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Emblems of eloquence [[electronic resource] ] : opera and women's voices in seventeenth-century Venice / / Wendy Heller
| Emblems of eloquence [[electronic resource] ] : opera and women's voices in seventeenth-century Venice / / Wendy Heller |
| Autore | Heller Wendy Beth |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2003 |
| Descrizione fisica | 1 online resource (407 p.) |
| Disciplina | 782.1/082/094531 |
| Soggetto topico |
Opera - Italy - Venice - 17th century
Women in opera |
| Soggetto non controllato |
17th century
androgyny antiquity callisto carthage cavalli chastity classical classicism desire dido diodorus siculus drama empress erotic female characters female power female vocality feminism gender studies gender messalina monteverdi music musicology mythological women mythology nonfiction nymph octavia opera women opera ovid pallavicino performing arts purity semiramis sexuality tacitus theater transvestism venetian opera virgil women womens rights ziani |
| ISBN |
1-282-35669-0
0-520-91934-3 9786612356698 1-59734-592-X |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | The emblematic woman -- Bizzarrie femminile : opera and the Accademia degli incogniti -- Didone and the voice of chastity -- 'Disprezzata regina' : woman and empire -- The nymph Calisto and the myth of female pleasure -- Semiramide and the conventions of musical transvestism -- Messalina la meretrice : envoicing the courtesan. |
| Record Nr. | UNINA-9910777355003321 |
Heller Wendy Beth
|
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| Berkeley, : University of California Press, c2003 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The Etruscans in the modern imagination / / Sam Solecki
| The Etruscans in the modern imagination / / Sam Solecki |
| Autore | Solecki Sam |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Montreal, Quebec : , : McGill-Queen's University Press, , [2022] |
| Descrizione fisica | 1 online resource (343 pages) |
| Disciplina | 937.5 |
| Collana | McGill-Queen's Studies in the History of Ideas |
| Soggetto topico | Etruscans |
| Soggetto non controllato |
Mediterranean
affinity cultural and national ancient civilizations assimilation classical conquest dance decline disappearance dissemination empires federalism genocide grand tour historiography ideological indigenous influence inventing the past linguistic genocide multicultural multivocal mythologies of unlucky conquered nations peoples unlucky in history pleasure religion superstition syncretic taste and antiquity the disappeared tomb paintings tombs uses of the past vanished civilizations |
| ISBN |
0-2280-1577-4
0-2280-1576-6 |
| Classificazione | cci1icc |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front Matter -- Contents -- Illustrations -- Preface: The Return of the Repressed -- Acknowledgments -- Antique Matters -- Introduction: The Etruscans from Empire to Defeat … Assimilation … Return -- Creating a Taste for the Etruscans -- Johann Joachim Winckelmann: The Etruscan Chapter in The History of the Art of Antiquity (1764) -- Sir William Hamilton and Josiah Wedgwood: The Indispensable Connoisseur and the Potter Who Made the Etruscans Visible, -- Fashionable, and Popular -- William Blake: What Is an “Etruscan” Doing in “An Island in the Moon” (1784–85)? -- Barthold Georg Niebuhr: The Return of the Etruscans in The History of Rome (1812) -- Lucien Bonaparte, Prince of Canino: Selling Out the Etruscans -- Thomas Babington Macaulay: Lays of Ancient Rome (1842), a Poem of Empire -- Mrs Hamilton Gray and George Dennis: English Travellers -- Etruscans in Basel, Rome, Massachusetts, Paris, London, and Vienna -- Johann Jakob Bachofen: Das Mutterrecht (1861), The Saga of Tanaquil (1870), and an Etruscan Queen -- Etruscan Vases: Prosper Mérimée, Stendhal, and Gustave Flaubert -- Etruscans in America: Ralph Waldo Emerson's Dream (1862), Nathaniel Hawthorne's The Marble Faun (1860), and Emily Dickinson's Etruscan Triptych -- Edgar Degas, Mary Cassatt, and Edith Reveley: The Sarcophagus of the Married Couple -- Anatole France's The Red Lily (1894), a Glance at Marcel Proust, and Etruscan Humour -- Sigmund Freud's The Interpretation of Dreams (1900): Etruscan Dreams -- The Etruscans after Lawrence -- Aldous Huxley's Etruscan Decade: Those Barren Leaves (1925) and “After the Fireworks” (1930), with a Glance at Roger Fry -- D.H. Lawrence's Etruscan Places (1932): The Invention of the Etruscans for the Twentieth Century and Margaret Drabble's Lawrentian -- The Dark Flood Rises (2016) -- Raymond Queneau: How a Restless Surrealist and Future Pataphysician Resurrected the Etruscans in The Bark Tree (1933) -- Mika Waltari's The Etruscan (1955): Civilizations in Crisis and the Fate of Spirit -- Peggy Glanville-Hicks’s Etruscan Concerto (1954): Etruscan Music Imagined -- The Etruscans Enter Our World: The Holocaust, Modernism, the Cold War, Hollywood, Phenomenology, and Marilyn Monroe -- Giorgio Bassani’s The Garden of the Finzi-Continis (1962): EtruscansJewsItalians -- Pablo Picasso, Alberto Giacometti, and David Smith: Etruscan Affinities, and a Note on Massimo Campigli -- Zbigniew Herbert and Wisława Szymborska: Etruscans, Poles, and “Peoples Unlucky in History” -- Rika Lesser’s Etruscan Things (1983): If Stones Could Speak or Lithic Prosopopoeia -- Don Siegel’s The Killers (1964) and William Gibson’s Idoru (1996): When Is an Etruscan Not an Etruscan? -- Anne Carson: “Canicula di Anna” (1984) and Norma Jeane Baker in Etruria -- Afterword: Nostos -- Appendix: Etruscan Sightings -- Bibliography -- Index |
| Record Nr. | UNINA-9910795997903321 |
|
Solecki Sam
|
||
| Montreal, Quebec : , : McGill-Queen's University Press, , [2022] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The Etruscans in the modern imagination / / Sam Solecki
| The Etruscans in the modern imagination / / Sam Solecki |
| Autore | Solecki Sam |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Montreal, Quebec : , : McGill-Queen's University Press, , [2022] |
| Descrizione fisica | 1 online resource (343 pages) |
| Disciplina | 937.5 |
| Collana | McGill-Queen's Studies in the History of Ideas |
| Soggetto topico | Etruscans |
| Soggetto non controllato |
Mediterranean
affinity cultural and national ancient civilizations assimilation classical conquest dance decline disappearance dissemination empires federalism genocide grand tour historiography ideological indigenous influence inventing the past linguistic genocide multicultural multivocal mythologies of unlucky conquered nations peoples unlucky in history pleasure religion superstition syncretic taste and antiquity the disappeared tomb paintings tombs uses of the past vanished civilizations |
| ISBN |
0-2280-1577-4
0-2280-1576-6 |
| Classificazione | cci1icc |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front Matter -- Contents -- Illustrations -- Preface: The Return of the Repressed -- Acknowledgments -- Antique Matters -- Introduction: The Etruscans from Empire to Defeat … Assimilation … Return -- Creating a Taste for the Etruscans -- Johann Joachim Winckelmann: The Etruscan Chapter in The History of the Art of Antiquity (1764) -- Sir William Hamilton and Josiah Wedgwood: The Indispensable Connoisseur and the Potter Who Made the Etruscans Visible, -- Fashionable, and Popular -- William Blake: What Is an “Etruscan” Doing in “An Island in the Moon” (1784–85)? -- Barthold Georg Niebuhr: The Return of the Etruscans in The History of Rome (1812) -- Lucien Bonaparte, Prince of Canino: Selling Out the Etruscans -- Thomas Babington Macaulay: Lays of Ancient Rome (1842), a Poem of Empire -- Mrs Hamilton Gray and George Dennis: English Travellers -- Etruscans in Basel, Rome, Massachusetts, Paris, London, and Vienna -- Johann Jakob Bachofen: Das Mutterrecht (1861), The Saga of Tanaquil (1870), and an Etruscan Queen -- Etruscan Vases: Prosper Mérimée, Stendhal, and Gustave Flaubert -- Etruscans in America: Ralph Waldo Emerson's Dream (1862), Nathaniel Hawthorne's The Marble Faun (1860), and Emily Dickinson's Etruscan Triptych -- Edgar Degas, Mary Cassatt, and Edith Reveley: The Sarcophagus of the Married Couple -- Anatole France's The Red Lily (1894), a Glance at Marcel Proust, and Etruscan Humour -- Sigmund Freud's The Interpretation of Dreams (1900): Etruscan Dreams -- The Etruscans after Lawrence -- Aldous Huxley's Etruscan Decade: Those Barren Leaves (1925) and “After the Fireworks” (1930), with a Glance at Roger Fry -- D.H. Lawrence's Etruscan Places (1932): The Invention of the Etruscans for the Twentieth Century and Margaret Drabble's Lawrentian -- The Dark Flood Rises (2016) -- Raymond Queneau: How a Restless Surrealist and Future Pataphysician Resurrected the Etruscans in The Bark Tree (1933) -- Mika Waltari's The Etruscan (1955): Civilizations in Crisis and the Fate of Spirit -- Peggy Glanville-Hicks’s Etruscan Concerto (1954): Etruscan Music Imagined -- The Etruscans Enter Our World: The Holocaust, Modernism, the Cold War, Hollywood, Phenomenology, and Marilyn Monroe -- Giorgio Bassani’s The Garden of the Finzi-Continis (1962): EtruscansJewsItalians -- Pablo Picasso, Alberto Giacometti, and David Smith: Etruscan Affinities, and a Note on Massimo Campigli -- Zbigniew Herbert and Wisława Szymborska: Etruscans, Poles, and “Peoples Unlucky in History” -- Rika Lesser’s Etruscan Things (1983): If Stones Could Speak or Lithic Prosopopoeia -- Don Siegel’s The Killers (1964) and William Gibson’s Idoru (1996): When Is an Etruscan Not an Etruscan? -- Anne Carson: “Canicula di Anna” (1984) and Norma Jeane Baker in Etruria -- Afterword: Nostos -- Appendix: Etruscan Sightings -- Bibliography -- Index |
| Record Nr. | UNINA-9910819603003321 |
|
Solecki Sam
|
||
| Montreal, Quebec : , : McGill-Queen's University Press, , [2022] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Sovereign feminine [[electronic resource] ] : music and gender in eighteenth-century Germany / / Matthew Head
| Sovereign feminine [[electronic resource] ] : music and gender in eighteenth-century Germany / / Matthew Head |
| Autore | Head Matthew |
| Pubbl/distr/stampa | Berkeley, : University of California Press, 2013 |
| Descrizione fisica | 1 online resource (351 p.) |
| Disciplina | 780.82/0943 |
| Soggetto topico |
Gender identity in music
Women musicians - Germany - History - 18th century |
| Soggetto non controllato |
18th century
19th century art authorial autonomy beauty bourgeois ideal classical music classical commercial culture engaging female composers female excellence female musicians femininity feminocentric values fine arts gender studies german states luxury masterworks music musical canons musical composers musical history musical performers musical patriotism performing arts refinement sensibility sex social issues virtue womens history womens issues |
| ISBN | 0-520-95476-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Illustrations -- Preface and Acknowledgments -- Introduction: Fictions of Female Ascendance -- 1. Europe's Living Muses: Women, Music, and Modernity in Burney's History and Tours -- 2. "If the pretty little hand won't stretch": Music for the Fair Sex -- 3. Charlotte ("Minna") Brandes and the Beautiful Dead -- 4. An Evening in Tiefurt: Corona Schröter's Die Fischerin and Vegetable Genius -- 5. Sophie Westenholz and the Eclipse of the Female Sign -- 6. Beethoven Heroine: A Female Allegory of Music and Authorship in Egmont -- Conclusion -- Appendix: Johann Friedrich Reichardt, Two Prefaces to the Fair Sex -- Notes -- Bibliography -- Index |
| Record Nr. | UNINA-9910786240503321 |
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Head Matthew
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| Berkeley, : University of California Press, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Wagner, Schumann, and the lessons of Beethoven's Ninth / / Christopher Alan Reynolds
| Wagner, Schumann, and the lessons of Beethoven's Ninth / / Christopher Alan Reynolds |
| Autore | Reynolds Christopher A. |
| Pubbl/distr/stampa | Oakland, California : , : University of California Press, , 2015 |
| Descrizione fisica | 1 online resource (227 p.) |
| Disciplina | 780.943/09034 |
| Soggetto topico | Symphonies - 19th century - Analysis, appreciation |
| Soggetto non controllato |
18th century composers
19th century classical music 19th century composers bach beethoven beethovens influence on music beethovens influence beethovens ninth symphony brahms classical composers classical music studies classical music classical contrary motion in music contrary motion ludwig von beethoven music composition music history music musical theory musicians schumann symphonies symphony composers symphony the flying dutchman wagner |
| ISBN | 0-520-96097-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Preface -- Acknowledgments -- Introduction -- Chapter 1. Wagner's Faustian Understanding of Beethoven's Ninth -- Chapter 2. The Impact of Beethoven's Ninth on The Flying Dutchman -- Chapter 3. Wagner, Thematic Dispersion, and Contrary Motion -- Chapter 4. Schumann, Thematic Dispersion, and Contrary Motion -- Chapter 5. Late Schumann, Wagner, and Bach -- Chapter 6. Brahms's Triple Response to the Ninth -- Chapter 7. Wagner and Schumann -- Appendix 1. Citations of Wagner's Possible Allusions and Influences in The Flying Dutchman -- Appendix 2. Contrary Motion Counterpoint in the First Movement of Beethoven's Ninth Symphony -- Appendix 3. Contrary Motion Counterpoint in The Flying Dutchman -- Appendix 4. Contrary Motion Counterpoint in the Fourth Movement of Schumann's Second Symphony -- Appendix 5. Contrary Motion Counterpoint in the First Movement of Brahms's First Symphony -- Abbreviations -- Notes -- Works Cited -- Index |
| Record Nr. | UNINA-9910788010803321 |
|
Reynolds Christopher A.
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| Oakland, California : , : University of California Press, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Wagner, Schumann, and the lessons of Beethoven's Ninth / / Christopher Alan Reynolds
| Wagner, Schumann, and the lessons of Beethoven's Ninth / / Christopher Alan Reynolds |
| Autore | Reynolds Christopher A. |
| Pubbl/distr/stampa | Oakland, California : , : University of California Press, , 2015 |
| Descrizione fisica | 1 online resource (227 p.) |
| Disciplina | 780.943/09034 |
| Soggetto topico | Symphonies - 19th century - Analysis, appreciation |
| Soggetto non controllato |
18th century composers
19th century classical music 19th century composers bach beethoven beethovens influence on music beethovens influence beethovens ninth symphony brahms classical composers classical music studies classical music classical contrary motion in music contrary motion ludwig von beethoven music composition music history music musical theory musicians schumann symphonies symphony composers symphony the flying dutchman wagner |
| ISBN | 0-520-96097-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Preface -- Acknowledgments -- Introduction -- Chapter 1. Wagner's Faustian Understanding of Beethoven's Ninth -- Chapter 2. The Impact of Beethoven's Ninth on The Flying Dutchman -- Chapter 3. Wagner, Thematic Dispersion, and Contrary Motion -- Chapter 4. Schumann, Thematic Dispersion, and Contrary Motion -- Chapter 5. Late Schumann, Wagner, and Bach -- Chapter 6. Brahms's Triple Response to the Ninth -- Chapter 7. Wagner and Schumann -- Appendix 1. Citations of Wagner's Possible Allusions and Influences in The Flying Dutchman -- Appendix 2. Contrary Motion Counterpoint in the First Movement of Beethoven's Ninth Symphony -- Appendix 3. Contrary Motion Counterpoint in The Flying Dutchman -- Appendix 4. Contrary Motion Counterpoint in the Fourth Movement of Schumann's Second Symphony -- Appendix 5. Contrary Motion Counterpoint in the First Movement of Brahms's First Symphony -- Abbreviations -- Notes -- Works Cited -- Index |
| Record Nr. | UNINA-9910817185703321 |
|
Reynolds Christopher A.
|
||
| Oakland, California : , : University of California Press, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||