Almost Hollywood, Nearly New Orleans : The Lure of the Local Film Economy / / Vicki Mayer
| Almost Hollywood, Nearly New Orleans : The Lure of the Local Film Economy / / Vicki Mayer |
| Autore | Mayer Vicki <1971-> |
| Pubbl/distr/stampa | Oakland, California : , : University of California Press, , [2017] |
| Descrizione fisica | 1 online resource (xi, 147 pages) : illustrations (some colour); digital, PDF file(s) |
| Disciplina | 791.4309763/35 |
| Soggetto topico | Motion picture industry - Louisiana - New Orleans |
| Soggetto non controllato |
academic
american south career cinema studies economy film crew film economy film studies film filming hollywood south hollywood local film los angeles making money making movies media money movie star movies multimedia new orleans press coverage regional film economies regional film saving money scholarly southern california television |
| ISBN | 0-520-96717-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Prologue : I'm just a film tax credit -- Introduction : presenting Hollywood South -- The making of regional film economies : why La. is not L.A. -- Hollywood South : structural to visceral reorganizations of space -- The place of Treme in the film economy : love and labor for Hollywood South -- (Almost a) conclusion -- Appendix : a guide to decoding film economy claims and press coverage. |
| Record Nr. | UNISA-996333148203316 |
Mayer Vicki <1971->
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| Oakland, California : , : University of California Press, , [2017] | ||
| Lo trovi qui: Univ. di Salerno | ||
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Americanizing the movies and "movie-mad" audiences, 1910-1914 [[electronic resource] /] / Richard Abel
| Americanizing the movies and "movie-mad" audiences, 1910-1914 [[electronic resource] /] / Richard Abel |
| Autore | Abel Richard <1941-> |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2006 |
| Descrizione fisica | 1 online resource (392 p.) |
| Disciplina | 791.430973 |
| Soggetto topico |
Motion pictures - United States - History
Motion pictures - Social aspects - United States Nationalism - United States |
| Soggetto non controllato |
1910s
american cinema american history americanizing film animal films anthropologists cinema studies civil war films critical analysis detective films early cinema film distribution film historians film industry film scholars film studies immigrant culture movie audiences moviegoing national identity nonfiction study popular film genres sensational melodramas sociologists united states westerns working class culture |
| ISBN |
1-282-35839-1
0-520-93952-2 9786612358395 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Illustrations -- Acknowledgments -- L'Envoi of Moving Pictures -- Introduction -- Chapter 1. American Variety and/or Foreign Features -- Entr'acte 1. Mapping the Local Terrain of Exhibition -- Chapter 2. The "Usable Past" of Westerns -- Entr'acte 2. Moviegoing Habits and Everyday Life -- Chapter 3. The "Usable Past" of Westerns -- Entr'acte 3. A "Forgotten" Part of the Program -- Chapter 4. The "Usable Past" of Civil War Films -- Entr'acte 4. Another "Forgotten" Part of the Program -- Chapter 5. The "Usable Present" of Thrillers -- Entr'acte 5. Trash Twins -- Chapter 6. "The Power of Personality in Pictures" -- Notes -- Bibliography -- Index |
| Altri titoli varianti | Imagined community of United States cinema |
| Record Nr. | UNINA-9910782201003321 |
Abel Richard <1941->
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| Berkeley, : University of California Press, c2006 | ||
| Lo trovi qui: Univ. Federico II | ||
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Andre Bazin's new media / / Andre Bazin ; edited and translated by Dudley Andrew
| Andre Bazin's new media / / Andre Bazin ; edited and translated by Dudley Andrew |
| Autore | Bazin André <1918-1958, > |
| Pubbl/distr/stampa | Oakland, California : , : University of California Press, , 2014 |
| Descrizione fisica | 1 online resource (590 p.) |
| Disciplina | 791.4 |
| Soggetto topico |
Television - Philosophy
Motion pictures and television Motion pictures - Philosophy |
| Soggetto non controllato |
1950s
3d film andre bazin art films art forms artistic potential cinema studies cinema cinemascope cinerama contemporary film critical thought english translation essay collection film criticism film critics film historians film reviews film scholars film students film studies media historians media studies modern film movie theory new media nonfiction social influence television textbooks visual media |
| ISBN |
0-520-28357-0
0-520-95939-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Editor's Note: About This Collection -- Introduction: André Bazin Meets the New Media of the 1950's -- PART ONE. THE ONTOLOGY AND LANGUAGE OF TELEVISION -- PART TWO. TELEVISION AMONG THE ARTS -- PART THREE. TELEVISION AND SOCIETY -- PART FOUR. TELEVISION AND CINEMA -- PART FIVE. CINERAMA AND 3D -- PART SIX. CINEMASCOPE -- PART SEVEN. FINALE -- Appendix: A Selective Reference Guide to 1950's French Television -- Index |
| Record Nr. | UNINA-9910791151703321 |
Bazin André <1918-1958, >
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| Oakland, California : , : University of California Press, , 2014 | ||
| Lo trovi qui: Univ. Federico II | ||
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Andre Bazin's new media / / Andre Bazin ; edited and translated by Dudley Andrew
| Andre Bazin's new media / / Andre Bazin ; edited and translated by Dudley Andrew |
| Autore | Bazin André <1918-1958, > |
| Pubbl/distr/stampa | Oakland, California : , : University of California Press, , 2014 |
| Descrizione fisica | 1 online resource (590 p.) |
| Disciplina | 791.4 |
| Soggetto topico |
Television - Philosophy
Motion pictures and television Motion pictures - Philosophy |
| Soggetto non controllato |
1950s
3d film andre bazin art films art forms artistic potential cinema studies cinema cinemascope cinerama contemporary film critical thought english translation essay collection film criticism film critics film historians film reviews film scholars film students film studies media historians media studies modern film movie theory new media nonfiction social influence television textbooks visual media |
| ISBN |
0-520-28357-0
0-520-95939-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Editor's Note: About This Collection -- Introduction: André Bazin Meets the New Media of the 1950's -- PART ONE. THE ONTOLOGY AND LANGUAGE OF TELEVISION -- PART TWO. TELEVISION AMONG THE ARTS -- PART THREE. TELEVISION AND SOCIETY -- PART FOUR. TELEVISION AND CINEMA -- PART FIVE. CINERAMA AND 3D -- PART SIX. CINEMASCOPE -- PART SEVEN. FINALE -- Appendix: A Selective Reference Guide to 1950's French Television -- Index |
| Record Nr. | UNINA-9910809787503321 |
Bazin André <1918-1958, >
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| Oakland, California : , : University of California Press, , 2014 | ||
| Lo trovi qui: Univ. Federico II | ||
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The Extraordinary Image : Orson Welles, Alfred Hitchcock, Stanley Kubrick, and the Reimagining of Cinema / / Robert P. Kolker
| The Extraordinary Image : Orson Welles, Alfred Hitchcock, Stanley Kubrick, and the Reimagining of Cinema / / Robert P. Kolker |
| Autore | Kolker Robert Phillip |
| Pubbl/distr/stampa | New Brunswick, NJ : , : Rutgers University Press, , [2016] |
| Descrizione fisica | 1 online resource (246 pages) : illustrations |
| Disciplina | 791.430973 |
| Soggetto topico | Motion pictures - United States |
| Soggetto non controllato |
2001 a space odyssey
2001 black and white cinema studies cinema cinematography citizen kane classic film clockwork orange directing film history film studies film filmmaker filmmaking hitchcock psycho rear window the birds vertigo welles |
| ISBN |
0-8135-8311-X
0-8135-8312-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- CONTENTS -- List of Illustrations -- Acknowledgments -- Prelude -- The Passion of Film -- What We Talk about When We Talk about Film -- The Body of Work -- Origins -- The Films They Made -- The Work of the Body -- Hunger Artists -- Apollo, Dionysus, and Nemesis -- Embodiment and Performance -- Form, Time, and Space -- Spatial Illusions -- Conventional Spaces -- Against Realism -- Touch of Evil and Psycho -- Labyrinths, Lost Time, Dying Falls -- Hitchcock and the Abyss -- The Dreamworld -- The Spaces of Space Fiction -- Cycles and Symmetry -- Photograph of a Photograph -- Power and Sexuality -- The Art of Feeling -- Coda: An Immense Shadow -- Chronology of Films by Welles, Hitchcock, and Kubrick -- Notes -- Select Bibliography -- Index |
| Record Nr. | UNINA-9910154624103321 |
Kolker Robert Phillip
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| New Brunswick, NJ : , : Rutgers University Press, , [2016] | ||
| Lo trovi qui: Univ. Federico II | ||
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Film as Embodied Art : Bodily Meaning in the Cinema of Stanley Kubrick / / Maarten Coëgnarts
| Film as Embodied Art : Bodily Meaning in the Cinema of Stanley Kubrick / / Maarten Coëgnarts |
| Autore | Coëgnarts Maarten |
| Pubbl/distr/stampa | Boston, MA : , : Academic Studies Press, , [2019] |
| Descrizione fisica | 1 online resource (264 p.) |
| Disciplina | 791.430233092 |
| Soggetto topico | Film theory & criticism |
| Soggetto genere / forma | Electronic books. |
| Soggetto non controllato |
2001: A Space Odyssey
20th century film Barry Lyndon Eyes Wide Shut Paths of Glory Stanley Kubrick The Shining aesthetics artistic intention cinema studies cognitive film theory cognitive linguistics communication directing embodied cognitive science embodied meaning evolutionary theory film as language film scores film semiotics film studies film filmmaking metaphor methodology music perception philosophy psychoanalysis screenwriting semiotics twentieth century film |
| ISBN | 1-64469-113-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction. The Theoretical Context of This Study -- Chapter 1. Identifying the Meaning: In Search of the Concepts of Kubrick's Films -- Chapter 2. Embodying the Meaning: The Role of Image Schemas, Metaphors, and Metonymies -- Chapter 3. Setting the Conditions of Embodied Meaning-Making in Film: The Role of Film Style and Acting -- Chapter 4. Fleshing Out the Embodied Meaning Visually: The Art of Kubrick -- Chapter 5. Seeing and Listening to Kubrick's Films: The Embodied Film Viewer -- Appendix -- Glossary -- Filmography -- Discography -- Bibliography -- Index |
| Record Nr. | UNINA-9910342949503321 |
Coëgnarts Maarten
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| Boston, MA : , : Academic Studies Press, , [2019] | ||
| Lo trovi qui: Univ. Federico II | ||
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Film as Embodied Art : Bodily Meaning in the Cinema of Stanley Kubrick / / Maarten Coëgnarts
| Film as Embodied Art : Bodily Meaning in the Cinema of Stanley Kubrick / / Maarten Coëgnarts |
| Autore | Coëgnarts Maarten |
| Pubbl/distr/stampa | Boston, MA : , : Academic Studies Press, , [2019] |
| Descrizione fisica | 1 online resource (264 p.) |
| Disciplina | 791.430233092 |
| Soggetto topico | Film theory & criticism |
| Soggetto genere / forma | Electronic books. |
| Soggetto non controllato |
2001: A Space Odyssey
20th century film Barry Lyndon Eyes Wide Shut Paths of Glory Stanley Kubrick The Shining aesthetics artistic intention cinema studies cognitive film theory cognitive linguistics communication directing embodied cognitive science embodied meaning evolutionary theory film as language film scores film semiotics film studies film filmmaking metaphor methodology music perception philosophy psychoanalysis screenwriting semiotics twentieth century film |
| ISBN | 1-64469-113-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction. The Theoretical Context of This Study -- Chapter 1. Identifying the Meaning: In Search of the Concepts of Kubrick's Films -- Chapter 2. Embodying the Meaning: The Role of Image Schemas, Metaphors, and Metonymies -- Chapter 3. Setting the Conditions of Embodied Meaning-Making in Film: The Role of Film Style and Acting -- Chapter 4. Fleshing Out the Embodied Meaning Visually: The Art of Kubrick -- Chapter 5. Seeing and Listening to Kubrick's Films: The Embodied Film Viewer -- Appendix -- Glossary -- Filmography -- Discography -- Bibliography -- Index |
| Record Nr. | UNISA-996333144103316 |
Coëgnarts Maarten
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| Boston, MA : , : Academic Studies Press, , [2019] | ||
| Lo trovi qui: Univ. di Salerno | ||
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Great Directors at Work : Stanislavsky, Brecht, Kazan, Brook / / David Richard Jones
| Great Directors at Work : Stanislavsky, Brecht, Kazan, Brook / / David Richard Jones |
| Autore | Jones David Richard |
| Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [1986] |
| Descrizione fisica | 1 online resource (300 p.) |
| Disciplina |
792.023
792.02330722 792/.0233/0922 |
| Soggetto topico |
Brecht, Bertolt, 1898-1956 -- Knowledge -- Performing arts
Brecht, Bertolt, 1898-1956 Brook, Peter Chaika Chekhov, Anton Pavlovich, 1860-1904 Kazan, Elia Mutter Courage und ihre Kinder Stanislavsky, Konstantin, 1863-1938 Streetcar named Desire Theater - Production and direction Theater -- Production and direction Theatrical producers and directors - Biography Theatrical producers and directors -- Biography Verfolgung und Ermordung Jean Paul Marats Weiss, Peter, 1916-1982 Williams, Tennessee, 1911-1983 |
| Soggetto non controllato |
20th century
anton chekhov auteur bertolt brecht cinema history cinema studies contemporary film contemporary theatre culture directing plays directing director drama elia kazan famous directors film history film making filmmaking history of cinema history of film history of theatre konstantin stanislavsky modern film modern plays modern theatre mother courage peter brook plays playwright stage director stage productions stage streetcar named desire theatre directing theatre theatrical |
| ISBN |
1-282-35535-X
9786612355356 0-520-90857-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. Konstantin Stanislavsky and The Seagull: The Paper Stage -- 2. Bertolt Brecht and Couragemodell 1949: Meaning in Detail -- 3. Elia Kazan and A Streetcar Named Desire: A Director at Work -- 4. Peter Brook and Marat/Sade: Workshop and Production -- Notes -- Index |
| Record Nr. | UNINA-9910777946903321 |
Jones David Richard
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| Berkeley, CA : , : University of California Press, , [1986] | ||
| Lo trovi qui: Univ. Federico II | ||
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Metropolis in the making [[electronic resource] ] : Los Angeles in the 1920s / / edited by Tom Sitton and William Deverell
| Metropolis in the making [[electronic resource] ] : Los Angeles in the 1920s / / edited by Tom Sitton and William Deverell |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2001 |
| Descrizione fisica | 1 online resource (385 p.) |
| Disciplina | 979.4/94052 |
| Altri autori (Persone) |
SittonTom <1949->
DeverellWilliam Francis |
| Soggetto topico |
City planning - California - Los Angeles - History - 20th century
Nineteen twenties |
| Soggetto non controllato |
1920s
academic automobile automotive history cars cinema studies city of angels essay anthology essay collection essays film studies film finance financial hollywood illustrated industrial industry los angeles metro metropolis movie studios photographs race issues racism racist scholarly southern california suburban sprawl suburban suburbs urban vehicles |
| ISBN |
1-283-27711-5
9786613277114 0-520-93552-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | pt. 1. Metropolitan spaces -- pt. 2. Metropolitan idenities -- pt. 3. Faith in the metropolis -- pt. 4. Metropolis -- pt. 5. The end : metropolitan finale. |
| Record Nr. | UNINA-9910781311703321 |
| Berkeley, : University of California Press, c2001 | ||
| Lo trovi qui: Univ. Federico II | ||
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Michelangelo red Antonioni blue [[electronic resource] ] : eight reflections on cinema / / Murray Pomerance
| Michelangelo red Antonioni blue [[electronic resource] ] : eight reflections on cinema / / Murray Pomerance |
| Autore | Pomerance Murray <1946-> |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2011 |
| Descrizione fisica | 1 online resource (321 p.) |
| Disciplina | 791.4302/33092 |
| Soggetto topico | PERFORMING ARTS / Film & Video / General |
| Soggetto non controllato |
1960s
art film beyond the clouds blow up cinema scholars cinema studies cinemaphiles discussion books essay collection famous directors film analysis film and culture film criticism film critics film historians film production film scholars film studies filmmakers identification of a woman michelangelo antonioni modernism modernist film nonfiction essays pop culture space in film the dangerous thread of things the red desert zabriskie point |
| ISBN |
1-283-29178-9
0-520-94830-0 9786613291783 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- Beyond the clouds -- Identification of a woman -- The Red Desert -- The dangerous thread of things -- The mystery of Oberwald -- Zabriskie Point -- The passenger -- Blow-up. |
| Record Nr. | UNINA-9910786709303321 |
Pomerance Murray <1946->
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| Berkeley, : University of California Press, c2011 | ||
| Lo trovi qui: Univ. Federico II | ||
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