on The Flying Dutchman -- Chapter 3. Wagner, Thematic Dispersion, and Contrary Motion -- Chapter 4. Schumann, Thematic Dispersion, and Contrary Motion -- Chapter 5. Late Schumann, Wagner, and Bach -- Chapter 6. Brahms's Triple Response to the Ninth -- Chapter 7. Wagner and Schumann -- Appendix 1. Citations of Wagner's Possible Allusions and Influences in The Flying Dutchman -- Appendix 2. Contrary Motion Counterpoint in the First Movement of Beethoven's Ninth Symphony -- Appendix 3. Contrary Motion Counterpoint in The Flying Dutchman -- Appendix 4. Contrary Motion Counterpoint in the Fourth Movement of Schumann's Second Symphony -- Appendix 5. Contrary Motion Counterpoint in the First Movement of Brahms's First Symphony -- Abbreviations -- Notes -- Works Cited -- Index |
| Record Nr. | UNINA-9910788010803321 |
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Reynolds Christopher A.
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| Oakland, California : , : University of California Press, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Wagner, Schumann, and the lessons of Beethoven's Ninth / / Christopher Alan Reynolds
| Wagner, Schumann, and the lessons of Beethoven's Ninth / / Christopher Alan Reynolds |
| Autore | Reynolds Christopher A. |
| Pubbl/distr/stampa | Oakland, California : , : University of California Press, , 2015 |
| Descrizione fisica | 1 online resource (227 p.) |
| Disciplina | 780.943/09034 |
| Soggetto topico | Symphonies - 19th century - Analysis, appreciation |
| Soggetto non controllato |
18th century composers
19th century classical music 19th century composers bach beethoven beethovens influence on music beethovens influence beethovens ninth symphony brahms classical composers classical music studies classical music classical contrary motion in music contrary motion ludwig von beethoven music composition music history music musical theory musicians schumann symphonies symphony composers symphony the flying dutchman wagner |
| ISBN | 0-520-96097-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Preface -- Acknowledgments -- Introduction -- Chapter 1. Wagner's Faustian Understanding of Beethoven's Ninth -- Chapter 2. The Impact of Beethoven's Ninth on The Flying Dutchman -- Chapter 3. Wagner, Thematic Dispersion, and Contrary Motion -- Chapter 4. Schumann, Thematic Dispersion, and Contrary Motion -- Chapter 5. Late Schumann, Wagner, and Bach -- Chapter 6. Brahms's Triple Response to the Ninth -- Chapter 7. Wagner and Schumann -- Appendix 1. Citations of Wagner's Possible Allusions and Influences in The Flying Dutchman -- Appendix 2. Contrary Motion Counterpoint in the First Movement of Beethoven's Ninth Symphony -- Appendix 3. Contrary Motion Counterpoint in The Flying Dutchman -- Appendix 4. Contrary Motion Counterpoint in the Fourth Movement of Schumann's Second Symphony -- Appendix 5. Contrary Motion Counterpoint in the First Movement of Brahms's First Symphony -- Abbreviations -- Notes -- Works Cited -- Index |
| Record Nr. | UNINA-9910817185703321 |
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Reynolds Christopher A.
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||
| Oakland, California : , : University of California Press, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Why classical music still matters [[electronic resource] /] / Lawrence Kramer
| Why classical music still matters [[electronic resource] /] / Lawrence Kramer |
| Autore | Kramer Lawrence <1946-> |
| Pubbl/distr/stampa | Berkeley, Calif. ; ; London, : University of California Press, 2007 |
| Descrizione fisica | 1 online resource (252 p.) |
| Disciplina | 781.68 |
| Soggetto topico |
Music - Philosophy and aesthetics
Musical analysis |
| Soggetto non controllato |
18th century
academic apologists chopin classical composers classical music classical musicians composers gershwin human nature johann sebastian bach johannes brahms love song media mozart music lovers music performance music studies musical composers musical history musicians piano music popular culture ravel scholarly schubert schumann technology |
| ISBN |
1-281-75247-9
9786611752477 1-4294-7181-6 0-520-93364-8 1-4337-0967-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- In Lieu Of A Preface -- Chapter One. Classical Music And Its Values -- Chapter Two. The Fate Of Melody And The Dream Of Return -- Chapter Three. Score And Performance, Performance And Film: Classical Music As Liberating Energy -- Chapter Four. But Not For Me: Love Song And The Heartache Of Modern Life -- Chapter Five. The Ghost In The Machine: Keyboard Rhapsodies -- Chapter Six. Crisis And Memory: The Music Of Lost Time -- Chapter Seven. Persephone's Fiddle: The Value Of Classical Music -- References -- Index |
| Record Nr. | UNINA-9910784420403321 |
|
Kramer Lawrence <1946->
|
||
| Berkeley, Calif. ; ; London, : University of California Press, 2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Why classical music still matters / / Lawrence Kramer
| Why classical music still matters / / Lawrence Kramer |
| Autore | Kramer Lawrence <1946-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berkeley, Calif. ; ; London, : University of California Press, 2007 |
| Descrizione fisica | 1 online resource (252 p.) |
| Disciplina | 781.68 |
| Soggetto topico |
Music - Philosophy and aesthetics
Musical analysis |
| Soggetto non controllato |
18th century
academic apologists chopin classical composers classical music classical musicians composers gershwin human nature johann sebastian bach johannes brahms love song media mozart music lovers music performance music studies musical composers musical history musicians piano music popular culture ravel scholarly schubert schumann technology |
| ISBN |
1-281-75247-9
9786611752477 1-4294-7181-6 0-520-93364-8 1-4337-0967-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- In Lieu Of A Preface -- Chapter One. Classical Music And Its Values -- Chapter Two. The Fate Of Melody And The Dream Of Return -- Chapter Three. Score And Performance, Performance And Film: Classical Music As Liberating Energy -- Chapter Four. But Not For Me: Love Song And The Heartache Of Modern Life -- Chapter Five. The Ghost In The Machine: Keyboard Rhapsodies -- Chapter Six. Crisis And Memory: The Music Of Lost Time -- Chapter Seven. Persephone's Fiddle: The Value Of Classical Music -- References -- Index |
| Record Nr. | UNINA-9910810644303321 |
|
Kramer Lawrence <1946->
|
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| Berkeley, Calif. ; ; London, : University of California Press, 2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||