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Closely watched films : an introduction to the art of narrative film technique / / Marilyn Fabe
| Closely watched films : an introduction to the art of narrative film technique / / Marilyn Fabe |
| Autore | Fabe Marilyn |
| Pubbl/distr/stampa | Oakland, California : , : University of California Press, , 2004 |
| Descrizione fisica | 1 online resource (313 p.) |
| Disciplina | 791.43/015 |
| Soggetto topico |
Motion pictures - Evaluation
Motion pictures - Aesthetics Motion pictures |
| Soggetto non controllato |
analytical tools
auteur theory avatar classic films classical hollywood film classical sound theory digital media expressionism in film feminist film theory feminist theory film history film medium film scholarship film studies film theory film french new wave film hollywood italian neorealism modern sound theory modernism in film narrative film political cinema postmodernism in film realism in film shot by shot analysis soviet montage special effects the birth of a nation visual narratives |
| ISBN | 0-520-95901-9 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- 1. The Beginnings of Film Narrative: D.W. Griffith's The Birth of a Nation -- 2 The Art of Montage: Sergei Eisenstein's The Battleship Potemkin -- 3. Expressionism and Realism in Film Form: F.W. Murnau's The Last Laugh and Charles Chaplin's The Adventurer -- 4. The Conversion to Sound and the Classical Hollywood Film: Howard Hawks's His Girl Friday -- 5. Expressive Realism: Orson Welles's Citizen Kane -- 6. Italian Neorealism: Vittorio De Sica's The Bicycle Thief -- 7. Auteur Theory and the French New Wave: François Truffaut's The 400 Blows -- 8. Hollywood Auteur: Alfred Hitchcock's Notorious -- 9. The European Art Film: Federico Fellini's 8 1/2 -- 10. Film and Postmodernism: Woody Allen's Annie Hall -- 11. Political Cinema: Spike Lee's Do the Right Thing -- 12. Feminism and Film Form: Patricia Rozema's I've Heard the Mermaids Singing -- 13. Digital Video and New Forms of Narrative: Mike Figgis's Timecode and James Cameron's Avatar -- Notes -- Glossary -- Bibliography -- Index |
| Record Nr. | UNINA-9910787197203321 |
Fabe Marilyn
|
||
| Oakland, California : , : University of California Press, , 2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Closely watched films : an introduction to the art of narrative film technique / / Marilyn Fabe
| Closely watched films : an introduction to the art of narrative film technique / / Marilyn Fabe |
| Autore | Fabe Marilyn |
| Pubbl/distr/stampa | Oakland, California : , : University of California Press, , 2004 |
| Descrizione fisica | 1 online resource (313 p.) |
| Disciplina | 791.43/015 |
| Soggetto topico |
Motion pictures - Evaluation
Motion pictures - Aesthetics Motion pictures |
| Soggetto non controllato |
analytical tools
auteur theory avatar classic films classical hollywood film classical sound theory digital media expressionism in film feminist film theory feminist theory film history film medium film scholarship film studies film theory film french new wave film hollywood italian neorealism modern sound theory modernism in film narrative film political cinema postmodernism in film realism in film shot by shot analysis soviet montage special effects the birth of a nation visual narratives |
| ISBN | 0-520-95901-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- 1. The Beginnings of Film Narrative: D.W. Griffith's The Birth of a Nation -- 2 The Art of Montage: Sergei Eisenstein's The Battleship Potemkin -- 3. Expressionism and Realism in Film Form: F.W. Murnau's The Last Laugh and Charles Chaplin's The Adventurer -- 4. The Conversion to Sound and the Classical Hollywood Film: Howard Hawks's His Girl Friday -- 5. Expressive Realism: Orson Welles's Citizen Kane -- 6. Italian Neorealism: Vittorio De Sica's The Bicycle Thief -- 7. Auteur Theory and the French New Wave: François Truffaut's The 400 Blows -- 8. Hollywood Auteur: Alfred Hitchcock's Notorious -- 9. The European Art Film: Federico Fellini's 8 1/2 -- 10. Film and Postmodernism: Woody Allen's Annie Hall -- 11. Political Cinema: Spike Lee's Do the Right Thing -- 12. Feminism and Film Form: Patricia Rozema's I've Heard the Mermaids Singing -- 13. Digital Video and New Forms of Narrative: Mike Figgis's Timecode and James Cameron's Avatar -- Notes -- Glossary -- Bibliography -- Index |
| Record Nr. | UNINA-9910820139803321 |
|
Fabe Marilyn
|
||
| Oakland, California : , : University of California Press, , 2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Sunset Boulevard [[electronic resource] /] / Billy Wilder ; with an introduction by Jeffrey Meyers
| Sunset Boulevard [[electronic resource] /] / Billy Wilder ; with an introduction by Jeffrey Meyers |
| Autore | Wilder Billy <1906-2002.> |
| Pubbl/distr/stampa | Berkeley, Calif., : University of California Press, c1999 |
| Descrizione fisica | 1 online resource (148 p.) |
| Disciplina | 791.43/72 |
| Soggetto topico | Motion picture plays |
| Soggetto non controllato |
academy awards
actors actresses art arts behind the camera billy wilder charles brackett cinema classic films classic hollywood dm marshman jr drama famous films film history film script film filmmaking hollywood insider hollywood media studies media nonfiction performing arts popular culture price of fame screenplay silver screen studio system sunset boulevard theater |
| ISBN |
1-280-59297-4
9786613622808 0-520-92283-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Introduction -- SUNSET BOULEVARD |
| Record Nr. | UNINA-9910779009403321 |
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Wilder Billy <1906-2002.>
|
||
| Berkeley, Calif., : University of California Press, c1999 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||