Chanting down the new Jerusalem [[electronic resource] ] : calypso, Christianity, and capitalism in the Caribbean / / Francio Guadeloupe |
Autore | Guadeloupe Francio <1971-> |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2009 |
Descrizione fisica | 1 online resource (271 p.) |
Disciplina | 305.80097297/6 |
Collana | Anthropology of Christianity |
Soggetto topico |
Ethnology - Saint Martin (West Indies)
Ethnicity - Saint Martin (West Indies) Anthropology of religion - Saint Martin (West Indies) Religion and culture - Saint Martin (West Indies) Disc jockeys - Social aspects - Saint Martin (West Indies) Music - Social aspects - Saint Martin (West Indies) |
Soggetto non controllato |
anthropology
attitude binational caribbean island calypso capitalism capitalist survival caribbean sea caribbean christian faith christianity cultural studies dj cimarron dj shadow ethnography ethos hip hop music multiethnic island nation multireligious island nation music musical creativity politics radio disc jockey rastafari individuality rastafarian religious anthropology saint martin sint maarten social classes spiritual tolerance tourism |
ISBN |
1-282-77246-5
9786612772467 0-520-94263-9 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Illustrations -- Acknowledgments -- Introduction: A New Jerusalem in the Caribbean Sea -- Chapter 1. So Many Men, So Many Histories: The History that Matters to the Islanders -- Chapter 2. Performing Identities on Saint Martin and Sint Maarten -- Chapter 3. Christianity as a Metalanguage of Inclusiveness -- Chapter 4. Clarke's Two Vitamin C's for Successful Living -- Chapter 5. DJ Shadow's Prescription for Rastafari Individuality -- Chapter 6. The Hip-Hop- and Christian-Inspired Metaphysics of DJ Cimarron -- Conclusion -- Notes -- References -- Index |
Record Nr. | UNINA-9910788801803321 |
Guadeloupe Francio <1971-> | ||
Berkeley, : University of California Press, c2009 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Chanting down the new Jerusalem [[electronic resource] ] : calypso, Christianity, and capitalism in the Caribbean / / Francio Guadeloupe |
Autore | Guadeloupe Francio <1971-> |
Pubbl/distr/stampa | Berkeley, : University of California Press, c2009 |
Descrizione fisica | 1 online resource (271 p.) |
Disciplina | 305.80097297/6 |
Collana | Anthropology of Christianity |
Soggetto topico |
Ethnology - Saint Martin (West Indies)
Ethnicity - Saint Martin (West Indies) Anthropology of religion - Saint Martin (West Indies) Religion and culture - Saint Martin (West Indies) Disc jockeys - Social aspects - Saint Martin (West Indies) Music - Social aspects - Saint Martin (West Indies) |
Soggetto non controllato |
anthropology
attitude binational caribbean island calypso capitalism capitalist survival caribbean sea caribbean christian faith christianity cultural studies dj cimarron dj shadow ethnography ethos hip hop music multiethnic island nation multireligious island nation music musical creativity politics radio disc jockey rastafari individuality rastafarian religious anthropology saint martin sint maarten social classes spiritual tolerance tourism |
ISBN |
1-282-77246-5
9786612772467 0-520-94263-9 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Illustrations -- Acknowledgments -- Introduction: A New Jerusalem in the Caribbean Sea -- Chapter 1. So Many Men, So Many Histories: The History that Matters to the Islanders -- Chapter 2. Performing Identities on Saint Martin and Sint Maarten -- Chapter 3. Christianity as a Metalanguage of Inclusiveness -- Chapter 4. Clarke's Two Vitamin C's for Successful Living -- Chapter 5. DJ Shadow's Prescription for Rastafari Individuality -- Chapter 6. The Hip-Hop- and Christian-Inspired Metaphysics of DJ Cimarron -- Conclusion -- Notes -- References -- Index |
Record Nr. | UNINA-9910825612403321 |
Guadeloupe Francio <1971-> | ||
Berkeley, : University of California Press, c2009 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Funky Nassau : Roots, Routes, and Representation in Bahamian Popular Music / / Timothy Rommen |
Autore | Rommen Timothy |
Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [2011] |
Descrizione fisica | 1 online resource (332 p.) |
Disciplina | 781.64097296 |
Collana | Music of the African Diaspora |
Soggetto topico |
Popular music - Bahamas - History and criticism
Popular music -- Bahamas -- History and criticism Popular music - History and criticism - Bahamas |
Soggetto non controllato |
afro bahamian
baha men bahamas bahamian culture bahamian musicians bay street bilby blind blake calypso caribbean carnival colonialism colony ethnomusicology former colony freedom history independence islands junkanoo music musicians national identity nonfiction popular music postcolonial rake n scrape rebellion republic revolution tourism tropical |
ISBN |
1-283-27786-7
9786613277862 0-520-94875-0 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Preface -- Acknowledgments -- Map of the Bahamas -- 1. Nassau's Gone Funky: Sounding Some Themes in Bahamian Music -- 2. "Muddy da Water": Provincializing the Center, or Recentering the Periphery through Rake-n-Scrape -- 3. "Calypso Island": Exporting the Local, Particularizing the Region, and Developing the Sounds of Goombay -- 4. "Gone ta Bay": Institutionalizing Junkanoo, Festivalizing the Nation -- 5. "A New Day Dawning": Cosmopolitanism, Roots, and Identity in the Postcolony -- 6. "Back to the Island": Travels in Paradox-Creating the Future-Past -- Epilogue -- Notes -- Bibliography -- Index |
Record Nr. | UNINA-9910789634403321 |
Rommen Timothy | ||
Berkeley, CA : , : University of California Press, , [2011] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Funky Nassau : Roots, Routes, and Representation in Bahamian Popular Music / / Timothy Rommen |
Autore | Rommen Timothy |
Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [2011] |
Descrizione fisica | 1 online resource (332 p.) |
Disciplina | 781.64097296 |
Collana | Music of the African Diaspora |
Soggetto topico |
Popular music - Bahamas - History and criticism
Popular music -- Bahamas -- History and criticism Popular music - History and criticism - Bahamas |
Soggetto non controllato |
afro bahamian
baha men bahamas bahamian culture bahamian musicians bay street bilby blind blake calypso caribbean carnival colonialism colony ethnomusicology former colony freedom history independence islands junkanoo music musicians national identity nonfiction popular music postcolonial rake n scrape rebellion republic revolution tourism tropical |
ISBN |
1-283-27786-7
9786613277862 0-520-94875-0 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Preface -- Acknowledgments -- Map of the Bahamas -- 1. Nassau's Gone Funky: Sounding Some Themes in Bahamian Music -- 2. "Muddy da Water": Provincializing the Center, or Recentering the Periphery through Rake-n-Scrape -- 3. "Calypso Island": Exporting the Local, Particularizing the Region, and Developing the Sounds of Goombay -- 4. "Gone ta Bay": Institutionalizing Junkanoo, Festivalizing the Nation -- 5. "A New Day Dawning": Cosmopolitanism, Roots, and Identity in the Postcolony -- 6. "Back to the Island": Travels in Paradox-Creating the Future-Past -- Epilogue -- Notes -- Bibliography -- Index |
Record Nr. | UNINA-9910826955403321 |
Rommen Timothy | ||
Berkeley, CA : , : University of California Press, , [2011] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|